23175 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Clarice Cliff ( wilkinson ) Coffee pot , 6 saucers & 5 cups

An early 20th Century chest of drawers, by Hindley & Wilkinson Ltd, London, the moulded rectangular top with outswept corners, above an arrangement of three long graduated drawers (the top drawer stamped Hindley & Wilkinson, London) and flanked by fluted pilasters, raised on turned feet, 93 x 106 x 46cms.

Norman Wilkinson Print of Battle Ships together with watercolour studies- rural scenes and houses

A Collection of Ceramics to Include Royal Winton Summer Time Toast Rack, Royal Winton Cream Jug, Tuscan Dish, Swansea Pattern Cream and Sugar, Wilkinson Lidded Pot etc

Henry Wilkinson (British 1921-2011): Labrador and Ducks, limited edition dry point etching No.75/100 signed 27cm x 37m Condition Report Very good condition and colour - Ready to hang,Click here for further images, condition, auction times & delivery costs

Henry Wilkinson - Pointer Hunting Dog - coloured etching, signed and numbered 107/150 in pencil to the margin, framed & glazed, 32 by 22cms (12.5 by 8.75ins) and another similar by the same artist (2).

A World War II Fairbairn Sykes 2nd pattern commando fighting knife, by Wilkinson Sword, 30cm long, contained in a leather scabbard

A pair of Wilkinson 'Rozanne' vases painted roses and signed Machin

A full size Irish violin by Thomas Perry and William Wilkinson, Dublin, with two-piece back branded 'Perry Dublin' below the button and with interior label 'Made by Thos Perry and W Wilkinson No.4 Inglestreet, Dublin 1807 No.3305, length of back 35.4cm.Additional InformationThe violin is in poor conditon, sound post is loose and rattling about inside. There are numerous cracks and marks to the table as well as scuffs to the corners and a large serious crack to the back alongside other blemishes, please see the additonal photos.

SIGNED SEA/SHIP PICTURE NORMAN WILKINSON""

Charlie and the Chocolate Factory Oompa Loompa actors Malcolm Dixon and Albert Wilkinson signed 10 x 8 inch colour photo. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Bradbury Wilkinson Collection : GREAT BRITAIN 1918-19 Seahorses 5s. With 'SPECIMEN' type 32 overprint, fine mint, cernered to foot, extremely rare in this form. Cat £6500 (image available) [US4]

Bradbury Wilkinson Collection : JERSEY 1900-82 REVENUE STAMPS an astonishing and intact exhibition worthy collection, expertly written up on pages, arranged by orders of printing, often in matching corner examples, with issued stamps with values to £100, Jure-Justicier overprints, archive examples with punch holes, SPECIMEN overprints (40), mouthwatering PROOFS (40+) incl. die and plate proofs etc, many unique and superb items throughout. (approx 265 items) (image available) [US4]

Bradbury Wilkinson Collection : NEW ZEALAND 1954-63 OFFICIAL imperf matching left sheet marginal plate proof BLOCKS OF FOUR written up on pages, each with plate number and printing dates noted in pencil on backs, with 1d (2), 1½d , 2d (3), 2½d, 3d (5), 4d(2), 9d, 1s (2)and 3s, fine unmounted mint apart from 9d which is on card. (18 blocks = 72 proofs) (image available) [US4]

Bradbury Wilkinson Collection : RHODESIA 1892 Arms 1d to £10 set of IMPERF PLATE PROOFS on thick gummed paper, each with god margins and large part gum, extremely rare set. (11 proofs) (image available) [US4]

Bradbury Wilkinson Collection : UNITED STATES 1851 George Washington Three Cents essays, in deep purple, blue, red, brown and in green, extremely RARE ! (5 proofs) (image available) [US4]

