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23175 Los(e)/Seite
A CLARICE CLIFF BIZARRE 'AUREA' PATTERN BONJOUR BISCUIT BARREL, with a woven green cane handle, Clarice Cliff Bizarre Wilkinson Ltd backstamp. 15cm high View 360 degree spin: https://sarlydro.sirv.com/ELSTOB%2027TH%20MAY/X57.spinCONDITION REPORTTwo small glaze chips to the underside edge of the cover, general crazing and some light scratching to the design (to edges)
A Fairbairn-Sykes 1st Pattern Commando fighting knife, the 17cm double edged spear-point blade marked to the ricasso The F-S Fighting Knife and Wilkinson Sword Co Ltd London to the opposing side, having a shaped oval cross guard with chequered nickel grip, housed in a nickel mounted leather sheath with Newey Pat. button, 30cm.This knife is formerly the property of 5831068 L/Cpl J. Simpson, Suffolk Regiment and is being sold by the family. Items in this lot now include his Commando Service Certificate and various photographs of L/Cpl Simpson please see extra images.Overall very good condition with the following notes:Blade good and not bent at the tip.No knocks or dents.Handle quite dirty and needs a clean.Upper section of sheath quite dry but all intact.
A British 1895 pattern Infantry Officers sword, the 82.5cm blade etched with a crowned shield amidst foliage naming Cecil Conor within a scroll, marked to the forte Henry Wilkinson, Pall Mall, London and numbered 34443 to the back edge, having a wire bound fish skin grip and chequered backstrap (lacking guard), housed in a leather covered scabbard, 99cm.Thought to be Lieutenant Colonel Cecil Conor Duke of Wellington's West Riding Regiment, see London Gazette Nov. 17, 1882.
Horus on a falcon sarcophagus. Ancient Egypt, Late Antiquity, 26th Dynasty, 664-525 BC.BronzeProvenance:- Adam A. Weschler & Son, auction of 27 February 1971.- Private collection, Maryland (USA), since 1971.Publications:- Adam A. Weschler & Son. 27 February 1971. Lot 403.In good condition, intact. It has lost the curly protuberance, which curls out from inside the Red crown, probably representing the antenna of a bee, symbol of northern Egypt. It would have been made as a separate piece to be inserted into the quadrangular recess in the crown. The sarcophagus is empty and lacks a lid to close it at the back. Due to the passage of time, the back of the sarcophagus has been displaced inwards, losing some of its straightness.Bibliography:- Animals and Pharaohs. The animal kingdom in ancient Egypt. Somogy Editions D'art. -2015.- BLEIBERG, E. BARBASH, Y. BRUNO, L. Soulful Creatures: Animal Mummies in Ancient Egypt. Brooklyn Museum. Giles. 2013.- WILKINSON H. R. The Complete Gods and Goddesses of Ancient Egypt. London. 2003.Parallels:- Falcon Sarcophagus. Bronze. Late Antique - Ptolemaic, 664 - 30 BC. 12.2 cm high. Metropolitan Museum of Art, New York. Inv. 15.6.2.-Ibis sarcophagus. Bronze. Dynasty XXVI, 664 - 525 BC. Brooklyn Museum, New York. Inv. 37.417E.- Falcon mummy. 4th - 1st century BC. Height 52 cm. Szépm?vészeti Múzeum, Budapest. Inv. 98.4-E.- Narmer's palette (detail). Slate. c. 3050 BC. 61 cm high. Discovered in 1897 in the Great Temple of Horus at Hierakompolis. Egyptian Museum, Cairo. Inv. JE32169.- Amulet of the Eye of Horus with wing and falcon's foot. Fayenza. Third Intermediate Period - 26th Dynasty, 1070-525 BC. 5 cm long. British Museum, London. Inv. EA29222.Measurements: 16.3 cm high and 19 cm long.Sculptural representation of the falcon god Horus in a standing position with his wings folded backwards and wearing the double crown of Egypt, a royal crown that symbolises the union of Lower and Upper Egypt, and emphasises the role of Horus as the legitimate ruler of the whole earth. The different elements of the crown are clearly visible: the red crown of Lower Egypt, which lacks its curled spiral on the front, and the white crown of Upper Egypt. It is richly decorated with the anatomical details of the animal, worked by means of incisions. The hooked beak, two large globular eyes that focus the attention on the face, and the identification of each of its feathers