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8 fishing books - 'Tales from the Water's Edge' by Tom Quinn, 'The Flyfisher's Companion' by John Buckland, 'The Trout & Sea Trout Rivers of Scotland' by Roderick Wilkinson, 'Czech Nymph' by Karel Krivanec, 'The Painted Stream' by Robin Armstrong, 'The Guinness Guide to Game Fishing' by William B. Currie, 'Fishing Season' by Rodger McPhail and 'The Wild Trout' by Rod Sutterby & Malcolm Greenhalgh

THE FULL MONTY (1997): A group of the three designs of international one sheet - Style A, B and C for the Peter Cattaneo (nominated for Best Director Academy Award for this film) male stripper comedy starring Robert Carlyle and Tom Wilkinson - rolled (3)

WINIFRED NICHOLSON (BRITISH 1893-1981) SOUND OF RUM FROM BAY OF LAIG, ISLE OF EIGG (THE SINGING SANDS), EARLY 1950s oil on board 58cm x 83.5cm (22 ¾in x 32 7/8in) Acquired from the Artist by her elder son, the late Jake (Jacob) Nicholson (1927-2003) and thence by descent to the present owner Exhibited: Scottish National Gallery of Modern Art, Edinburgh, Winifred Nicholson in Scotland, 10 July - 7 September 2003 and touring to Duff House, Banff, 8 November 2003 – 18 January 2004 and An Tuireann, Skye, 24 January – 20 March 2004;Pier Arts Centre, Stromness, on long-loan 2019 - 2024.Literature: Rhododendrons, Eigg (Pink Rhododendrons) and Sound of Rum from Bay of Laig, Isle of Eigg (The Singing Sands) epitomise Winifred Nicholson’s love for Scotland and in particular the Hebridean island of Eigg. They were acquired from the artist by her son, the designer Jake (Jacob) Nicholson (1927-2003), who cherished them for the rest of his life.Nicholson worked in Scotland repeatedly in the late 1940s and early 1950s, often accompanied by her friend, the poet Kathleen Raine (1908-2003). They stayed on the islands of Eigg and Canna and also in Sandaig on the mainland; there they rented Gavin Maxwell’s cottage, which he immortalised as Camusfèarna in his Ring of Bright Water trilogy.Eigg is just five miles long by five miles wide and is situated twelve miles from Mallaig on the mainland, just south of Skye. Some three decades passed between Nicholson’s first trip there, in the summer of 1950 with Raine and her last, in the Spring of 1980, with her daughter, the artist Kate Nicholson (1929-2019). Raine had idyllic memories of her and Nicholson’s first experience of the island, later recalling: ‘The Factor [of Eigg] was previously employed by Winifred’s father...and he allowed us to camp during the day in an uninhabited cottage where Winifred painted and I wrote, or walked off gathering flowers, many of which Winifred painted…We boiled water and made ourselves cups of tea from time to time and enjoyed the illusion of living there…On our first visit to Eigg I remember it was sultry summer weather and we walked to the top of the island.’ (Quoted in Alice Strang, Winifred Nicholson in Scotland, National Galleries of Scotland, Edinburgh, 2003, p.47)In her turn, whilst there Nicholson wrote to Jake exclaiming ‘Kathleen has written some magical poems. I’ve done about 16 pictures here, how good I don’t know until I get back to look at them against other things.’ (quoted in Strang, op.cit., p.48).Sound of Rum from Bay of Laig, Isle of Eigg reveals Nicholson’s deep connection with the Scottish sea- and landscape and her sensitivity to the gentle, shimmering light unique to the area. The bay, on Eigg’s west coast, commands fine views over the sea to Rum, whose Cuillin peaks are seen emerging from diaphanous clouds. There is a sense of island remoteness and purity. This painting is also known as The Singing Sands after the nearby beach of Camas Sgiotaig, where in certain conditions the sand makes noises when walked upon. This magical natural phenomenon has been explained by Geoffrey Grigson thus:‘Dry blown sand around the coast may emit an unexpected sound, slight or pronounced, when you walk over it or drag a stick across it. Off the dunes and below the high-tide mark, water is drawn in and held between the grains of sand by capillary action. The grains do not touch. Without this watev r cushion dry grains rub together when they are moved, and if they are of the same shape and size they jerk against or across each other as they do so, vibrating and “singing”.’ (Geoffrey Grigson, The Shell Country Alphabet, from Apple Trees to Stone Circles, How to Understand the British Countryside, Particular Books, London, 2009, p.344)When creating the work, Nicholson positioned herself behind and above the white foreshore in order to embrace the curve of the bay. Undulating ground, cliff and hill combine to create an awareness of natural rhythm, heightened by the edge of the wave at the boundary between water and beach. The sky holds muted sunshine as well as a suggestion of something more powerful. The delicate palette, based on blue, green and grey, carries an atmosphere of peace, beauty and a sense of wonder. Nicholson and Kate spent two weeks on Eigg in May 1980, accompanied at first by the artist Donald Wilkinson (b.1937) and his family and secondly by the artists Valerie Thornton (1931-91) and Michael Chase (1915-2001). This time she stayed in the Gamekeeper’s Cottage. As Alice Strang has explained:‘The Gamekeeper’s Cottage is the highest house on the island, with panoramic views across the sea to the mainland. Due to the atmospheric conditions in the area, rainbows occur there with unusual frequency. From an early age Winifred had been fascinated by them, as they were a natural display of the splitting of light into the colour spectrum.’ (Strang, op.cit., p.50) This phenomenon is celebrated in Rhododendrons, Eigg. A painting infused with colour and joy, it was created with the aid of a prism that Nicholson had recently acquired. Her series of prismatic paintings, of which Rhododendrons, Eigg is one of the finest, were extremely important to the artist. Her grandson, Jovan Nicholson has explained, quoting her:‘The way Winifred used a prism is straightforward: when you look through a prism the objects you see are rimmed with rainbow colours. “[My] prism is in a back pocket in my purse. I can put my hand into my pocket and pull it out whenever I want to see a rainbow. For the prism shows us rainbows everywhere.” She valued her prism as “a very little pot of gold”, for she “found out what flowers know, how to divide the colours as prisms do, onto longer and shorter wavelengths, and in so doing giving the luminosity and brilliance of pure colours…in the ordered sequence of the octave of colour.”’ (Jovan Nicholson, Winifred Nicholson: Liberation of Colour, Philip Wilson Publishers, London, 2016, p 32)Moreover, Nicholson was drawn to paint flowers for much of her career, partly as a way to explore her theory that ‘colour is not just a coat over objects – it lies on the rim of objects between one form and the neighbouring form or space.’ (quoted in Judith Collins, Winifred Nicholson, The Tate Gallery, London, 1987, p.31). She sensed that flowers:‘…create colours out of the light of the sun, refracted by the rainbow prism…The flowers are sparks of light, built of and thrown out into the air as rainbows are thrown, in an arc…My paint brush always gives a tremor of pleasure when I let it paint a flower…to me they are the secret of the cosmos.’ (quoted in ed. Andrew Nicholson, Winifred Nicholson: Unknown Colour, Faber & Faber, London, 1987, pp. 239 & 216)The rainbows that shimmer amidst the titular flowers in Rhododendrons, Eigg heighten the viewer’s awareness of their delicate beauty, as well as that of the patterned cloth on which they are presented and the expanse of their natural surroundings. These are more sensed and glimpsed than simply seen, in an image in which an element of spirituality is combined with heartfelt optimism. We are grateful to Jovan Nicholson for his help in researching these paintings.

