NO RESERVE West Indies.- Bermuda.- Wilkinson (Henry) The Adventurers of Bermuda, large folding map in pocket at rear, one small tear at fold, plates, original pictorial cloth, 1933; Bermuda from Sail to Steam, 2 vol., large folding map, plain plates and illustrations, bookplates to front endpapers, original cloth, dust-jackets, lightly scuffed, 1973 § Heyl (Edith) Bermuda's Early Days, frontispiece and illustrations, original cloth, lightly damp-stained, dust-jacket, spine sunned, 1959; and 3 others, all relating to Bermuda, v.s. (6)
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An early twentieth century Art Deco Newport & Wilkinson Pottery Clarice Cliff Crocus pattern wares, c. 1930. To include a creamer (Wilkinson), open sugar (Newport), trinket dish (Wilkinson) and a lidded small mustard dish and EPNS spoon (Newport). They are all hand-painted and have factory marks to bases. Creamer: 6.5 cm tall. (4)Condition: In good overall condition. Short restored hairline in the rim of the mustard pot.
ROYAL DOLTON FLOW BLUE 'MELROSE' PATTERN DINNER WARES, comprising six soup bowls (four damaged), six dinner plates (five cracked and stained) and a cracked sauce boat, together with Woods Frederick Rhead Prunus pattern vases, comprising two cylindrical vases, height 34cm and two twin handled Gourd shape cases - no obvious chips or cracks, a Wilkinson Jardinière - cracked and restored ladle)
FIVE BOXES OF ASSORTED CERAMICS, including Sylvac dogs and rabbit, s.d, a Szeiler Corgi dressed in Welsh costume, a Shelley Mabel Lucie Attwell 'BABY'S PLATE', chipped to base and rim, a Wilkinson dressing table set, Japanese vases, chipped, assorted vases, tea plates, a pair of late 19th Century Continental figures of a boy and girl with a cow, s.d, Wade tortoises, Sooty egg cup, etc (five boxes)
A QUANTITY OF EARLY 20TH CENTURY CERAMICS, mostly CROWN DEVON FIELDINGS blush ivory ground and tinted with flowers and swags, a Wilkinson Ltd wash jug, bowl, two chamber pots and a soap dish and cover, a.f., a Crown Ducal flattened circular bowl with butterfly decoration, etc, some pieces with extensive damage, height of tallest vase 38cm (22)
PAINTINGS AND PRINTS ETC, to include a watercolour of a man and dog walking across a misty field, indistinctly signed, oval mount, maximum size approximate 28cm x 23.5cm, two indistinctly signed oils on canvas of nostalgic townscapes, limited edition print of a snow leopard by John Wilkinson, framed prints of flower still life studies, animals and bath tubs, Albert Chevallier Taylor 'Elegant Soiree' print, etc (box and loose)
Barry Wilkinson (British, B. 1923) "The Notre Dame Cathedral" Original Watercolor painting on Illustration Board. Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Europa CEPT stamp of Luxembourg issued May 3, 1983. Luxembourg ranks as one of the world's smallest and oldest independent countries. It covers an area smaller than the state of Rhode Island ... and has about a third as many people as that state. Yet, despite its small size, Luxembourg is home to some of the world's greatest works of human genius. The tiny Duchy of Luxembourg has over 130 castles within its borders and some of the most beautiful cathedrals to be found in the world. One of the most memorable of these cathedrals is the Cathedral of Notre Dame which is displayed in this artwork. The cathedral was built between 1613 and 1618 with a Gothic interior and a Renaissance west door. The three naves at identical levels give this church the character of a "hall church," much like the Bristol Cathedral in England. The church at Notre Dame was promoted to the status of cathedral in 1870. Once each year, near Easter, large numbers of people flock to this beautiful cathedral to venerate the miraculous image of the Consolation of the Afflicted, patron saint of the city. This great center of religious festivities and art is indeed one of Luxembourg's foremost achievements of human genius. Image Size: 10.75 x 9 in. Overall Size: 13 x 11.5 in. Unframed. (B08187)
