23175 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

1918-19 Bradbury Wilkinson 2/6 (25), 5/- (25) and 10/- (3) used, piece bearing sixteen 2/6 stamps, and a large piece from a parcel to Uganda bearing 5/- block of six, also a mint 2/6, various shades, mixed quality with some faults and parcel cancels. (76).

Four small Birmingham silver sporting trophies awarded in 1930's for tennis to E. H. Bale & D. Wilkinson, silver weight, 77.7g

Edward VII Cavalry Dress Sword - Made By Wilkinson, Original Leather Scabbard. Length Of Blade 82.5 cm. Overall Length 101 cm.

Emma 'Emily' Mary WILKINSON (1864-1943) Cannon Corner, Ramsgate, 1933 Oil on canvas board, signed and dated, artist label to verso, 41 x 60cm, framed 48 x 66cm.Emily Wilkinson 'was a member of the Birmingham Art Circle but she was dogged by ill-health. Her obituary writer comments, "She studied in Paris and this influenced her work, which was decidedly impressionistic, but had the linear and narrative qualities of her own country." Her Cornish connections are unknown. She first exhibited with the St Ives Society of Artists in the 1930 summer exhibition and was elected a member in 1932 but she did not participate in the principal touring shows only the 1937 show at Bath, where her exhibits were two oils Young Russian and Cookery Book. She exhibited at the RA between 1931 and 1938' - David Tovey, Creating a Splash, page 285

Collection of various military medals and badges including a King George VI "Territorial" medal stamped W. Wilkinson (Qty)

A. Wilkinson, pokerwork depicting a lady and gentleman

A Fairburn Sykes First Pattern commando Fighting Knife, with straight double-edged blade marked Wilkinson Sword and 'The FS Fighting Kinife', chequered brass grip with alloy plating, 5cm slightly curved guard, 14.8 cm rounded end blade (no scabbard)

Royal Air Force Air GVR RAF Officer's Sword of AVM. Sir Geoffrey Rhodes Bromet KBE, CB, DSO, DL A very good example of the regulation pattern, George V period and complete with special pattern scabbard. The single edged straight blade with etched decoration of a Royal Arms and RAF crest. To the forte the retailer’s details of Gieves. The hilt with white shagreen grip enclosed by a gilt guard incorporating the RAF crest and Crowned GVR cypher The grip surmounted by an eagle head pommel. Contained in the special pattern Air Officer scabbard, the gilt mounts embossed with floral decoration. Complete with with bullion knot. Gilt remains bright and fresh near Parade condition, small amount of age wear. ... Accompanied by an Isle of Man presentation sword, made by Wilkinson the blade with presentation text "Presented by His Honour First Deemster and Clerk of the Rolls S J Kneale C.B.E. to Air Vice Marshall Sir Geoffrey Bromet for his outstanding service as Lieutenant Governor of the Isle of Man from 1945 to 1952". To the forte the three legs Arms of the Isle of Man. (2 items) Air Vice Marshal Sir Geoffrey Rhodes Bromet KBE, CB, DSO, DL was commissioned into the Royal Navy and during the Great War served as a Flight Commander with the Royal Naval Air Service, being commended for his service at Gallipoli in 1915 and later commanding No. 1 Squadron RNAS and then No. 8 Squadron RNAS. In 1919 he was commissioned permanently as a major in the Royal Air Force. After commanding the Marine Aircraft Experimental Establishment, he was appointed Senior Engineering Staff Officer at Headquarters Coastal Area in 1931, Senior Air Staff Officer at Headquarters RAF Middle East in 1933 and Senior Air Staff Officer at Headquarters RAF Coastal Command in 1936. He served in WW2 as Air Officer Commanding No. 19 Group and then as Air Officer Commanding No. 247 Group before retiring at his own request in 1945.In 1945 he was appointed Lieutenant Governor of the Isle of Man and held this post until 1952. He died in 1983 at the age of 92.

British Army Infantry Pattern WW1 Period George V Sword by Wilkinson. A good regulation example. The blade with etched decoration of a Crowned GVR cypher and cutler's details of Henry Wilkinson of London, the back of the blade with the number 48829 (1914/17). The hilt with shagreen grip retaining twist wire binding. Housed in polished brown leather field service scabbard. Clean condition.

