23175 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

THE 1912 PATTERN SWORD OF J. S. WALLACE, 10TH ROYAL HUSSARS, RETAILED BY WILKINSON SWORD LTD, NO. 80703 FOR 1959of regulation type, with etched blade decorated with scrolling foliage, the regimental details, the crowned Royal cypher ~EIIR~, the owner~s initials and the retailer~s details, nickel-plated triple-bar hilt, wire-bound fishskin covered ~pistol~ grip, in its plated dress scabbard, complete with its sword knot, field service scabbard, chamois cover and weatherproof cover, and remaining in fine condition throughout89.5 cm; 35 ¼ in bladeThe Wilkinson sword records state that sword no. 80703 was sold to J.S. Wallace, 10th Royal Hussars, 28th January 1959. ; ; This triple-bar hilt is unique to the 10th Royal Hussars. See Robson 1996, p. 102. ; ;

THE 1912 PATTERN SWORD OF R.G. FOX, KINGS 1ST DRAGOON GUARDS, RETAILED BY HENRY WILKINSON, PALL MALL, LONDON, NO. 44663 FOR 1914of regulation type, with etched blade decorated with scrolling foliage, the regimental details, the crowned Royal cypher ~GRV~, and the retailer~s details, engraved nickel-plated hilt, wire-bound fishskin covered grip, in its plated dress scabbard89.5 cm; 35 ¼ in bladeThe Wilkinson sword records state that sword no. 44663 was sold to R.G. Fox, King~s Dragoon Guards (no rank given), 8th June 1914.

A RIFLE COMPANY OFFICER~S SWORD; AN 1897 PATTERN INFANTRY OFFICER~S SWORD BY HENRY WILKINSON, NO 33963 FOR 1896, A GEORGE V 1897 PATTERN INFANTRY OFFICER~S SWORD; AND AN EPÉE; of regulation type, the first struck with a proof mark on the forte, hilt with strung bugle, in its steel scabbard; the second with traces of etching on the blade, in its field service scabbard, with its knot; the third with etched blade, in its field service scabbard, with its knot; and the fourth with tapering blade and figure-of-eight shaped guard; the first: 83.2 cm; 32 ¾ in blade; (4)

˜A VICTORIAN 11TH HUSSARS MAMELUKE-HILTED OFFICER~S SWORD RETAILED BY HENRY WILKINSON, PALL MALL, NO. 33514 FOR 1895; of regulation type, with curved blade double-edged towards the point, etched over the lower half with foliage, battle honours to Sevastopol, regimental designation, crest and motto on one face and with the crowned Royal cypher and retailer~s details on the other, gilt-brass mameluke hilt with silver insignia on each face, ivory grips, in its nickel-plated scabbard with gilt-brass mounts, comprising chape, middle-band and locket, the latter two each with a ring for suspension, with its knot; 81.0 cm; 32 in blade; ; ; The Wilkinson Sword records state that sword no. 33514, an 11th Hussars pattern, was sold to ; H. Barnard Byles, 11th Hussars, on 17th October 1895. Harold Vernon Barnard Byles is recorded as a captain in the 11th Hussars, circa 1900. ; ;

Collection of silver consisting of: a silver presentation cup, bearing marks Henry Wilkinson & Co, Sheffield, 1872, 15cm high, 122g approx overall, two silver trophies with leaf capped handles, with indistinct London hallmarks, 12cm high overall, 402g approx overall, a matched pair of twin handles silver cups, one mounted onto a trophy base, bearing marks for Mappin & Webb Ltd, Birmingham, 1937 and 1938, 5.5cm high excluding the base, 210g approx excluding the base, a silver vesta case with enamel decoration 'Elwy' and flag, bearing marks for Sampson Mordan & Co Ltd, Chester, 1912, 6cm across, 44g approx overall, two Egyptian white metal (hallmarked as silver) dishes with embossed decoration, 9cm across, 141g approx overall and a small silver trophy cupAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

