23175 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A Clarice Cliff Bizarre Biarritz plate Japan (yellow) black printed Wilkinson mark 26.5cm wide

Jean-Marie Strebelle 1916-1989- Coastal Landscape; watercolour, signed, bears label for 'Cadres D'Art Arthur Dehoy, 13 Rue Veydt, Saint-Gilles, Bruxelles, verso, 54x72cm: Donald Wilkinson, mid 20th century- 'Autumn, Coastal Landscape'; aquatint, signed and number 58/90 in pencil, together with a similar aquatint by the same hand, 48x55cm ea., (3). Provenance: Ex Viscount Linley

Militaria: a Wilkinson cavalry officer's sabre, no. imp 1915, 36 inches long, a/f.

Chalmers (Patrick R.). A Fisherman's Angles, 1st ed., Country Life, 1931,. twenty four b & w illusts. after drypoints by Norman Wilkinson, together with Barton (E.A.), An Album of Chalk Streams, 1st ed., A. & C. Black, 1946, b & w illusts. from photos., plus Gwynn (Stephen), River to River. A Fisherman's Pilgrimage, 1st ed., Country Life, 1937, col. frontis. and b & w illusts. by Roy Beddington, all orig. cloth in slightly frayed and torn d.j.s, 4to, with others related (17)

WILKINSON TAHITI "FOAM" LOTUS JUG by John Butler, pattern 8643, signed, 11.5" high

Wilkinson honeyglaze conical sugar sifter painted with an orange flower and stylised stepped lines, pattern 9010, 5.5" high

Wilkinson (Robert). A General Atlas, 1809, lacking title and twin hemisphere map of The World, contains 47 hand coloured engraved maps (of 48), some finger soiling and marks to a few maps, contemp. calf backed marbled boards, covers detached (but extant), 4to (1)

A pair of George III style sauce boats by Henry Wilkinson & Co, London 1912, with flying scroll handles raised on three pad feet

A Victorian silver oblong six-division toast rack by Henry Wilkinson & Co., Sheffield 1876, with a beaded loop handle on four feet, 322g (damaged)

A silver sugar caster by Henry Wilkinson & Co., London 1912, of octagonal shouldered form on stepped foot

An 18th Century Black and White Engraving-"The Manual Exercise of the Foot Guards, drawn from an officer long experienced in the Military Discipline now under His Royal Highness the Duke of Cumberland", published by R Wilkinson, London 1745; a collection of five similar smaller prints (6).

An Indian Talwar, with single edge curved steel blade, steel hilt and leather scabbard; two small kukris, each with horn grip and leather scabbard, one with Ghurka badge; two African short spears, with leather and hide bound shafts; a 1907 Wilkinson bayonet; a 1913 Remington bayonet; two other bayonets; two leather shot flasks and a copper powder flask (12).

A British Highland Regiment NCO's Dirk the single edge draw back blade etched Wilkinson, Pall Mall, the ebonised baluster grip with brass studded basket weave decoration and nickel pommel cast with a crown..

An 1821 Pattern Artillery Officer's Sword, with plated blade etched with foliage by Hawkes & Co., London, plated steel three bar hilt with wire bound fish skin grip and leather scabbard (rusted condition); an 1854 Pattern Light Weight sword, the slender fullered steel blade etched R.E.C. and the badge of the Grenadier guards by Henry Wilkinson, London, no.51748, the plated steel hilt pierced with badge, wire bound fish skin grip, with a leather scabbard and sword knot (2).

A Victorian 1845 Pattern Infantry Officer's Sword by Henry Wilkinson, Pall Mall, London, the single edge fullered steel blade etched with crowned VR cypher, initials WLI and maker's name, the edge numbered 22777, the brass hilt pierced with crowned VR cypher, with wire bound fish skin grip and steel scabbard..

A Broadsword, made to commemorate the Investiture of the Prince of Wales, the double edge steel blade etched with Prince of Wales plumes, by Wilkinson Sword, London, brass crossguard and disc pommel, with wooden grip, limited edition No.1 of 150, together with certificate of authenticity..

