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23175 Los(e)/Seite
Los 397
AN EDWARD VII WILKINSONS 1854 PATTERN GUARD'S OFFICERS SWORD. An 1854 pattern sword with Scots Guards crest to the handle, with an 83cm pointed, partially fullered light weight blade decorated with a cypher for Edward VII and owners initials 'A. D-D' and honours for Dettingen, Lincelles, Egypt, Talavera, Barrosa, Peninsula and Waterloo, South Africa to the other side. Marked for Henry Wilkinson, Pall Mall London, and numbered to the back '40379' suggesting a date of 1905. In steel scabbard with twin loop suspension. 100cm total length.
Los 402
A GEORGE V MAMELUKE SWORD BY WILKINSON. A George V Mameluke Sword, with a curved and shaped 81cm blade with etched decoration, George V cypher, crossed baton and sword, marked for Henry Wilkinson, Pall Mall, London, numbered 60422 suggesting a date of 1925. With ivory mounted handle with foliate headed fastenings and sword knot, In a steel scabbard, 96cm overall.
Los 403
A WILKINSON 1897 PATTERN SWORD. An Edward VII 1897 Pattern Infantry Officers Sword with an 81cm pointed, partially fuller blade with Edward VII Crest and etched decoration, marked for Henry Wilkinson, Pall Mall, London, numbered 39191 suggesting a date of 1901. With a three-quarter steel basket hilt with Royal Cypher and pierced decoration. In a steel scabbard, 101cm overall.
Los 465
A 1903 PATTERN BAYONET AND OTHER SIMILAR ITEMS. A 1903 Pattern bayonet, indistinctly marked, possibly Wilkinson London, with a 30.5cm double edged pointed blade with various stamped marks, 1903, 2 '91 and others, with wooden mounted grip, in a steel mounted leather scabbard, 45.cm overall. With two spike blades, scabbard etc. (5)
Los 278
WW2 Royal Marines No41 Commando Officers Service Dress Uniform of Captain A D Wilkinson MC, Awarded the Military Cross for Gallantry in Italy 1944, fine officers service dress four pocket tunic with bronze Royal Marines tunic buttons, RM bronzed titles and rank pips to the shoulders. Cash tape COMMANDO shoulder titles. To the breast is medal ribbons for the Military Cross (M.C), 1939-45 star, Italy star and Defence medal. Interior with Hawkes & Co tailors label with inked name “Capt A D Wilkinson 2.3.43”. Accompanied by matching trousers. Evidence of where collar badges have once been worn, now removed. Set remains in generally good condition. Captain Wilkinson was awarded an immediate Military Cross for gallantry during the Italian campaign in 1944. The recommendation for the award was as follows, “At VIETRI SUL MARE on 13 September 1943 Captain Wilkinson was commanding the left forward troop in the defile. During the mortar bombardment preceding the attack which the enemy put in on his position Captain Wilkinson was blown from his weapon pit by a mortar bomb which landed two feet away piercing both his ear drums. In the subsequent attack Captain Wilkinson showed great gallantry. The enemy succeeded in infiltrating round the flanks of the position and the troop suffered heavy casualties. Realising the seriousness of the position and despite mortar bombs and small arms fire Captain Wilkinson went himself to find out the situation on the flanks and to encourage the men who were fighting against heavy odds. By his outstanding leadership and disregard for his own safety he inspired his troop who successfully repulsed the attack inflicting heavy casualties on the enemy”. According to “The Marines Were There” by Robert Bruce Lockhart (Putnam, 1950 pages 95-97) Captain Anthony Douglas Wilkinson was Officer Commanding A Troop, 41 RM Commando at Salerno in September 1943 and his MC was for Salerno where 41 Cdo suffered 50% casualties. Another book “Marine Commando - Sicily and Salerno with 41 RM Commando” (Hale, 1988) say Wilkinson commanded A Troop at La Molina, Sicily and was wounded there. The book has a photo of the officers of 41 Cdo aboard SS Durban Castle en route to Sicily and Wilkinson appears in the photo.
