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Specimen Bank Note: Abyssinia specimen 50 Thalers, dated 1929, one signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, crisp condition, EF or better, some minor rounding and discolouration to corners

Venezuela, a collection of face and reverse photographs, and colour prints, showing Bradbury Wilkinson designs for a 500 Bolivares note , untrimmed, there are notes and annotation visible around the designs, the prints are dated 14/2/79, along with a trimmed photograph the face of a Uruguay 1 Peso note, and a plate proof in purple of a Dominican republic 1 Peso Oro note, all in good condition

Specimen Bank Note: Southern Rhodesia specimen 5 Pounds, dated 1939, no signature, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, three cancellation holes, CANCELLED perforations, crisp, clean condition, small fold evident to top left corner, dirty mark evident in watermark on face, minor rounding to corners, small red ink mark apparent just below 'F' of 'FIVE' on back

Central Bank of Kenya, a stunning, original hand drawn design essay for the reverse of a 100 shillings note, on paper applied to a card backing and framed with thin grey card, the design measures 8.2cms x 15.9cms, the design consists of several hand drawn elements built up in layers, produced by Bradbury Wilkinson, possibly by Derek Friday, the frame is dated 15-6-88 just below the bottom left corner of the design, and there is a piece of tape applied to the bottom centre of the frame with the instruction 'see through to go on!' overall in good condition, grey frame card is becoming detached from backing card to bottom left

A collection of Bradbury Wilkinson prints, including die proofs and plate proofs, all bear a 'Bradbury Wilkinson & Co Ltd engravers London' mark and many have the die number evident, includes many portraits and figures, some vignettes and scenes including the old Bradbury Wilkinson premises, varying conditions but mostly good or better

Central Bank of Oman, a stunning pair of important original design essays for the face and reverse of the 1987 - 1994 20 Rials circulation note, produced by Bradbury Wilkinson, most likely by Derek Friday, presented and framed in a blue leatherette folder bearing a gold Bradbury Wilkinson & Co Ltd monogram to the front, the designs consist of hand drawn, printed and stencilled elements layered on card, this design is almost identical to the 1977 circulation note but research shows that the final design had a number of modifications to the face and reverse of the design, mainly to the borders and the corners, both designs measuring 7.8cms x 18.4cms, in very good condition OversizeOversize

Vietnam, a pair of original hand drawn design essays for the face and reverse of a 100 Dong note, produced by Bradbury Wilkinson, possibly by Derek Friday, the designs on paper, are entirely hand drawn directly on to the paper, measuring 7.3cms x 14.6cms, both are mounted to black backing paper, there are one or two areas of discolouration/brown staining particularly to the face design, a number of other minor spots of dirt here and there, overall in good condition

Uganda, a collection of face and reverse photographs showing Bradbury Wilkinson designs for various banknotes, including a Bank of Uganda £1 note, the two face designs and one reverse design still on the original larger photographed sheet, showing design notes and ruler, along with a trimmed photograph of the face of a 50 Shillings note, also included are four colour print copies of plate proofs for the face and reverse designs of a 100 Shillings note, on thin paper, all in good condition

Specimen Bank Note: Denmark specimen 10 Kroner, dated 1940, issued by Danmarks Nationalbanks, one signature, no serial number , red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, EF or better

India, face and reverse photographs showing Bradbury Wilkinson designs for a 10 Rupees note, mounted to a paper backing sheet, and a 100 Rupees note mounted to a paper backing sheet, all in good condition

Isle of Man, a stunning original, and important hand drawn design essay for the Reverse of a £50 note, the art work done at Bradbury Wilkinson, possibly by Derek Friday, on paper applied to card and measuring 8.0cms x 16.0cms, the design depicts a view of Douglas Bay in 1841, with an overlaid and applied border, and stencilled lettering, research shows that this is the reverse of the 1983 circulation £50 note, in good condition, a number of minor spots and stains here and there, and some dirty marks to bottom centre around the Bradbury Wilkinson label, that appears to be adhesive residue

Specimen Bank Note: Syria specimen 100 Livres, circa 1935, issued by Banque De Syrie, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, EF or better

South African Reserve Bank, an important and original hand drawn design essay for the reverse of the 5 Pounds circulation note issued from 1950 to 1959, produced by Bradbury Wilkinson, the design in pencil, ink and watercolour measures 9.3cms x 16.3cms, the design comprises some hand drawn and possibly printed elements on paper applied to card with other hand drawn elements applied as layers, one or two minor spots of dirt here and there, the backing card has some minor damage to the edges and corners