THE 'GREGSON HOUSE' AN IMPORTANT EARLY VICTORIAN CUPBOARD DOLL'S HOUSE FROM 1830, THE VAST MAJORITY OF THE CONTENTS EARLY AND ORIGINAL the pine cupboard complete with original un-restored pale graining and with a moulded cornice above a pair of six panelled doors, over three short drawers, the whole raised on short shaped bracket feet; the pair of panelled doors opening to reveal nine room settings on three floors (three bedrooms above a music, dining and drawing room and the lower floor with hallway flanked by kitchen and rare still-room) the rooms communicating with thick opening latched brass handled doors and with marbled fireplaces with steel and brass inserts, cornicing and skirting to the main reception rooms, the original carpets mainly of thin velvet or oil cloth or baize, the walls covered with original coloured paper, sometimes hand painted or embossed and often edged in gilt or printed flowers and the whole containing the original furniture of wood, tin, card and in one instance pressed bread dressed in watered silks and other original fabrics, the walls hung with watercolours many painted by the original owner Bessie Wilkinson who also worked the drawing room carpet, also containing extensive fittings in ceramic, glass, alabaster and lead, the whole house peopled with the original dolls, including a cook doll with leather hands The cupboard: 204cm high, 168.7cm wide, 61cm deep; each room: 51cm high, 50.5cm wide and 51cm deep. Provenance Ordered, made for and furnished by Miss Elizabeth 'Bessie' Wilkinson (died 1857) of Aston Hall, Birmingham. By descent, to her nephew Henry Gregson 1857 who lived at Moorlands. By descent, to Annie Canon-Cox Little. By descent, to her daughter Lady Wenlock until about 1957 of Knockin Hall, Oswestry, Shropshire. Thence by family descent, until 2010 when sold by private treaty to the present vendor, a family friend. Elizabeth 'Bessie' Wilkinson was the scion of a great iron making dynasty being daughter of William Wilkinson (1744 - 1808) and niece of John 'IronMad' Wilkinson (1728 - 1808) most famous for instigating the famous Ironbridge in Coalbrookdale in the 1770's and who both had interests in iron works in North Wales and Shropshire. Both were tied in with Matthew Boulton senior and James Watt seniors' business making boilers in Birmingham. On the death of their father William in 1808 'Bessie' and her sister Mary Anne were made guardians of James Watt junior (1769 - 1848) who from about 1817 until his death leased and lived at the fine Jacobean prodigy house Aston Hall in Birmingham; ancestral home of the Holte family, it is listed Grade I and now owned and run as a museum by Birmingham City Corporation. 'Bessie's' sister Mary Anne had on 24th February 1817 married Matthew Robinson Boulton (1770 - 1842), only son of the great 18th century entrepreneur Matthew Boulton (1728 - 1809) who was also a member of the Lunar society and manufacturer of small metal trinkets, ormolu, silverware and in conjunction with James Watt senior of the steam engines that revolutionised industrial Britain. Mary Anne and Matthew Boulton lived at Soho House in Birmingham, built by his father to designs by Samuel and James Wyatt - the latter also providing designs for silver ware to Boulton senior. The fine Georgian house still exists as a museum run by the council. Mary Anne Boulton sadly died in childbirth on 7th June 1829, leaving seven children and a new born baby girl who was also named Mary. It was this tragedy that precipitated the creation of this wonderful doll's house to help her little nieces and nephews recover from this great sadness by their maiden aunt Elizabeth 'Bessie' Wilkinson. The doll's house was originally called 'Maryland Lodge' after her sister and baby niece. The house itself was possibly made for Aunt Bessie by estate carpenters but is fine enough to have been supplied by a more sophisticated cabinet maker. The nieces visited nearby Aston Hall where Aunt Bessie lived and between the years 1830 and 1850 they worked on it together collecting items, making some of the furniture and Aunt Bessie herself painted the watercolours and worked the carpet in the drawing room. Aunt Bessie died in 1857. Her sister Mary Anne is commemorated in a fine monument by Sir Francis Chantrey R. A. at St Michael's Church, Great Tew, Oxfordshire where the Boultons had their country estate. The contents of Great Tew House were sold by Sotheby's in 1987 and included furniture supplied by George Bullock who had also supplied furniture to James Watt junior. Bullock's associated cabinet maker and designer Richard Bridgens was furnishing Aston Hall from the 1820's onwards from his Birmingham workshop. Exhibited At No. 1, Royal Crescent Bath c.1985/6. Literature Vivien Greene, Family Dolls' Houses, pp.101-106 where the 'Gregson House' is discussed in detail and illustrated. Catalogue Note This remarkable doll's house has not only a fantastic provenance and has never been on the open market before, it is also in remarkably good and original condition with its original contents, the main reason being (according to family repute) 'no child has ever been allowed to play with it'. Doll's houses or 'Baby Houses' were originally conversation pieces of wealthy adults with the earliest examples dating from the 16th century. They were not meant to be used as toys, but as items of wonder of a world in miniature or sometimes as an educational tool. Vivien Greene (wife of Grahame Greene the famous author) in her book 'Family Doll's Houses' of 1973 wrote that the Gregson House was a 'splendid example of a 'cupboard house'. She thought the Still Room was unique in her experience 'and it is a delight to survey the ranges of built-in cupboards, curved round the room, some filled with china'.