Militaria Interest: a Victorian silver-gilt military drum shaped presentation desk ink stand, the cover engraved with The Royal Arms above banner DIEU ET MON DROIT and the arms of Prince Albert, the Prince Consort, a panel in the drum opens to reveal recess for ink bottle (missing), the inside cover engraved with two crests above initials W.D.L 11th Hussars (William Drury-Lowe), the body engraved: EGYPT within frame and sphinx above with SALAMANCA PENINSULA WATERLOO BHURTPORE below, the drum with twist cord mouldings, hallmarked by probably Henry Wilkinson & Co, Sheffield, 1851, the entire on brass bound black marble cross shaped mount with four cast brass Sphinxes to each corner, approx. 20cm long. Provenance: once the property of William Drury-Lowe (1828-1906), more formally known as William Drury Nathaniel Drury-Lowe thence by descent Born the eldest son of William Drury Holden (assumed the name Lowe in 1849) and the Hon. Caroline Esther, daughter of Nathaniel 2nd Lord Scarsdale. He received a commission as a Cornet (the modern equivalent being a 2nd Lieutenant) in the 11th Hussars in 1849, rising to Lieutenant in 1851. The inkwell show only the pre-Crimean War era battle honours, which is correct for the date the inkwell was made. The 11th Hussars went on to serve with distinction at Balaklava, Inkerman, and Sevastopol during the Crimean War. In 1877, William went on to succeed to the Denby and Locko estates in Derbyshire.