General - World : General - World - Predominantly GB. Under the instruction of the executor we offer the collection, property of a late collector intact as received. Comprising some 40 volumes, a predominantly British mint / used collection spanning the period QV through mid-period QEII to circa 2003/2004 - the substantial collection, the vast majority being housed within those previously popular Errimar Series Amherst 'midi' sized springback loose-leaf albums with quadrille leaves. Amongst the copious quantity of GB, particular highlights noted include useful mint seahorses (more follows). QV from 1d black just 4 margin plate 3 FU, (no 1840 2d blue), 1d red plates used range to pl 154, pretty used surface printed, nothing outstanding, however occasionally a fine mint value interspersed e.g. 2d. pale rose SG168 fine mint (SG£350), most of these ranges being ‘representative’ with absence of high values, we note a particularly delightful mint o.g. 1883 9d dull green ex the lilac and greens set catalogued £1,250= (SG195), few weak ‘officials’, but as we move into Edward VII note increasing frequency of mint, often hinged – sometimes heavily, but odd UM interspersed, also used, no high values. KGV in similar vein (no PUC £1), but useful representative mint seahorses incl hinged Bradbury Wilkinson 2s.6d x 3 shades, 5s., and nice mint 10s. slightly heavily hinged, similar mint 1934 re-engraved seahorses – possibly UM but creamy brownish gum. Regionals – apparently a volume for each, most encased in those difficult to check ‘split back’ type mounts – but each random checked - apparently UM NH. Noted Northern Ireland Type II 17p N143a (SG£175), decimal multiples cylinder blocks of 4 (good ‘face’). Wildings – Excellent fairly comprehensive ranges / sets, watermarks – INV / Sideways, surprisingly no 605a, but good Castles with Waterlow UM, 1st DLR UM, 2nd DLR UM, - these alone retail £100’s. Pre decimal machin ranges, followed by substantial mint GB decimal 'postage' machins / commems to early 2000’s, some multiples, low emphasis of (no value) GB FDC's – few better earlier 60’s commems FDC’s, 1980's / 90's, and oddments of Malaysia / Singapore incl a few mint 1948 Weddings (not HK), insignificant British Europe, Unverified BERLIN ovpts heavily hinged – all part of the collection. A well-known philatelic company offered to purchase the entire collection as seen for the sum of GBP£2,600 so that upon close examination it is obvious that the collection has a resale value in excess of £5,000, and was previously insured for £22,000 although it is uncertain upon what basis the collection was insured - possibly catalogue value which may bear lower relationship to real value. If you feel that the collection may be suited to yourself, please contact UPA head office and ask for describer 'call-back' in order to ascertain highlights, emphasis and suitability to your requirements. Overall condition is good. A heavy lot, shipping to UK buyers may be in several heavy boxes at just a nominal extra £14.50 to pay, overseas shipping costs will be more substantial - OVERSEAS BIDDERS PLEASE ENQUIRE FOR SHIPPING COSTS

Selection of Interesting Book Titles, including The Ballad of Reading Gaol by C.3.3. (Oscar Wilde) 1899 The Economy of Human Life 1795, The Shipwreck A Poem by William Falconer 1818 Second Series of the Manners and Customers of The Ancient Egyptians Supplement Index and Plates, Wilkinson and another (5 in all)

Military Reference Books, Small-Swords in England, Ayward. British Military Swords & British Military Bayonets both by John Wilkinson Lathan. Helmets and Headress of the Imperial German Army, Rankin. Bayonets, Stephens, Pistols, Frith. Notes on the Uniform of Naval Officers, May and one other (8 in all)

A Czechoslovakian VZ24 Mauser Bayonet, with wood grip scales, the pommel stamped tgf, with blued steel scabbard, the frog stud stamped with spiral circle enclosing Z, E3 rampant lion 46, with leather frog ; a British 1907 Pattern Bayonet, the blade ricasso stamped with crown/1907/5 7/Wilkinson, with steel mounted leather scabbard (2) . Good clean condition

[Quaker] Quakerism Examined in A Reply to the Letter of Samuel Tuke by John Wilkinson 1839 inscribed by the author in gilt lettered cloth, Memoirs of the Private and Public Life of William Penn by Thomas Clarkson 1813 in 2 volumes in half leather with Piety Promoted in Brief Biographical Memorials of some of the Religious Society of Friends Commonly called Quakers The Eleventh Part by Josiah Forster 1829  (3)

Two pairs of vintage tailor's scissors, one stamped '332 W. Whiteley Sheffield' and the other 'T. Wilkinson & Son', length 32.5cm and 27.5cm respectively.

