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Click here to subscribeA 19th Century French and gilt metal mounted boulle mantel clock with eight day movement striking on a gong, the embossed brass dial inset with enamel hour and minute plaques, the balloon shaped case with putto finial above foliate scroll mounts and bird mask shouldered scroll feet, height approx 44cm (faults).
A late 19th Century French gilt brass four glass mantel clock with eight day movement striking on a gong, the enamel dial with flower festoons and blue Roman and Arabic numerals, the circular foliate framed pendulum bob inset with a portrait miniature of a lady wearing a hat, signed `M. Roge`, the balloon shaped case with foliate scroll surmount and bevelled glass curved panels on a bowfront stepped base and turned feet, height approx 37cm.
A FOUR GLASS AND GILT METAL MANTEL CLOCK, the twin barrel movement striking on a gong, the back plate stamped No.1459, 3 1/2" annular enamel dial with Arabic numerals and pierced scrolling foliate recessed centre, mercury pendulum, the case with fluted quarter columns surmounted by turned finials, the frieze and apron with cast floral banding, on turned feet, 13" high (Illustrated)
A FRENCH GILT METAL AND PINK PORCELAIN MANTEL CLOCK, c.1900, the twin barrel movement striking on a bell, the back plate stamped Japy Freres, No.1706, 3" porcelain dial painted with flowers and with Roman numerals, the case with urn surmount, applied masks to the sides, oblong base with bud finials and scrolled bracket feet, conforming gilt wood stand, 13 3/4" high, under glass dome with ebonised base
A FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK, 19th century, the twin barrel movement striking on a bell and stamped P.R. 630352, 4" gilded porcelain dial painted with cherubs, in urn shaped porcelain vase flanked by cherubs and painted with lovers in a garden, pineapple finial on domed lid, female mask loop handles, moulded rounded oblong base with central cartouche, on bracket feet, 26" high (Illustrated)
A French porcelain inset ormolu mantel clock. Henry Marc, Paris, late 19th century. The eight-day bell-striking movement with circular white enamel Roman numeral dial in a drum-shaped case with pink ground gilt decorated urn surmount and lion mask ring side handles above acanthus cast support fronted with a lambrequin inset with panel of a classical female, on shaped platform base inset with further gilt hightened panels and foliate cast feet, 33cm high.
A French green onyx and brass four-glass mantel clock. Unsigned, circa 1900. The eight-day gong-striking movement with mercury compensated pendulum and circular white enamel Roman numeral dial in a bevel-glazed case with shaped onyx top and base united by caddy moulded brass uprights, on integral bracket feet, 27cm high.
An French gilt metal Art Nouveau. four-glass mantel clock. Unsigned, circa 1910. The eight-day gong striking movement with mercury compensated pendulum and stylised orchid painted white enamel circular Arabic numeral dial in a rectangular bevel-glazed case with elaborate foliate and whiplash cast pediment above caddy moulded uprights and conforming relief cast base with foliate cast feet, 35cm high.
A French Louis XVI style gilt metal and marble mantel clock Unsigned, circa 1900. The eight-day bell striking movement with floral garland painted white enamel Arabic numeral dial set into a brass drum-shaped case with marble tablet issuing foliate spray to crest, raised on four pink veined marble columns with laurel finials, on rectangular base with turned brass feet, 40cm high.
A French Charles X ormolu mantel clock Deppler, Paris, early 19th century. The eight-day bell-striking movement with silk suspension and circular gilt Roman numeral dial signed DEPPLER A PARIS to centre with egg-and-dart cast bezel in a rectangular plinth form case surmounted by the bust of a classical muse above rose spray cast spandrel mounts and frieze modelled with a lyre flanked by cherubs, on acanthus moulded base with tablet feet, 37cm high.
A French Belge noir mantel clock garniture. Unsigned, late 19th century. The eight-day bell striking movement with visible Brocot escapement to the recessed centre of the two-piece white enamel Roman numeral dial, the drum-head case with mottled red marble dial surround and rosette fronted open side scroll supports, on a rectangular base with conforming coloured marble moulding above boss-centred panel fronted apron and turned feet, 35cm high, with a pair of matching tazza side pieces each with alternating bands or red and black marble to upright and pedestal stand, each 25cm high.
A French Belge noir marble mantel clock. Roblin & Fils Freres, Paris, mid 19th century. The eight-day two train bell-striking movement with offset Brocot escapement and stamped ROBLIN, FILS FRERES, A PARIS, 21528 to backplate, the gilt brass Roman numeral dial with foliate engraved centre in a rectangular plinth-form case with ogee moulded angles and on conforming moulded plinth base, 21.5cm high.