British Isles.- Ireland.- Wilkinson (Sidney Berdoe) Reminiscences of Sport in Ireland, first edition, a few plates and illustrations, original drab cloth, privately printed, by Grant Richards, 1931 § Liddell (Peter) Salmon Rivers of Eire, mimeograph typescript, ink library stamps to title, original cloth wrappers with ring-binder, housed within drop-back box, privately printed, 1971, [together Wood BSS 58 & 48], small folio & 8vo (2)*** First mentioned: a rare first edition of this memoir of salmon fishing in Ireland in the late 19th and early 20th centuries, which was reprinted in 1987 by the Signet Press. Second: A report on the effects of arterial drainage schemes, pollution and netting and trapping on salmon stocks in Irish Rivers by Liddell, chairman of the British Association of River Authorities. Rare.  

Bag of Penknives, 24 in total, assorted designs and handles, includes a boxed Wilkinson Sword Sportsman's Knife.

NORMAN WILKINSON (1878 – 1971) CAERNARVON CASTLE lithographic poster, 1929, condition B+; backed on old linen  40 x 49. 5 in. (102 x 126cm.)

NORMAN WILKINSON (1878-1971) CENTRAL WALES lithographic poster, c.1930, condition B+; not backed  40 x 50 in. (102 x 127cm.)

NORMAN WILKINSON (1878 – 1971) 5 ROUTES TO IRELAND lithographic poster, c.1935, condition B, backed on linen, framed  40 x 25 in. (102 x 64 cm.) 

Superb Great Britain collection, in clear mounts, 1840 - 1972 mint and used with  huge 4 margin 1840 Penny Black lettered  L - B, and cancelled with Red Maltese Cross, together with 1840 2d Blue, and SG62 4d carmine on blued paper of interest. Additional Victoria sets include 1883 Green & Lilacs, 1887 Jubilee  and  1883 values to 10 shillings. and many individual items. Further issues include 1913 Bradbury Wilkinson Seahorses, 1924 /1925 Wembley, 1934 reengraved  Seahorses, 1939 Arms Issues,1948 RSW, with QE11 Wilding and phosphor issues including  Lifeboat and Red Cross.  High value collection with viewing recommended to fully appreciate.

Wilkinson (New York School, 20th century)Portrait of a Blonde Lady in Red Heelssigned, dated 84, watercolour on paper, 50cm x 30cm

King, William The Art of Cookery, In Imitation of Horace's Art of Poetry. With Some Letters to Dr. Lister, and Others Printed for Bernard Lintott, London The Oeconomy of Human Life: Translated from an Indian Manuscript, Written by an Ancient Bramin Carter and Wilkinson, Providence, Rhode Island, 1795 (2) Condition Report:Available upon request

A boxed Wilkinson Empire model razor, unused, together with further razors and shaving equipment.

WWI period Enfield bayonet and scabbard marked 'Wilkinson' and dated 1907 with No. 029 to the hilt. Overall 58cm long approx. (B.P. 21% + VAT) Generally tarnished and dirty with overall wear.

A commemorative 100 years of the Winnipeg police sword, the Wilkinson blade decorated in a Canadian flag and date 1884-1974, 87cm long.