5th Bn Devonshire Regiment 1907 Pattern WW1 bayonet. A good regimentally marked example made by Wilkinson July 1917. The pommel with clear regimental stamp. Housed in scabbard and 1907 pattern web frog with tang. Both pommel and scabbard with matching number 530

British Boer War era Victorian 1887 Pattern Cavalry Officers' sword for a Regiment of Horse, sadly the etched scroll which identifies the exact regiment has been scuffed out. The sword has the patterns honey suckle hilt, etched fullered blade with crowned V.R. Cipher and scrolls, retaining most original polish in leather scabbard. The sword made by Henry Wilkinson, Pall Mall, London. In good condition with leather troddel.

Jonny Wilkinson and Sir Clive Woodward signed World Champions 2003 FDC. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

A Franklin Mint The Spring Glen vase, designed by Peter Barnett, limited edition, 31cm high, together with a Meadowland Butterfly vase, designed by John Wilkinson, limited edition, 28.5cm high. (2)

Lebanon, face and reverse photographs showing a Bradbury Wilkinson design for a 20 Livres note, mounted to a paper backing sheet, in good condition

Specimen Bank Note: A Bradbury Wilkinson & Co branded blue leatherette sample album, containing a total of 34 circulation and specimen banknotes in varying condition, all of the notes are glued in by the left hand margin, notes include Russia 1905 3 Roubles, Russia 1909 25 Roubles, Russia 1919 1000 Roubles, Russia 1912 500 Roubles, Russia 1947 1 rouble, Russia 147 5 Roubles, Russia 1947 10 Roubles, Bulgaria 1992 20 Levs, Bulgaria 20 Levs undated, Bulgaria 1925 SPECIMEN 5000 Levs, Bulgaria 1945 1000 Levs, Bulgaria 1945 500 Levs, Bulgaria 1945 250 Levs, Colombia 1926 SPECIMEN 2 Pesos Oro, Colombia 1926 SPECIMEN 1 Peso Oro, Government of India 1930 50 Rupees, The Government of Ceylon 1934 10 Rupees, The Government of Ceylon 1934 5 Rupees, Greece 1892 25 Drachmai (with large cancellation hole), Greece 1921 SPECIMEN 50 Drachmai, Greece 1921 SPECIMEN 500 Drachmai, Greece 1921 SPECIMEN 1000 Drachmai, Greece 1921 SPECIMEN 50 Drachmai, Greece 1947 1000 Drachmai, Greece 1944 100 Drachmai, Greece 1939 1000 Drachmai, Greece 1941 100 Drachmai, Greece 1940 20 Drachmai, Greece 1941 1000 Drachmai, Greece 1942 5000 Drachmai, Greece 1943 50 Drachmai, Greece 1942 1000 Drachmai, Greece 1942 10000 Drachmai, Greece 1943 25000 Drachmai, Greece 1943 5000 Drachmai, the album is numbered number '7' inside front cover, with a handwritten contents page summarizing the contents of this, and a series of other similar albums (not included in this sale)

Jordan, a collection of three hand drawn early stage design essays for the face a 1 Dinar note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil, ink, and watercolour and measuring 7.8cms x 15.2cms, there is some pencil annotation evident on one of the designs, and also the date 'Aug. 1960' hand written in pencil on the back, the other two designs show evidence of adhesive residue on the back from previous mounting, overall in good condition

Mali, A stunning pair of original hand drawn design essays for a 1000 Franc note, dated 1967, produced by Bradbury Wilkinson, most likely by Derek Friday, the designs consist hand drawn and printed elements layered on card, measuring 10.5cms x 16.0cms, both are mounted on a blue backing card bearing a Bradbury Wilkinson & Co Ltd label, all in good condition with a small number of minor spots and stains

Banknote related die proof, probably by Bradbury Wilkinson, Elizabeth I portrait 6.3cms x 5.2cms, unframed on large sheet of thick wove paper measuring 28cms x 21cms, no die number evident below image althoughother indentical die proofs by Bradbury Wilkinson bear the die number 566, in good crisp, flat and clean condition

Specimen Bank Note: Spain specimen 25 Pesetas, dated 1926, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, crisp condition, EF or better

Specimen Bank Note: Spain specimen 100 Pesetas, dated 1925, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, small dirty mark to bottom left corner of back, possibly a pencil stroke

A collection of Bradbury Wilkinson prints, including die proofs and plate proofs, all bear a 'Bradbury Wilkinson & Co Ltd engravers London' mark and many have the die number evident, includes many portraits and figures, some vignettes and scenes including the old Bradbury Wilkinson premises, varying conditions but mostly good or better