A Wilkinson Ltd black and floral jug and basin set, a blue moulded carnival glass dish, other glassware and miscellanea.

Jacobite influence wine glass with double series opaque twist stem, the bowl engraved with lily of the valley, height 13.3cm, with receipt from R. Wilkinson of Wimbledon Common dated October 25th 1967 for £14

Georgian conical wine glass with tapering mercury twist stem, height 16.3cm, with receipt from R. Wilkinson of Collins Wood dated February 9 1970 for £50

About twenty-five books and booklets about glass and glass collecting, including R Wilkinson - The Hallmarks of Antique Glass (published 1968); Sheilagh Murray - The Peacock and the Lions; H W Woodward - Art, feat and mystery (inscribed from author); The Arthur Negus Guide to British Glass; Charles R Hajdamach - British Glass 1800-1914; Olga Drahotova - L'Art du Verre en Europe; Cyril Manley - Decorative Victorian Glass; E Barrinton Haynes - Glass through the ages; Derek C Davis - Glass for Collectors; Ruth Hurst Vose - Glass, etc

δ NORMAN WILKINSON (BRITISH, 1878-1971) Airship SS7 R.N.A.S; torpedo boat CMB; short sea plane 1918 Signed and dated '18 (lower right) Watercolour heightened with gouache 8½ x 10½in. (21.5 x 27cm.)Condition report: Good overall condition

δ NORMAN WILKINSON (BRITISH, 1878-1971) R.N.A.S. Bat sea plane, Dover Signed and dated 'Norman Wilkinson 17' (lower right) Watercolour and gouche 10½ x 14¾in. (26.5 x 37.5cm.)

δ NORMAN WILKINSON (BRITISH, 1878-1971) The London Pilot Signed 'Norman Wilkinson' (lower right) and inscribed with title (lower left) Etching Pl. 6 x 9in. (15 x 23cm.)Condition report: Good condition.

TWO DOUBLE SIDED BRADBURY WILKINSON COMPANY LIMITED ADVERTISING BANKNOTES

TWO DOUBLE SIDED BRADBURY WILKINSON COMPANY LIMITED ADVERTISING BANKNOTES

Y  A Victorian silver mounted ivory page turner, maker's mark JB, London 1887, of hunting interest, the blade engraved and blackened with a fox hunting scene continuing on both sides, the handle wrythen moulded, 42cm (16 1/4in) longThe maker's mark 'JB' could be for Jane Brownett, John Batson or Henry Wilkinson & Co. (John Brashier). Condition Report: The handle with lead solder repairsCondition Report Disclaimer

Norman Wilkinson (1878-1971)Three framed and glazed etchings'Strathspey', 'Trout Fishing on the Garry' and 'Haunt of the Brown Trout'30cm x 33cm overallThe estate of Christopher and Rosemary WarrenCondition Report: Unexamined out of frame but no serious issues noted at cataloguingCondition Report Disclaimer

λ  Henry Wilkinson (British, 1921-2011) The Retrieve Oil on canvas Signed lower right 51 x 66cm (20 x 25 in.)Provenance: Penn Barn, Buckinghamshire

A pair of early Victorian silver candlesticks by Henry Wilkinson & Co, Sheffield, 1839, 25.8cm, weighted.CONDITION: A few holes appearing on top of both circular bases and also to the platform below the collar. Several dings around the bases of both also. Fair condition. Hallmarks clear but with some rubbing.

