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Los 5141

WW1 British Officers Presentation Sword with single edged fullered blade with etched dedication "Pro Honore, presented by the committee of the 16th Battn. Rifle Brigade (St. Pancras) to Major G Taylor MC24th May 1919", along with maker mark for "Henry Wilkinson, Pall Mall, London". Opposite side is Proof marked along with 16th Battn Rifle Brigade, GRV and Rifles Cap Badge. Spine of Blade numbered "56816". Blade length 810mm. Guard with Rifles Badge, wire bound Shagreen grip. Overall length 970mm. Complete with scabbard.

Los 5313

ERII 1981 Wilkinson Sword Presentation Sword with fullered single edged plate blade 817mm in length with echted deoration of Queens Crown ERII and panel with dedication "Presented by Wilkinson Sword Ltd to Norman A Todd, Regional Managing Director, 1st January 1981", along with Wilkinson Sword makers marl. Serial number to spine of blade 111252. Guard with ERII, wire bound Shagreen grip. Overall length 975mm. Complete with plated scabbard with twin suspension rings.

Los 5145

WW1 GRV Scots Guards Officers Sword with fullered etched plated blade with initial "S.H.F.L" along with Battle Honours and Kings Crown GRV, Proof Mark and maker marked for "Wilkinson, Pall Mall, London", 824mm in length. Wire bound Shagreen Grip. Complete with leather sword knot. Overall length 980mm. Complete with brown leather covered scabbard.

Los 5109

Victorian British Officers 1821 Pattern Sword with fullered single edged blade with etched decoration, Queens Crown VR, Proof marked along with makers mark, "Henry Wilkinson, Pall Mall, London", 900mm in length. Spine of blade numbered "7373". Wire bound Shagreen grip. Complete with Sword Knot. Overall length 105cm. No scabbard.

Los 5155

British Royal Military College Presentation Sword with single edged fluted blade 820mm in length with etched decorated panel with inscription "Royal Military College Prize For Military Law Gentleman Cadet (Corporal) J.O.M Ashton July 1928", along with makers mark for "Wilkinson Sword Co Ltd London" other side with GRV and insignia and battle honours for the Welsh Guards and Proof mark. Spine of blade marked "Made in England" and numbered 61472. Guard with insignia of the Welsh Guards. Wire bound Shagreen Grip. Overall length 980mm. Complete with plated scabbard with twin suspension rings.

Los 1184

Joseph Wilkinson of South Street, Sheffield - single train 8-day skeleton clock c1860, mounted on an oval stepped white marble base with bun feet, finely pierced and fretted dial with engraved Roman numerals each on a shield background, scroll pattern five pillar frames engraved with the retailers name and surmounted by a silvered bell and spire, chain driven fusee movement with five spoke wheels, deadbeat escapement and passing single strike on the hour. With key and pendulum.Dimensions: Height: 44cm  Length/Width: 30cm  Depth/Diameter: 20cmCondition Report:Without Glass Dome.

Los 518

A 19th century boxed pair of duelling pistols by James Wilkinson & Son. The box 39 cm wide.

Los 974

Poster LMS BUILDING AN ENGINE AT CREWE WORKS by Norman Wilkinson. Quad Royal 50in x 40in. In excellent condition mounted on linen, an iconic poster.

Los 983

Poster LMS TRANSPORTATION BY MODERN METHODS by Norman Wilkinson. Double Royal 25in x 40in. In very good condition professionally mounted on linen.

Los 2113

A Victorian Silver-Mounted Glass Claret-Jug, by Edward Hutton, London, 1886, Retailed by Millar Wilkinson, 3 St Michaels; Alley, Cornhill the glass body tapering and on spreading glass foot, the plain silver mounts with hinged cover and tapering scroll handle29cm highFully marked near rim and further part marked inside cover. There is some minor wear to the marks but each is generally legible. There is some minor surface scratching and wear, consistent with age and use.

Los 583

Wärmeschale, Birmingham 1924Silber. Meistermarke Thomas Wilkinson. Ovaler Korpus mit drehbarem Haubendeckel auf Stützen mit Tatzenfüssen. Darin Schale, bzw. Tropfschale. Stadt-, Garantie-, Meistermarke. Feingehalt 925. L 27 cm, ca. 2080 g.

Los 130A

A Selection of military items and odds; Sterling silver R.A.F. Sweetheart brooch. Masonic Silver and enamel star brooch. Charles Horner Chester silver cuff links. R.A.F. Cap badge. OCLE Gent's wristwatch. Solingen Wilkinson Sword fruit knife and other items

Los 452

Clarice Cliff Wilkinson Bizarre plate, design number 6314 22cm diameter, with a Royal Staffordshire Ceramics by Clarice Cliff wall plate and a Shorter and Son jug (hairline)(3).