A French lacquered and silvered brass mantel clock in the Hispano-Moresque style. Maple and Company, Paris, late 19th century. The eight-day gong-striking movement stamped MAPLE & Co. Ltd. PARIS to backplate, the white enamel Arabic numeral dial with repeat signature and gilt centre set within a gilt mask applied with a silvered Islamic arch finely cast with foliate tracery infill and Islamic script to apron, the case with onion shaped dome and spire finials above bevel-glazed front door flanked by filigree overlaid corner columns and arch overlaid panel sides, on a stepped base with integral bracket feet, 36cm high.
An ormolu mounted white marble and biscuit porcelain ‘Venus’ mantel timepiece. The design attributed to Benjamin Vulliamy, late 18th/early 19th century. The French eight-day movement with platform lever escapement vertically mounted on the backplate and white enamel Roman numeral chapter ring to the engine turned-gilt dial within a rope-twist bezel, in a case with gilt compressed urn surmount above shaped upstand housing the movement and dial, raised on a half rotunda temple-form base with conforming ovoid pedestal vase finials above the gilt-capped Tuscan columns enclosing a figure of a semi-clad Classical female holding forth a dove flanked by male and female putti, the former with a basket of fruit the latter with a birdcage, the figures set on a shaped gilt plinth with mirror behind, the whole on stepped curved base, some restoration, 49cm high. Provenance: Christies, King Street Out of The Ordinary The Discerning And Individual Taste of Christopher Gibbs And Harris Lindsay 10th May 2006 lot 236. Where the case is attributed to Benjamin Vulliamy and the figures to Derby. The design of the current lot clock is perhaps related to the model celebrating the triumph of Love with Euterpe produced by Vulliamy with Duesbury Derby figures modelled by Johann Jacob Wilhelm Spangler in the early 1790’s. Both share the use of bisque porcelain figures within a well conceived and detailed temple-form case. The proportions and refined detailing of the current lot confirms the fact that this clock was conceived by someone highly versed in Classical Arts and Architecture such as Vulliamy.
A 19th century French bronze ormolu and marble figurative eight day striking mantel clock, modelled with a naked maiden above circular enamelled dial, on shaped ormolu column raised on shaped marble plinth base, the movements stamped "D Mougin" and numbered 31, complete with pendulum and key, height 42cm (illustrated).
A 19th century French gilt metal mantel clock by Japy Freres, of classical stepped form with ornate drum encased movement with engraved onyx dial, flanked by a classical seated figurine of a maiden holding a trumpet and sheet music, raised on shaped classical base, the base inset with shaped rectangular hand painted opaque glass panel decorated with cherub, the movement stamped 853 and the case stamped PH Mourey 71, height 31.5cm (case af) (illustrated).
A late Victorian French gilt metal mantel clock with elaborately cast pierced case surmounted by shaped rectangular finial, with circular dial inset with enamelled panel shaped numeral panels, the sides with mask head handles, raised on square shaped supports, the movement no.8261 under the letter D, height 43cm, complete with pendulum and key.
A French Art Deco marble and black slate mantel clock/table lamp, with square silvered dial within bevelled glass and brass housing with marble and black slate top and plinth base, the top surmounted with a recumbent greyhound, flanked by single branch light with conical frosted glass shades, height 37cm, width 55cm (sold electrically untested).
A 19th century mahogany cased inlaid chiming mantel clock by Gustav Becker, the stepped architecturally influenced inlaid case with twin lion mask flanking handles and top finial raised on four brass bracket feet, with circular enamelled dial, the movement with trademark stamps and no.2062880, case with minor splits, height 42.5cm (illustrated).
A French Four-Glass Gilt metal Onyx and Champleve Mantel clock, of eight day movement striking on a gong, the cartouche dial with black Arabic numerals, within a champleve bezel, the pendulum inset with a ceramic roundel painted with a behatted female, the case with serpentine cresting, putto capitols flanking the dial, on bracket feet 34cm high.
A Rare Atmos J. L. Reutter Art Deco Mantel Clock, No. 2903, c.1930, the cream dial inscribed Atmos Pendule Perpetualle, Drevon Lyon, Made in France, and with black Deco numerals, applied with a plaque to the rear, Brevets J. L. Reutter S.G.D.G. Made in France, in a bevelled glass and brushed brass case, 23.5cm high.
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