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A 19th Century French brass mantel clock, the highly decorative rococo and baroque case with domed top centred by a lyre holding a fancy 9cm wide dial, Arabic numerals, pierced centre and eight day key wind movement in a cherubic base with garlands, flowers and scrolls, further scrollwork part pierced base 38cm high
A late 19th century French four glass mantel clock, the eight day twin barrel movement striking the hours and half-hours on a bell, the backplate stamped '2190', with a mercury pendulum, the circular white enamel dial with Roman numerals, with bevelled panels and a gilt brass moulded case, 21.9cm high, 13cm wide.
A late 19th century French gilt and patinated brass chinoiserie mantel clock garniture by Achille Brocot, the eight day movement striking on a bell, the backplate stamped 'A STAR B' and numbered '654314', with a silvered circular dial with Roman numerals, the pagoda shaped case decorated with gilt, silvered and coppered figures with buildings, birds and trees, together with a pair of matching urns, 39.4cm high (max). (3)
A lacquered brass four-glass cased electromagnetic balance mantel timepiece Eureka Clock Company Limited, early 20th century The movement with large diameter sprung split bimetallic balance applied with timing weights to circumference and with transverse electromagnetic impulse coil to centre oscillating against a sprung detent contact breaker and cam operating a lever and ratchet shunt for the motionwork, the front with visible ball bearing pivot over regulation adjustment scale inscribed No. 7414, PATENT, No. 14614, 1906 , the 4.25 inch convex cream enamel Arabic numeral dial with steel moon hands and signed EUREKA CLOCK Co. LTD., LONDON to centre within cast gilt brass bezel, the whole supported on a shaped steel plate applied with finials and squat brass supports within the bevel glazed brass case with triangular pediment applied with gilt vase and griffin cast mount to tympanum over fluted frieze and hinged door flanked by channel moulded corner uprights, on substantial stepped skirt base enclosing battery compartment and incorporating squat bracket feet, 38cm (15ins) high. The Eureka mantel timepiece was invented by Timothy Bernard Powers of New York shortly after 1900 and Patented in 1906. It is thought that around 10,000 were made by the Eureka Clock Company, London before their demise in 1914. The design of the balance is such that a constant voltage (of 1.5 volts) is required to ensure consistency in the amplitude of oscillation. Unfortunately early 20th century battery technology struggled to deliver a suitably stable output hence such timepieces acquired a reputation for poor timekeeping. Nowadays, once correctly set-up, good timekeeping can be achieved through use of modern cells which provide a much more consistent voltage output. Provenance: The collection of the late Ronnie Kirkwood and George Dixon.
A French alabaster portico mantel clock: the eight-day duration movement within the pendulum bob, the pallet crutch set on a fixed pin to the base below, striking the hours and half-hours on a bell with an outside countwheel, the pendulum rod having three steel rods set within a gilded cast brass plate with stylised swans to the lower part, the cast ormolu dial with raised floral decoration, black Roman numerals and blued steel moon hands, the alabaster portico case with two tapered pillars seated on a rectangular base with a moulded plinth on bun feet, the flat-topped pediment with an ormolu moulding set below depicting a floral swag, height 56cm.
A French Victorian gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the serial number 4774, the round porcelain dial decorated to the centre with a scene depicting a river running past a rural home and having black Arabic numerals and fleur-de-lis brass hands, the gilt-metal cast case with various mounts to the front, with flying pillars to each side having decoration matching that on the dial and surmounted by a porcelain urn with gilt-metal top, height 42cm.
Japy Frères à Paris for Victor Reclus, a gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the roulant blanc maker, Japy Frères, Paris along with that of the clockmaker Victor Reclus, and the serial number 42808, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the decorative shaped gilt-metal case with scroll and floral mounts having pink porcelain panels painted with a decorative floral and musical scene set to the front with two further panels either side below with a matching urn to the top, standing on a shaped gilt-wood base, height 28cm (clock) 32cm (including base).* Biography Japy Freres was founded by Frederic Japy of Beaucount, born 1749, who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.Pierre Victor Reclus was both a clockmaker and retailer working in Paris. His daughter Henriette married Louis-Albert Holingue, of Saint-Nicolas-d'Aliermont, in 1875, Holingue being the son of the carriage clock maker Louis Holingue who, along with his brother Jean-Baptiste, supplied Drocourt, Garnier and Bourdin amongst others.
Le Roy & Fils, Paris, a mirrored lyre-shaped mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and Brocot pendulum regulation and having a heavy cast-brass pendulum bob, the backplate stamped Le Roy & Fils, Paris, No. 4896, along with the stamp of the blanc roulant maker Vincenti et Cie, the round white enamel dial having blue Roman hour numerals, Arabic outer five-minute numerals and signed to the centre Le Roy & Fils, Palais Royale a Paris, Gie Montensier 13-15. Medaille a L'Expose Londres 1851, the gilt-wood case of lyre form with inset mirrored panels some having applied gilt deoration, height 42cm.* Biography Le Roy et Fils were established by Basile Charles Le Roy in 1785 and were well known and fine makers of clocks. Basile Charles Le Roy was the Master Clockmaker to Napolean & along with his son Charles-Louis were clockmaker's to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well as the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d'Orleans opened the Palais Royal gardens for both the trade and public's use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street.* Notes For details of Vincenti see lot no. 824
A French ormolu and porcelain mounted mantel clock No. 9045 11, the 3.375ins diameter porcelain dial with Roman numerals within gilt reserves on turquoise ground, the dial centre enamelled in colours with two children playing, to the eight day two train movement striking on a bell, in ormolu case surmounted by conforming two handled urn and with acanthus leaf wreath handles to sides on turned feet, 12ins high and with shaped giltwood plinth base

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