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A very rare and striking Bank of Negara Malaysia partial banknote progressive die proof engraver's test strike for the obverse of a one thousand ringgit note, in blue/black with portrait vignette of Tunku Abdul Rahman to right side, no values to corners but value 'Sa-Ribu Ringgit' to centre, on oversized part-cut and part-torn paper/card with partial margins (extremely fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of six Portuguese Administration Banco de Angola banknote die proof engraver's test strike portrait vignettes of Luís de Camões, colour trials, comprising four in black and two in brown, printed on oversized paper/card with near full-plate margins (all extremely fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A collection of Bank of Sierra Leone banknote progressive die proof engraver's test strike portrait vignettes of President Siaka Stevens, probably for a twenty leones note, colour trials in purple, brown, black and blue on oversized paper/card with near full-plate margins, some with printer's comments in ink to edges, some mounted on card (all very fine, some handling marks). Note: this style of portrait was used on notes issued circa 1982. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of six Bank Melli Iran banknote die proof engraver's test strikes for the reverse of a ten rials note, colour trials in blue/black with depiction of the tomb of Ibn Sina at Hamadan, mixed formats on cut and part-torn paper (all good/very fine, some soiling). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

Two Reserve Bank of New Zealand banknote die proof engraver's test strikes for the reverse of a twenty dollars note, circa 1967-1981, in dark green with New Zealand pigeon on a branch to centre, values to three opposing corners (both extremely fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of five striking Grand-Duché de Luxembourg banknote progressive die proof engraver's test strikes for the obverse of a fifty francs note, circa 1972, each unusually in black with portrait vignette of Grand Duke Jean to left side, value to opposing corner, on oversized paper/card with near full-plate margins (all extremely fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A scarce Thos. Cook & Son (Bankers) Ltd partial banknote progressive die proof engraver's test strike for the obverse of a five hundred dollars traveller's cheque, in red with portrait vignette of Thomas Cook to right side, values to upper and lower near corners, on oversized paper/card (very fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A rare Saudi Arabian Monetary Agency banknote die proof engraver's test strike portrait vignette of King Fahd of Arabia in black on white paper/card with three plate margins (good/very fine). Note: this style of portrait was used on notes issued circa early 1980s. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of four rare International Bank of Luxembourg partial banknote die proof engraver's test strikes for the obverses of ten francs and twenty francs notes, comprising two variations of the twenty francs and one of the ten francs with portrait vignette of Grand Duchess Charlotte, and one of the twenty francs with portrait vignette of Grand Duke Jean (all good/extremely fine, some evidence of possible mounting to backs). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A very rare and striking Bank of Negara Malaysia partial banknote progressive die proof engraver's test strike for the obverse of a one thousand ringgit note, in blue/black with portrait vignette of Tunku Abdul Rahman to right side, no values to corners but value 'Sa-Ribu Ringgit' to centre, on oversized torn paper/card with partial margins (extremely fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A large collection of various die proof engraver's test strikes, including portrait vignettes, borders and other design elements, probably used in the production of banknotes, in various colours on paper/card. Note: looking through the Alan Dow archive, we have been unable to associate these designs with particular banknotes. It is possible that they have been used, but it is more likely that they were ideas to be put forward. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of seven extremely rare Central Bank of Ireland banknote die proof engraver's test strike portrait vignettes of Grace O'Malley, for use on Series B one hundred pounds notes, circa late 1970s/1980s, colour trials, comprising five in red, two with printer's comment 'Full Strength' in ink to lower quarter, and two in dark brown/black, each test strike generally showing four margins (all extremely fine). Note: the Series B one hundred pounds note was never put into circulation, owing to a number of disagreements about design and to concerns that it would facilitate the illegal movement of cash. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A rare Saudi Arabian Monetary Agency banknote die proof engraver's test strike portrait vignette of King Fahd of Arabia in black on white paper/card with two vertical plate borders (good/very fine). Note: this style of portrait was used on notes issued circa early 1980s. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A collection of mid to late 20th century engraving tools, optics, print rollers and other tools used by the late Alan Dow in the manufacturing process of banknotes and stamps, together with a small group of engraved and part-engraved steel plates, some photographic slides of works and a small group of die proof works and associated works (most stuck down to card and impaired). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