on the wings and tail stand out. The thick heavy ridges on the legs and the rough skin of the talons contrast with the delicacy of the feathers, showing the power and majesty of the falcon.The deity stands on a rectangular box in the shape of a shrine or truncated pyramid, identified by temple architecture, wide at the base with walls sloping towards the centre and an exvesseled cornice. The interior is hollow, with an opening at the back that would have contained an animal mummy or skeletal remains as a reliquary. Once the mummy was inserted, it was sealed with a simple inlaid plate. The falcon and the box were made separately using the lost-wax technique and then joined together.Such falcon mummy boxes, or sarcophagi, would have been offered for deposit in animal necropolises, in chapels dedicated to the god, or in the quintessential temple of Horus itself at Edfu (see the specimen housed in the Metropolitan Museum of Art, New York, inv. 15.6.2). Although not only in relation to the cult of Horus, but also in more general terms related to the solar cult.In ancient Egypt, the practice of mummifying animals became widespread in the first millennium BC. Animals were given a post-mortem treatment similar to that given to humans, and hundreds of mummified animals were found in the great necropolises.
DENHOLM JAMES. A Tour to the Principal Scotch and English Lakes. Fldg. eng. map. Rebacked quarter calf, old marbled brds., internal browning & foxing. Glasgow, 1804; also Thomas Wilkinson, Tours to the British Mountains with the Descriptive Poems of Lowther and Emont Vale, orig. brds., neatly rebacked, 1824. (2)
A late Victorian silver mounted scent bottle, the body profusely chased and pieced, domed stopper (AF - damages), hallmarked AWP., Birmingham, 1899 together an Edwardian silver scent bottle and cover, the body chased with flowers, circular cover, hallmarked by Henry Wilkinson, Birmingham, 1901 (AF - damages to both) (2)
An early Victorian silver ink stand, shaped stand with scrolling border and pierced decoration, on scroll feet, engraved presentation inscription, the central section with a pair of silver topped cut glass bottles and central hexagonal taperstick (split and repairs to lower section), all hallmarked by Henry Wilkinson & Co., Sheffield, 1850, weighable silver 8.62 ozt (268.1 grams)
Rugby Union Johnny Wilkinson signed 12x8 colour photo pictured in action for Englands in 2007 World Cup. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Three Good Quality Hardback Reference Books by Leon and Hiroko Kapp and Yoshindo Yoshihara - The Craft of the Japanese Sword, The Art of the Japanese Sword - the Craft of Swordmaking and its Appreciation, and Modern Japanese Swords and Swordsmiths; also, six other reference works - The Samurai Sword by John M Yumoto, Cutting Edge - Japanese Swords in the British Museum by Victor Harris, Japanese Swords by Nobuo Ogasawara, Swords and Daggers by Frederick Wilkinson, Swords and Hilt Weapons by various authors, Militaria Antiques and their Values handbook, with a Sotheby's catalogue of the Peter Hawkins Collection of Japanese Sword Fittings (10)
A British Martini Henry 1887 Pattern Mk III Sword Bayonet by Wilkinson Sword,the 46.5cm steel blade stamped 181 / crowned VR / '89 / WILKINSON SWORD COMPANY / LONDON, with WD broad arrow and inspector's marks, the steel hilt with chequered black leather grip scales and numbered 9775 to the pommel, the black leather scabbard with brass mountsSome black patching and small nicks to the edge of the blade. Some wear to grip scales. Small dents to the scabbard chape.
A British SMLE 1907 Pattern Bayonet by Wilkinson, the blade stamped with maker's name, bend mark and issue date for February 1918, with steel mounted leather scabbard, the locket stamped R.E., with a later leather frog; another Example by Mole, the blade with maker's mark and issue date for March 1917, with steel mounted leather scabbard and later frog (2)Minor black patching to blades, bruising to grips and light pitting to metalwork. Some scuffing to scabbards. Generally in good order.
