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Lot 1132
A late 19th Century slate and rouge marble inlaid mantel clock with eight day movement striking on a bell, the cream chapter ring with Arabic numerals framing a brocot escapement, above a compensated mercury pendulum, the drum cased surmount above a glazed lenticle flanked by brass reeded pillars on a break front plinth inset with bronze panels moulded in relief with putti and Cupid, height approx 46cm.
Lot 98
C19th Gilt Spelter & Sevres Mounted Mantel Clock on serpentine shaped gilt wood base with 2 train French drum movement, decorated dial with Roman Numerals, centre case with c-scrolls, cartouche & bell flower decoration, main body with cherubs & female bust supported by 2 tapering columns, mounted with 2 urns to the sides with flower & leaf decoration total height 20 (PENDULUM & KEY IN OFFICE)"
Lot 99
C19th Ormolu Spelter Mantel Clock, drum movement with enamelled dial, 2 train Roman Numerals on wooden base, decorated with garden implements, surmounted by female figure holding a small scythe & wheat sheaf, surmounted by an urn with trailing flowers, full working order (KEY & PENDULUM IN OFFICE)
Lot 495
French Louis XVI style gilt spelter mantel clock , circa 1870, reserved with blue porcelain dial and panels, and applied portrait medallions, in an upright case with swag and leaf decoration, the eight-day movement striking the hour on a bell, retailed by H&F Paris , height 48cm, on gilt wood base. (Pendulum, no key). *See clocks and watches proviso .
Lot 94
AN EARLY 20TH CENTURY FRENCH FOUR GLASS MANTEL CLOCK, the cylinder movement with circular porcelain dial painted and gilt with a recumbent putto with tambourine and flowers, inscribed 'Aitchison, Ludgate Hill, London and Paris', Roman numerals champlevé enamel border, the pendulum with porcelain decorated bob, in a conforming lacquered bronze and glazed case, flanked by porcelain pillars and surmounted by a porcelain mounted urn, bracket feet, 42cm high. See illustration
Lot 131
A fine French Napoleon III Louis XVI revival patinated and gilt bronze figural mantel clock. The dial bearing signature for Ferdinand Berthoud, the case by Eugene Bazart, Paris circa 1860. The rectangular eight-day bell striking movement with stamped trademark of a square-rigged ship with initials JLF/EMS to shrouds and numbered 16306 to backplate, the white enamel Roman numeral convex dial bearing signature in red script Ferdinand Berthoud, A PARIS to centre, with fine foliate pierced and chased gilt hands and Arabic five minutes to outer track within fine guilloche chased gilt bezel, the case with patinated figure of a winged cherub wearing a sword standing beside the dial with floral trail surmount and resting on billowing clouds beside martial trophy, the bowfronted base with repeating triform motif inset panel terminating with leafy rosettes to angles, on conforming shaped white marble plinth with generous gilt disc feet, The rear with cast signature Eug. Bazart, Paris, 47cm (18.5ins) high. Eugene Bazart was a maker of fine decorative objects who worked in Paris circa 1850-75. The current clock is a faithful replica of a Louis XVI model which even bears the signature of an eminent Louis XVI horologist in order to make it appear as authentic as possible. The quality of the chiselling and gilding to the castings of the current lot equals that of the original, and reflects the standards set out by the leading ebenistes of the period such as Befort Jeune and Henri Dasson.
Lot 132
A fine French Napoleon III ormolu mantel clock. C.H. Boye, Paris, circa 1870. The eight-day two train bell striking movement stamped with oval trademark C.H. BOYE, BREVETE S.G.D.G and numbered 1496 to backplate, the convex white enamel Roman numeral dial with Arabic five minutes and fine pierced and chased gilt hands within milled glazed bezel, the case in the Louis XVI taste with oak-leaf festoon draped twin handled urn surmount with fruiting foliate knop above acanthus moulded collar and shaped side sections capping elaborate large foliate side scrolls flanking dial, with ribbon crest above bezel set into a vertical fluted drum raised on a waisted pedestal upright, the shaped plinth base with conforming acanthus mouldings over Vitruvian scroll and rosette inset panels, on waisted fluted feet with leafy collars, 51cm (20ins) high.
Lot 133
A French Louis XVI style gilt brass mounted white marble small mantel clock. Unsigned, circa 1900. The outside countwheel bell striking movement with floral garland decorated white Arabic numeral enamel dial with cast brass hands within engine turned glazed bezel, the arched case with twin handled urn surmount and ribbon tied cast crest above acanthus side scrolls and tied flaming torch beneath dial, on inverted breakfront base with bowed central section fronted with intertwined laurel cast mount, on engine turned feet, 28cm (11ins) high.
Lot 134
A French Louis XVI style ormolu mounted marble mantel clock. Unsigned, Paris, 19th century. The eight-day outside countwheel bell striking movement with circular white enamel convex Arabic numeral dial inscribed a Paris to centre and with pierced and engraved gilt brass hands within an engine turned glazed bezel, the case with chased gilt surmount modelled as a cherub with a flaming torch supported on a billowing cloud above moulded white marble cornice and side scrolls flanking a black marble rectangular central section applied with cast stylised foliate scroll mounts around dial, on black marble banded plinth base applied with conforming foliate mounts to lower edge and on engine turned gilt feet, 34cm (13.5ins) high.
