National Bank of Laos, a pair of original hand drawn design essays for the face and reverse of a 50 Kip note, most likely produced for Bradbury Wilkinson, by Derek Friday, the two designs on paper in pencil, ink, and watercolour, measure 7.0cms x 13.5cms, and are mounted on black backing paper, the reverse design consists of several hand drawn elements built up in layers, beautifully done predominantly in red, both designs are in good condition but there are a number of stains showing through where the adhesive has been applied to the backing sheet
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23175 Los(e)/Seite
Uganda, a pair of test printings, in indigo, for the reverse of the 1996 20 Shillings circulation note, the note was produced by Bradbury Wilkinson, the design work possibly done by Derek Friday, both prints measure 7.3cms x 14.1cms, in good clean condition, along with a black and white photographic rendering of a hand drawn design for a £1 note using the same design, measuring 7.9cms x 14.1cms
Bank Mirkazi Iran, an original hand drawn design essay for the face of a 1000 Rials note, the art work done at Bradbury Wilkinson, possibly by Derek Friday, the design is mounted on a hard card backing and overlaid with a simple card frame, the visible portion of the essay measures 16.2cms x 7.7cms, the design consists of several hand drawn elements, built up in overlaid panels, overall in good condition, very clean with strong colour
Central Bank of Syria, a pair of original hand drawn, early stage design essays for the face and reverse of a 10 Pounds note, dated 'Aug 64' faintly on the back, most likely produced for Bradbury Wilkinson, by Derek Friday, the two designs on paper, mounted to larger black backing paper, in pencil, ink, and watercolour, measure 7.2cms x 14.7cms, the backing paper is creased in one or two places, but both designs are in good clean condition, there is some crinkling of the paper and edges of the designs, probably from the use of glue used to mount the designs
A Pair of Royal Italian Opera Covent Garden tickets, dated 1869, including a stall seat ticket measuring 14cms x 9.8cms, and a box ticket measuring 21cms x 11.7cms, possibly designed and printed by Bradbury Wilkinson, these appear to be samples of the finished product, both are intact with ticket and tear off section still attached, both appear to have been previously mounted to a black backing sheet and have the remnants of the paper and adhesive attached to the back, colour is patchy probably due to the use of adhesive, condition fair
Cambodia, a collection of face and reverse photographs showing Bradbury Wilkinson designs for various bank notes, including a 100 Riels note, a 500 Riels note, and a 1000 Riels note, two of the photographs have been neatly trimmed down, the others are roughly trimmed down from larger sheets and there are notes, annotations and a ruler still visible around the designs, overall in good condition with one or two folds and creases to the untrimmed photographs
Bank of Spain, an important, stunning and original hand drawn design essay for the reverse of the 50 Pesetas circulation note issued in 1931, produced by Bradbury Wilkinson and date stamped on the back '15 JUL 1931', the design in pencil, ink and watercolour measures 8.5cms x 13.0cms, the main image is hand drawn directly on to the card with other hand drawn elements applied as layers, framed by a card overlay, the design is stunning with incredible detail and colour, there are some tiny pin puncture marks visible to the centre top and bottom and the centre left and right of the design with a line of pin marks left to right through the lettering at bottom centre, also one or two very minor spots of dirt otherwise very clean with great colour, in good condition
Jamaica, face and reverse photographs showing Bradbury Wilkinson designs for a 5 Dollars note, mounted to a paper backing sheet, in good condition, along with face and reverse photographs showing Bradbury Wilkinson designs for a Trinidad and Tobago 5 Dollars, a Barbados 1 Dollar note, all neatly trimmed down to size, in good condition, along with a colour print of a Bahamas 100 Dollars note
Specimen Bank Note: The Imperial Bank of Persia specimen 20 Tomans, circa 1930, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, two CANCELLED perforations, crisp condition, some minor rounding and discolouration to corners, some perforations to left hand margin which appear to be damage from a staple
Specimen Bank Note: Spain specimen 1000 Pesetas, dated 1925, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, a number of minor spots and marks to back and face, some blue ink smudging to back particularly in watermark, some evidence of crumpling to top and bottom edges, discolouration to all edges and minor rounding to all corners
Specimen Bank Note: Barbados specimen 5 Dollars, circa 1939, no signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint to face and back, crisp condition, Minor rounding to corners, evidence of previous mounting in specimen album with remnant of page still stuck to left hand edge, front and back, handwritten number in ink to top left corner of reverse