Barry Wilkinson (British, B. 1923) "Jersey -- Rolls-Royce Phantom III" Signed lower right. Original Watercolor paiting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Europa Cover for the Jersey 20.5P Europa stamp issued March 12, 1984. The Rolls-Royce Phantom III was a new model automobile in 1935 when it was first revealed. It was designed to give Rolls-Royce -- once again -- the right to claim that it was making the "best car in the world." In fact, except for the chassis, the separate band of coachbuilders, and the radiator design, the Phantom III was an entirely new car. No wonder that Mr. F.M. Wilcock, proprietor of the Jersey Motor Museum, ordered one of these magnificent vehicles restored for posterity. His museum -- located in lovely St. Peter's village -- was established in 1973 "to preserve historic motor vehicles of all types and photographic records relating to the island." The Phantom III chosen, was interestingly enough, the 1936 model specifically ordered by Wilcock's father. Since Rolls-Royce did not begin to produce complete cars until after the war, the firm of Freestone and Webb -- a superb coachbuilder of the day was hired to design the body. The car was given the code name "Spectre" in the Works at Derby. It had a 7668 cc all-aluminum overhead valve engine which sported dual ignition and hydraulic tappets. And, for the first time, General Motors Patents were used to fit a Rolls-Royce with independent front suspension. Wilcock later loaned the car to General Montgomery and General Carl Spaatz, as they planned the D-Day operations of 1944. But prudently, he refused to allow its use in France on D-Day itself. Image Size: 10.75 x 9 in. Overall Size: 13 x 11.5 in. Unframed. (B08869)

Small mounted cast metal pewter type pugs head with inset glass eyes, eastern brass and stone scent bottle and two Wilkinson sword nail clippers (4)

Rectangular box containing a collection of various GB and world coinage, tokens and notes, including Leeds half penny 1791 token, 1791 half penny John Wilkinson iron master token etc

Two books: 'A Collectors History of English Pottery, 5th Edition' by Griselda Lewis, printed by Antiques Collectors Club and 'Spode - Copeland - Spode The Works and its People 1770-1970', by Vega Wilkinson', also printed Antiques Collectors Club, both with dust covers.

HENRY WILKINSON, TROUT FISHING, coloured etching, signed in pencil and numbered, 24cm x 36cm, mounted, framed and under glass

After Norman Wilkinson. An early 20th century framed print of a British naval battleship at sea. Signed to the corner by the artist, and being framed and glazed. 