Los 284

Clarice Cliff for Wilkinson Pottery, Honeyglaze Chloris pattern bowl (chip to rim) together with a Gaterhall Burslem Vase. (2)

Los 180

A small group of vintage silver and silver plated items - comprising an .800 silver skewer or cocktail stick, stamped 'M800S', with cast floral and foliate terminal, 12.2cm long; an Edwardian silver-headed hat pin, Thomas White, London 1901, with cast decoration of a reclining female figure and a pair of doves within a foliate rococo frame; a silver plated hip flask by Thomas Wilkinson & Son, Birmingham, 11.1cm high; a white metal cocktail sipper straw spoon, with foliate decorated handle, 20.8cm long; and a silver handled cake knife, Sheffield 1907 and similar fork with white metal handle.

Los 358

Norman Wilkinson (1878-1971) Four gouache paintings, all signed, unframed and unmounted: Study of a Vickers I X Flying Boat RNAS 1920, 10½ x 15½in; Study of a Dornier Wal Flying Boat WAL 1929, 11 x 15in; Study of a Canopus Flying Boat 1930, 10 x 13½in; Study of a BAT Water Plane RNAS 1917, 14 x 20½in. All in sound condition, slightly faded, superficial blemishes and spotting. * Part of a collection of gouache paintings of First World War ships to include Flying Boats, Paddle Steamers, Air Ships and Aircraft, see Lots 366, 367 and 368.

Los 144

A pair of novelty silver salt and pepper casters in the form of shell cases - T Wilkinson & Sons, Birmingham 1919, 6.4cm high, gross weight 51g.

Los 367

Norman Wilkinson (1878-1971) Three gouache paintings, all signed, unframed and unmounted: Study of a De Haviland Bomber DH9 1918, 10½ x 18in.; Study of a Wolseley Viper 1917, 11½ x 15½in.; Study of German aeroplane Etrich Type 4 1912, 10¾ x 16¾in. All in sound condition, slightly faded, superficial blemishes and spotting.  * Part of a collection of gouache paintings of First World War ships to include Flying Boats, Paddle Steamers, Air Ships and Aircraft, see Lots 358, 366 and 368.

Los 368

Norman Wilkinson (1878-1971) Four gouache paintings, all signed, unframed and unmounted: Study of a Dover SS 'B' Class Airship 1918, 11 x 16in.; Study of a US Navy 1935 Airship Aircraft Carrier 'Macon'' ZRS5, 11 x 15½in.; Study of an RNAS Capel Airship, 5¼ x 7½ in. All in sound condition, slightly faded, superficial blemishes and spotting.  * Part of a collection of gouache paintings of First World War ships to include Flying Boats, Paddle Steamers, Air Ships and Aircraft, see Lots 358, 366 and 367.

Los 366

Norman Wilkinson (1878-1971) Three gouache paintings, all signed, unframed and unmounted: Study of the Paddle Steamer Gravesend, Diamond SS Company, 10½ x 16½in.: Study of the Paddle Tug SS Cumbria, 14 x 18½in.: Study of the Reindeer Class Yawl 1950, Dover 1920, 11 x 16¼in. All in sound condition, slightly faded, superficial blemishes and spotting.  * Part of a collection of gouache paintings of First World War ships to include Flying Boats, Paddle Steamers, Air Ships and Aircraft, see Lots 358, 367 and 368.

Los 146

Mia Wilkinson Chesty Bird, 2024 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I toy with western stereotypes of the domestic female in my art. I undermine the performative nature of woman as 'the angel in the house', electrifying my figures with a grotesque, playful sexuality, and situating them in caricaturised, lurid domestic settings. I was born into a single parent, working-class family in the North-East. I don't know my Asian father and have little experience of one aspect of my racial heritage. Moulded by a strong but complex matriarchy I learned that a female body has both a social currency and a relative social invisibility. My experience of paternal absence and the ramifications of that for my racial identity, combined with the dominant female forces that raised me, find presence and voice in the bawdiness of the females I depict, skewing and skewering culturally imposed expectations and artistic traditions. I find myself as 'subject' deeply discomforting, and therefore increasingly turn the gaze onto myself, in attempt to further worry traditions of depicting women, and the female relationship with art. Education 2024-2025 Royal College of Art MA Painting 2011-2014 Wimbledon College of Art UAL Bachelors painting Solo Exhibitions 2023 DOMESTICALTED HINNY, KoKo Camden, London, UK 2018 THIS IS NOT PORN, Public Gallery, London, UK 2016 PLUS SIZE, Espacio Gallery London, UK Group Exhibitions 2025 In Fleeting Moments, Secession Gallery, Hastings 2024 Kunsthall UG, Augsburg, Germany REJECTS, Art Friend, London Lilacs out of the Dead Land, Donya Gallery, London The Way of all Flesh, SAATCHI, London 2023 Sweet Potion, Artistellar Gallery, London 2022 Two Doors, The House of st Barnabas, London Retrespect, The Art Bypass Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Los 147