David HockneyiPhone Drawing "No. 535", 28th June 20092009/20198-colour Inkjet Print auf Baumwollfaser-Archivpapier; ungerahmt in Original-Leinen-Mappe56 x 43,2 cm (Blattmaß)Handsigniert und datiert rechts unten: David Hockney 2009Nummeriert links unten: 172/250Auflage: 250 StückArt & Collector’s Edition "David Hockney. My Window", herausgegeben vom Künstler und dem Taschen Verlag, Köln 2019.Mit handsigniertem und nummeriertem Buch: David Hockney/Hans Werner Holzwarth (Hg.), mit Jean-Pierre Gonçalves de Lima und Jonathan Wilkinson, David Hockney. My Window, Taschen, Köln 2019, 172/2000 (Auflage: 2000 Stück und 80 Künstlerexemplare) in Original-Leinen-Kassette.Printed in Italy.Original Handschuhe liegen bei.österreichischer Privatbesitz

George III silver swing handled fruit basket of circular form, with panels of embossed floral decoration and engraved armorial shield and initial, on a circular pedestal base (London 1788) no maker's mark. The pierced grape and vine handle is a later Victorian replacement (Sheffield 1844) Henry Wilkinson & Co. All at approximately 16ozs. 24.3cm diasmeter.

PSYCH / PROG - LP COLLECTION. Fantastic collection of 30 x LPs. Titles / Artists include The White Noise - An Electric Storm (ILPS 9099 - VG+, VG+ Sleeve), Moby Grape '69 (63430), Them (HT 1004), Spirit - Twelve Dreams of Dr. Sardonicus (64191), Back Door Men - The Shadow of Knight, Help Yourself - Beware the Shadow, Amar Caballero - Babe Ruth, Kim Fowley - Born to be Wild, The Herd - Paradise Lost, Cupid's Inspiration - Yesterday Has Gone, Tangerine Dream - Stratosfear, Wilkinson Tri-Cycle (TES 4016) and Beacon Street Union - The Clown died in Marvin Gardens (SE-4568). Condition is generally VG to Ex.

WILKINSON - LAZERS NOT INCLUDED 2x 12" (DRUM & BASS - SIGNED - RAMMLP18). Two excellent signed copies of Lazers Not Included, the 2013 debut release by London drum & bass legend Mark Wilkinson (RAMMLP18, 2013 2x12" pressing on RAM Records. Both copies are signed on the cover in silver marker pen. Records are all Ex+/ Like New/ sleeves are both Ex, have slight corner bumping).