Specimen Bank Note: Board of Commissioners of Currency, Malaya specimen 1000 Dollars, circa 1942, no signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face and back, two cancellation holes, crisp condition, some minor crumpling in places to edges and corners, a tiny mark to bottom edge of back, with slight rounding of all corners and some discolouration to edges in one or two places

Specimen Bank Note: Bulgaria specimen 5000 Levs, dated 1925, two signatures, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, EF or better, minor discolouration and rounding to corners

Iraq, an interesting pair of early stage design essays for a 25 Dinar note, probably produced by Derek Friday for Bradbury Wilkinson & Co, measuring 7.2cms x 17.5cms these designs are in pencil on tracing paper and have many interesting notes and annotations on them, accompanying these are a number of small rough pieces of paper and tracing paper containing notes, sketches and research pertaining to the note, including information regarding Saddam Hussein

A collection of three steel cylinders, including a small cylinder engraved with the lettering 'BRADBURY,WILKINSON & CO LTD ENGRAVERS LONDON' , measuring 5.5mm x 68mm diameter and stamped on both sides with trade mark for 'J H Belcher Newark. N. J.', some minor oxidation noted, a large cylinder engraved with a woodland scene depicting trees, some figures, and a horse with cart, measuring 7.3cms x 68mm diameter, there is brown residue across the entire face of the cylinder, possibly ink, corrosion noted on the ends of the cylinder, and the top end is stamped with the number '3299' and branding for ' WMF LODGE PHILAD'A', a large plain heavy cylinder, measuring 7.5cms long x 68mm diameter with extensions on either end extending 32mm and of 25mm diameter, some corrosion noted on the ends, along with and unused, part roll of printing paper, by Hamilton.Bale & Coy Ltd, still wrapped although one end has been trimmed from a longer roll, measuring 25.5cms long x 65mm diameter

Government of Malta, an important, original hand drawn design essay for the reverse of the 1961 circulation £5 note, produced by Bradbury Wilkinson, most likely by Derek Friday, the design on paper consists of hand drawn elements layered on card, measuring 8.2cms x 14.5cms, in good clean condition , evidence on reverse that it was previously mounted to another backing card

Specimen Bank Note: Ethiopia Bank of Abyssinia specimen 500 Thalers circa 1915, no signatures, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, minor discolouration and rounding to corners

Central Bank of Jamaica, a collection of three hand drawn early stage design essays for a £1 note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil, ink, and watercolour and measuring 6.6cms x 15.1cms, there is some pencil annotation evident on one of the face designs and the reverse design, two of the designs also are dated on the back, hand written in pencil 'MAY-JUNE 1959', overall in good condition

Malawi, an important and stunning original hand drawn design essay for the reverse of the 1964 £5 circulation note, produced by Bradbury Wilkinson, most likely by Derek Friday, the design on paper mounted on hard card backing, consists of hand drawn elements in pencil, ink, and watercolour, built up in layers, measuring 9.0cms x 17.0cms, in good condition with a few minor spots and stains, the design is mounted on a blue backing card bearing a Bradbury Wilkinson & Co Ltd label Specimen notes in specimen folder - SBN103Specimen notes in specimen folder - SBN103

Specimen Bank Note: National Bank Ultramarino specimen 100 Escudos, dated 1921, issued by Banco Nacional Ultramarino, two signatures, no serial numbers, two red BRADBURY WILKINSON SPECIMEN overprints to face, one cancellation hole, clean and flat but evidence of very shallow creasing to edge in places, and discolouration to edges and corners with some rounding of all corners, a fold evident to top left corner, and significant damage with two perforations to left hand margin that appears to be from the use of a staple, a number of small spots and marks her and there on face and back

Kuwait currency board, an important original hand drawn design essay for the reverse of a 1 Dinar note, research shows that this was issued as a circulation note in 1961, on paper applied to a card backing and measuring 7.6cms x 15.2cms, the design consists of several hand drawn elements built up in layers, produced by Bradbury Wilkinson, possibly by Derek Friday, there is discolouration around the edge of the board, otherwise in good condition

Africa, a collection of face and reverse photographs showing Bradbury Wilkinson designs for various banknotes, including a Guinee 500 Francs note, still on the original larger photographed sheet, showing design notes and ruler, also the face and reverse of an Algeria 50 Dinars note, still on the original larger photographed sheet, bearing some design notes including additions, handwritten in blue ink post-photography, along with a printed Plate proof, in blue on thin paper, of the reverse of a Republic of Congo 5000 francs note, this appears to have not printed correctly