Mia Wilkinson Untitled, 2024 Lino print and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I toy with western stereotypes of the domestic female in my art. I undermine the performative nature of woman as 'the angel in the house', electrifying my figures with a grotesque, playful sexuality, and situating them in caricaturised, lurid domestic settings. I was born into a single parent, working-class family in the North-East. I don't know my Asian father and have little experience of one aspect of my racial heritage. Moulded by a strong but complex matriarchy I learned that a female body has both a social currency and a relative social invisibility. My experience of paternal absence and the ramifications of that for my racial identity, combined with the dominant female forces that raised me, find presence and voice in the bawdiness of the females I depict, skewing and skewering culturally imposed expectations and artistic traditions. I find myself as 'subject' deeply discomforting, and therefore increasingly turn the gaze onto myself, in attempt to further worry traditions of depicting women, and the female relationship with art. Education 2024-2025 Royal College of Art MA Painting 2011-2014 Wimbledon College of Art UAL Bachelors painting Solo Exhibitions 2023 DOMESTICALTED HINNY, KoKo Camden, London, UK 2018 THIS IS NOT PORN, Public Gallery, London, UK 2016 PLUS SIZE, Espacio Gallery London, UK Group Exhibitions 2025 In Fleeting Moments, Secession Gallery, Hastings 2024 Kunsthall UG, Augsburg, Germany REJECTS, Art Friend, London Lilacs out of the Dead Land, Donya Gallery, London The Way of all Flesh, SAATCHI, London 2023 Sweet Potion, Artistellar Gallery, London 2022 Two Doors, The House of st Barnabas, London Retrespect, The Art Bypass Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Los 148

Mia Wilkinson Untitled II, 2024 Lino print and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I toy with western stereotypes of the domestic female in my art. I undermine the performative nature of woman as 'the angel in the house', electrifying my figures with a grotesque, playful sexuality, and situating them in caricaturised, lurid domestic settings. I was born into a single parent, working-class family in the North-East. I don't know my Asian father and have little experience of one aspect of my racial heritage. Moulded by a strong but complex matriarchy I learned that a female body has both a social currency and a relative social invisibility. My experience of paternal absence and the ramifications of that for my racial identity, combined with the dominant female forces that raised me, find presence and voice in the bawdiness of the females I depict, skewing and skewering culturally imposed expectations and artistic traditions. I find myself as 'subject' deeply discomforting, and therefore increasingly turn the gaze onto myself, in attempt to further worry traditions of depicting women, and the female relationship with art. Education 2024-2025 Royal College of Art MA Painting 2011-2014 Wimbledon College of Art UAL Bachelors painting Solo Exhibitions 2023 DOMESTICALTED HINNY, KoKo Camden, London, UK 2018 THIS IS NOT PORN, Public Gallery, London, UK 2016 PLUS SIZE, Espacio Gallery London, UK Group Exhibitions 2025 In Fleeting Moments, Secession Gallery, Hastings 2024 Kunsthall UG, Augsburg, Germany REJECTS, Art Friend, London Lilacs out of the Dead Land, Donya Gallery, London The Way of all Flesh, SAATCHI, London 2023 Sweet Potion, Artistellar Gallery, London 2022 Two Doors, The House of st Barnabas, London Retrespect, The Art Bypass Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Los 145

Mia Wilkinson What a Catch, 2024 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I toy with western stereotypes of the domestic female in my art. I undermine the performative nature of woman as 'the angel in the house', electrifying my figures with a grotesque, playful sexuality, and situating them in caricaturised, lurid domestic settings. I was born into a single parent, working-class family in the North-East. I don't know my Asian father and have little experience of one aspect of my racial heritage. Moulded by a strong but complex matriarchy I learned that a female body has both a social currency and a relative social invisibility. My experience of paternal absence and the ramifications of that for my racial identity, combined with the dominant female forces that raised me, find presence and voice in the bawdiness of the females I depict, skewing and skewering culturally imposed expectations and artistic traditions. I find myself as 'subject' deeply discomforting, and therefore increasingly turn the gaze onto myself, in attempt to further worry traditions of depicting women, and the female relationship with art. Education 2024-2025 Royal College of Art MA Painting 2011-2014 Wimbledon College of Art UAL Bachelors painting Solo Exhibitions 2023 DOMESTICALTED HINNY, KoKo Camden, London, UK 2018 THIS IS NOT PORN, Public Gallery, London, UK 2016 PLUS SIZE, Espacio Gallery London, UK Group Exhibitions 2025 In Fleeting Moments, Secession Gallery, Hastings 2024 Kunsthall UG, Augsburg, Germany REJECTS, Art Friend, London Lilacs out of the Dead Land, Donya Gallery, London The Way of all Flesh, SAATCHI, London 2023 Sweet Potion, Artistellar Gallery, London 2022 Two Doors, The House of st Barnabas, London Retrespect, The Art Bypass Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Los 79

Brymbo Iron Works, Denbigh, for the Executors, Trustees of the late John Wilkinson, 1 Guinea, 8 April 1814, serial number S122, very good Outing 3024b £80-£120 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

Los 53

A Medieval bronze small cauldron or cooking pot (hole to base), an iron cleaver or chopper marked '1730', and a pair of heavy duty tailors shears by Wilkinson, Sheffield, 34cm

Los 140

John Wilkinson(British, 20th Century)Springer Spaniel,signed,oil on board,57 x 46cms, frame 64 x 53cms.