Acryl sculpture, sign. Michael Wilkinson (1949), dated 1998, num. 137/300, h. 40 cm.Acryl sculptuur met gezichten, ges. Michael Wilkinson (1949), gedat. 1998, genum. 137/300, h. 40 cm.

LONGCASE CLOCK WITH OAK CASE AND PAINTED DIAL SIGNED J WILKINSON, LEICESTER (A/F)

A good collection of metalwares. Includes James Dixon & Sons silverplate tea set, wine coaster, Henry Wilkinson & Co dish etc.

AN EARLY 19TH CENTURY OFFICERS DRESS SWORG MADE BY S.J.PILLIN OF GERRARD ST, LONDON W.1. HAVING THE WILKINSON STAR OF DAVID AND ALSO BEARING THE MARKINGS FOR THE ORDER OF THE GARTER AND ELABORATEENGRAVING ON THE WELL KEPT BLADE (SCABBARD NEEDS ATTENTION)

WW1 British 1907 Pattern Bayonet with 1908 Pattern Frog. Bayonet was made by Wilkinson and unit marked 7.LD.

Clarice Cliff wilkinson Ltd Lynton, Honeydew tea service, circa 1935

Clarice Cliff Wilkinson Ltd Lynton, Honeydew Coffee set, circa 1935.

The Gilly, Drypoint etching signed in pencil by Norman Wilkinson (British 1878-1971) [Frame 45x36cm]

A Wilkinson bought sander and jigsaw with battery and charger.

North Eastern Railway (NER) cast-iron TRESPASS NOTICE 'Public Warning...', C N Wilkinson, Secretary. Measures 35.5" (90cm) x 23" (59cm). In very good condition, possibly an older repaint, front and back. [1]

1951 London Transport PANEL POSTER "Windsor Castle" by Clifford Wilkinson (1919-2003). Depicts 3 Knights of the Garter with three Horse Guards and the castle behind with a full illustration of the Castle at the foot. Produced to promote travel to the Castle by Green Line Coach routes 704, 705 & 718. Measures 11.5" x 23" (29cm x 58cm). Generally in very good condition, folded once, a few creases and a very small loss at the r/h edge. Two original punch-holes at the top edge for hanging in the panel. [1]

A George VI Wilkinson and Son dress sword with brass handle

Leeds United V Manchester United 1990 Dawn Football First Day Cover Signed By Howard Wilkinson . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99

Lynne Wilkinson, oil on canvas, 'Festive Friends' signed with initials 50 x 60cm.

British 1888 Pattern Bayonet for early Lee-Metford or Lee-Enfield rifles by Wilkinson of London double edged 12” blade overall length 16 1/2”

A Victorian Black Slate and Bronze Mounted Striking Mantel Clock, retailed by J & T Wilkinson, Leeds, circa 1870, surmounted by a bronze eagle holding a snake, sphere shaped dial with Roman numerals, stepped rectangular base raised upon scroll paw feet, twin barrel movement with outside countwheel striking on a bell, 48cm highBlack slate case with small chips and scratches in parts, metal mounts discoloured, dial with name faded, movement needs cleaning.

Kasparow, Garri. Politik, Schach und die Grenzen menschlicher Leistungsfähigkeit. Drei Vorträge. Ohne Ort, Bank Hoffmann, ca. 1999. 8°. Mit wenigen Textabbildungen. 54 Seiten. Orig. geheftet. (59) * Eines von 2000 Exemplaren, mit der deutschen Übersetzung folgender Vorträge von Kasparow: "Russia - Stuck with its Past" vom 24. Juni 1999 in Zürich. / "Chess, Politics and Computer" vom 20. April 1999 in Oregon. / "Limits of Human Performance" vom 22. April 1999 an der Stanford University in Palo Alto. Beiliegt: McNab Dennis, Jessie und Charles K. Wilkinson. Chess: East and West, Past and Present. A Selection from the Gustavus A. Pfeiffer Collection. New York, Metropolitan Museum of Art, 1968. Quer 8°. Mit 117 teils farbigen Abb. XXXVI S., 71 unn. Bll., 3 Bll. weiß. Original geheftet. Betts 54 - 11. Mit ausführlicher Beschreibung von 108 Schachfigurensätzen. Zustand: Umschlag bestoßen.