A packet of twenty one various G.P.O. Greetings and similar telegrams, mainly 1930's-1960's, all with notes as to artist, priod of issue and Wilkinson catalogue number, artists include Max MacDonald Gill, B.S. Biro, Fritz Wegner, Sheila Walsh, Claudia Freedman, Eric Fraser, Iris Schweitzer, etc etc (21)
Florence Press - Robert Louis Stevenson. Virginibus puerisque & other Papers. With twelve illustrations in colour after designs by Norman Wilkinson. London, Chatto & Windus 1910. Mit zwölf Farbtafeln nach Aquarellen. Originalpergamentbroschur mit vergoldeten Titeln und grünen Schließbändern.Eins von zwölf Exemplaren auf Pergament, von denen zehn in den Handel kamen. Weitere 250 Exemplare wurden auf Aldwych Handpapier gedruckt. - Die 1908 von den beiden Verlegern Chatto und Windus gegründete Presse ließ ihre Bücher auf anderen Handpressen drucken, die ersten zwölf Editionen auf der Arden Press in Letchworth. - Für alle Drucke wurde die »Florence Press Type« verwendet, die Herbert P. Horne nach alten italienischen Schriften im Auftrag der Presse gezeichnet hatte.26,2 : 19,8 cm. [12], 120, [4] Seiten. 12 Tafeln. - Ein Seidenpapiervorblatt leicht geknickt.Tomkinson 85, 6
HENRY WILKINSON & CO., A SIX BOTTLE VICTORIAN SILVER BASKET CRUET SET, 1866, oval form with central handle, Sheffield 1866, 26cm highCondition report: One foot of the base a little dented in, one foot with a possible small repair, the glass good (jar a little cloudy), and lid a little loose, otherwise in good order.
Perkussionsrevolver im Kasten, Wilkinson London, Mod. Tranter 1853, England, um 1860Kal. .54 Blackpowder, Nr. ---, achtkantiger 165 mm Lauf mit gezogener, leicht narbiger Seele. Fünfschüssig. Eingeschlauftes Korn. Vollständige, typische Hochglanzbrünierung, teilweise narbige Flächen. Kleinteile mit Resten der Bläuung. Auf der Rahmenbrücke bezeichnet "Wilkinson London". Übliche Rankengravuren. Tranter Patent-Marken an Ladepresse und Abzug. Rechts am Rahmen "Patent N° 20867Y". Nussholzgriff mit stärkeren Alters- und Gebrauchsspuren. Diverse Schrauben neuzeitlich ergänzt. Fangriemenöse erneuert. Mechanisch in Ordnung. Länge 31 cm.Im typischen, zeitgenössischen Holzkasten mit diversem originalen und ergänzten Zubehör. Facheinteilung teilweise erneuert. Schlüssel fehlt. Maße 34 x 20 x 6 cm.WBK: Achtung - ErlaubnispflichtigZustand: II - IIIA cased percussion revolver, Wilkinson London, Mod. Tranter 1853, Great Britain, circa 1860Cal. .54 Blackpowder, SN. ---, achtkantiger 165 mm Lauf mit gezogener, leicht narbiger Seele. Fünfschüssig. Eingeschlauftes Korn. Vollständige, typische Hochglanzbrünierung, teilweise narbige Flächen. Kleinteile mit Resten der Bläuung. Auf der Rahmenbrücke bezeichnet "Wilkinson London". Übliche Rankengravuren. Tranter Patent-Marken an Ladepresse und Abzug. Rechts am Rahmen "Patent N° 20867Y". Nussholzgriff mit stärkeren Alters- und Gebrauchsspuren. Diverse Schrauben neuzeitlich ergänzt. Fangriemenöse erneuert. Mechanisch in Ordnung. Länge 31 cm.Im typischen, zeitgenössischen Holzkasten mit diversem originalen und ergänzten Zubehör. Facheinteilung teilweise erneuert. Schlüssel fehlt. Maße 34 x 20 x 6 cm.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: II - III
WW2 rare Multiple signed Dambusters cover. 90th Year of Sir Barnes Wallis Commemorative Cover. Signed by Marshall of the RAF Arthur T. Harris and 9 members of the Dambusters raid. Including: Sgt W. Howarth, F/Sgt R. G. T. Kellow, F/O D. Rodger, F/Lt D. Shannon, F/Sgt T. D. Simpson, P/O B. T. Foxlee, J Muron plus Ray Wilkinson, Danny Daniel. Condition 8/10. Good condition Est.
