ƒ JACQUES LIPCHITZ (1891-1973) JOUEUR DE GUITARE AU FAUTEUIL, 1922 "Guitar Player in Chair" (Seated Man with Guitar) Sculpture en plâtre Signée et date au dos 40,5 x 29,3 X 28,8 cm Provenance : Offerte par l’artiste à son fondeur Salvador Schiavo (Fonderie "Roman Bronze Works") Transmise par descendance au fondeur Philip Schiavo, (Fonderie "Roman Bronze Worksv) Collection particulière, New York, depuis 1988 (Une autre version en plâtre se trouve à la Tate Collection, Londres) Bibliographie : - Alan G. Wilkinson, The Sculpture of Jacques Liptchitz, A Catalogue Raisonné, Volume 1 : The Paris Years 1920-1940, référencée sous les numéros 141 et 142 (autres versions). Également reproduite page 175 - A.M. Hammacher, Jacques Lipchitz, his Sculpture, version en granite référencée sous le numéro 34 - Alfred Werner, Lipchitz : The Cubist Period, version en bronze référencée sous le numéro 34 - Alan G. Wilkinson, Jacques Lipchitz : A Life in Sculpture, version en basalte référencée page 96 sous le numéro 38 - David Fraser Jenkins and Derek Pullen : The Lipchitz Gift : Models for Sculpture, Tate Gallery, London 1986 référencée pages 40-41 L’œuvre que nous présentons ici s’intitule "Joueur de guitare au fauteuil" et date de 1922. Ce titre nous permet en effet de mieux comprendre et appréhender les formes de cette œuvre. Les jambes du musicien sont également les pieds du fauteuil, l’homme se mêle à l’assise et fait corps avec son instrument. C’est à partir de 1920 que Lipchitz approfondit ses recherches cubistes sur différents thèmes dont celui de la musique et développe une figuration plus poussée. Ses musiciens adoptent différentes poses, allongées ou assises, et les lignes cubistes deviennent plus fluides, gracieuses et arrondies de façon à retranscrire une vision plus poétique de la musique. Lipchitz a élaboré différentes versions de cette sculpture, dans de multiples matériaux, du basalte au bronze en passant par le granite (cf Bibliographie). Les œuvres en plâtres de l’artiste sont particulièrement rares en vente, étant précieusement conservées dans les musées, tout comme le seul autre exemplaire en plâtre connu de cette œuvre qui se trouve à la Tate collection de Londres, ou encore le petit plâtre de 1921, Joueur de guitare au fauteuil, conservé au Kröller-Müller Museum d`Otterlo, qui est une étude pour ce thème. Cette œuvre a été remise directement par l’artiste à son fondeur de l’époque Monsieur Salvador Schiavo, et c’est le descendant de celui-ci qui l’a remis au propriétaire actuel. Le médium du plâtre permet à la pureté des lignes de s’exprimer beaucoup plus librement, la très belle patine claire et nuancée donne du relief et de la vie à l’œuvre.
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Russell Sidney Reeve RE RBA, British 1895-1970- "The Elephant Act", publ by Schools Prints Ltd, 1948; lithograph printed in colours, 49x76cm: D Wilkinson, mid-late 20th century- "Civil War Image"; screenprint in colours, signed, titled and inscribed within the plate, 67x55.5cm., (2) (may be subject to Droit de Suite)
North & East Africa. A collection of approx. 100 maps and charts, mostly 18th & 19th century, engraved and litho. maps, including examples by Johnston, Bonne, De Lisle, Arrowsmith, S.D.U.K., Wallis, Mallet, Wilkinson, Gall & Inglis, Thomson, Bowen, Moll, Arrowsmith and Lapie, occ. duplicates, various sizes and condition, together with fourteen uncoloured engraved mid 19th century sea charts of Madagascar, various sizes and condition (approx.114).