Los 74
A 2nd Pattern F-S Fighting KnifeBy Wilkinson Sword Co. Ltd., London, WWII PeriodWith bright tapering double-edged blade of flattened diamond section, the forte etched on one side with maker's details, and on the other with 'The F-S Fighting Knife', nickel-plated ovoidal guard, and swelling chequered nickel-plated grip, in its original brown leather scabbard with nickel chape and leather suspension tabs (trimmed off) 17.2 cm. blade For further information on this lot please visit Bonhams.com
Los 1326
A George V Naval Officers dirk with 18" etched steel blade by Henry Wilkinson of Pall Mall, London "By appointment to Gieves Ltd Portsmouth & Devonport", brass guard with wire-bound shagreen grip, lions mask pommel and sword knot in brass mounted leather scasbbard bearing the engraved initials "E.G.T."
Los 304
15 piece Art Deco design coffee set with ribbed decoration and painted flowers and berries, marked Wilkinson Ltd England, Clarice Cliff style. Together with a 'Golden Days' Burslem teapot with matching cream jug and sucrier. (B.P. 21% + VAT)#Small cream jug- tiny nick to spout.Minor crazing and light wear to other items.
Los 512
'Windbells' a Clarice Cliff Bizarre Cauldron, painted in colours, a Clarice Cliff 'Autumn' Cylindrical beaker, a 'My Garden' vase and a Wilkinson Honeyglaze preserve with printed floral design, printed factory marks, 7.5cm. high (cauldron), (4) Provenance The Collection of Stephen and Marjorie Page
Los 876
A rare graduated set of Indian silver Penguin decanters possibly Narotamdas Bhua, after a cocktail shaker design by Emil A Schuelke for Napier, each with hinged cover and red perspex handles, each with engraved DH in diamond shaped panel, stamped T100G, 23.5cm. high (tallest), (3) Literature Wynyard R T Wilkinson Indian Silver 1858-1947, private press, page 22 for a discussion on the T.100 silver mark suggesting its use in Bombay. the markings were intended to indicate the purity of the silver, the number giving the percentage of pure silver - although tests have shown this to be optimistic. The T mark was also used in Lucknow and Bengal as well as Cutch-style silver from Karachi.
Los 243
Thomas Smith (British c 1720-1767) a view of St Vincent's Rocks and The Hotwells, Nr Bristol, coloured engraving printed for R Wilkinson, 37.5 x 52.5 cm approximate visible sheet size, together with a reproduction black and white print of a marine scene with His Majesty's ship Monarque, originally published 1751, 55 x 64.5 cm approximately, framed, also together with a watercolour of a mountainous landscape signed W Thornley 26.5 x 36.5 cm, and a set of four coloured prints of oriental figures in brightly coloured costumes, 36x 46 cm, all framed, (7)
Los 2233
A Victorian Silver Basket, by Henry Wilkinson and Co., London, 1864, shaped circular and on spreading foot, with openwork cast foliage and scroll border, with overhead swing handle, engraved with an inscription, 18cm diameter, 17oz 19dwt, 558gr . Fully marked near rim. The marks have some wear but are generally legible. The handle is apparently unmarked. There is some surface scratching and wear, consistent with age and use. The scratches are most obvious in the base. The foot is bruised so the basket rocks when placed on a flat surface. The inscription reads ' William Bureham died 16th May 1862'.