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure: Pointed Legs signed and numbered 'Moore 7/9' (on the bronze base)bronze with a brown patina22.9 cm. (9 in.) long (including the bronze base)Conceived in 1979Footnotes:ProvenanceWith Adler Fielding Gallery, Johannesburg, from whom acquired byPrivate Collection, U.S.A.LiteratureAlan Bowness, Henry Moore: Volume 5, Sculpture and Drawings, Sculpture 1974-80, Lund Humphries, London, 1983, p.45, cat.no.LH777 (ill.b&w., another cast)'From the very beginning the reclining figure has been my main theme', Moore has declared. 'The first one I made was around 1924, and probably more than half of my sculptures since then have been reclining figures'' (H. Moore, quoted in A. Wilkinson (ed.), Henry Moore, Writings and Conversations, Aldershot, 2002, p.212).The recumbent female form was a theme Henry Moore returned to throughout his nearly sixty-year career. 'The human figure is the basis of all my sculpture,' Moore professed, 'and that for me means the female nude.' Most of Moore's female figures are positioned seated or reclining, a configuration that initially stemmed from Moore's use of stone as his preferred medium and the structural weakness of the material in a standing figure's ankles. 'The reclining figure gives the most freedom, compositionally and spatially. The seated figure must have something to sit on. You can't free it from its pedestal. A reclining figure can recline on any surface. It is free and stable at the same time. It fits in with my belief that sculpture should be permanent, should last for an eternity' (D. Mitchinson, (ed.), Henry Moore Sculpture, with Comments by the Artist, London, 1981, p.86).The beautifully modulating form for the present work exemplifies Moore's mastery of the bronze medium. Propped on her forearms with her attention directed to her left and legs facing a contra-direction, Reclining Figure: Pointed Legs is animatedly alert and captures an instant of the figure's movement. The motion evoked by the form's curvilinear shape endows the figure with a plasticity that seemingly defies the bronze medium. Although reclining, this brilliantly dynamic sculpture presents dramatic profiles when seen from various viewpoints. The points of the figure's head, breasts, and attenuated arms and legs are counterbalanced by the soft curves of the woman's arching back, stomach, and propped legs.The recumbent woman is an artistic trope harkening to Ingres, Delacroix, Manet, among others, and references the Orientalist fantasy of the odalisque, a nude or partially clad harem girl. However, while most of Moore's reclining women are nude, Moore scholar David Sylvester argues: 'though they lie with knees apart or thighs apart, their overall pose doesn't betoken the availability commonly implied in reclining female nudes' (D. Sylvester, Henry Moore, Tate Gallery, London, 1968, p.5). Moore's women are in contradiction to the voyeuristic gaze of his predecessors. 'I am not conscious of erotic elements in [my work], and I have never set out to create an erotic work of art,' Moore stated. 'I have no objection to people interpreting my forms and sculptures erotically...but I do not have any desire to rationalize the eroticism in my work, to think out consciously what Freudian or Jungian symbols may lie behind what I create' (quoted in A. Wilkinson, ed., Henry Moore: Writings and Conversations, Berkeley, 2002, p.115). 'These reclining women are not the reclining women of a Maillol or a Matisse,' Will Grohmann wrote. 'They are women in repose but also something more profound...the woman as the concept of fruitfulness, the Mother Earth. Moore, who once pointed to the maternal element in the 'Reclining Figures', may well see in them an element of eternity, the 'Great Female', who is both birth-giving nature and the wellspring of the unconscious... To Henry Moore, the 'Reclining Figures' are no mere external objects; he identifies himself with them, as well as the earth and the whole realm of motherhood' (W. Grohmann, The Art of Henry Moore, London, 1960, p.43).'I want to be quite free of having to find a 'reason' for doing the Reclining Figures,' Moore declared, 'and freer still of having to find a 'meaning' for them. The vital thing for an artist is to have a subject that allows him to try out all kinds of formal ideas—things that he doesn't yet know about for certain but wants to experiment with, as Cézanne did in his 'Bather' series. In my case the reclining figure provides chances of that sort. The subject matter is given. It's settled for you, and you know it and like it, so that within the subject that you've done a dozen times before, you are free to invent a completely new form-idea' (quoted in J. Russell, Henry Moore, London, 1968, p.48).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A VICTORIAN SILVER TWIN HANDLED SWEETMEAT BASKET, pierce decorated with stylised foliage, on pierced, lobed foot (lacking glass liner), by Henry Wilkinson & Co., Sheffield 1875, 12.5cm high, 6.5 oz; together with an Eastern white metal oval box and cover; and a 19th Century Sheffield plate candlestick (3)

A SET OF THREE EDWARDIAN SILVER SWEETMEAT DISHES, comprising one large and two smaller, of lobed form, on knopped stems and lobed bases, by Henry Wilkinson & Co., London 1901 and 1902, largest 14.5cm diameter, 17 oz overall (3)

A PAIR OF MID-VICTORIAN SILVER CANDLESTICKS, with knopped baluster stems, the shaped square bases with scalloped corners, by Henry Wilkinson & Co., Sheffield 1859, 22.5cm high. (2)

A Vintage brand Les Paul style electric guitar, in honey burst style finish, with relic appearance, with twin Wilkinson humbuckers, trapeze inlaid rosewood finger board.

An 18th Century Guinea Balance and Cup Weights, self-erecting balance signed 'A Wilkinson of Ormskirk Late of Kirkwall near Liverpool', with a set of antique cup weights (two weights missing)

Composite set of six Victorian silver fiddle and thread pattern dining forks, with engraved armorial crests and initials (London 1852/57) Two by George Wiliiam Adams and four by Henry Wilkinson. All at approximately 18ozs.

Pair of Victorian silver fish servers with pierced and engraved silver blades and leaf mounted waisted handles, with engraved initials (Sheffield 1857) Henry Wilkinson & Co. Knife 32.5cm overall length.