A Scarce Victorian 1889 Pattern Staff Sergeant`s Sword, the 81.5cm single edge fullered steel blade by Wilkinson Sword Company, stamped with broad arrow and issue date for February 1893, the gothic heavy brass hilt pierced and cast with Royal cypher, the quillon with struck through markings for RAMC and later markings to 3.WSR, wire bound fish skin grip, milled backstrap and pommel, with leather service scabbard
An Oriental, possibly Korean underglazed cobalt blue bowl with marks underneath, a 19th century famille dish decorated with butterflies and peonies around a central figurative scene, an A J Wilkinson Ltd honeyglaze Staffordshire bowl, a 19th century ginger jar, a later bowl and charger and a brass candle holder with carrying handle. (6)
A BRITISH FUSILIERS OFFICER`S SWORD, 1822 pattern, blade etched with regimental crest and battle honours, inscribed Henry Wilkinson and numbered 10019, steel hilt with three bar guard incorporating modified regimental crest, wire wound shagreen grip, brass mounted steel scabbard with two suspension rings, blade 32", 38 1/2" overall
Eric Forbes Robertson 1865-1935 (attrib.) - Portrait of Louis Green-Wilkinson, oil on canvas, 34.5 x 25 cm, in gilt slip, bears old fragile hand written label to verso 'Louis Green Wilkinson, painted b...... Forbes Robertson at Pont-Aven, Brittany Oct 1890 at Villa Julia' Condition Report surface dirty, shrinkage
A collection of antique sports equipment comprising two tennis rackets (Frank Norman "World Beater" - possibly 1930`s - 1950`s and a Blue Knight - 1960`s), a pair of hand sewn leather Running Spikes - possibly 1930 / 40`s, a Wilkinson Sword Mk V Fencing Foil, Fencing jacket and Fencing mask (1950`s) and an old Rugby Club blazer.
Sword - an 1821 Pattern Infantry Officers Sword by Wilkinson, Blade numbered `5826`. WSC records show this Sword was sold on 23.01.1855 at the height of the Crimean War. Embossed Blade 32 1/2". Wire bound Fishskin Hilt in good condition, in its leather field service Scabbard (repaired half way down) in worn condition. The Sword a good example of a Crimean War weapon. Sold with original Wilkinson Certificate/invoice (copy)
Sword - an 1895/97 Pattern Infantry Officers Sword Wirebound Fishskin Hilt (minor damage to Fishskin) In its Leather Field Service Scabbard. Blade etched with Crown V.R. Made by Wilkinson no. 14318. Dark Patina overall. Blade 32". Overall in good condition, an attractive Sword with its Steel Sword Scabbard. Nickel plated, slightly curved Sword Blade 32". Two Suspension Grips, minor rusting (2)
**AN OTTOMAN SHAFFRON, TURKEY, FIRST QUARTER OF THE 16TH CENTURYformed of a main plate lightly embossed into four sections, flaring towards the nose, the eyes and the ears, embossed beneath the latter with a low rib on each side, stamped with the mark of the Ottoman Court Arsenal at Hagia Irene, rounded cheek-pieces flared en suite for the eyes (one perhaps an early association), small hexagonal pol-plate, and the plates all joined by mail of rivetted links (small chips, mail with minor repairs)57.8 cm; 22 3/4 in highProvenance Sotheby, Wilkinson & Hodge, London, 1st March 1923William Randolph Hearst, sold Gimbel Brothers, Hammer Galleries, New York, 4th December 1942JWHA Inv. No. 2705
A set of six World War II miniatures, including the 1939 - 45 star, the Atlantic Star, the Pacific Star, The Burma Star, The defence medal and The War Medal, together with an enamel decorated star "Temple Dinsley Preceptory No 283" a hand painted sash, leather bound whip, binoculars, Burmese carving set, A Masonic Knight templar sword by Wilkinson Sword with engraved steel blade and wire bound gilt metal hilt, 83.5 cm long and brass mounted scabbard for same, and letters, certificates etc. relating to Michael Binns Faraday.
Two similar Clarice Cliff `Blue Chintz` Bizarre tankard milk jugs, each 2.5" high (a.f); `Gay Day` Bizarre cylindrical preserve pot base, Wilkinson lilac glaze cauldron, `Liberty` Fantasque cylindrical preserve pot base, `Newport` banded cylindrical preserve pot and cover and also an `Aurea` (pink pearls) dessert bowl (7)
An 18th century flintlock pistol by Henry Nock of London:, tapering twist off barrel, cylindrical action with trophy engraving and fold down trigger, thumb safety, chequered walnut bag grip with vacant cartouche, 16.5cm long. * Biography Henry Nock (1741-1804) was one of the most renowned gunsmiths of the Napoleonic period supplying high quality guns to the British Forces. Nock was appointed to the King and produced guns for nobility. The company eventually became Wilkinson Sword
A 1907 pattern bayonet by Wilkinson, dated `7 15`, in its steel mounted leather sheath, a French model 1874 bayonet (lacking sheath), an all steel tulwar with leather covered scabbard, a single draw telescope by Ross with nickel body (covering missing), three pairs of field glasses, a tribal axe, a brass 12 bore reloading tool, etc.

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