A collection of various Razors, to include Wilkinson Sword with seven named razors for each day of the week, Rolls Razor, Wardonia, Valet Autostrop, Gilette, and more, together with a Charles Clement shaving poster,, shaving brushes and more (parcel)

A Victorian Royal Artillery Officer's Sword by Wilkinson, c.1880, serial number 23952, having single fullered blade, with etched design to each side, one side with the Royal Artillery badge and VR Monogram, the other Winged Spears, having lower initials 'BMR', possibly who was given the sword, complete with scabbard, no postage for this lot, we can supply pack only at a cost, the buyer to organise own collection as soon after the sale as possible

A World War I 1907 pattern hooked quillon Wilkinson bayonet,  43.5cm long single side fullered steel blade, stamped Wilkinson 1907, leather scabbard

A World War I 1907 pattern hooked quillon Wilkinson bayonet,  43cm long single side fullered steel blade, stamped Wilkinson 1907, leather scabbard

ANTIQUES. WILLIAMS, Guy R. The World of Model Ships and Boats, London 1971, cloth, dustjacket, small 4to; WEITZMANN, Kurt et al. Icons, New York: Alpine Fine Arts nd (mid 1960s), grey cloth gilt, large 4to; GUEST, Montague. Lady Charlotte Schreiber's Journals: Confidences of a Collector of Ceramics and Antiques, London 1911, 2 vols., pict. blue cloth, 4to; WILKINSON, Wynyard T. Indian Colonial Silver: European Silversmiths in India (1790-1860) and their Marks, London 1973, red cloth, 4to; others on silver, mainly general antiques. (4 boxes)

A Clarice Cliff for Newport Pottery Bizarre crocus patterned jug, a further plate (restored), a fruit bowl and a Clarice Cliff for Wilkinson twin handled vase.

A Clarice Cliff for Wilkinson Fantasque fruit bowl, diameter 28 cm, two further vases and a tripod fruit bowl. CONDITION REPORT: All with damages / restorations.

Wilkinson Sword Dagger with Brass Handle and Leather Scabbard

Two Wilkinson Sword Miniature Crusader-Type Swords, cased

Wilkinson 1907 Bayonet with Scabbard

Fairbairn Sykes Commando Fighting Knife, The Blade Marked Wilkinson Sword to One Side and The FS Fighting Knife to The Verso, with Leather Scabbard

Wilkinson Sword Dagger with Black Handle and Leather Scabbard

A Late 20th Century Wilkinson Sword Ceremonial Sword with Engraved Blade Decorated with Medieval Knights

A Elizabeth II Gordon Highlanders officers basket hilt sword, by Wilkinson, regulation double edge blade cut with a single fuller and etched with royal cypher and thistles, regimental details and panel with coat of arms Wilkinson number to the edge '90733',the basket hilt with wire bound fish skin covered grip, red felt covered buckskin liner, in its leather covered scabbard, blade, 83cm, 102cm overall, in scabbardCondition ReportSome wear to the blade. Knock and dent to the end of the scabbard. Red felt with rubbing through.

A Victorian hallmarked silver coffee pot. London, date mark not visible. Sponsors mark for JB - Henry Wilkinson & Co (John Brashier). Weight 911g. Measure 22cm high approx.

A Victorian 19th century hallmarked silver toast rack. Hallmarked London 1889, sponsors mark for Henry Wilkinson & Co (John Brashier).Weight 187g. Measures 13.5cm wide

A Wedgwood Clarice Cliff "Solitude" charger and a A.J. Wilkinson Ltd. "Rhodanthe" pattern plate

A Wilkinson Ltd. Clarice Cliff Bizzare low bowl in the crocus design. Height: 5.5cm. Diameter: 11.5cm.

An 1822 infantry officer’s sword, by Wilkinson no visible number so presumably pre-1854, single edge blade with crowned VR and owners initials; FSD, with regulation brass hilt with solid guard. Condition - fair, grip covering as found, no scabbard, pitted and worn * Due to new safety regulations and legal restrictions with ParcelForce and Royal Mail, we are unable to pack and/or send swords, bladed items and weaponary through postal service.Collection in person or arranging a courier service is recommended, storage charges will not be incurred on these items *

Fourteen sport signed 10 x 8in photos, including; Usain Bolt, AP McCoy, Rory McIlroy, all three with Fraser's Ceritificate of Authenticity, Gail Devers and Kathy Freeman and Jonny Wilkinson and Chris Hoy on white card, both with certificates (16),