Wilkinson percussion double 16 bore sporting gun, with 30 inch barrels engraved J Wilkinson and Son makers to his Majesty, Pall Mall London, numbered 4159 to the lugs, chequered stocks with finely engraved scrollwork actions and trigger guard safety catch, fitted into a period mahogany case with key, containing a tin of percussion caps, leather shot flask, James Dixon and Son copper and brass powder flask.Section 58(2) antique/ obsolete calibre no licence required to buy this lot, purchaser must be over the age of 18. The case measures 86.5cm long Condition report: The barrels have been re-browned and now have a pleasing colour and patternation. The bores have minor pitting mainly around the last few inches but nothing too deep. The wood of the ramrod has either been replaced or cleaned up at some stage. The fittings look original. The stock has some scratches, dents and marks but has a nice patina. The metalwork has light pitting. The actions work correctly with the grip safety catch. The case has had a small repair to the wood surrounding one hinge but is otherwise free from damage. The label to the lid is a replacement, the fabric coverings have small patches of wear, moth damage and repair. There are lots of scuffs, scratches and signs of wear to the outside of the case.
Women's Rights.- [Drake (Judith)] An Essay in Defence of the Female Sex. In which are inserted the Characters of a Pedant, a Squire, a Beau, a Vertuoso, a Poetaster, a City-Critick, &c. In a Letter to a Lady. Written by a Lady, second edition, engraved frontispiece of 'The Compleat Beau' (cropped at foot with loss of one line to caption, as often), title spotted, some light staining, tear to lower margin of E8, for A. Roper and E. Wilkinson at the Black Boy, and R. Clavel at the Peacock, in Fleetstreet, 1696 bound with [Symson (Ez.)] A farther Essay relating to the Female-Sex...with the description of Self-Love...[&] A Character of a Compleat Beau, first edition, 5pp. advertisements at end, a little browned, for A.Roper and E.Wilkinson...., 1696, together 2 works in 1 vol., engraved bookplate of John Houlton Esqr. of Farley Castle, Somerset, contemporary panelled calf ruled and stamped in blind, spine gilt (gilding rather worn), rubbed, joints cracked, spine ends repaired, later endpapers, 8vo⁂ Two important early works on women's rights. The first item is the first English feminist tract, first published the same year, and also attributed to Mary Astell but now generally accepted to be by Judith Drake whose husband wrote the commendatory verses at the beginning. The treatise is a defence against male accusations of ignorance, vanity, enviousness etc. of women and also addresses the faults of men, particularly satirizing some of her contemporaries.The second work contains a dedication to the Countess of Kildare signed by "Ez. Symson" (inked out in some copies but not in this case), but has been variously attributed to Mary Astell, Judith Drake and H. Wyatt. It was written either in response to, or as a continuation of, An Essay in Defence of the Female Sex and contains chapters on Modesty, Piety, Knowledge, Economy, the Rule, Business and Peace. The subjects of the character sketches are a Coquette, Hypocrites, the Conceited Female, a Gamester and the Litigious.The first work ran into several editions, all of which are scarce in commerce, but the second does not appear to have been reissued.