Specimen Bank Note: Abyssinia specimen 100 Thalers, circa 1929, no signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, one cancellation hole, crisp condition, EF or better, some minor rounding and discolouration to corners

Three Bradbury Wilkinson & Co Ltd die proofs, Charles I portrait 6.1cms x 5.2cms, die number '112A' and 'BRADBURY, WILKINSON & Co Ltd ENGRAVERS LONDON' below image, includes blue printing on shiny card (die number and wording trimmed off), a blue printings on thick wove paper, and a sepia printings on thin wove paper, all unframed and in good crisp, flat and clean condition

Vietnam, a pair of original hand drawn design essays for the face and reverse of a 2 Dong note, produced by Bradbury Wilkinson, possibly by Derek Friday, on paper applied to card, the designs comprise hand drawn and stencilled elements applied as layers, measuring 7.4cms x 14.7cms, both are mounted to a blue backing card, bearing a Bradbury Wilkinson & Co Ltd Label to the bottom right corner, the designs are very clean with great colour, overall in very good condition

Union Bank of Burma, two original hand drawn design essays for the face and reverse of a 20 Kyats note, the art work possibly done by Derek Friday at Bradbury Wilkinson, on paper and mounted on a paper backing sheet, the designs measure 15.5cms x 9.0cms, clean with one or two minor spots here and there

A Bradbury Wilkinson & Co Ltd advertizing banknote, circa 1900, single sided and untrimmed on paper, this face design measures 9.0cms x 17.5cms, some discolouration and damage around the edges with a few small pieces missing, some foxing across the note, but flat and robust

Specimen Bank Note: Fiji specimen 20 Pounds, circa 1934, no signatures or serial number, red Bradbury Wilkinson SPECIMEN overprint, two cancellation holes, crisp condition, EF or better

Specimen Bank Note: Abyssinia specimen 500 Thalers, dated 1929, one signature, no serial numbers, red Bradbury Wilkinson SPECIMEN overprint, one cancellation hole, some minor damage and discolouration to edges and corners, minor rounding and folding to all corners, there is a full length crease evident towards top edge

British Caribbean Colonies, an interesting and impressive original design essay for the face of a $1 note, the art work done at Bradbury Wilkinson, possibly by Derek Friday, although possibly too early, measuring 8.4cms x 15.0cms, the entirely hand drawn design is on card, dated 14th July 1948, may be an early version of the 1950/51 British Caribbean Territories $1, which shares some elements of the design, there are a number spots and stains across the design, and discoloration around the edge, but overall a very pleasing appearance

Central bank of Libya, an interesting collection of design work for various banknotes, most likely by Derek Friday for Bradbury Wilkinson, consisting of four photocopies of sketches, with three tracing paper overlays with coloured design work and modifications in pencil, including notes and annotation, along with six colour photographs of other design essays all in coloured pencil and dated 7-1-88

French Equatorial Africa, an important original hand drawn design essay for the reverse of a 1941 1000 franc note, research shows that this was issued as a circulation note in 1941, in pencil on paper applied to a card backing and measuring 15cms x 18.5cms, the design was produced by Bradbury Wilkinson, possibly by Derek Friday, there is a clear plastic overlay protecting the illustration, a second sheet attached to the back of the mounting card shows some design notes and illustrations for lettering and border, overall clean with some discolouration around the edge of the paper

Algeria, a collection of face and reverse prints showing Bradbury Wilkinson designs for a 5 Dinars note, and a 10 Dinars note, both sets of prints have been cut down from larger sheets, showing original annotations and handwritten note in blue ink that have been applied after printing/copying, in good condition

South African Reserve Bank, an original hand drawn design essay for the face of a 1 Pound note, dated 1945, produced by Bradbury Wilkinson, the design in pencil, ink and watercolour measures 8.4cms x 14.8cms, the design is almost entirely drawn directly on to the card with the portrait applied as a layer, the design itself is fairly clean with one or two minor spots of dirt here and there, the backing card has some minor damage to the edges and corners and is quite grubby and discoloured around the edges, the reverse of the card has quite a few grubby marks and stains

The Reserve bank of New Zealand, a pair of hand drawn early stage design essays for the face and reverse of a £5 note, most likely produced for Bradbury Wilkinson by Derek Friday, on paper in pencil and watercolour, each design measures 8.5cms x 17.0cms, overall in good clean condition, with minor rounding of corner

Specimen Bank Note: National Bank of Egypt specimen 50 Piastres, circa 1945, no serial number, red Bradbury Wilkinson SPECIMEN overprint, one cancellation hole, crisp condition, hand written number to top left of back, evidence of previous mounting in specimen album with discolouration and residue down left hand side on face and back