A Large Victoria Ware Blue & White Stick Stand together with a Wilkinson Lustre Fruit Bowl (2)

A Victorian rosewood oval breakfast table By William Wilkinson Ludgate hill London

Arthur Stanley Wilkinson (c.1860-1930)Thatched cottage with a woman feeding the birdsSigned, watercolour; together with another similar signed work by the same artist, 38cm by 27cm (2)

A silver mounted deer's foot match strike. The cylindrical mount engraved 'Devon & Somerset, Found Tabor Hill, Killed Leigh Farm, Winsford, 25th July 1931, E.B.W.' and on twin-scrolling supports, all with hallmarks for Thomas Wilkinson & Sons, Birmingham 1931, 15.25cm high overall (6 inches)

Norman Wilkinson - watercolour Dover coastal scene with fishing boats, signed, labelled to verso 4" x 8½"

BRITISH 1888 PATTERN LEE METFORD BAYONETmarked 'Wilkinson' and with war department stamps to ricasso, complete with original black leather scabbard and with matching number '456'

CLARICE CLIFF, Blue firs, five bread and butter plates, printed marks to the base, Wilkinson Ltd, 20cm diameter (5)Condition Report: Some wear to the enamels and signs of use,

CLARICE CLIFF, Blue firs, pair of vegetable tureens and lids, printed marks to the base, Wilkinson Ltd and The Biarritz/Royal Staffordshire, 14.5cm high x 20cm wide x 13cm deep, together with a gravy boat and two graduated oval meat plates, the largest, 37 x 28.5cm (5)Condition Report: Oval plates, some wear to the coloured enamel, light domestic wear to the plate surfaces, chips to rimsTureens-crazing to the lids and to the bodiesJug, restorations and overpainting to the jug in places.

Hugh Wilkinson (19th/20th century)River landscape with trees, signed, oil on board, 43.5 x 58.5cm Some craquelure to the tree trunk, otherwise appears to be in good condition, framed behind glass.

A late 18th Century mahogany cased Spinet / Sideboard, converted, with original enamel plaque (Broderip & Wilkinson, Haymarket, London) with hand painted frieze, the top with string and herringbone inlay, above a single drawer and sliding platform on square tapering legs with brass castors, approx. 165cms wide x 61cms deep x 81cms high (65" x 24" x 32"). (1)

An English silver Toast Rack, by Henry Wilkinson & Co., London, c. 1900, approx. 10 ounces; together with a smaller similar plated Toast Rack. (2)

A Good March 1918 Military Cross Medal Group of 3 to an Officer in the Royal Field Artillery, Military Cross GVR, the reverse with contemporary engraving, “D 146 R.F.A./LIEUT A B WILKINSON/ MAR 1918”, British War and Victory Medals, “LIEUT A.B. WILIKINSON”, also with pin back ribbon bar. Military Cross, London Gazette 13th September 1918 - 2nd Lt. Arthur Buttle Wilkinson, R.F.A., Spec. Res. For conspicuous gallantry and devotion to duty. He volunteered to go round the front line to obtain information which was urgently required. He had to crawl most of the way under heavy rifle and machine-gun fire, and succeeded in sending back most valuable information.Arthur Buttle Wilkinson served in France from 10th September 1917, not entitled to a Star.

WW2 British 1st Pattern Fairbairn Sykes Commando knife by Wilkinson Sword, nickel plated example with steel ‘S’ shaped cross guard. Stiletto blade with evidence of service wear, sharpening evident from combat use. Wilkinson Sword trademark and FS knife to the reverse. Initials of the original owner scratched to cross guard, ‘T.W’. Housed in its original scarce 1st pattern scabbard with the Newey Patt securing stud. Blade 17 cm, overall 34 cm.

WW2 British 1st Pattern Fairbairn Sykes FS Commando knife by Wilkinson Sword, nickel plated example with steel ‘S’ shaped cross guard. Stiletto blade with evidence of service wear. Wilkinson Sword trademark and FS knife to the reverse. Housed in its original scarce 1st pattern scabbard with the Newey Patt securing stud. Blade 16 ½ cm, overall 31 ½ cm.