Specimen Bank Note: Southern Rhodesia specimen 1 Pound, dated 1942, no signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, evidence of previous mounting in specimen album with remnant of page still stuck to left hand edge, front and back

Portugal, a stunning pair of original hand drawn design essays for the face and reverse of a 100 Escudos note, produced most likely Bradbury Wilkinson, the designs on brown paper applied to a paper backing are entirely hand drawn in pencil and watercolour, measuring 10.4cms x 13.2cms, there is a note in the bottom left corner referencing a 1922 note, and research suggests that this was likely produced in the 1920's, there are extensive annotations and notes in pencil around the designs, in fragile condition with two significant folds with tearing across the whole sheet left to right, and other areas of significant damage around the edge with tearing and pieces missing

A Bradbury Wilkinson & Co Ltd advertizing banknote, double sided and untrimmed, the note has a portrait of charles I to the face and a denomination of 100, measuring 13.2cms x 20.8cms, the reverse design is larger than the face design and may be an experimental printing or plate proof, in very good condition

Specimen Bank Note: Greece specimen 50 Drachmai, dated 1923, two signatures, no serial number, two 'CANCELLED' perforations evident along with two red Bradbury Wilkinson SPECIMEN overprints to face, crisp, clean condition, but evidence of other small perforations, particularly to left side that appear to be staple holes

The Reserve bank of New Zealand, a pair of hand drawn early stage design essays for the face and reverse of a £5 note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil and watercolour, each design measures 8.5cms x 17.0cms, overall in good clean condition, with minor rounding of corner

A Bradbury Wilkinson & Co Ltd advertizing banknote, circa 1880's - 1890's, produced by Bradley Wilkinson & Co Ltd, measuring 12.9cms x 22.7cms, with a denomination of £1, mounted to a rough piece of backing paper, appears crinkled, probably as a result of the use of adhesive, some discolouration, particularly around the edges, and a number of grubby marks and smudges all over, there is some pencil handwriting in the bottom right hand corner of the note, otherwise intact, glued to the reverse of the backing paper is the reverse of a unidentified 'one pound' denomination note, an incomplete design in poor condition with considerable discolouration, and grubby marks all over

Specimen Bank Note: Southern Rhodesia specimen 5 Shillings, dated 1943, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face and back, crisp condition, EF or better

Specimen Bank Note: Southern Rhodesia specimen 10 Shillings, dated 1939, no signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, CANCELLED perforations, crisp condition, small fold to bottom left corner, some handwritten script in pencil to top margin of face, and a handwritten number in ink top left corner of back

Seychelles Monetary authority, a pair of original and important hand drawn design essays for the face and reverse of the 1979 100 Rupees circulation note, produced by Bradbury Wilkinson, likely by Derek Friday, the designs on paper applied to thin card, consist of hand drawn, and possibly some stencilled elements built up in layers, both designs measuring 8.0cms x 16.0cms, some dirty marks and stains here and there, the face design has a tear and a piece missing to the backing card, not visible from the front, otherwise both in good condition

An interesting collection of black and white photographs, taken in the Bradbury Wilkinson offices, showing staff and craftsmen working at their desks, presumably taken by Derek Friday and giving a valuable and fascinating insight into the history and culture of the company, measuring approximately 9.5cms x 8.0cms and in good condition

Bradbury Wilkinson & Co Ltd die proofs, Charles I portrait 6.1cms x 5.2cms, die number '112A' and 'BRADBURY, WILKINSON & Co Ltd ENGRAVERS LONDON' below image, includes black and white printing on card, sepia printing on wove paper and blue printing on paper, all unframed and in good crisp, flat and clean condition

Yemen, a collection of face and reverse photographs showing Bradbury Wilkinson designs for various notes, including a 50 Rials note, mounted to a paper backing sheet, in good condition, a 20 Rials note mounted to a paper backing sheet, there is some damage/folding to the bottom right corner of the reverse design, which appears to have been done prior to mounting, along with a photograph of the reverse of another 50 Rials note which is still part of original photographed sheet which has been roughly trimmed down, this is also dated 30/6/71, and a trimmed photograph of the reverse of another 50 Rials note, in good condition