Central Bank of Oman, a stunning pair of important original design essays for the face and reverse of the 1987 - 1983 10 Rials circulation note, produced by Bradbury Wilkinson, most likely by Derek Friday, presented and framed in a blue leatherette folder bearing a gold Bradbury Wilkinson & Co Ltd monogram to the front, the designs consist of hand drawn, printed and stencilled elements layered on card, Research shows that the final design had a number of modifications to the face and reverse of the design, including a different view of Fort Mirani to the reverse, both designs measuring 7.8cms x 16.5cms, in very good condition OversizeOversize

Bank of London One Pound promotional note, circa 1870, produced by Bradley Wilkinson & Co Ltd, measuring 12.8cms x 21.0cms, mounted to a piece of backing paper, appears crinkled, probably as a result of the use of adhesive, a number of grubby marks and smudges all over and there is some pencil and ink handwriting towards the bottom in the centre of the note, otherwise intact, glued to the reverse of the backing paper is the reverse of a denomination '1' note from the Commercial Banking Company of Sydney, in poor condition

Unidentified design essay, an original hand drawn design essay for the reverse of a 10 shilling note, most likely an African country, probably produced for Bradbury Wilkinson, possibly by Derek Friday, the design measures 7.4cms x 14.2cms and consists of several hand drawn elements built up in layers, on paper applied to card, in pencil, ink and watercolour, overall in good condition, very clean with good colour

Malawi, a pair of original and significant hand drawn design essays for the face of the 1964 £1 circulation note, produced by Bradbury Wilkinson, most likely by Derek Friday, the designs consist of one version on paper, the other on paper mounted on hard card backing, both consist of hand drawn elements built up in layers, the smaller paper design measures 7.2cms x 14.7cms, and has a number '5' handwritten in in to the bottom right corner, otherwise very clean, the larger paper on card design measures 8.2cms x 14.8cms, in good condition

Specimen Bank Note: Turkey specimen 2 1/2 Turk Lirasi, circa 1960, issued by Turkiye Cumhuriyet Merkez Bankasi, three signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, ONE cancellation hole, crisp condition, EF or better

Vietnam, a pair of original hand drawn design essays for the face and reverse of a 100 Dong note, produced by Bradbury Wilkinson, possibly by Derek Friday, the designs on paper, are entirely hand drawn directly on to the paper, measuring 7.1cms x 14.2cms, both are mounted to black backing paper, and mounted on a blue backing card, the designs are very clean with great colour, there are one or two areas of discolouration/brown staining to the right hand end of the reverse design, overall in very good condition

Indonesia, an original hand drawn design essay for the reverse of a 5 Rupiah note, the art work most likely done at Bradbury Wilkinson, possibly by Derek Friday, the design on paper in pencil, ink and watercolour measures 13.2cms x 6.5cm, largely hand drawn directly on to the paper, with two or three other small hand drawn elements applied as overlaid panels, there are two brown rectangular stains to the design, the remains of adhesive where previously serial numbers were attached, probably as stencilled overlays, there are a number of tiny spots and stains here and there across the design, but overall clean with good colour, the reverse of the design shows evidence of previous mounting to another sheet, with remnants of mounting sheet still attached to the back

Maldives, a collection of five original hand drawn designs for the reverse designs of a series of 2 Rafiyaa, 5 Rufiyaa, 10 Rufiyaa, 50 Rufiyaa, and a 100 Rufiyaa notes, probably produced for Bradbury Wilkinson possibly by Derek Friday, in pencil, ink and watercolour, on paper applied to card, all five designs measure 7.0cms x 15.0cms, the designs are almost entirely hand drawn directly on to the paper, with on or two small hand drawn elements applied later as layers, i.e. the shells and some of the bottom corner rosettes, all five designs are in good clean condition with one or two minor spots of dirt here and there, colour is good with stunning detail to the hand work

Bradbury Wilkinson & Co Ltd die proofs, Charles I portrait 6.1cms x 5.2cms, die number '112A' and 'BRADBURY, WILKINSON & Co Ltd ENGRAVERS LONDON' below image, includes sepia printing on wove paper (die number trimmed off) and two blue printings on wove paper, all unframed and in good crisp, flat and clean condition

A Bradbury Wilkinson Advertising Calendar, dated 1986, along with various pieces of hand drawn design work pertaining to the calendar, including a black and white outline on paper mounted on card, bearing a Thomas De La Rue logo, with accompanying tracing paper overlay bearing a Bradley Wilkinson logo, along with three other tracing paper overlays with various design elements on them

Bradbury Wilkinson Engravers Annual Dinner Collection, including a plate proof, in blue on thin wove paper, of the banknote style face of a 1983 invitation, measuring 9.7cms x 19.2cms, along with a black and white photographic copy of a similar 1982 invitation, measuring 9.7cms x 19.2cms, and a framed plate proof in blue of the vignette, measuring 7.5cms x 11.0cms, all in good condition, along with two other torn plate proofs of the 1983 face design.