An early 19th century painted face 30 hour longcase clock - J. Wilkinson, Leicester (1815-1856 Baillie) 30.5cm painted dial, signed, with moustache date dial, turned and shaped columns to the hood, swan neck pediment, mahogany crossbanded and oak case and short door, height 210cm.

MILITARIA - A circa 1900 Wilkinson of Pall Mall bayonet with leather covered scabbard and webbing hanger, length 56cm.

MILITARIA - An Edward VII officer's dress sword with shagreen covered grip, the etched blade by Henry Wilkinson, Pall Mall, London and within tan leather scabbard.

An early 19th Century parquetry inlaid and later converted square piano by Broderip & Wilkinson Haymarket London, lacking keys and mechanism, the upright section with a gallery centred by an enamelled name plaque over two glazed doors and a panel, on rectangular base and square tapering legs united by an undertier, height 160cm x depth 46cm x length 156cm.

TV Film Will Mellor signed 6x4 Casualty colour promo photo. William Mellor (born 3 April 1976) is an English actor, singer and model. He is known for his roles as Jambo Bolton in Hollyoaks, Gaz Wilkinson in Two Pints of Lager and a Packet of Crisps, DC Spike Tanner in No Offence, Steve Connolly in Broadchurch, Georgie in Barking! and Ollie Curry in White Van Man. In 2021, he began appearing in the ITV soap opera Coronation Street as Harvey Gaskell. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

An oval porcelain soup tureen and matched cover W36cm, D23cm, H18cm, glazed in ivory. The cover marked R.A.F. A.J. Wilkinson Ltd. England 1942 and the bowl marked G VI R G.L.Ashworth & Bros Ltd, HANLEY 1951. (2)