Arab Republic of Yemen, an original hand drawn design essay for the reverse of a 50 Rials note, produced by Bradbury Wilkinson, possibly by Derek Friday, the design in pencil, ink and watercolour measures 8.5cms x 16.5cms, on paper applied to card, the design is almost entirely hand drawn directly on to the paper with some border elements applied as layers, mounted to a blue backing card showing evidence of previously bearing a Bradbury Wilkinson & Co Ltd Label to the bottom right corner, and bearing a Letter 'B' just above the top right of the design, very clean with great colour, overall in very good condition

Specimen Bank Note: Lithuania specimen 5 Litai, dated 1929, issued by Lietuvos Bankas, three signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, with evidence of previous mounting in specimen album with remnant of page still stuck to left hand edge, front and back, handwritten number '3' in ink to top left corner of back

Specimen Bank Note: Denmark specimen 10 Kroner, dated 1940, issued by Danmarks Nationalbanks, one signature, no serial number , red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, EF or better

Republic of Tanzania, an original hand drawn design essay for the reverse of a note of unknown denomination, the art work produced most likely at Bradbury Wilkinson by Derek Friday, the design on paper applied to card, measures 8.4cms x 15.5cms, the design consists of several hand drawn elements, built up in overlaid panels, overall in good condition, very clean with good colour

Specimen Bank Note: Board of Commissioners of Currency, Malaya specimen 10,000 Dollars, circa 1942, no signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face and back, crisp condition, some minor crumpling in places to edges and corners, a tiny mark to left hand edge of face, a small mark above top right hand corner of portrait to face, a small mark towards top left of margin on back, with slight rounding of all corners and some discolouration to edges in places

South African Reserve Bank, an exquisite original hand drawn design essay for the reverse of a 10 Pound note, dated 1945 on the design, produced by Bradbury Wilkinson, the design in pencil, ink and watercolour measures 9.7cms x 17.7cms, on paper applied to card, the design comprises hand drawn elements applied as layers, framed by a card overlay, bearing a Bradbury Wilkinson & Co Ltd Label to the bottom left corner, the design is very clean with great colour ,overall in very good condition, the frame has a little damage along the edges and to the corners and is a little discoloured around they edges

South African Reserve Bank, an important and stunning original hand drawn design essay for the face of the 10 Pounds circulation note issued from 1952 to 1958, produced by Bradbury Wilkinson, date 1948 on the design, in pencil, ink and watercolour measures 9.8cms x 17.7cms, the design comprises some hand drawn elements on paper applied to card with other hand drawn elements applied as layers, the design is mounted on a grey backing card which has a protective cellophane cover applied, the tightness of the cellophane appears to be cupping the design quite a bit, and the cellophane is torn across the top left corner, the design itself appears in good condition with a few minor spots here and there and a little discolouration around the edges

France Tresor Central, an original pair of design essays for the face and reverse of a 100 franc note issued by the Allied Military Government in 1943, consisting of printed, hand dawn and stencilled elements with the lettering 'REPUBLIQUE FRANCAISE TRESOR CENTRAL' applied as a hand drawn overlay, original design work appears to be by Edmund Dulac as indicated in bottom left corner of face and both are on paper applied to card, there are a number of dirty smudges in various places, with a number of small spots and stains evident, some handwritten pencilled lettering is evident to the top margin of the backing card, some very basic sketches also evident to the reverse of the backing card, possibly worked on and printed by Bradbury Wilkinson and Co

Specimen Bank Note: Abyssinia specimen 50 Thalers, dated 1929, one signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, one cancellation hole, crisp condition, EF or better, some minor rounding and discolouration to corners, one or two minor spots and marks to back

Specimen Bank Note: Lithuania specimen 50 Litu, dated 1928, issued by Lietuvos Bankas, five signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, EF or better

Specimen Bank Note: Spain specimen 5 Pesetas, dated 1935, issued by El Banco De Espana, three signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, EF or better

Specimen Bank Note: Abyssinia specimen 100 Thalers, circa 1929, no signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, EF or better, some minor rounding and discolouration to corners

Algeria, a collection of face and reverse prints showing Bradbury Wilkinson designs for a 5 Dinars note, and a 10 Dinars note, both sets of prints have been cut down from larger sheets, showing original annotations and handwritten note in blue ink that have been applied after printing/copying, in good condition

A Bradbury Wilkinson & Co Ltd advertizing banknote, double sided and untrimmed, the note has a portrait of charles I to the face and a denomination of 100, measuring 13.2cms x 20.8cms, the reverse design is larger than the face design and may be an experimental printing or plate proof, in very good condition