Mali, a pair of stunning hand drawn design essays for the face and reverse of a 1000 Francs note, dated 1967, measuring 16.5cms x 67.2cms, produced by Bradbury Wilkinson, possibly by Derek Friday, both designs are mounted to blue backing card bearing a label inscribed 'Designed by Bradbury Wilkinson & Co Ltd' both the face and reverse comprise some hand drawn elements on paper applied to card, with other hand drawn elements applied as layers, The serial number F/40 000000 applied as a stencilled transfer overlay, both designs are in very good condition

Specimen Bank Note: Lithuania specimen 500 Litu, dated 1924, issued by Lietuvos Bankas, five signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, two cancellation holes, crisp condition, EF or better

Cayman Islands Government, an original, hand drawn design essay for the reverse of a $10 note, the art work done at Bradbury Wilkinson, possibly by Derek Friday, on card and measuring 6.7cms x 15.7cms, the design is mounted on dark brown backing card and presented with a grey card frame, the frame has a 'DESIGNED BY BRADBURY WILKINSON &CO' label applied, along with the numerals 'd4', the design depicts a coastal scene with jumping Marlin, with overlaid guilloche borders, in very good, clean condition, the back of the frame has a sticker applied and is dated 24/6/70

A Bradbury Wilkinson & Co Ltd advertising banknote, double sided and untrimmed, the note has a portrait of Charles I to the face and a denomination of 100, measuring 13.2cms x 20.8cms, the reverse design is larger than the face design and may be an experimental printing or plate proof, in very good condition

Specimen Bank Note: Spain specimen 500 Pesetas, dated 1928, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, crisp condition, some crumpling evident to all four corners along with a bit of discolouration and minor rounding, one or two small spots and dirty marks to face and back, and a hand written 'X' in pencil to top right margin of back Some essay work for this note in design lotsSome essay work for this note in design lots

Bank of Spain, an important, original hand drawn design essay for the reverse of the 100 Pesetas circulation note issued in 1931, produced by Bradbury Wilkinson and date stamped on the back '15 JUL 1931', the design in pencil, ink and watercolour measures 9.0cms x 14.0cms, the main image is hand drawn directly on to the card with other hand drawn elements applied as layers, framed by a card overlay, the design is stunning with incredible detail and colour, there are some pin puncture marks visible to the centre top and bottom, the centre left and right of the design and also one pin mark by the top left serial number, also one or two very minor spots of dirt otherwise very clean with great colour ,in good condition

The Central Bank of the Bahamas, an original hand drawn design essay for the reverse of a $50 note, appearing unfinished, the art work done at Bradbury Wilkinson, possibly by Derek Friday, the hard card backing laid with paper, 15.6cms x 6.8cms, the design consists of several hand drawn elements, built up in overlaid panels around a central design depicting ocean liners, there is some brown staining to the top right corner and the left hand side of the design that may be residue of adhesive where other design elements were previously mounted, also evidence of staining in one or two other places across the design

China Pei Yang Tientsin Bank, two colour trial sample printings of the face sides of a 1910 $1 note and a 1910 $10 note, produced by Bradbury Wilkinson, mounted back to back on paper, both notes are untrimmed with handwritten annotations in the margins, there is some crinkling due to the gluing of the notes to the backing paper, some stains around the margins, a few small spots and stains on the printed area but overall nice and clean

Specimen Bank Note: Spain specimen 5 Pesetas, dated 1935, issued by El Banco De Espana, three signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp condition, EF or better

Specimen Bank Note: Spain specimen 5000 Pesetas, dated 1938, issued by El Banco De Espana, two signatures, no serial number, red BRADBURY WILKINSON SPECIMEN overprint to face, one cancellation hole, crisp, clean condition, one small spot/mark to bottom margin of backPLEASE SEE ADDITIONAL IMAGES

A Bradbury Wilkinson & Co Ltd advertizing banknote, circa 1880's - 1890's, single sided on paper applied to card, this face design measures 7.4cms x 11.4cms, in good condition with some discolouration, a few grubby marks and stains, evidence on the back of previous mounting to another board, flat and robust