Los 43

An ERII Wilkinson parade sword with Royal Fusiliers hilt. Blade numbered 100269, length of blade 82.3cm, in a leather scabbard.

Los 75

Rugby Johnny Wilkinson Signed 10x8 inch colour Magazine Page, Mounted. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Los 439

John Butler - Tahiti Papaver - A large shape 371 Kidney vase circa 1929, hand painted with a stylised landscape with flowers and trees, hand signed L Allen to the body and Wilkinson mark, height 18cm. N.B - The Tahiti range was the last top quality art ware range by John Butler in 1929, it required several firings and was very expensive and this example has an unusually high number of poppies. Signed L. Allen to the side, Marjory Higginson remembered a young MS Allen who sat at the back of the Bizarre shop painting specials and Applique wares with John Butler.

Los 588

John Butler - Storm - An A.J. Wilkinson shape 342 vase with hand painted stylised floral decoration against a yellow, blue and brown mottled glaze with an orange lustre interior, printed marks, signed Butler, height 20cm.

Los 602

Clarice Cliff - Mr Duck - A novelty figure of a duck raised to a domed base with a worm, painted in colours, Wilkinson mark only, height 12.5cm, restored.

Los 598

Clarice Cliff & Dolly Cliff - Maple Leaf - A conical shape cup and saucer, Stamford shape sugar bowl and large plate circa 1930, all hand painted with stylised leaves, together with a Wilkinson covered sugar circa 1938, hand painted in the Viburnum, various backstamps. (4)

Los 593

Dolly Cliff - Perdita's Garden - An Athens shape tea cup and saucer circa 1929, hand painted to the border with a band of stylised flowers and foliage, Wilkinson and Honeyglaze mark.

Los 594

Clarice Cliff & Dolly Cliff - Beech Leaves - A conical shape teacup, saucer and matched side plate all hand painted with stylised leaves to a bough with blue banding, together with a shape 3 drum preserve and cover, all with various Wilkinson marks. (2)

Los 596

Dolly Cliff - Sandflower - A set of four dinner plates circa 1929, hand painted with a stylised floral band with orange banding, Wilkinson mark only, width 22.5cm. (4)

Los 595

Dolly Cliff - Grapes - A seven piece dessert service circa 1928, comprising one large serving bowl and six smaller octagonal bowls, all hand painted with a stylised fruiting vine with orange banding, Wilkinson & Honeyglaze mark only. (7)

Los 574

Clarice Cliff - Summer Crocus - A Lynton shape coffee can and saucer circa 1934, hand painted with Crocus sprays with green banded lines over a green glazed ground, Bizarre mark, together with a later Margot shape coffee pot in Spring Crocus with large Crocus sprays between pale green and brown banding, as found, Wilkinson backstamp only. (2)

Los 1254

A 1930s Clarice Cliff Wilkinson Ltd table planter in the My Garden range, burnt orange, green and browns, has a re glued chip to rim, factory marks to base

Los 3037

Henry Wilkinson (1921-2011), a pair of dry point etchings, one of two Shoveler, other of Teal, both framed and glazed, each approx. 30.2cm x 25.5cm. (2)

Los 317

Three fencing sabres, one by Wilkinson (blade 89cm), one Leon Paul (88cm) and one unmarked (86cm). (3)

Los 214

HARDEN MARCIA GAY: (1959- ) American actress, Academy Award winner for Best Supporting Actress in 2000 for her role as Lee Krasner in Pollock. Signed colour 8 x 10 photograph of the actress in a head and shoulders pose. Signed in bold black ink to a light area of the image. A printed label neatly affixed to the verso indicates that the signature was obtained in person at the stage door of the Chichester Festival Theatre following a performance of Sweet Bird of Youth on 17th June 2017. Together with two signed 8 x 10 photographs (one colour) by two of the Best Supporting Actress Oscar nominees of 2000 comprising Kate Hudson (for her performance as Penny Lane in Almost Famous) and Julie Walters (for her performance as Sandra Wilkinson in Billy Elliot). Both are signed in blue inks, Walters in fountain pen ink, to the images (Hudson across a dark area) and neither are inscribed. VG to EX, 3

