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A 19TH CENTURY FRENCH ROUGE MARBLE MANTEL CLOCK, of eight day movement, striking on a bell, the marble circular dial with gilt Roman numerals, inscribed Barbedienne, Paris, surrounded by an ornate ormolu foliate and ribbon garland, mask handles, on claw feet, 24cm high x 60cm wide. See illustration
A LATE 19TH CENTURY FRENCH MANTEL CLOCK IN THE LOUIS XV MANNER, the verge movement with circular white enamel dial, centrally with a floral wreath, Arabic numerals, in a rectangular section white marble and ormolu mounted case, surmounted by love birds and further ornamented with foliate scrolls and crossed quiver and flambeau, stiff leaf border and frieze panel, beaded toupie feet, late 19th century, 17cm high
A LATE 19TH CENTURY FRENCH MANTEL CLOCK IN THE LOUIS XV MANNER, the Mougin cylinder movement with outside count wheel, striking on a silvered bell, the circular enamel dial painted with floral swags, set within a white marble and ormolu mounted drum case, supported by two putti and on a moulded rectangular base with beaded edge, cast toupie feet, late 19th century, 35cm high
AN EARLY 20TH CENTURY GERMAN MAHOGANY CASED MANTEL CLOCK, with an eight day chiming and striking movement, marked Junghans B32, the arched silvered dial with Arabic chapter ring, chime/silent and fast/slow subsidiary dials, the case with gadrooned pediment, fluted corners, on bracket feet, 40cm high
A PLAVE PORCELAIN MANTEL CLOCK, the Lenzkirch movement with blue and white enamel circular dial, Roman numerals, the case of floral encrusted rococo scrolling form, painted in pastel shades and gilt, mounted to the frieze with an elegant couple in 18th century attire and surmounted by a figure of a cherub, painted blue underglaze mark to underside, late 19th century, 43cm high
A French gilt brass four-glass mantel clock Samuel Marti et Cie, Paris, late 19th century The eight-day gong striking movement with twin mercury capsule `compensated` pendulum and with stamped roundel S. Marti et Cie, MEDAILLE DE BRONZE and numbered 56763 to backplate, the dial with visible Brocot escapement to the recessed gilt engine turned centre within white enamel Roman numeral chapter ring and engine turned bezel, the bowfronted bevel-glazed case with moulded cornice and ripple cast frieze above reeded Corinthian columns to angles, on curved-front cavetto moulded base incorporating shaped apron, 28cm (11ins) high.
A French Louis Philippe parcel silvered ormolu figural mantel clock Retailed by Reinhauer Freres, Hamburg, circa 1840 The eight-day outside countwheel bell striking movement with silk suspension and stamped button trademark for JAPY FRERES above engraved retail signature Reinhauer freres, Hambourg to backplate, the circular white enamel Roman numeral dial with engine turned bezel, the case finely cast with an equestrian figure of a Turk wearing elaborate robes and a turban with blunderbuss strapped to his back and sabre drawn in his right hand above naturalistic base adorned with a cactus and incorporating the dial, on plinth base with repeating pendant decorated frieze above foliate cast cavetto mounded base incorporating key pattern border over elaborate scroll cast feet, 60cm (23.5ins) high.
A French Empire ormolu mantel clock Unsigned, early 19th century The eight-day countwheel striking movement with silk suspension and circular convex cream painted Roman numeral dial within engine-turned ropetwist bezel, the case with musical trophy and laurel leaf cast surmount above rectangular upstand inset with dial above mount cast with tied foliate swag between standard uprights to apron, flanked by a pair of cherubs seated on stools applied to platforms with conforming mounts to front, on medallion centred scroll panel fronted plinth base with plain skirt and engine-turned bun feet, (with faults), 29cm (11.5ins) high.
A French Louis XVI style gilt brass mounted Siena marble mantel clock garniture Hanteau, Alencon, circa 1900 The eight-day bell striking movement stamped S.H. PARIS to backplate and with blue on white enamel Arabic numeral dial signed HANTEAU ALENCON to centre, with fine pierced and chased gilt scroll hands within engine-turned bevel glazed bezel, the case with eagle and scroll cast surmount to the circular drum flanked by ovoid finials set onto horizontal platforms supported by panel uprights fronted with laurel wreath and stylised foliate scroll cast mounts with sunburst pendulum swinging between, on demi-lune fronted skirt base with conforming mount to apron and disc feet, 31cm (12.25ins) high; with a pair of urn side pieces en-suite, each with flambeau cast finial above triform lions mask capped supports and circular base with conforming disc feet, 25.5cm (10ins) high; and a group of three giltwood stands (non-original to clock garniture).
A French inlaid rosewood small mantel clock Leroy, Paris, circa 1840 The eight-day countwheel bell striking movement with silk suspension and stamped LEROY, A PARIS, 527 to backplate, the rectangular white enamel Roman numeral dial with blued steel moon hands and repeat signature to lower margin, the rectangular case with hinged scroll cast brass handle to the rectangular panel glazed double-line inlay bordered top above conforming decorated dial surround incorporating glazed panel that can be drawn upwards from above for winding, the sides inlaid with floral sprays within conforming borders, on moulded skirt base with further marquetry scroll within double-line border decoration to fascia, 23cm (9ins) high excluding handle.
A French Louis XV style silvered brass and pewter inlaid walnut miniature mantel timepiece Planchon, Paris, late 19th century The circular eight-day movement with vertical platform cylinder escapement and numbered 4950 to backplate, the circular white enamel Roman numeral dial with Arabic five minutes to outer track, fine scroll pierced and engraved brass hands and signed Planchon, AU PALAIS-ROYAL to centre within cast convex bevel-glazed bezel, the case with surmount cast as a cockerel to concave upstand above female mask centred scroll crest over dial, the front apron inlaid with vase of flowers and foliate scrolls flanked by pendant husk cast mounts to angles, the swollen base applied with scroll terminals over pad feet with acanthus cast mount between, the sides with conforming panel decoration, 23cm (9ins) high. Matieu Planchon was apprenticed to his father and subsequently worked for several of the leading French makers including Robert Houdin prior to setting up business at Palais Royal, Paris in 1890. He specialised in high-end novelty clocks such as floating turtle timepieces and imaginative recreations of Renaissance and other historic models. An impressive Renaissance style table clock possibly made for exhibition purposes by Planchon was sold in these rooms Tuesday 6th September 2011 Lot 79.

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96233 item(s)/page