Specimen Bank Note: Southern Rhodesia specimen 1 Pound, dated 1942, no signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, evidence of previous mounting in specimen album with remnant of page still stuck to left hand edge, front and back
Unidentified Middle Eastern specimen stocks and shares certificate, most likely produced by Bradbury Wilkinson & Co, in red and black print and measuring 26.5cms x 44.0cms, two cancellation holes, in fair condition, has been folded at the perforations and perforations have separated part way up from the bottom, general discolouration and some grubby marks here and there with some foxing, some handwritten digits in black ink are evident in central area including the date 29/8/55 folding evident to top left hand cornerPLEASE NOTE THIS IS PROBABLY FROM IRAQ AND AS CAN BE SEEN IS DATED 1955
Specimen Bank Note: Spain specimen 50 Pesetas, dated 1927, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, a small line to top left corner of face, possibly a printing mark, also a hand written letter in red ink to right margin of face, there are two small marks to upper right margin of back which appear to be puncture marks but do not penetrate through to face, also small spot/stain to bottom right corner of back
A collection of Bradbury Wilkinson and Co Ltd Advertising Banknotes, circa 1970s - 1980's including approximately twenty single sided fold over samples, along with three plate proofs of an advertising note showing the vignette of the Bradbury Wilkinson & Co Ltd office and printing works, and a large sample watermark of a portrait of Charles and Diana, all in good condition
A Bradbury Wilkinson & Co Ltd advertising banknote, circa 1880's - 1890's, single sided on paper, this face design measures 9.9cms x 18.7cms, in fair condition with some damage particularly to the left hand side where there are some small pieces missing, along with some staple holes, some minor damage to all edges but overall clean, flat and fairly crisp
Specimen Bank Note: Turkey specimen 50 Kurus, circa 1930, issued by Turkiye Cumhuriyet Merkez Bankasi, one signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, CANCELLED perforations, crisp, clean condition, some handwritten numbers in pencil to top right margin of back
Scottish Agricultural Industries specimen stocks and shares certificate, produced by Bradbury Wilkinson & Co, in blue print and measuring 24.6cms x 45.5cms, six cancellation holes, in good condition, very clean, has been folded at the perforations but all perforations are intact, evidence of minor creasing to left and right top corners, some handwritten digits in black ink are evident in central area including the date 26/8/54
Portugal, a pair of original hand drawn design essays for the face and reverse of a 500 Escudos note, produced most likely for Bradbury Wilkinson by Derek Friday, the design on tracing paper applied to a paper backing is entirely hand drawn in pencil and watercolour, measuring 7.7cms x 15.3cms, in fair condition with on or two minor spots here and there, and some grubby marks on the paper backing, the paper shows considerable crumpling/rippling across the whole sheet, which appears to be moisture damage from the adhesive used to apply the designs to the paperPLEASE SEE ADDITIONAL IMAGES
Specimen Bank Note: Spain specimen 1000 Pesetas, dated 1928, issued by El Banco De Espana, two signatures, serial number A0,000,000, red BRADBURY WILKINSON SPECIMEN overprint to face, two cancellation holes, crisp condition, a number of minor spots and marks to back and face, a handwritten number in pencil to top right of face, some discolouration to very edges of note and minor rounding of all cornersPLEASE SEE ADDITIONAL IMAGES
The Forestal Land Timber & Railways Co Ltd Specimen stocks and shares certificate, produced by Bradbury Wilkinson & Co, in blue print and measuring 24.7cms x 45cms, two cancellation holes, in good condition, one or two minor spots and dirty marks, has been folded at the perforations but all are intact, evidence of two full width top to bottom creases, and some crumpling and crease to right hand side, some handwritten digits in black ink are evident in central area including the date 6/7/59
Arab Republic of Yemen, a pair of stunning, original hand drawn design essays for the face and reverse of a 100 Rials note, possibly circa 1970's, produced by Bradbury Wilkinson, possibly by Derek Friday, the designs in pencil, ink and watercolour measure 9.0cms x 17.6cms, on paper applied to card, the designs consist of various hand drawn elements applied as layers, the serial numbers on the face design are stencilled transfer overlays, both designs are mounted to a blue backing card bearing a Bradbury Wilkinson & Co Ltd Label to the bottom right corner, very clean with great colour, overall in very good condition, along with a black and white full size photographic copy of both designs with some annotations regarding colour options
Vietnam, a pair of early stage hand drawn sketches for the face design of a 1 Dong note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil and coloured pencil, measuring 7.3cms x 14.6cms, one design has a number of notes and annotations around the design, along with a design for a 10 Pounds note in pencil, ink and watercolour, a number of spots and grubby marks/smudges here and there, but overall in good condition, along with a black and white facsimile on paper, of a more refined design essay for a 2 Dong note, using a similar image of Oxen pulling a plough, measuring 7.4cms x 14.7cms