Lot 135
A French ormolu mounted white and grey marble mantel clock Antoine Martin, Paris, circa 1800. The eight-day outside countwheel bell striking movement with silk suspension and circular white enamel convex Arabic numeral dial inscribed A.the Martin, a Paris in puce to centre, with gilt brass hands and within hinged gilt bead-cast glazed bezel, the case with surmount modelled as a vase of flowers above leafy side scrolls and festoon husk cast swag beneath dial, raised on rectangular section uprights applied with leafy mounts flanked by further slender inverted baluster uprights and with sunburst mask pendulum swinging between, on lozenge-outline platform base inset with further leafy mounts to borders and with cast feet, 42cm (16.5ins) high.An Antoine Thomas Martin is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Paris circa 1788
Lot 136
A French Empire ormolu figural mantel clock Choiselat-Gallien, Paris, early 19th century. The outside countwheel striking movement with silk suspension and circular white enamel Roman numeral dial signed CHOISELAT-GALLIEN, Fab’t de Bronzes du Garde-Meuble, LESIEUR Hs, A PARIS to centre within gilt lotus leaf cast bezel and set into a rectangular plinth with scroll cast decoration above and below and surmounted with an oil lamp and two books applied beside classical male scholar seated on an X-frame stool onto a rectangular base applied with central urn and wreath flanked by flaming torches to front and on engine turned bun feet (lacking pendulum, bell and minute hand), 38cm (15ins) high.
Lot 163
A Victorian Gothic Revival brass inlaid rosewood small mantel clock. Unsigned mid 19th century. The five pillar twin chain fusee striking movement with anchor escapement and 5.25 inch shaped-top single sheet silvered brass Roman numeral dial with foliate scroll engraved infill to apron and around STRIKE/SILENT selection dial to arch, the gabled case with spire finials above cornice with ripple moulded frieze, the front with projecting canted angles incorporating turned columns, the sides with ogee arch top side windows, on conforming skirt base with block feet (some losses to case), 32.5cm (12.75ins) high.
Lot 168
A French malachite inset Belge noir marble perpetual calendar mantel clock with moonphase. Henry Marc, Paris, Late 19th century. The eight-day bell striking movement stamped with oval trademark H’Y MARC, PARIS and numbered 50133 to backplate, the two piece white enamel Roman numeral dial with visible Brocot escapement to the recessed centre, regulation square at twelve o’clock and blued steel Breguet style moon hands within a bevel glazed cast brass bezel, set above a conforming two-piece calendar dial with day of the week and date of the month subsidiary dials flanking cloud painted moonphase aperture to the recessed centre, the outer ring annotated with the months and the equation of time to inner edge within conforming glazed bezel, the case with moulded shallow arch pediment and scroll shaped ears fronted with gilt incised stylised foliate decoration and moulded borders above break-arch waisted front with conforming gilt line infill around the malachite inset panels between the two dials and with sides terminating with scrolls at the base, on cavetto moulded shallow plinth with decorative shaped apron further inset with malachite panels and incorporating bracket feet, 46cm (18ins) high.
Lot 169
A fine French gilt and patinated brass champlevé enamel mounted Gothic Revival mantel clock. The movement by Samuel Marti et Cie, Paris, late 19th century. The eight-day two train gong striking movement with S. Marti et Cie, MEDAILLE DE BRONZE roundel and stamped 3260 CH’LES MT to backplate, the silvered dial with sky blue ground polychrome rosette to centre, Gothic Roman numerals to chapter ring and blued steel cruciform hands within a foliate chased arcaded bezel, the elaborate case with foliate bud finial and coronet collar to the sky and cobalt blue enamelled cupola above pierced arcade buttresses flanking recessed shaped panels to upstand set onto a hipped roof with conforming enamel tile decoration and further finials set on canted pedestals to angles, the front of trefoil-arch outline with dial set into lattice decorated enamel ground with rosettes to lower angles, the apron with applied cast arcade surrounding panels polychrome enamelled with representations of saints with engraved detail to hands and faces, the angles cast with cluster columns complete with foliate capitals, each side with vacant arched tympanum above rectangular panel overlaid with a Gothic ogee arch enclosing a further figural representation, on cavetto moulded base with rounded projecting corners and turned feet, 52cm (20.5ins) high.
Lot 170
A French gilt brass mantel clock in the Greek Revival taste. The movement by Samuel Marti et Cie, Paris, late 19th century. The eight-day two train bell striking movement with S. Marti et Cie, MEDAILLE DE BRONZE roundel and stamped 5277 to backplate, the dial cast as a shield with concentric geometric and laurel band convex centre within chapter ring applied with raised black Roman numerals, the case with seated cherub surmount to the elaborate double scroll surmount above lotus leaf moulded break-arch cornice and female terms flanking dial, the sides applied with stylised seated winged griffin supports, the break-fronted wide plinth base with geometric mouldings and inset with relief cast figural frieze panels and with stalks to the front angles, on block feet with central cartouche between and flanked by scroll pierced side supports, 41cm (16ins) high.
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96232 item(s)/page