World.- Purchas (Samuel) Purchas his Pilgrimes. In Five Books..., 5 vol. including vol.5: Purchas His Pilgrimage, first edition of vol.1-4, vol.5 fourth edition, second issue with dedication to King Charles, Narcissus Luttrell's copy with his ink monogram stamp to titles and date "1697" in his hand below, lacking additional engraved title (as often), with 7 folding and/or double-page engraved maps of the Mogul Empire, China (duplicated in vol.5), Greenland (Spitsbergen), North America, New England and Virginia, 81 half-page engraved maps after Hondius (58 in vol.1-4 and 23 in vol.5, the latter duplications of maps in vol.1-4), woodcut initials, head- and tail-pieces and a few other engraved or woodcut illustrations including Aztec pictograms from the Codex Mendoza in vol.3, vol.1 with Hondius's 'Map of the Christian World' appearing twice at pp. 65 and 115 i.e. lacking 'Map of the Whole World', and with G3-4 uncancelled as usual, also 4M4-5 uncancelled and first state of 4M2 with headline "Hollanders lying devices, to disgrace the English", map of Virginia trimmed at foot just within border, duplicate map of China with margins repaired and restored, vol. 1 3L4, 3Y5, vol. 4 5M5 and vol. 5 A5 with paper flaw or small hole with loss to a few letters of text, vol. 1 4N3-4 with some soiling, creasing and repair to text, vol. 5 last f. laid down, vol. 3 with some worming to head of fore-margin, very occasional small rust-holes to text, the odd paper-flaw to margin, occasional repairs or restorations to margins, a few just touching text, occasional scattered foxing, some light offsetting, but a very good, clean copy generally, a few small ink corrections, seemingly in Luttrell's hand, bookplates to endpapers and pastedowns, bookseller's receipt from 1964 loosely inserted, 18th century speckled calf, rebacked, spines gilt in compartments with morocco labels, some light cracking to head or foot of joints, some bumping to corners, [Hill 1402-3; Sabin 66682 & 66686; STC 20508-9], folio, by William Stansby for Henrie Fetherstone, 1625-26.⁂ An excellent set of this important collection of voyages, a continuation of Hakluyt's Principal Navigations, with fine impressions of the maps and a distinguished provenance. Likely to have been one of the most cherished books in Luttrell's library. The map of the Mogul Empire by William Baffin is the earliest English map of the Mogul territories; the map of China is based on a Chinese original and one of the earliest such to be published in Europe; the map of Greenland (actually Spitsbergen) incorporates scenes of whaling and bear-hunting; the map of North America, by Elstracke after Henry Biggs, is the first to show California as an island; the map of New England was first published in 1624; the map of Virginia by William Hole after Capt. John Smith is one of the most important early maps of America and includes a large Indian figure and a vignette depicting the interior of Powhatan's hut.Provenance: Narcissus Luttrell (1657-1732), parliamentary historian and diarist, bibliographer of works concerning the Popish plot, and compiler of a large library (ink stamps); Chapman-Purchas; C. H. Wilkinson (bookplates).
Jesuits.- Constituciones y reglas comunes a todas las congregaciones de la virgen de nuestra señora, fundadas con autoridad apostolica, en los colegios de la Compañia de Jesus sacadas de las bullas desu aporbacion y de las constituciones, collation: ¶6 A-N12 O6, title with woodcut device, repeated on B10r and C8r, woodcut Jesuit device to final verso, area of worming to inner margins of a few early ff. (not affecting text), water-stained, occasional spotting, lightly browned, contemporary limp vellum, ms. title to spine, lacking ties, stained, 12mo (137 x 77mm.), Zaragoza, Angelo Tavano, 1599.⁂ A handbook of founding principles and rules for Jesuit orders. Rare, with USTC recording only four copies (two each in Spain and Portugal only). Our copy erratically signed at start, but with catchwords following. Literature: Palau 59876; Sánchez 849; Wilkinson 5697; CCPB000731715-8.
Edward Clifford (British 1844-1907)A group portrait of The Broadlands Conference Pencil, watercolour and bodycolour with scratching out Signed and dated 1887 (lower right) 169 x 263cm (66½ x 103½ in.)Provenance:The Church Army, by 1887The Keswick Convention, by 1964Private Collection. Literature:Mrs R Cholmeley, Edward Clifford, London: The Church Army Book Room, 1907, p 42 and pp 86-94, reproduced opposite p 87.Edward Clifford, Father Damien and Others, London: The Church Army Book Room, 1904(?), p 34.This impressive group portrait, painted on a monumental scale, celebrates the Broadlands Conferences of the Higher Life which took place between 1874 and 1888 at Broadlands in Hampshire the country estate of the William and Georgina Cowper-Temple. In the picture he is seen in a tweed suit seated at the