Vietnam, face and reverse photographs showing Bradbury Wilkinson designs for various notes, including a 2 Dong note, mounted to a paper backing sheet, a 500 Dong note mounted to a paper backing sheet, a 100 Dong note, the face and reverse of which have neen stapled together back to back in all four corners, along with a face design for another 100 Dong note, all in good condition
The Reserve bank of New Zealand, a pair of hand drawn early stage design essays for the face and reverse of a £10 note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil and watercolour, each design measures 9.0cms x 18.0cms, overall in good condition, with minor rounding of corners
Malaya and British Borneo, a stunning pair of original hand drawn design essays for the face and reverse of a $50 note, dated 1958, produced by Bradbury Wilkinson, likely by Derek Friday, the designs on paper consist of hand drawn elements layered on card, measuring 9.5cms x 16.5cms, one or two minor spots and stains here and there, otherwise very clean and in good condition
Maldives, face and reverse photographs showing a Bradbury Wilkinson design for a 10 rufiyaa note, mounted to a paper backing sheet, along with face and reverse photographs of a design for another 10 Rufiyaa note, still on original photographed sheet which shows a ruler and a handwritten date of 25/4/66, there is a 'X' handwritten in blue ink to the right of the designs, all in good condition
Bank of Sierra Leone, a collection of two original hand drawn design essays for the faces of a 1 Leone and 2 Leone note, produced for Bradbury Wilkinson or possibly De La Rue, likely by Derek Friday, the designs on paper applied to card, consist of hand drawn, elements built up in layers, both designs measuring 7.5cms x 15.0cms, the 2 Leone design is mounted to a rough blue card backing sheet, both are in good clean condition
National Commercial Bank of Scotland Ltd, an original and important hand drawn design essay for the face of the 1964 £1 circulation note, produced by Bradbury Wilkinson, possibly by Derek Friday, the design on paper applied to thin card, consists of hand drawn elements built up in layers, measuring 6.7cms x 13.5cms, there is a significant fold top to bottom through the 'E' of 'ONE that has caused stretching and bulging of the paper to the front, there are two areas of adhesive residue to the bottom left and top right where there were previously attached some stencilled serial numbers, on or two other minor spots of dirt Specimen notes in specimen folder - SBN147Specimen notes in specimen folder - SBN147
Indonesia, a pair of original hand drawn design essays for the face and reverse of a 500 Rupiah note, most likely produced for Bradbury Wilkinson, by Derek Friday, the two designs on paper in pencil, ink, and watercolour, measure 7.2cms x 16.4cms, are presented in frames made of thin blue card, beautifully done with great colour, both designs are in good condition and very clean, as are the frames, the face design has a letter 'B.' handwritten in pencil in the top right corner, both frames have a small area just below the right hand side of the designs where it appears a label may have been attached and removed Specimen notes in specimen folder - SBN76FSpecimen notes in specimen folder - SBN76F
Nepal, an original hand drawn design essay for the reverse of a 50 rupees note, possibly circa 1982, the art work done at Bradbury Wilkinson or De La Rue, possibly by Derek Friday, the hard card backing laid with paper, 14.2cms x 7.0cms, the design consists of several hand drawn elements, built up in overlaid panels around a central design, in good condition, some evidence of back of previous mounting to another backing card
A collection of Bradbury Wilkinson die proofs, presented in a blue leatherette folder bearing a Republic of Zambia emblem and a Bradbury Wilkinson & Co Ltd monogram in gold to the front cover, the eight sepia images depict British Monarchs including Elizabeth I, Charles I, George V, George VI and Elizabeth II, the blue folder measures 30.5cms x 21.5cms, in very good condition
Hong Kong and Shanghai Banking Corporation, a pair of original and important design essays for the face and reverse of the $5 circulation note issued 1959 to 1975, produced by Bradbury Wilkinson, most likely by Derek Friday, the two designs on paper in pencil, ink, and watercolour, measure 8.8cms x 16.5cms, the face design is dated 1946, but more significantly the reverse of both designs are dated May 1958 handwritten in pencil, in good condition with a small number of minor spots and stains and minor rounding of the corners
A Victorian 1822 pattern infantry officer's sword. By Henry Wilkinson, with 82.5cm etched steel blade, initialled FJJ? and serial number 17057, the gothic brass hilt with crowned VR monogram and wire bound fish skin grip, with steel scabbard, length 100.5cm.The scabbard is rusted.The tip of the blade is a little pitted, and there are also a couple of tiny nicks on the blade. There appears to be a slight dent on the hilt.