A Lee Metford M1888 Type II Bayonet by Wilkinson, London, the blade stamped with maker's name, issue date for December 1894, bend mark, broad arrow and inspection mark, the pommel stamped 31, with steel mounted black leather scabbard and later frog; A US M1917 Bayonet, the blade stamped with maker's roundel, 1917. US proof marks, bend mark and 25, with ribbed wood grip, the leather scabbard with steel mounts stamped M.S. (2)Both with minor black patching to the blades, bruising to grip scales and fine pitting to metal parts. Generally in good condition.
A Pair of 19th Century Officer's Percussion Pistols by Wilkinson of London, 12 bore, each with 20.5cm round damascus sighted barrel engraved LONDON, the line bordered lock plate signed WILKINSON, walnut stock with horn fore-end tip, nickel escutcheon engraved with cursive PN, steel trigger guard and hinged patch box to the butt, with swivel steel ramrod, 36cm, contained in a mahogany case with brass roundel to the hinged cover, the green baize lined interior with maker's paper label and fitted with accessories including a cleaning rod, nipple key, cap tin and later copper combination flaskStrong actions work, hold at full and half cock. Each with small marks and pitting to the breech block. Minor bruising to the stocks. The cover of the case is warped and split, and the base is lacking the brass hook fastenings.
South-East England. A collection of 10 maps, 17th - 19th century, engraved maps of Kent, Essex, Buckinghamshire, Sussex and Suffolk, including Bowen (Emanuel). An Accurate Map of the County of Kent Divided into its Lathes, and Subdivided into Hundreds..., J. Tinney, 1753, engraved map with contemporary outline colouring and some later enhancement, originally published in 'The Large English Atlas', inset map of the Downs, old folds, one repaired closed tear affecting the printed image, 530 x 710 mm, together with An Accurate Map of the County of Essex, Divided into Hundreds; Drawn from Surveys..., Robert Wilkinson, Bowles & Carver and Laurie & Whittle, circa 1762, engraved map with contemporary outline colouring and some later enhancement, originally published in 'The Royal English Atlas', slight staining to the central fold, 410 x 495 mm, with Saxton (Christopher & Kip William). Sussexia sive Southsex olim pars Regnorum, circa 1637, hand-coloured engraved map, large strapwork cartouche, mileage scale and compass rose, 225 x 390 mm, plus Blome (Richard). A Mapp of Buckinghamshire with its Hundreds, circa 1673, hand-coloured engraved map, 320 x 260 mm, and Blaeu (Johannes). Regiones Inundatae in sinibus Comitatus Norfolciae, Suffolciae, Cantabrigiae, Huntingtoniae, Northamptoniae et Lincolniae, Amsterdam, circa 1648, engraved map with contemporary outline colouring, slight creasing, 440 x 540 mm, Latin text on verso, with Bowen (Thomas). Suffolk Divided into Hundreds, Exhibiting the County, Borough and Market Towns..., T. Kitchin [1765 - 77], engraved map with contemporary outline colouring, originally published in 'The Atlas Anglicanus', 225 x 330 mm, with another four maps similar, including examples by Greenwood, Kirby and Butters, various sizes and conditionQTY: (10)
Macintosh (John M, 1847-1913). On the River Kennet, watercolour on paper, signed lower right, 15 x 24cm, mount aperture, framed and glazed, frame size 33 x 40cm, together with Daniel (Henry Wilkinson, active 1906-57), Robin Hood Bay, watercolour on paper, signed lower right 21.5 x 37cm, mount aperture, framed and glazed, frame size 44 x 58.5cm, another watercolour of Robin Hood Bay by the same artist, Woodburn (Clarence), The Pack Horse Bridge, Lerryn, watercolour on paper, framed and glazed and 26 various framed landscapes QTY: (30)
Henry Wilkinson, by and after, a near pair, Gun Dogs, signed in pencil to margin, limited editions, 77/100 and 65/75, 25cm x 34cm; Steven Townsend, by and after, Under Brooding Clouds, Labradors on the Moors, signed in pencil to margin, limited edition 172/660, proof stamped, 42cm x 56cm (3)
A George III mahogany chest of drawers, with ebonised cockbeading to the three drawers flanked by turret columns. Height 85 cm, width 105 cm, depth 51 cm (see illustration). CONDITION REPORT: The chest is structurally sound. The top is in generally good order with no splits. There are some old minor watermarks and ring marks but no real problems. The sides are in good order with no splits. There are some minor losses to the cockbeading to the drawer fronts. The piece will probably have originally had knob handles. The current handles are old and cover the original handle holes. The top drawer is stamped Wilkinson, Ludgate Hill. The corner columns are in generally good condition as are the feet. We can see no evidence of any woodworm.