A EIIR Scottish Military Basket Hilt Broadsword of the Royal Scots by Wilkinson, numbered 98544, straight double edge claymore blade 82cms cut with single fuller and etched with crowned EIIR cypher amidst scrolling thistles, and reverse side with regimental insignia of the Royal Scots. Regulation nickel plated basket hilt, copper wire bound fish skin covered grip , buckskin liner covered with red cloth and blue fabric edging,scarlet silk fringe beneath fluted pommel, in its leather-covered scabbard with nickel plated mounts. Remains in excellent overall condition.

WW2 British 1st Pattern Fairbairn Sykes FS Commando Knife by Wilkinson Sword, fine example of a desirable knife from WW2. Nickel plated grip with ‘S’ type guard. FS and Wilkinson sword logo to base of blade. Slight wear to the tip of blade but otherwise a good example overall. Housed in the correct 1st pattern scabbard with Newey press stud. Blade 17cms, overall 33cms.

Scarce Attributed WW2 2nd Pattern Fairbairn Sykes FS Commando Knife by Wilkinson Sword, good example with Wilkinson trademark and The FS Fighting Knife. Grip is stamped ‘W E GRAY’ and also impressed to the leather scabbard with the same details. Blade remains in very nice condition overall. Blade measures 16cms, overall 33cms. Repair to the elastic strap.

WW2 British 2nd Pattern Fairbairn Sykes FS Commando Knife by Wilkinson Sword, nickel plated example with the makers logo to the base. Blade remains in generally very good condition. Housed in the original scabbard with evidence of light restoration. Blade measures 17 ¼ cms, overall 33 cms.

Named British 2nd pattern Fairbairn Sykes Commando Knife by Wilkinson Sword, nice example with the ferrule stamped ‘S.MIER’. Double edged stiletto blade with Wilkinson Sword trade mark and FS Fighting Knife to the reverse. Housed in its original scabbard with leg tabs still present. Blade 16 ¾ cm, overall 32 ½ cm.

Wilkinson Sword to Commemorate the Marriage of Prince Charles and Lady Diana Spencer, blade 81cms etched with To Commemorate the Marriage of The Prince of Wales and Lady Diana Spencer 29 July 1981, silvered hilt cast with the participants names in relief and incorporating their enamel crests and the gilt royal crest against a red enamel background, silver bullion dress knot. Good condition

Post WW2 British 3rd Pattern Fairbairn Sykes FS Commando Knife, standard model type with a WW2 period leather scabbard. Blade with a post war applied etched Wilkinson logo. Blade measures 17 ½ cms, overall 32cms.

Victorian Royal Naval Officers Sword Attributed to Lord Ashley-Cooper, 8th Earl of Shaftesbury, By Henry Wilkinson, 11806, lion head pommel, fishskin covered grip with wire binding, housed in leather with brass mounts scabbard. Near mint condition polished blade with etched decoration, crowned cipher to the bottom section. Henry Wilkinson, Pall Mall retailers details to the base of the blade and number to the spine. Blade measures 82 cms, overall 98cms. Nearly all the gilt finish remains to the exterior fittings. Accompanied by a selection of research paperwork, which indicates Lord Ashley served in the Royal Navy, raising to the rank of Lieutenant. Lord Ashley committed suicide in 1886, by shooting himself in the head.

A BRITISH WORLD WAR I 1907 PATTERN BAYONET AND SCABBARD, 43CM BLADE STAMPED WILKINSON, LENGTH 57.5CM

The Elegant Carriage by Marylian Watney, 1961; The Harness Horse by Sir Walter Gilbey, 1898; The Art of Lungeing by Sylvia Stanier; Highways & Horses by Athol Maudslay, 1888; English Pleasure Carriages by W B Adams; The Wheelwright's Shop by George Sturt, 1974; Kings of The Highway by John Tilling, 1957; J F Herring & Sons by Oliver Beckett; Riding & Driving for Women by Belle Beach, 1912; Mr Facey Romford's Hounds. Butler & Tanner, 1982; Assortment of booklets relating to Horses & Carriages; Catalogue shopping baskets, Morris Wilkinson, Nottingham. (12)

England Rugby Union shirt, 2008, signed by twenty seven squad members including Phil Vickery, Jonny Wilkinson, Steve Borthwick, George Chuter, and others, framed, 83x63cm.