Book - 'Indian Colonial Silver, European Silversmiths in India (1790-1860) And Their Marks' by Wynyard R. T. Wilkinson', signed by the author, Argent Press, limited edition of only 1000 copies, 1973

A rare Clarice Cliff 'Dryday' pattern vase, the ribbed vase with swollen shoulder and tapering neck with applied twin ring handles, raised on circular foot, pattern number 779, blue Clarice Cliff Wilkinson England underglaze mark to base, dating piece to 1937-39, 12in. (30.5cm.) high. * Condition: Hairline crack to upper neck, otherwise good.

Colin Wilkinson (British 20th century): Study of a Cat, watercolour signed 34cm x 50.5cm Condition Report Click here for further images, condition, auction times & delivery costs

A Pair of Victorian Silver Grape-Scissors, by Henry Wilkinson and Co., Sheffield, 1862, Retailed by Mackay, Cunningham and Co., Edinburgh, the handles cast as fruiting grapevines, engraved with initials, in fitted black leather covered case, 18.5cm long, 4oz 16dwt. Fully marked on one side of the blade. The marks are generally clear. There is some minor surface scratching and wear, consistent with age. There are some minor scuffs to the leather case which is slightly warped.

Gale, Frederick. "Old Buffer". Manuscript 'Lecture on Cricket', entirely handwritten in black ink with copious annotation and notes to facing pages, the upper board bearing pasted ms title label, 'No.4 Cricket - from Earliest date to present time, written in 1869, and needs correction, critique in fly sheet'. The book, which is bound in half crushed morocco with marbled boards, includes related contemporaneous newspaper clippings pasted to the marbled endpapers, a pasted letterpress poster advertising an event with Frederick Gale ('Mr Frederick Gale Will Attempt to Tell The Story of Cricket From the Commencement of the Game to the Present Day, The School Room, Lower Green, Mitcham, On Tuesday, December 14th, 1869'), and a tipped-in ms letter from Duke & Son, Penshurst, describing the history of cricket ball manufacture. Together with a Catalogue of Books & Manuscripts from the Library of Frederick Gale: Sotheby, Wilkinson & Hodge, 20 July 1891; a loose ms sheet recording 'Names of Eleven of the principal players in the "B" eleven of England'; a toast list for Cobham Cricket Club's Annual Dinner, 1963, and a newspaper clipping from 1959 referring to a work by Gale. Small quarto, worn with loss to spine; contents generally sound with some pages loose; pages numbered 1 to 67 (with facing pages for author's notes), but some additional pages (19a, 20a) and a section missing between p.9 and p.14 and again between p.63 and p.67. Gale was a writer and cricketer who played in two first-class cricket matches in 1845 (for Kent County Cricket Club and Gentlemen of Kent)

Clarice Cliff Crocus pattern coffee set to include coffee pot, six cups, six saucers, sugar bowl and milk jug (some items replaced with Wilkinson Honey Glaze)

ER2 Warrant Officers Sword, 82cm Wilkinson blade etched with Battle Honours and no.122255 WS 91 9073 6886 , broad arrow, hilt with pierced guard, wire bound textured grip with gilt knot, L103cm Condition Report Click here for further images, condition, auction times & delivery costs

Blowout Sale! The Wombles Albert Wilkinson hand signed 10x8 photos. This beautiful hand signed photo depicts Albert Wilkinson as Tomssk in The Wombles. These signed photos are guaranteed authentic and are supplied from one of the UK's leading autograph memorabilia companies. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Blowout Sale! Willy Wonka and The Chocolate Factory Oompa Loompa signed 10x8 photo. This beautiful hand signed photo depicts Albert Wilkinson as an Oompa Loompa in the classic movie Willy Wonka and The Chocolate Factory. Handsigned by both! This signed photo is guaranteed authentic, and is supplied from one of the UK's leading autograph memorabilia companies. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

A Victorian silver card tray, by Henry Wilkinson & Co, Sheffield 1846, 19.5cm, 208g.

A VERY GOOD VICTORIAN THREE BOTTLE STAND, fitted with three long cut glass decanters and stoppers, in a Victorian silver frame with garlands and egg and tongue decoration, supported on claw feet. 18ins high. London 1862. Maker: Henry Wilkinson. Weight 34ozs.