STAMPS - GREAT BRITAIN. A very Fine MINT only collection housed in a Special Stanley Gibbons printed album with slip case, with 1841 Unused 1d red Imperf, ½d Plate and 1d red plate 159, 2d blue plate 9, Surface printed 1865 3d plate 4 & 4d plate 14, 1867 3d Plate 10,1873 6d plate16, 1875 2½d plate 1, 1876-80 plate13, 1880-83 4d plate17, 1883-84 Lilac & Dull greens, with 1½d 3d, 4d, 5d, 6d, 1887-1900 Jubilee set with both 1/- to £1 green, 1902-10 EDVII various values to 1/-, 2/6d & 10/-, GV with 1912-22 ½d to 1/-, then 2/6d, 5/- & 10/- Sea horse's by Brad Wilkinson, and £1- green by Waterlow, 1924/25 Wembley's, 1929 P.U.C. To £1- Black, 1934-36 ½d to 1/-, and 2/6d, 5/- & 10/- Re-engraved Sea horse's, 1948 Silver Wedding to £1- 1937-48 GVI ½d to £1- brown with both 10/- Dark & light blue. 1951 to £1- Brown, 1952 QEII ½d to 1/6d, 1955-57 ½d to £1-, 1958-61 ½d to £1-, then complete to 1970 with both ordinary & Phosphor stamps., back of the album with various Postage Dues, Channel Islands, with GUERNSEY Bank Note paper types and Regional's. Condition mainly very fine with much unmounted Mint/MNH (see illustration).
HANCOCK'S CORONAWARE ETC. Two pieces of Hancock's Coronaware 'Cremorne', Molly Hancock hand painted ware. Hexagonal vase, 19cm. (With base chips). Also, a Royal Staffordshire, Wilkinson Ltd. butterfly vase, 20cm. Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Michael Wilkinson (b.1954) Acrylic Sculpture."Turning Point" 1994Signed and Numbered (52/500) on base. Comes with COA. Was sold retail for $22,000This is likely due to the fact this is one Wilkinsons most impressive pieces, and, it is considered by many as one of his best works. This magnificent sculpture is comprised of a frosted internal relief which is seen through the crystal clear acrylic body, an incredibly difficult process to perform. Here it allows Wilkinson to depict the inner and outer beauty of the human figure highlighting the passion, love and emotion between the engaging couple.Dimensions: 19 x 13 x 13 in.
Original vintage cruise ship travel poster advertising - Isle of Man for Holidays - by The Isle of Man Steam Packet Company, featuring an artwork by the notable British artist and illustrator, Norman Wilkinson (1878-1971) depicting Lady of Mann ocean liner at sea with steam rising up into the sky. Poor condition, large paper losses, tears through image, folds, creasing, staining, writing in pencil and ink. Country of issue: UK, designer: Norman Wilkinson, size (cm): 69x63, year of printing: 1930s.
A Clarice Cliff plate on a cream ground, the centre enamel decorated with an urn issuing flowers, having printed 'Clarice Cliff, Newport Pottery, England' mark verso, dia. 23cm, together with one other Clarice Cliff pottery plate decorated in the Islands pattern, having 'Clarice Cliff Bizarre, Wilkinson Ltd' printed mark verso, 23cm; and a Clarice Cliff saucer 13cm (3)
A group of miscellaneous items to include a French mantel timepiece in ornate metal case, a 19th century brass bound writing slope, a small copper dome topped inkwell, a group of Sitzendorf and Capo Di Monte figures, a replica York City Sword commemorating Yorks 1900 years of history by Wilkinson, 1971 with certificate and with wall mounted plaque, various copper and brass, 19th century dinnerwares, etc, a carved oak bookstand and four composite classical style statues

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23175 Los(e)/Seite