Specimen Bank Note: Abyssinia specimen 100 Thalers, dated 1929, one signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, crisp condition, EF or better, some minor rounding and discolouration to corners

A Bradbury Wilkinson & Co Ltd advertizing banknote, circa 1900, single sided and untrimmed on paper, this face design measures 9.0cms x 17.5cms, some discolouration and damage around the edges with a few small pieces missing, some foxing across the note, but flat and robust

Central Bank of Syria, a pair of original hand drawn design essays for the face and reverse of a 50 Livres note, circa 1956, most likely produced for Bradbury Wilkinson, by Derek Friday, the two designs on paper, mounted to larger backing paper, in pencil, ink, and watercolour, measure 9.1cms x 18.4cms, the backing paper has been folded in half and there are one or two other creases and minor damage, but both designs are in good clean condition, there is some wrinkling of the paper and edges of the designs, probably from the use of glue used to mount the designs, the back of the mounting paper bears the date 6.7.56 hand written in pencil

British Virgin Islands, a group of six designs for BVI Wages tax £1.50 stamps laid on board with sticker below to state approved and dated 21 Nov 1969, each stamp design with printed colour ground and overlaid white transparency, also with applied stencil to lower: Designed by Bradbury, Wilkinson & Co Ltd, sold with a photocopy to then order desk with further instructions for approval (2)

A Bradbury Wilkinson & Co Ltd advertizing banknote, circa 1880's - 1890's, single sided on paper, this face design measures 9.7cms x 21.0cms, some damage with a portion missing to the left hand side, the rest of the note is flat and crisp, with only a few minor spots and stains, otherwise nice and clean

Sierra Leone, a collection of face and reverse photographs showing Bradbury Wilkinson designs for a 2 Leone note, and a 10 Leone note, both sets of photographs are still on their original photographed sheets showing rulers and annotations, all in good condition but the is some crinkling to the pages which may be some moisture damage, along with another photograph of the reverse of a 1 Leone note, this is dated on the back handwritten in pencil 'Jan 1963' in good condition

Specimen Bank Note: Southern Rhodesia specimen 1 Pound, dated 1942, no signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, small spot to left hand margin of face and similar right hand margin of back

Specimen Bank Note: Government of Iraq specimen 100 Dinars, circa 1931, three signatures, no serial number, red Bradbury Wilkinson SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, some evidence of slight crinkling along edges, and some folding at top left and bottom right corners, a larger crease runs diagonally across the bottom right corner, through portrait, minor rounding of corners

Ceylon, two variations of printed Ceylon 10 cents stamps, laid on board marked Bradbury, Wilkinson & Company Ltd New Malden Surrey, England

central bank of Ecuador, two interesting design overlays for the face and reverse of a 5000 Sucres note, possibly by Derek Friday for Bradbury Wilkinson, the designs measure 6.7cms x 15.6cms and are rendered in grey and red pencil on tracing paper, the face design is dated January 15 1983, and both have adhesive tape attached to the top and bottom edges, presumably to attach to other design overlays, clean and in good condition

Specimen Bank Note: The Government of Sarawak specimen 100 Dollars, dated 1929, one signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face one, cancellation hole, crisp condition, some discolouration around edges and minor rounding of all corners

Central Bank of Barbados, an original hand drawn design essay for the face of a $1 note, the art work done at Bradbury Wilkinson, possibly by Derek Friday, the design is mounted on a hard card backing and overlaid with a grey paper frame, the visible portion of the essay measures 15.8cms x 7.1cms, the design consists of several hand drawn elements, mostly in red ink, built up in overlaid panels, overall in good condition with pleasing colour, there is an area of staining in the top centre area around the guilloche frieze which appears to be adhesive residue, otherwise very clean

Bank of Angola, two stunning original and important design essays for the face and reverse of a 50 Angolares bank note, this became a circulation note in 1944 with modifications, the art work done at Bradbury Wilkinson, the hard card backing laid with paper, both measuring 15.6cms x 9.0cms, glued to grey presentation backing card and laid on a larger thin blue card, the largely hand drawn designs in ink pen and watercolour, has an overlaid Bradbury Wilkinson transfer to the centre bottom of the reverse which is partially missing, with three pseudo signatures, the grey card surround contains pencil notes and design modification suggestions, overall good condition, some minor dirt but overall very good