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure numbered '5/7' (on the top of the base); stamped with foundry mark 'C. VALSUANI CIRE PERDUE' (on the side of the base)bronze with a brown patina on a slate base15.2 cm. (6 in.) long (excluding the base)Conceived in 1945Footnotes:ProvenanceWith Thomas Gibson Fine Art, prior to 1997, where acquired byPrivate Collection, U.K.ExhibitedStockholm, Samlaren Gallery, Henry Moore: Skulptur, Teckningar, 1952 (another cast)Stockholm, Akademien, Henry Moore, 1952, cat.no.121 (another cast)LiteratureDavid Sylvester, Henry Moore: Volume 1, Complete Sculpture 1921-1948, The Henry Moore Foundation in association with Lund Humphries, Much Hadham & London, 1988, p.15, cat.no.246During his long and distinguished career, the 'reclining figure' along with the 'mother and child' were the two subjects that obsessed Henry Moore more than any other. Recent information from the Henry Moore Foundation indicates there are 270 examples of the reclining figure and 140 of the mother and child, perhaps confirming the former as the most significant; certainly the most fundamental. By 1968, Moore admitted this was the case: 'From the very beginning the reclining figure has been my main theme. The first one I made was around 1924, and probably more than half of my sculptures since then have been reclining figures' (John Hedgecoe, Henry Moore, London, Thomas Nelson, 1968, p.151). The origins of that first reclining figure (male and now destroyed) can be traced back to the Toltec-Mayan idol Chacmool. Impressed by a life-sized limestone carving from the eleventh or twelfth century found in Chichen Itza in Mexico, Moore came across a plaster cast of Chacmool on a visit to the Trocadero Museum in Paris in 1925. The curious reclining posture of the figure on its back, with knees drawn up and head twisted to the right fascinated Moore and it became 'undoubtedly the one sculpture which most influenced my early work' (Henry Moore Writings and Conversations, ed. Alan Wilkinson, London, Lund Humphries, 2002, p.98).The present work was conceived at the end of World War II in 1945 as a preparatory study for the 30 inch Hornton stone carving Reclining Figure (1947-49, LH 273, now in the collection of the Philadelphia Museum of Art). It was originally modelled in terracotta (whereabouts unknown) with an edition of seven cast in bronze. This was a particularly significant time as the end of conflict meant a renewed availability of metals and Moore was able to break free from the constraints of two dimensions and work more regularly in three. Reclining Figure is therefore one of the first sculptural examples of what the artist had absorbed through his graphic observations of the public sheltering from The Blitz in the London underground. The undulating profile of the sculpture draws on both the example of a body sheltering on the platform floor and the artist's early preoccupations with the naturalistic rendering of bones, rocks and mountainous landscape, as such she can be read as both abstract and human at the same time. Writing of the scaled up carving of the present form, John Russell comments 'After many Reclining Figures in which the central hole was the dominant compositional feature here is one in which, on the contrary, the central area is filled in. Such is the modelling of that area that two complementary movements are set up: one begins below the heart and swings up and away to the left, while the other begins at the bottom of the right thigh and swings up and away to the right. The relationship, here, between the thing seen and the thing imagined is one of the most moving in all Moore's work, in that the spreading and subtly modulated area between heart and knees is continuously alive in terms both of human anatomy and of the landscape-analogy, the sublimations of moorland and bluff, which Moore keeps going at the same time. This is not one of Moore's largest carvings – it is only thirty inches long – but it is one in which social duty is laid aside and the imagination runs free to glorious effect.' (John Russell, Henry Moore, The Penguin Press, London, 1968, p.177).Another example from this edition is in the collection of the Memorial Art Gallery, University of Rochester, U.S.A.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Alfred Wallis (British, 1855-1942)Fishing Boat with Black Sky signed 'A. WALLIS' (upper right)oil and pencil on card18.4 x 46.7 cm. (7 1/4 x 18 3/8 in.)Footnotes:ProvenanceSven Berlin, from whom acquired by Elizabeth Leach (Bernard Leach's daughter-in-law), thence by family descent to the present ownerPrivate Collection, U.K.The present, and preceding two lots, were formerly in the collection of Sven Berlin before passing directly into the family of Bernard Leach. Both men were front and centre within the St Ives circle of creatives and their influence on contemporary and later artists, ceramicists and collectors cannot be overstated. Berlin was a dancer, painter and author, who published the first biography on Wallis, 'Primitive', in 1949. Leach, together with Shoji Hamada, founded the Leach Pottery in 1920 which remains, to this day, one of the most respected potteries in the world and is widely considered as the birthplace of British Studio pottery.At the end of the 1920s, a sudden interest in the work of Alfred Wallis coincided with a revival of arts and craft traditions and Wallis' paintings and Leach's pots shared an authenticity and immediacy that the young Herbert Read famously hailed as a vital 'truth to materials'. The importance of place and a focus on local traditions were common to both men, an aesthetic that was reassuringly familiar yet freshly expressed. The Leach pottery provided employment for significant names of the period, including Patrick Heron, and became a centre for social and professional exchange among the St Ives set but it was Sven Berlin, in particular, who formed a strong bond with the family.An opportunity arose for Berlin to work evenings at the Pottery to earn some extra money and before meeting the master, he met his son David who was living in Carbis Bay with his wife Elizabeth. They became close and would walk home together - 'in a very short time, the Leach Pottery became like a second home for Berlin' (David Wilkinson, The Alfred Wallis Factor. Conflict in Post-War St Ives Art, The Lutterworth Press, Cambridge, 2017, p.17) and he 'frequently spent the evenings in conference with Bernard and David Leach, sitting round the fireplace alongside their apprentices' (Op.Cit., p.46). Indeed, Berlin temporarily entrusted his beloved collection of Wallis paintings to Bernard's safekeeping when he went off to war and on Wallis' death in 1942, it was Bernard who made the tomb decoration for his grave - a series of glazed tiles depicting a tiny, lone figure entering a lighthouse. Elizabeth Leach, David's wife, acquired the present work (together with Lots 1 and 2) directly from Berlin for £1 each and they have remained in the Leach family until now.Wallis's time at sea was spent in sailing vessels, but during his lifetime he witnessed the last days of commercial sailing ships as they were replaced by steamships. Many of the paintings acquired from Wallis were given titles by the purchasers rather than by Wallis himself and the subject was often mistakenly identified. This may be the case in Fishing Boat with Black Sky as the vessel depicted is very similar to the steamships that appear in other paintings by him. Wallis perfectly captures the power and movement of the single steamship using directional brushwork and rich impasto to depict the icy blue sea she cuts through at pace. Steam from the rear funnel trails behind in her wake and white surf is churned up at the bow with the speed of her passage. A small lifeboat and seven crew members can be seen on deck, all bravely facing into the wind and set against a moody horizon.For further information on this lot please visit Bonhams.com