table with his wife in the upper right corner. William had an illustrious political career as a member of Parliament for over forty-five years, Private Secretary to his uncle Lord Melbourne and groom-in-waiting to Queen Victoria. With his second wife he shared an interest in Evangelical Christianity and embarked on a search for religious enlightenment. Georgina had a particular interest in mysticism and mixed with leading spiritualist figures from Britain, American and Europe, attending several séances. The annual conferences they founded brought together their religious interests and the beautiful surroundings at Broadlands aimed to create a "foretaste of heaven" with many of the services taking place under the Beech trees or in the orangery.Their interests were precipitated by the Holiness movement in America and the 1870s saw the emergence of the Higher Life movement in England which was named after William Boardman's book The Higher Christian Life (published in 1858) the main aim of the movement was to help in advancing the Christian's progressive sanctification, and enable one to live a more holy, less sinful, life. Though principally Evangelical, the movement was seen as non-denominational. Together with William Boardman, two other key figures helping to spread the holiness message in England were Robert Pearsall Smith and his wife, Hannah (the central standing figure in the composition), both of whom were acquainted with the Mount-Temples and were involved in the conferences at Broadlands.Edward Clifford was well placed to paint the picture. He had a strong faith, was honorary Secretary of the Evangelical Church Army (the first owners of the picture) and attended the conferences. He was a gifted artist and alongside Robert Bateman, Walter Crane and others, was part of a group of followers of, the Pre-Raphaelite painter, Edward Coley Burne-Jones and exhibited at the Dudley Gallery in the late 1860s and 1870s. Clifford's works often took passages from the Bible as its subject and according to Angela Thirkell, Burne-Jones's granddaughter `He had a peculiar gift for copying his paintings so that my grandfather himself could hardly tell the difference.' He also produced fine pencil portraits, a talent he used to much effect in the present work. Clifford has helpfully named many of the sitters and they reflect the social and geographical diversity of those that attended the various Broadlands conferences. The most notable includes several members of the Wilberforce and Gurney families including Canon Basil Wilberforce, the Church of England Bishop, and Emilia Gurney, the feminist reformer, suffragist, and abolitionist. Amanda Berry Smith is also included, and she spoke at the conference in 1879. She was born into slavery in Maryland and joined the African Methodist Episcopal Church. The Rev. H.B. Macartney vividly recorded his attendance at one of the conferences in his book England, Home and Beauty, 1878, p.73-90. A reprinted copy is included with this lot. The figures are identified, left to right:1 - The Hon Ion Keith Falconer (1856-1887), 2- The Reverend Barton Brown, 3 - Mrs Sumner, 4 - Boyd Carpenter, Bishop of Ripon (1841-1918), 5 - The Rev Evan Hopkins (1837-1918), 6- Mrs Wilberforce (Caroline Charlotte Jane Langford,1840-1909), 7- Rev Charles Armstrong Fox, (1836-1900), 8- Rev R Corbett, 9- Edward Clifford (1844-1907) Artist and Hon Secretary of the Church Army, 10 - Vernon Bayley (Perhaps the gardener at Broadlands), 11 - Stanley P Smith, 12 - Lt Herbert Wilberforce, (see 6 and 32 for his mother and father), 13- Mrs Charles, 14 - Sir Stevenson Arthur Blackwood (1823-1893), 15 - The Rev William Hay Macdowall Hunter Aitken (1841-1927), 16 - Lady Ashburton 1844-1930 (The Hon. Leonora Caroline Digby), 17 - Amanda Berry Smith (1837-1915), 18 - Canon Body, 19 - Hon. Mrs Butts, 20 - Ernest Gerard Leycester (1849-1914), 21 - Countess Dowager of Gainsborough, 22 - Rev. Alfred Clifford (1849-1931), 23 - Lord Chichester, 24 - Miles Tyndale, 25 - Countess of Darnley (1829-1905), 26 - Wilson Carlile, CH (1847-1942), 27 - Dr George MacDonald (1824-1905), 28 - The Rev. Andrew Jukes (1847-1931), 29 - Unknown Sitter, 30 - Mme Juliet Latour Temple (later Deschamps) (Possibly), 31 - Canon (Albert) Basil (Orme) Wilberforce (1841-1916), 32 - The Rev. Alfred Gurney (1843-1898), 33 - George Howard Wilkinson, (1833-1907), 34 - Mary Clifford (1842 - 1919), 35 - J W Farquhar, 36 - Hannah Tatum Whitall Smith (1832-1911), 37 - William Francis Cowper-Temple, 1st Baron Mount Temple (1811-1888), 38 - Théodore Monod (1836 - 1921), 39 - Theodor [sic] Monod, 40 - Emilia, Mrs Russell Gurney (1823-1896), 41 - Georgina Tollemache (married 1848, died 1901)For more information on the sitters please refer to our blog which can be found in 'News & Insights' on www.dreweatts.com

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