A Victorian 1827 Pattern Infantry Officer's Sword, the single edge fullered steel blade richly etched with royal cypher, scrolling foliage and owner's initials E.H.W.( Ellis Houlton-Ward), by Henry Wilkinson, Pall Mall, London, and numbered 8994 on the edge, the chromium plated steel blade pierced with a strung bugle, copper wire bound black fish skin grip and with steel scabbard.. **Ellis Houlton-Ward joined the 28th Foot as an Ensign in April 1858, he was promoted to Lieutenant in November 1861. In 1863 he transferred to the 60th Foot (Kings Royal Rifle Corps), and was promoted to Captain in May 1869. He retired from the Army and sold his commission in 1874. .

A Ghurka Ceremonial Kukri, the blade with foliate pricked decoration, horn grip and leather sheath; a Boer War period bayonet by Wilkinson, London (2).

A Third Pattern F.S. Fighting Knife, the double edge steel blade by Wilkinson Sword Co., London, etched with maker's name and "The F.S.Fighting Knife", with black stove enamel crossguard and ribbed grip, with leather sheath..

An American Sword Bayonet, the blade stamped with grenade, 1917 and W within a circle, with green leather scabbard; a 1907 Wilkinson bayonet with leather scabbard and webbing frog; a Sanderson & Co. bayonet stamped 11/92 (3).

A French 1866 Sabre Bayonet, the blade edge engraved Jan. 1869, ribbed brass hilt and steel scabbard; a British 1907 bayonet, with Wilkinson blade, leather scabbard and webbing frog; an American M1 bayonet made by UFH 1942, with green painted steel scabbard (3).

A US Remington Bayonet with leather scabbard; a Wilkinson bayonet with leather scabbared; two Indian kukris, one with horn grip, the other with wooden grip (4).

Four Bayonets:- French M1874 Gras, the T section blade engraved St Etienne 1879, with steel scabbard; two British 1907, to the 3 Bn, D.L.I., one with Wilkinson blade, with steel mounted leather scabbards; a US 1917 Remington with leather scabbard and frog (4).

Two British 1907 Sword Bayonets, one by Chapman, the hilt stamped O.T.C. AMF 227, the other by Wilkinson, the hilt stamped O.T.C. AMP 89, both with leather scabbards; a French M1892 Mannlicher sword bayonet, with steel scabbard; a German Seitengewehr M84/98 bayonet with steel scabbard and webbing frog (4) .

David Wilkinson etching aquatint ‘Isle of Rhum’ 53/75 470mm by 383mm

A HENRY WILKINSON COLOURED ETCHING of 2 sandpipers at the waters edge, signed on the mount and numbered 29/150, 10" x 14 1/2"

A figured mahogany eight day longcase clock the arched enamelled 36cm dial painted to the arch with a country girl and a dog crossing a stream the spandrels with rustic vignettes Roman chapter ring subsidiary seconds dial calendar sector inscribed Wilkinson Sheffield striking on a bell the arched hood with draught moulded swan neck pediment above freestanding tapering lotus turned pillars the canted trunk with an arched door the base inlaid with a circular banded panel 236cm high excluding brass finial

Postcards - Four artist-drawn interior views of the Cammell Laird factory Sheffield; an artist-drawn view of the Canadian Pacific 'Empress' Steamer after Norman Wilkinson; and a folding 'Souvenir of a Visit to a White Star Liner' comprising black and white photographic illustrations and a colour cross-sectional view of the R.M.S. Majestic (6).

Posters - A London & North Western Railway poster promoting sea routes to Ireland after artwork by Norman Wilkinson (1878-1971) 70cm x 138.5cm; and another similar both framed and glazed (both with text and margins trimmed off) (2).

Poster - A National Savings Committee poster 'War Savings Are Warships' after artwork by Norman Wilkinson (1878-1971) printed by Weiner for H.M.S.O. 75cm x 49.5cm.

Norman Wilkinson (1878-1971): ‘A County Class Destroyer Cleared for Action’, watercolour, signed, 33cm x 53cm

A Second World War period infantry officers sword, by Henry Wilkinson, numbered 54560, with a leather scabbard and with a canvas covering.