A 19th century short sword, with leather grip, the steel blade stamped Wilkinson, 50cm long

A Grimwades Byzanta ware lustre bowl 28cm, orange lustre bowl and cover 14cm, Wilkinson orange lustre bowl 22cm, Arthur Wood Royal Bradwell lustre oval dish 22.5cm, pink tinted glass bowl 32cm, amber glass tray 14cm, Sadler June shell-shape vase 18cm and a Sylva Poodle (8)

A BRITISH 1888 LEE ENFIELD BAYONET, 30CM BLADE MARKED WILKINSON LONDON

A 1907 PATTERN BRITISH ARMY BAYONET AND SCABBARD, 43CM BLADE MARKED WILKINSON

A William IV 1822 pattern Infantry Officer's sword by Prosser, the 81.5cm pipe back blade with Royal cipher and makers name, the pierced brass hilt also with Royal cipher and fixed guard, the damaged leather scabbard marked for Wilkinson98cm long overallThe sword is in a Wilkinson Sword scabbard, the brass end section is detached, a few small losses to the grip, some loss of finish to the brass hilt, a few dents to the scabbard.  See additional images.

Trade cards, Football, a collection of 23 type cards from various series, several relating to Manchester Utd players inc. Barratt's, Famous Footballers A2 & A3 series showing Duncan Edwards, Wilkinson, Popular Footballers, 2 cards, no 12 Hardwick & no 15 Matthews, Compton's Gravy Salt, Footballers, (coloured) 3 cards, Blackburn Rovers, Bury & Crewe, Clifford's, Footballers, type card, Carey, Manchester Utd, also other issues by Clevedon, Thomson, Chix etc (gd)

NATIONAL TREASURE: BOOK OF SECRETS - Bloodied Cibola KnifeA bloodied Cibola knife from Jon Turteltaub's action-adventure sequel National Treasure: Book of Secrets. Mitch Wilkinson (Ed Harris) threatened to cut Abigail Chase's (Diane Kruger) throat if Ben Gates (Nicolas Cage) abandoned him in Cibola, the Lost City of Gold.This resin knife features a rounded, blood-stained blade etched with ancient runes and a brown leatherette-wrapped handle etched with faces painted and molded to resemble carved wood. The knife exhibits extensive aging by production with green and brown discoloration throughout, frayed leather, and faux gold-color paint cracking around the handle. Dimensions: 13.5" x 2.25" x 1.5" (34.5 cm x 5.75 cm x 4 cm) Estimate: $3,000 - 5,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.