Los 262

ACADEMY AWARD NOMINEES: A good selection of signed 8 x 10 photographs by various actors, each of them Best Actor Oscar nominees of the 2000s comprising Ed Harris (for his performance as Jackson Pollock in Pollock, 2000), Tom Wilkinson (for his performance as Dr. Matt Fowler in In the Besdroom, 2001), Don Cheadle (for his performance as Paul Rusesabagina in Hotel Rwanda, 2004), Terrence Howard (for his performance as DJay in Hustle & Flow, 2005), David Strathairn (for his performance as Edward R. Murrow in Good Night, and Good Luck, 2005), Ryan Gosling (for his performance as Dan Dunne in Half Nelson, 2006), Peter O´Toole (for his performance as Maurice Russell in Venus, 2006), Viggo Mortensen (for his performance as Nikolai Luzhin in Eastern Promises, 2007), and Jeremy Renner (for his performance as SFC William James in The Hurt Locker, 2009). The majority are boldly signed, many to clear areas of the images, and none are inscribed. Colour (6). VG to EX, 9

Los 273

KEVIN APPEL (AMERICAN B. 1967) LITTLE FLOWER Oil, acrylic and enamel on canvas laid to panel Signed, titled and dated 2006 (verso) 203.5 x 211cm (80 x 83 in.) UnframedProvenance: Wilkinson Gallery, London Sale, Christie's, New York, 90s to Now, 20 February 2014, lot 99 Acquired from the above by the present owner Condition Report: Unframed. Some light surface dirt to the extreme edges where the work has previously been handled. There is one small horizontal scarf mark to the upper left quadrant, visible to the trunk. There are number of very minor of scattered surface scarfs, but these are hardy noticeable. Overall, the work appears to be in good condition.    Condition Report Disclaimer

Los 1551

British and world coinage and banknotes to include crowns, offside rule 50 pence, Swiss, American, 1951 German 5 Deutsche Mark, Spain and India and a John Wilkinson 1793 token

Los 95

Six: Sergeant G. Wilkinson, Duke of Cornwall’s Light Infantry, later Devonshire Regiment British War and Victory Medals (202146 Pte. G. Wilkinson. D. of Corn. L.I..); Defence and War Medals 1939-45; Territorial Efficiency Medal, G.V.R. (202146 Pte. G. Wilkinson. 5-D.C.L.I.); Efficiency Medal, G.V.R., Territorial, with two Additional Award Bars (5612210 Sjt. G. Wilkinson. 5-Devon R.) mounted for wear, light contact marks, good very fine and better (6) £140-£180 --- George Rodney Wilkinson was born at Torpoint, Cornwall in 1893. A Labourer by occupation, he attested for the Territorial Army on 22 March 1910 and joined ‘B’ Company, 5th Battalion, Duke of Cornwall’s Light Infantry. Embodied with his battalion as a qualified Signaller on 4 August 1914 he embarked for France on 14 February 1917. Returning to England on 31 December 1918 he was demobilised on 11 February 1919. Moving to South Brent, Devon, and employed as Builder’s Labourer, Wilkinson again attested for the Territorial Army on 1 March 1922 and was posted to the 5th (POW) Battalion, Devonshire Regiment, regularly attending the annual camps during the inter-War years. Awarded his Territorial Efficiency Medal in August 1922, he was promoted Sergeant in 1934 and was awarded his Efficiency Medal in 1937. Embodied during the Second World War with the 5th Battalion he served at home during the war years before being discharged ‘Permanently Unfit’ on 4 July 1945, his two additional award bars to his Efficiency Medal being awarded in 1947. He died at South Brent on 3 January 1969, aged 75. Sold with copied service records and other research.