Fore-edge paintings. The Poets of the Nineteenth Century, selected and edited by Rev. Robert Haris Willmott, new ed., n.d., c. 1870, port. frontis. and wood-eng. illusts. to text, a.e.g., contemp. elaborately gilt-dec. dark green morocco, a little rubbed, together with The Complete Works of Alfred Lord Tennyson, 1907, eng. port. frontis., double-column text, lacks free endpaper before half-title, a.e.g., contemp. gilt-dec. green calf by Riviere & Son, sl. rubbed and faded, spine browned, both 8vo The first work has two modern fore-edge paintings of Watenlath and the Stream of Lowdore after Thomas Allom and Cottage in the Vale of Newlands after Rev. Joseph Wilkinson. The second work has three modern fore-edge painting scenes showing Stokwith Mill, on the road to Hagworthingham; Somersby, XV Century Cross; Thatched Cottage at Bag Enderby. The artist has inscribed details of the fore-edge paintings at the rear of each volume. (2)

Atterbury (Paul & Henson, John). Ruskin Pottery, The Pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935, pub. Baxendale Press, 1993, num. col. and b&w illusts., orig. cloth in d.j., together with Drakard (David), Printed English Pottery, History and Humour in the Reign of George III, 1760-1820, 1st ed., 1992, num. b&w illusts., orig. cloth in d.j., plus Wilkinson (Vega), Spode-Copeland-Spode, Their Works and Its People, 1770-1970, 1st ed., pub. Antique Collectors' Club, 2002, num. col. and b&w illusts., orig. cloth in d.j., and Edwards (Diana), Black Basalt, Wedgewood and Contemporary Manufacturers, 1st ed., pub. Antique Collectors' Club, 1994, some col. and num. b&w illusts., orig. cloth in d.j., all 4to, VG, plus others similar, including Derby Porcelain, by John Twitchett, 1980, Derby Porcelain Figures, by Peter Bradshaw, 1990, James Hadley & Sons, Artist Potters Worcester, by Peter Woodger, 2003, English Dry-Bodied Stoneware, by Diana Edwards and Rodney Hampson, 1998, etc., including some paperbacks, many in d.j.s, 4to/8vo (approx.45)

Needham (Paul). Twelve Centuries of Bookbindings, 400-1600, pub. Pierpont Morgan Library/Oxford University Press, 1979, tipped-in col. frontis., six col. plts. and num. b & w illusts., orig. cloth in d.j., 4to, together with A Catalogue of the Rare and Curious Collection of Books of Thomas Lloyd, Esq., Consisting of a very large Collection of Tracts Relating to the Civil Wars... Which Will be Sold by Auction, by Mr Sotheby... on Thursday, July 8, 1819, and Five Following Days, 100 pp., prices realised marked in ink, disbound (without covers), plus Catalogue of the Collection of Books in Valuable Bindings of the Late Professor W.H. Corfield M.D., comprising Early Stamped, Embroidered, Inlaid, and other Bindings, by Binders of Various Countries and Periods... Which Will be Sold by Auction, by Messrs. Sotheby, Wilkinson & Hodge, Monday 21 November, 1904 and Two Days Following, 48 pp. with fifty-eight chromo. plts. at rear, some folding (one severely stuck together), orig. printed wrappers, worn on spine, rear wrapper chipped, 4to, with others of bookbinding and typographical interest, etc. (approx. 35)

A Wilkinson Bayonet marked '1907' in leather scabbard

Wilkinson Ltd., Francis Caruthers Gould character jug of Admiral Jellicoe, initialled FCG to edge of base, printed marks, 26.5cm high, (handle restored)

ER II naval officer's sword by Wilkinson Sword Ltd. with thirty-one inch part fullered blade with royal cipher, the guard with fowled anchor with shagreen grip and lion-head pommel complete with leather scabbard, thirty-eight inches overall

Victorian infantry officer's sword with a part fullered blade with crowned VR scrollwork detail, stamped Henry Wilkinson Pall Mall, London, thirty-three inches, with the back strap stamped 30095, with brass pierced guard and hilt with crowned VR and shagreen grip with leather bound scabbard (with split at end), forty inches overall

British bayonet by Wilkinson, two piece wooden grip and leather scabbard, seventeen-and-a-half inches overall and another French bayonet (2)