Los 610
Indian Mutiny and the Storming of Delhi presentation sword, Henry Wilkinson Pall Mall Patent solid hilt, the silvered etched blade with a crown above VR, Oxfordshire 52nd Light Infantry crest, the monogram J.A.B. to W.J.S., Wilkinson number 9004, together with the leather and gilt brass scabbard, the sword presented to Walter James Stopford from John Arthur Bayley, Captain Walter James Stopford of the 52nd Oxfordshire Light Infantry served with the Regiment at the Indian Mutiny, he was present at the actions of Trimmoo Ghat and at the Ravee River, he fought at the siege and assault of Delhi on the 8th June to 14th September 1857, en-route back from India he commanded the 52nd detachment on board the Eastern Monarch, when landing off Spithead at around half past two in the morning and everyone being in bed a violent explosion setting alight to the ship, six lives were lost in the explosions with the remaining crew, soldiers and families being loaded into the boats, a full copy report of this incident is included within the lot, Captain Walter James Stopford retired from service on the 17th July 1868, he became a gentleman Usher to Queen Victoria from 1871 to 1901 and then to King Edward VII, he was also Inspector General of Military Prisons and Prisons Commissioner from 1877 to 1898, created companion of the Bath 1897, he died 14th June 1908. Major John Arthur Bayley also of the 52nd Oxfordshire Light Infantry served with the 52nd in India, he was present at the battle of the River Ravee and the siege and capture of Delhi where he commanded and led the storming party of the 3rd column at the assault of the Cashmere Gate being Mentioned in dispatches, Captain Bailey wrote an account of the attack and this features in Roger Perkins Kashmir Gate, '...about half a minute after the explosion we made a rush for the gate, the lower part of which was hidden from us by a rise in the ground. A few moments afterwards a bullet smashed my left arm just below the elbow joint and knocked me over; I was up at once and hardly knew that I was wounded, but, during the slight delay caused by my endeavouring to pick up my sword and hat, my men had rushed past me and were furiously crushing through the narrow opening in the glacis which was partly closed by a manlet. The supports, which had come up while the powder was being laid, now joined the rear of the stormers, and closely followed by the column, rushed headlong through the gate, most of the defenders of which had been killed or disabled by the explosion. They were all soon inside, but Crosse, who had run forward on seeing that I was wounded, was the first to enter. The column, being speedily reformed, cleared the Cashmere and Water Bastions with the bayonet, and then set to work to fight their way through the narrow streets to the Jumma Musjid.
Los 627
Military General Service Medal with clasps 'Vittoria', 'St. Sebastien', 'Orthes', 'Toulouse', (J. WILKINSON. CUTLER. R. ARTY.), records show Gunner/Private John Wilkinson entitled to the MGSM with the four clasps detailed above, he enlisted on March 27th 1811 and served in the 3rd Battalion Royal Artillery, first under Captain Bean then Captain Hutchesson, 'In consequence of reduction' Wilkinson was discharged on September 15th 1814 with other soldiers from the Battalion, he had served 3 Years and 122 Days
![Wilkinson (Norman) The Lure [Salmon about to take fly]; Trout Fishing on the River Coquet, two works, etchings with drypoint,](https://cdn.globalauctionplatform.com/0f22525d-6734-4a1c-ab87-ad1900af7337/44577363-ce03-4d93-b63c-ad1900b2bff3/468x382.jpg)
Los 100
Wilkinson (Norman) The Lure [Salmon about to take fly]; Trout Fishing on the River Coquet, two works, etchings with drypoint, both signed in pencil, platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), minor surface dirt and light toning, the former with exposure lines within margin from previous mount, unframed, [circa 1920s] (2) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 101
Wilkinson (Norman) Below the Falls; Salmon on the line; The Kettle Pool, Struan, three works, etchings with drypoint, all signed in pencil, the first two mentioned with platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), the latter 150 x 200 mm (6 x 7 7/8 in), under glass, minor surface dirt, framed, [circa 1920s] (3) Provenance:[Below the Falls] Arthur Greatorex Ltd., London[Kettle Pool, Struan] Fine Art Society, London, June 1933Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 102
Wilkinson (Norman) Strathspey Fishing; Loch Fishing; Spring Fishing on the Loch, three works, etchings with drypoint, all signed in pencil, each platemark approx. 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, good margins, minor surface dirt, framed, [circa 1920s] (3) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 103