A pair of Edwardian silver Livery Company tablespoons, by Robert Halford & Sons, London 1902, for Vintner's Company commemorating Edward VII's coronation, plus a silver-gilt Victorian ribbon and vine pattern dessert spoon by George Adams, London 1851, and a Victorian silver-gilt commemorative spoon for the birth of Prince George, by Henry Wilkinson & Co, Sheffield 1865, total approx. weight 11.3oz. (4)
A mixed lot,comprising of silver items: a set of four Victorian salt cellars, by Henry Wilkinson & Co, Sheffield 1837, pierced Gothic form, red glass liners, a lancet case, (cover a.f), with one tortoiseshell lancet, plus four wine labels, a hip flask, two dishes, two mustard pots, a miniature tankard, and other items including a wine label, plus an electroplated sewing box and three wine labels, total approx. weighable 21.3oz. (qty)
WILKINSON; an 1897 pattern infantry officer's sword with pierced ERII knuckle guard, 82cm fullered blade with acid etched decoration and numbered 91225 to the spine, with wire bound shagreen grips, leather scabbard and frog, with soft outer case, overall length approx. 102cm.Provenance: - Issued to the current vendor serving as a police officer in Swaziland on his promotion to Superintendent in 1967. His career further promoted him to Senior Superintendent, the additional archive image depicts the vendor as a Junior Officer (top right of picture).Condition Report: Overall solid but used condition, traces of polish throughout the pierced decoration to the knuckle guard, the blade is rather dull with notable tarnishing throughout, scabbard and frog in good order, outer case in ok but used condition.
CLARICE CLIFF 'CAPRI' BON JOUR COFFEE SET, c.1935, comprising coffee pot and cover, jug, sugar bowl, six cups and saucers, printed marks to base 'Bizarre by Clarice Cliff, Wilkinson Ltd', coffee pot 19cms high (15)Provenance: private collection CarmarthenshireComments: small chip to lip of jug, light wear and crazing overall, minor firing flaws, viewing highly recommended
A group of cut glass dressing table bottles mostly with silver fittings Comprising of a continental perfume bottle with silver lid and glass stopper, marked, a cut glass perfume bottle, lid missing, with silver collar, marks rubbed, a cut glass bottle with hinged silver repoussé lid, indistinctly marked inside lid, a pink bottle with pierced silver collar (a.f) and associated stopper, a large Art Deco pink cut glass bottle with domed lid, 17cm high, a shaped cut glass bottle with repoussé id and collar, Henry Wilkinson & Co, Ltd, London 1912, another similar, Birmingham 1892, and blue and gilt cut glass bottle and stopper and another pale blue with applied with foliate pierced white metal. (qty)
John Finlayson (1730-1776) (by), Elizabeth Duchess of Hamilton & Brandon and Duchess of Argyll, engraving, published November 10th 1770, 35.5 x 49.5cm; Sir Joshua Reynolds (1723-1792) (after), John Keyse Sherwin (1751-1790) (by), Mary Isabella Duchess of Rutland, engraving, published June 4th 1791 by Rob Wilkinson, 36.5 x 51cm; Thomas Phillips (1770-1845) (after), William Whiston Barney (by), His Royal Highness George of Wales, engraving, 38.5 x 52.5cm (3)O'D : O'Donoghue, F., 1908. Engraved British Portraits Preserved in the Department of Prints and Drawings in the British Museum. Volume I-V, London – O'D (George IV) 29Royal Collection Trust RCIN 605209

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