Los 459

The Second World War ‘V.C. action’ D.S.M. group of four awarded to Able Seaman A. Spendlove, Royal Navy, one of a handful of men to survive the extremely gallant action fought by H.M.S. Li Wo against impossible odds off Sumatra in February 1942 Distinguished Service Medal, G.VI.R. (A.B. A. Spendlove, C/JX. 131500) officially engraved naming; 1939-45 Star; Pacific Star; War Medal 1939-45, mounted for wearing, good very fine and better (4) £7,000-£9,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Dix Noonan Webb, September 2006. D.S.M. London Gazette 17 December 1946: ‘A member of the 4-inch gun crew, who fought with courage and effect in the last action of H.M.S. Li Wo.’ Albert Spendlove was one of two crew members to receive the D.S.M. for this extraordinary action. His captain, Temporary Lieutenant Thomas Wilkinson, R.N.R., was awarded a posthumous V.C., while Temporary Sub-Lieutenant R. G. G. Stanton, R.N.R., received the D.S.O., Acting Petty Officer A. W. Thompson the C.G.M., and six others “mentions”, three of them posthumously. No better summary of the action may be quoted than the citation for the V.C. to Wilkinson, which headed the awards to the crew of the Li Wo announced in the London Gazette of 17 December 1946: ‘On 14 February 1942, H.M.S. Li Wo, a patrol vessel of 1,000 tons, formerly a passenger steamer on the Upper Yangtse River, was on passage from Singapore to Batavia. Her ship’s company consisted of eighty-four officers and men, including one civilian; they were mainly survivors from His Majesty’s Ships which had been sunk, and a few from units of the Army and Royal Air Force. Her armament was one 4-inch gun, for which she had only thirteen practise shells, and two machine-guns. Since leaving Singapore the previous day, the ship had beaten off four air attacks, in one of which fifty-two machines took part, and had suffered considerable damage. Late in the afternoon, she sighted two enemy convoys, the larger of which was escorted by Japanese naval units, including a heavy cruiser and some destroyers. The Commanding Officer, Lieutenant T. Wilkinson, R.N.R., gathered his scratch ship’s company together and told them that, rather than try to escape, he had decided to fight to the last, in the hope that he might inflict damage upon the enemy. In making this decision, which drew resolute support from the whole ship’s company, Lieutenant Wilkinson knew that his ship faced certain destruction, and that his own chances of survival were small. H.M.S. Li Wo hoisted her battle ensign and made straight for the enemy. In the action which followed, the machine-guns were used with effect upon the crews of all ships in range, and a volunteer gun’s crew manned the 4-inch gun, which they fought with such purpose that a Japanese transport was badly hit and set on fire. After a little over an hour, H.M.S. Li Wo had been critically damaged and was sinking. Lieutenant Wilkinson then decided to ram his principal target, the large transport, which had been abandoned by her crew. It is known that this ship burnt fiercely throughout the night following the action, and was probably sunk. H.M.S. Li Wo’s gallant fight ended when, her shells spent, and under heavy fire from the enemy cruiser, Lieutenant Wilkinson finally ordered abandon ship. He himself remained on board, and went down with her. There were only about ten survivors, who were later made prisoners of war. Lieutenant Wilkinson’s valour was equalled only by the skill with which he fought his ship. The Victoria Cross is bestowed upon him posthumously in recognition both of his own heroism and self-sacrifice, and of all who fought and died with him.’ A closer picture of the activities of the 4-inch gun crew in which Spendlove served may be found in an account of the action by Acting Petty Officer A. W. Thompson, who, as related above, was awarded the C.G.M.: ‘During the afternoon of Saturday 14 February, we sighted a Japanese convoy on the horizon, escorted by cruisers. The captain decided to attack. He sent for me, and explained the situation, which was serious. I volunteered to take charge of the 4-inch gun and as the cruisers were out of range I opened fire on the leading ship in the convoy. There were approximately 15 ships in the convoy, of various tonnages, the ship in the lead being about 2,500 tons. I scored a hit on this ship with my second shot. The merchant ships retaliated, causing a great many casualties. Meanwhile, the cruisers were manoeuvring for position to open fire. By this time the merchant ships were in the line of fire of their warships. I scored a second hit just above the waterline and flames poured out. We were now closing the leading ship rapidly, and I scored a direct hit on the Bridge superstructure, blowing most of it away. This caused great panic among the Japanese on board and many of them started to abandon ship. By this time the merchant ship was well on fire, and we went full speed astern to get clear. Unfortunately as we did so another salvo from a warship hit us, setting the cordite round the gun on fire. The captain gave the orders to abandon ship ... ’ Worse was to follow in the water. Thompson continues: ‘The Japanese destroyers circled at high speed through the wreckage, machine-guns and rifles firing at any survivor they could see. They threw hand grenades and even lumps of coal in their rage at seeing one of their transports sunk with such impudence. There were only eight of us, all wounded, left alive by the time they left the area, and we found a swamped lifeboat to hang onto. Some hours later two of these died ... ’ These gallant few eventually reached Banka Island, where they were captured: ‘We didn’t know it then, but that was the beginning of three and a half years of abject slavery, starvation and brutality far beyond the ken of the ordinary western civilised mind.’ Sold with comprehensive copied research.