VICTORIAN SILVER MODEL OF A RECUMBENT COW ON AN IVORY PLINTH, Henry Wilkinson & Co., Sheffield 1851, on an oval plinth. Length 5.75cm

Sammy Davis Jr, original painting by James Wilkinson titled 'Ghost of Bojangles', together with separate David Jr. signature acrylic on canvas. Together with a Sammy Davis Jnr signature. Framed. James Wilkinson In 1999 after a ten-year absence James Wilkinson began painting again. His work is collaboration between himself and his subjects. "How much more of a portrait is it, if they leave a part of there selves on the canvas?" he asks. After leaving school James acquired the position as resident artist at a large advertising agency in Whitechapel where he worked and learnt new commercial techniques. After only a year he left and attended Chelsea school of Art where he concentrated on the human figure. To support him-self, James took on freelance work from a number of London art studios. James changed career entirely for the next ten years choosing a successful career in the city. It was while heading a bond-trading desk at Deutsche Bank that he began to paint again and was offered a 3 month exhibition in London's Leicester Square. The opening night saw a record number of sales and a celebrity and city-laden party. 3 later London exhibitions and some 180 portraits later, James's works is owned and commissioned by the music glitterati, including the Rolling Stones. Ronnie Wood owns some of James's work which led to Ronnie Wood letting James use his Kensington based Harrington club as a venue for an exhibition and then later inviting him backstage on various Stones concerts across America. Oasis own and have commissioned paintings as have the Appleton sister's. James's work has been featured in Hello magazine in the lounges of Soap stars and is regularly given to Charity to raise money, as shown when Louise Redknapp donated James's portrait of her, straight from her home to the Tsunami Fund at Capital radio. James is now working on a number of television projects based on his art and subjects and will be exhibiting in London later this year.£600-800US$1,080.00-1,440.00

Paul McCartney, original painting titled 'Revolver 1' by James Wilkinson acrylic on canvas. Framed. James Wilkinson In 1999 after a ten-year absence James Wilkinson began painting again. His work is collaboration between himself and his subjects. "How much more of a portrait is it, if they leave a part of there selves on the canvas?" he asks. After leaving school James acquired the position as resident artist at a large advertising agency in Whitechapel where he worked and learnt new commercial techniques. After only a year he left and attended Chelsea school of Art where he concentrated on the human figure. To support him-self, James took on freelance work from a number of London art studios. James changed career entirely for the next ten years choosing a successful career in the city. It was while heading a bond-trading desk at Deutsche Bank that he began to paint again and was offered a 3 month exhibition in London's Leicester Square. The opening night saw a record number of sales and a celebrity and city-laden party. 3 later London exhibitions and some 180 portraits later, James's works is owned and commissioned by the music glitterati, including the Rolling Stones. Ronnie Wood owns some of James's work which led to Ronnie Wood letting James use his Kensington based Harrington club as a venue for an exhibition and then later inviting him backstage on various Stones concerts across America. Oasis own and have commissioned paintings as have the Appleton sister's. James's work has been featured in Hello magazine in the lounges of Soap stars and is regularly given to Charity to raise money, as shown when Louise Redknapp donated James's portrait of her, straight from her home to the Tsunami Fund at Capital radio. James is now working on a number of television projects based on his art and subjects and will be exhibiting in London later this year.£250-350US$450.00-630.00

*Wilkinson (Norman, 1878-1971). 'The Pilot', etching with drypoint, one of 100 proofs, signed in pencil, some marks to surface, plate size approx. 225 x 300 mm (8.75 x 11.75 ins), framed and glazed (1)

*Wilkinson (Norman, 1878-1971). Fisherman on a lake, with castle beyond, etching with drypoint, signed in pencil, plate size approx. 163 x 225 mm (6.5 x 9 ins), framed and glazed (1)

*Wilkinson (Henry, b.1921). Spaniels putting up a pheasant, coloured etching, signed in pencil, and numbered 24/75, plate size approx. 225 x 320 mm (9 x 12.5 ins), framed and glazed, together with an etching of a gundog by David Gee, signed in pencil, plate size approx. 125 x 175 mm, framed and glazed (2)

A pair of Victorian Queens pattern grape shears by H Wilkinson & Co. Sheffield 1874 a set of four poultry skewers by G M Dibdin London 1899 and a pair of modern trefid fruit spoons (7) 9.5oz.