NATIONAL TREASURE: BOOK OF SECRETS - Olmec Plank PhotographAn Olmec plank photograph from Jon Turteltaub's action-adventure sequel National Treasure: Book of Secrets. Photographs of an Olmec-era plank used to design Mount Rushmore appeared throughout the film, including when Mitch Wilkinson (Ed Harris) used photos Ben Gates (Nicolas Cage) took in Buckingham Palace to steal the plank and in the Book of Secrets itself.This color-printed photograph features the sepia tone image of an Olmec plank. It has been affixed to a cream-color paper backing by production to replicate an antique photograph. It exhibits edge wear and loosening from its backing from use and age. Dimensions: 8" x 6" (20.5 cm x 15.25 cm) Estimate: $800 - 1,200This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

RUSH HOUR - Framed Cast-Autographed Foo Chow Menu with Additional MenusA framed Foo Chow menu signed by the cast of Brett Ratner's action comedy Rush Hour. Menus appeared in the Foo Chow restaurant where Juntao (Tom Wilkinson) hid his criminal enterprise.This color-printed menu is signed by Ratner, Jackie Chan, Chris Tucker, Tom Wilkinson, Chris Penn, Elizabeth Pena, Tzi Ma, Mark Rolston, and Julia Hsu. It comes mounted behind glass in a custom-made metal and wood frame. Also included are two additional unsigned menus. The menus exhibit folding. Dimensions (largest): 16" x 21.5" x 1.5" (40.75 cm x 54.75 cm x 4 cm); (smallest): 9" x 15" x 0.5" (23 cm x 38.25 cm x 1.5 cm) Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.

Masonic Master Set, To include;Brass Handled Blue Pouch,Toye & Cold London Metal Right angle,Two Metal Chisels,Metal Plumb Bob,Compass, Wilkinson Sword Ltd Dagger.#202

ENGLAND RUGBY; a long sleeved 2003 England rugby shirt, signed to the front by Jonny Wilkinson and Martin Johnson, size M.Additional InformationCreasing and light general wear, some minor stitching irregularities, no certification or further information available with this lot.

JONNY WILKINSON; a 2003 World Cup winners' rugby embroidered shirt, signed to the front, size M.Additional InformationCreasing and light general wear, some minor stitching irregularities, no certification or further information available with this lot.

Henry Wilkinson (British, 1921 - 2011) Master of the Hunt on horseback with hounds Two limited edition pencil signed colour etchings, no. 124/150 and 127/150, 24.5cm x 34cm.  (2)  ARR

Cut glass inkpot with silver mount and cover, by Henry Wilkinson & Co., 1908, 8.5cm wide.

Silver Swing Handle Basket. 175 g. London 1878, Henry Wilkinson. Swag and garland decoration and half fluting to body. Beaded handle.Height with handle extended 20 cms

An electroplated Henry Wilkinson soup cauldron and cover, after a design by Dr Christopher Dresser, 19.5 cm diameter - please note ivory finial removed for compliance - lacks ivory finial (removed to comply with the ivory ban)

Norman Wilkinson (1878-1971) - Two - 'Fitting out, Itchenor', and beach scene, watercolour, both signed lower right, 13 x 18 cm (2)

After HENRY WILKINSON - a Limited Edition print of greyhounds, framed and glazed together with other pictures

A framed and glazed 19th century lithograph of Sadler's Wells; A View of the Theatre in it's Former State, printed by Robert Wilkinson. H.50 W.52cm

A I world war bayonet the blade stamped Wilkinson. With a leather mounted scabbard.

A rare vintage Wilkinson Sword 7 day razor set in original Art Deco case.

ANTIQUES REFERENCE BOOKS TO INCLUDE CHRISTOPHER VANE PERCY 'LALIQUE, A COLLECTORS GUIDE', PETER WALDRON 'THE PRICE GUIDE TO ANTIQUE SILVER' AND WILKINSON, 'THE MAKERS OF INDIAN COLONIAL SILVER'

J WILKINSON, LEICESTER, GEORGIAN OAK CASED 30-HOUR LONGCASE CLOCK (REQUIRING RESTORATION)

Henry Wilkinson (1921-2011), two dogs in a field, coloured etching on paper (52/150), pencil signed lower right, framed and glazed, 23 x 30 cm

Donald Wilkinson (1937-), three screenprints, 'Camus Nan Gael', 'Autumn Eigg' and 'Edge of the Sunflower field, Provence', all signed in pencil, largest 48 x 63cm