Wilkinson (Norman) A Likely Cast; with three others similar, four works, etchings with drypoint, all signed in pencil, each platemark between approx. 170 x 250 mm (6 3/4 x 9 7/8 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, good margins, minor surface dirt, framed, [circa 1920s] (4) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 104
Wilkinson (Norman) Heavy Fish; A Spring Fish; Casting a Line; Waiting Patiently, four works, etchings with drypoint, all signed in pencil, each platemark between 200 x 250 mm (7 7/8 x 9 3/4 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), under glass, minor surface dirt, framed, [circa 1920s] (4) Provenance:[Heavy Fish] Arthur Greatorex Ltd., LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 105
Wilkinson (Norman) A Spey Pool; Trout Fishing on the Garry; The Island Pool, River Orchy, three works, etchings with drypoint, all signed in pencil, the first two mentioned with platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), the latter 265 x 225 mm (10 3/8 x 8 3/4 in), under glass, minor surface dirt, framed, [circa 1920s] (3) Provenance:[A Spey Pool & Trout Fishing on the Garry] Robert Dunthorne & Son, LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 106
Wilkinson (Norman) Come to Britain for Fishing, lithograph printed in colours on wove paper, unlined, sheet 750 x 495 mm (29 1/2 x 19 1/2 in), minor surface dirt and handling creases, unframed, published by the Travel Association of Great Britain and Northern Ireland, printed by W. S. Cowell, [circa 1947]Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 341
Los 107
NO RESERVE Gilbey's Spey-Royal Whisky.- Wilkinson (Norman), After. Benchill, Tay; Bridge of Awe, two posters, offset-lithographs printed in colours, each approx. 530 x 700 mm (20 7/8 x 27 1/2 in), under glass, some areas of rubbing and light abrasion, even light toning, framed, [circa 1930s] (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 339-340
Los 96
Wilkinson (Norman) Loch Fishing; Boat Fishing on Colt Crag Resevoir; Spring Fishing, three works, etchings with drypoint on cream wove and laid paper, all signed in pencil, platemarks between 160 x 255 mm (6 1/4 x 10 in) and 225 x 300 mm (8 3/4 x 11 3/4 in), wide margins, some minor toning and surface dirt, unframed, [circa 1920s] (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 97
Wilkinson (Norman) The Tyne at Bywell; The Bewitched Pool, River Orchy, two works, etchings with drypoint on cream wove paper, both signed in pencil, platemarks each approx. 225 x 300 mm (8 3/4 x 11 3/4 in), good margins, some minor toning and surface dirt to the latter mentioned, unframed, [circa 1920s]; together with two further 20th century etchings with drypoint of leaping fish by different artists, all unframed [20th century] (4) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
Los 98
Wilkinson (Norman) Spring Fishing on the Ore; Trout Fishing, Loch Awe; Trout Fishing, three works, etchings with drypoint, all signed in pencil, the first mentioned platemark 225 x 300 mm (8 3/4 x 11 3/4 in), the other two each approx. 160 x 220 mm (6 1/4 x 8 1/2 in), good margins, under glass, minor surface dirt and light toning, framed, [circa 1920s] (3) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 333-337⁂ Norman Wilkinson (1878-1971) is largely known as a marine and naval artist, but he was also a prolific illustrator of salmon and trout fishing. The artist was introduced to fly-fishing at a young age, and was already a regular spring visitor to Scotland in the years before 1914, and he resumed his salmon fishing trips after the war. It wasn't until 1920 that Wilkinson, on the suggestion of his art dealer friend Robert Dunthorne, took his artist's materials with him to Scotland with the serious intention of producing some angling etchings. No catalogue of Wilkinson's total output of etchings has been published, the great majority of it was produced in three angling books, the first published in 1924, then 24 plates in An Angler's Anthology, published in 1930, and another 24 plates in Chalmer's A Fisherman's Angles, 1931. Beazley has suggested that the total number of Wilkinson's angling etchings amounts to 71, of which at least 45 were offered for sale as single sheet prints in signed limited editions. [op. cit. Beazley, p. 218]
![Wilkinson (Norman) [Trout Fishing on the Garry], offset lithograph, signed in pencil by the artist, with blindstamp lower lef](https://cdn.globalauctionplatform.com/0f22525d-6734-4a1c-ab87-ad1900af7337/1e9194cf-88a1-4269-9a68-ad1900b2c3e6/468x382.jpg)
Los 99
Wilkinson (Norman) [Trout Fishing on the Garry], offset lithograph, signed in pencil by the artist, with blindstamp lower left, image 425 x 570 mm (16 3/4 x 22 1/2 in), under glass, framed, published by Frost & Reed, 1950Provenance:Gifted to Reginald HusbandsLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 342
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23175 Los(e)/Seite