Los 330

The Indian Mutiny Medal awarded to Boatswain’s Mate John Harrison, Royal Navy, a member of Shannon’s Naval Brigade who was awarded the Victoria Cross for his conspicuous gallantry at Lucknow Indian Mutiny 1857-59, 2 clasps, Relief of Lucknow, Lucknow (John Harrison, Boatsn’s Mate. Shannon.) nearly extremely fine £14,000-£18,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Colonel Walford collection, Sotheby Wilkinson & Hodge, July 1897; Brian Ritchie Collection, Dix Noonan Webb, September 2004. Harrison’s Victoria Cross is held by the National Maritime Museum, Greenwich. John Harrison, the son of John Harrison, an estate carpenter, was born at Castleborough, Co. Wexford, on 24 January 1832, and entered the Royal Navy as a Boy 2nd Class on 2 February 1850. Rated an Ordinary Seaman on joining his first ship, the Prometheus, he removed to the line-of-battle ship Agamemnon in February 1853 and served in her throughout the Crimean War. He left Agamemnon in July 1856 as Leading Seaman and Coxswain of the Pinnace, and in the October following joined the Shannon, a new screw steam frigate of fifty-one guns, commanded by Captain William Peel, V.C., R.N. In early 1857 Peel received orders to prepare for service in China, where the exasperating behaviour of the Emperor and his officials in refusing to abide by the terms of the Nanking Treaty had brought the two countries to the brink of war. Peel was to proceed to Singapore, pick up the Ambassador Extraordinary, Lord Elgin, and convey him to the mouth of the Peiho River, where the latter was to make a last appeal to the Chinese before the Government resorted to full scale naval and military operations. The Shannon sailed on 17 March 1857, and reached Singapore on 11 June. On Elgin’s way out to Singapore, his P. & O. steamer had touched Galle in Ceylon to pick up Lieutenant-General the Hon. T. Ashburnham, who had been appointed to the command of the land forces in China. Ashburnham had sketchy reports of unrest among the Sepoys in India, but it was not until they reached Singapore that the full horror of the insurrection was revealed. Elgin then received an urgent request from the Governor General of India, Viscount Canning, appealing for the troops assigned to the China venture. Unable to contact his superiors in London, Elgin acted on his own authority and diverted the troops. He later won much credit for doing so, but this left only the Shannon to reinforce Sir Michael Seymour’s inadequate naval force on the China Station and press Britain’s claims against the Imperial government. Arriving at Hong Kong on 2 July, Elgin found that the French Ambassador, with whom he was to make his representations, was still on his way out, and that it would be sometime before he could carry out his mission. He therefore instructed Peel to sail for Calcutta so that he could have talks with Lord Canning. The Shannon entered the Hooghly on 8 August 1857, carrying a detachment of the 90th Light Infantry, picked up at Singapore after their own transport, the Transit, had been wrecked, and was welcomed by the European inhabitants with wild enthusiasm and no small sense of relief. Elgin lost no time in ascertaining the seriousness of the situation and on hearing of the chronic shortage of artillery, immediately offered to place the ship’s company and guns from H.M.S. Shannon at Canning’s disposal. A Naval Brigade was formed and on 13 August, Peel set out for Allahabad taking with him 408 officers and men, six 8-inch 65 cwt. 68-pounders with 400 rounds of shot per gun, a 6-pounder brass gun, a 24-pounder howitzer, eight rocket tubes, and a large quantity of siege train stores. The first part of the journey up the Ganges by river steamer was fraught with difficulties; mosquitoes, heat-stroke, cholera and typhoid were omnipresent, and the usual lower deck problem of drunkenness was exacerbated by the searing heat of the Bengal summer. However, on marching out of Allahabad for Cawnpore on 28 October, ‘Peel’s Jacks’ or ‘The Shannons’ as they liked to be called, soon proved themselves ‘superb campaigners, able to march, fight, live off the land, handle guns and horses with equal ease, and soon won a fearsome reputation amongst the Sepoys, who firmly believed that the Jacks were all four feet high by five foot wide from snout to tail, carried 9-pounder guns over their heads, and ate human flesh as much as they could, salting down the rest for future consumption’. By 15 November 1857, the Naval Brigade had reached the Alumbagh, just outside Lucknow, and came under the command of the recently arrived Commander-in-Chief, Sir Colin Campbell. Next day as Sir Colin strove to effect the relief of the Lucknow Residency, Peel’s Naval Brigade, which now consisted of about 200 sailors and marines, with six 24-pounder guns, two 8-inch rocket tubes mounted on ‘hackeries’ (bullock carts), was in action bombarding the thick loopholed outer walls of the Shah Nujeff mosque. It quickly became apparent that it was going to be a tough nut to crack and Peel ordered his guns up to within a few feet of the outer walls ‘as if he had been laying Shannon alongside an enemy’s frigate’. In such an exposed position, ‘The Shannons’ began to suffer casualties not only from the mutineers’ musket fire from the walls but also from a number of rebels in a tree who were tossing out grenades on to the gun crews below. Peel called for volunteers to climb the tree, dislodge the mutineers and spot enemy positions. Three men came forward, Lieutenant Nowell Salmon, R.N., Leading Seaman John Harrison and Able Seaman Richard Southwell. Southwell was killed outright, but Harrison and Lieutenant Salmon succeeded in climbing the tree and ejecting ‘the ruffians who were throwing grenades’. Both Harrison and Salmon were recommended for the Victoria Cross by Peel, and the awards were subsequently announced in the London Gazette of 24 December 1858. The citation read: ‘John Harrison, Naval Brigade, and Nowell Salmon, Lieut. (now Commander). Date of Act of Bravery: 16 Nov. 1857. For conspicuous gallantry at Lucknow, on 16 Nov. 1857, in climbing up a tree touching the angle of the Shah Nujjiff, to reply to the fire of the enemy, for which most dangerous service the late Capt. William Peel, K.C.B., had called for volunteers.’ As there were no posthumous Victoria Cross awards at the time, Southwell’s gallantry went unacknowledged. Rated Boatswain’s Mate and Petty Officer on 27 June 1858, Harrison was discharged from the Navy on 13 January 1859, and received his Cross from Queen Victoria at an investiture held in the quadrangle of Windsor Castle on 4 January 1860. Salmon, who later rose to become Admiral of the Fleet and a G.C.B., supplied Harrison with a letter of recommendation by which he obtained a post in the Customs and Excise. As the result of a wound received during the Second Relief of Lucknow, and a bout of malaria contracted during his service in the Far East, Harrison suffered poor health and made several visits to the Naval Hospital. A man of strong religious convictions, and a firm Protestant, he lived latterly at 5, Stafford Place, Westminster. John Harrison, V.C., never married and died aged 33 on 27 September 1865. He is buried at Brompton Cemetery, West London