Wilkinson Wynyard R.T: Indian Colonial Silver European Silversmiths in India (1790 - 1860) one of a limited edition of 1000 Argent Press London 1973 (green cloth boards) together with.The Makers of Indian Colonial Silver A Register of European Goldsmiths Silversmiths Jewellers Watchmakers and Clockmakers in India and Their Marks 1760 - 1860 by the same author with dedication privately printed one of a limited edition of 1000 1987 dust wrapper. (2)

An early 19th century Indian Colonial silver bowl, the swelling body with a crest and motto, two scroll foliage handles, the everted rim applied foliage and shells, the knopped pedestal stem foot on ball feet. 6.25in. (16cm.) diameter. Makers Hamilton and Co of Calcutta. Circa 1825. 31.5oz. (982g.). * For a similar example see 'Indian Colonial Silver' by Wynyard, R.T Wilkinson. Page 57 plate A75.

An early Victorian silver waiter with shell and scroll border and later engraved foliate decoration Henry Wilkinson & Co Sheffield 1837 7.5ins

NORMAN WILKINSON (1878-1971) SPRING FISHING ON THE DEE Etching, signed 22.5cm x 30cm and another by the same hand (2)

George V dress sword with basket hilt by Henry Wilkinson, Pall Mall, in leather scabbard, 1m 3cm

"WILK" JOHN WILLIAM (BILL) WILKINSON (1906-1994) "WHA'S TERRIER DID'T PUT IN ?", two huntsmen and hounds watching a rhino chasing the fox, ink and watercolour, signed and dated 1986, lower right, entitled on slip. 29cm x 48cm (11.5in x 19in)

"WILK" (JOHN WILLIAM (BILL) WILKINSON (1906-1994) "WAT WAY" George Graham and a follower with hounds and terriers, ink and watercolours, signed and dated 1980 lower right. 38cm x 55cm (15in x22.6in)

"WILK"(JOHN WILLIAM (BILL) WILKINSON (1906-1994) "TELL ME A MAN'S A FOX HUNTER AND I LOVES IM AT ONCE", George Graham as master of the hunt astride his grey horse, ink and watercolours, signed and dated 1988 lower right. 37cm x 29cm (14.5in x11.5in)

"WILK" (JOHN WILLIAM (BILL) WILKINSON (1906-1994) "IS THAT HIM?", SIR PERCY HOPE AND A CIGAR SMOKING BULLDOG, ink and watercolours, signed and dated 7.10.55 lower left. 33cm x 35cm (13in x 13.8in)

"WILK" (JOHN WILLIAM (BILL) WILKINSON (1906-1994) WILK AND GEORGE GRAHAM LANDING A SALMON, ink and monochrome wash, signed and dated '71 lower right. 33cm x 47cm (13in x 18.5in)

"WILK" (JOHN WILLIAM (BILL) WILKINSON) (1906-1994 SIR PERCY HOPE, ALEC BECK AND HOWARD SAUNDERS AS PIRATES ABOARD "THE ROYAL OAK", ink and watercolours signed and dated '76 lower left. 37cm x 55.5cm (14.8in x 22in)

"WILK" (JOHN WILLIAM (BILL) WILKINSON) (1906-1994) FIVE CHRISTMAS CARDS WITH HUNTING THEMES, all dated, two unframed and signed Bill and Mary, all ink and watercolours; "BELIEVE IT OR NOT WHEN CAUGHT THIS SALMON WILL BE PRESENTED TO MR SYD GRAHAM" ink and monochrome wash; GEORGE GRAHAM, a print. (7)

"WILK", (John William (Bill) Wilkinson), (1906-1994) "WHEN THE MOON COMES OVER THE MOUNTAIN", Joe Wear outside the Travellers Rest Inn, Grasmere, toasting the fox, ink and watercolour, signed and dated '87 lower right, 35cm x 48cm (13.75in x 18.9in).