Los 1083

T WILKINSON & SONS; a George V hallmarked silver three piece cruet comprising mustard, salt, and pepper, with blue glass liners, Birmingham 1919, combined weighable silver approx 2.2ozt (3).

Los 860

Contemporary Scottish Sgian Dubh dagger by Wilkinson in original box.

Los 857

Contemporary Scottish Sgian Dubh dagger by Wilkinson, in original fitted box.

Los 163

Travel. Scoresby (Rev. William) & Smith (Archibald, editor), Journal of a Voyage to Australia and Round the World, for Magnetical Research, first edition, London: Longman, Green, Longman, & Roberts, 1859, half-title, portrait frontispiece and folding engraved map with slight paper flaw, bound-in publisher's catalogue, original publisher's cloth, blind-stamped, lettered in gilt, split but holding, loosely-inserted Henry Sotheran invoice 8vo; Westgarth (William), Australia Felix; or, A Historical and Descriptive Account of the Settlement of Port Phillip, New South Wales [...], first edition, Edinburgh: Oliver & Boyd, 1848, folding lithographed map and 2 plates of Aborigine natives, original publisher's green cloth, blind-stamped, lettered in gilt, sunned spine, the top of which is chipped, uncut, 8vo; Wilkinson (George Blakiston), South Australia; its Advantages and its Resources. Being a Description of that Colony, and a Manual of Information for Emigrants, first edition, London: John Murray, 1848, original publisher's brown cloth by Remnant & Edmonds, London, their ticket, blind-stamped, lettered in gilt, chipped and split, but holding, uncut, 8vo; & Mudie (James), The Felonry of New South Wales, first edition, London: Printed for the Author, by Whaley and Co., 1837, lacking map of Sydney, original publisher's cloth, rebacked, blind-stamped, lettered in gilt, uncut, 8vo, (4)

Los 704

Railway Poster, Midland & Scottish Railway, Holyhead by Norman Wilkinson R.I, LMS, RMS Hibernia Irish Mail Service, printed in Great Britain by S.C.Allen & Company Ltd, 4 Lisle St London WC2, 127cm x 102cm, poster has been folded in half, now rolled in tube, ask for viewing please

Los 705

Railway Poster, Midland & Scottish Railway, The Irish Mail at Holyhead by Norman Wilkinson P.R.I, LMS, printed in Great Britain by McCorquodale & Co.Limited, Glasgow, ERO 53331 127cm x 102cm, poster has been folded in half, now rolled in tube, ask for viewing please

Los 963

**British WWI Wilkinson 1907 Pattern Bayonet with Scabbard** A British Wilkinson 1907 Pattern bayonet from the First World War, accompanied by its original scabbard. The blade measures approximately 17 inches (43 cm) in length, featuring a single edge with a fuller for weight reduction. The hilt includes a wooden grip attached by metal rivets, a steel crossguard with a barrel ring, and a pommel with a release mechanism. Stamped markings near the ricasso include a crown emblem, "1907," and inspection or manufacturing details, indicating it is a Wilkinson Sword Co. production. The scabbard is constructed of blackened leather, reinforced with a steel chape and throat, exhibiting wear from field use. Designed to be attached to the Short Magazine Lee-Enfield (SMLE) rifle, this bayonet and scabbard set provides a significant representation of British military equipment from WWI (1914–1918). Detailed markings and wear suggest authenticity and historical service.

Los 12

Clarice Cliff for Wilkinson Ltd 'Indian Summer' hand painted Art Deco bowl, H 6cm, diameter 17cm

Los 557

Wilkinson, abstract study, oil on board, signed lower right, 49.5 x 60cm, 'Home' sign - modelled out of pennies and three pence pieces, 45 x 55cm overall and two other pictures

Los 456

A framed 2003 Rugby World Cup, Jonny Wilkinson mounted display, bearing signature

Los 269

Hindley & Wilkinson, an upholstered armchair on oak legs, castors stamped with makers name.

Los 747

Bairstow Wilkinson World War II Allied Leaders Collection to include Prime Minister Winston Churhill L/E 41/150, King George VI L/E 41/150 (2)

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