Two Reserve Bank of New Zealand banknote die proof engraver's test strikes for the reverse of a twenty dollars note, circa 1967-1981, in dark green with New Zealand pigeon on a branch to centre, values to three opposing corners (both extremely fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of ten striking Grand-Duché de Luxembourg partial banknote progressive die proof engraver's test strikes for the obverse of a twenty francs note, circa 1966, each in blue/black as later issued with portrait vignette of Grand Duke Jean to left centre, values to opposing corners, on oversized paper/card with near full-plate margins (all extremely fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A very rare and striking Bank Negara Malaysia Tunku Abdul Rahman partial banknote progressive die proof engraver's test strike for the obverse of a five hundred ringgit note, in purple with portrait vignette of Abdul Rahman to right side, values in opposing corners, on oversized paper/card with virtually four plate margins, dated '30.6.82' in pencil to bottom right (extremely fine, some handling marks and creasing to outer edge). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

An extremely rare and striking Bank of Rhodesia and Nyasaland partial banknote die proof engraver's test strike for the obverse of a ten shillings note, 1956 issue, in dark red with portrait vignette of Queen Elizabeth II to right side, fish eagle to left, values to three corners, full strike but on small format torn paper/card (extremely fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A rare and unique Bank Markazi Iran partial banknote die proof engraver's test strike for a one thousand rials note, circa 1969, the centre in deep brown with portrait vignette of Mohammad Reza Shah Pahlavi in Imperial Iranian Army uniform fading to the borders, with embossed finish (extremely fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of five die proof engraver's test strikes, probably for a Middle Eastern banknote or at last a trial for a design, all in shades of blue with depiction of a mosque, on oversized paper/card with partial margins. Note: despite extensive research, we have been unable to find this design on any circulated note, so it is perhaps one that was not adopted. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of three rare Bank of Tanzania partial/full banknote trial die proof engraver's test strikes for the obverse of a one thousand shilingi note in green and multicolours, showing stage work and marked with corrections and printer's comments to lower left corners (all extremely fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

Three rare Bank Markazi Iran banknote die proof engraver's test strike stages, probably for a larger denomination note, with central device 'Central Bank of Iran' in Persian script over a highly ornate background below portrait vignette of Mohammad Reza Shah Pahlavi in Imperial Iranian Army uniform to centre (all very fine, some handling marks). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of eight Bank Markazi Iran banknote die proof engraver's test strike portrait vignettes of Mohammad Reza Shah Pahlavi in Imperial Iranian Army uniform, colour trials, comprising six in black, one in brown and one in purple (all good/very fine/extremely fine, one with heavy discolouration to paper). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A Bank of Melli Iran banknote die proof engraver's test strike for the reverse of a 1954 issue ten rials note, in dark blue with depiction of the tomb of Ibn Sina at Hamadan to centre, values to top and bottom opposing corners, mounted stuck on old card (very good). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

An extremely rare and visually stunning Banco de España progressive die proof engraver's test strike for the reverse of a five thousand pesetas note, circa 1938, in green with reproduction of the painting 'La Vicaria' by Mariano Fortuny, engraved by Edward T. Dawson, on paper/card (very fine/extremely fine, some edge and corner creasing). Note: Edward T. Dawson worked for Bradbury Wilkinson & Co 1935-1946. Completed specimens of this note are known, but only in very small numbers. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A rare Central Bank of Kenya banknote die proof engraver's test strike for the obverse of a one hundred shillings note, in striking purple with portrait vignette of Mzee Jomo Kenyatta to left side, values to three corners, some colour bleed to fields, on oversized paper/card (extremely fine, some light handling marks). Note: this style of portrait was used on issued notes. Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

A group of six Bank of Ceylon banknote die proof engraver's test strike portrait vignettes of S.W.R.D. Bandaranaike, probably for the obverse of a five rupees note, colour trials, comprising two titled examples in black with details for Bradbury Wilkinson & Co and numbered '409', two untitled examples in black and two examples in mauve (all very fine). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

Two rare Bank Markazi Iran banknote die proof engraver's test strike stages, probably for a larger denomination note, with central device 'Central Bank of Iran' in Persian script over a fine background below portrait vignette of Mohammad Rez Shah Pahlavi in Imperial Iranian Army uniform to centre (both extremely fine, some light handling marks, each on different grade of paper). Provenance: from the personal archive of the late Alan Dow, master banknote engraver to Bradbury Wilkinson & Co and the Bank of England.

Henry Wilkinson, oil on canvas, Gundogs and fowl, 60cm x 70cm overall, framed

A pair of framed etchings by Norman Wilkinson, titled A Likely Cast, River Garry, and Trout Fishing River Garry, 40cm x 56cm overall

19th century six-drawer telescope, Wilkinson, 27 Pall Mall, London

Two boxes of assorted mirrors and framed pictures, including examples of ship sailing scenes and floral artwork, along with a watercolour titled "Norwegian Steamer Aranda" by Norman Wilkinson (1878–1971), among other items.

Swords by Wilkinson sword softback book. UNSIGNED. Est. £

Discovering Edged Weapons by J Wilkinson-Latham softback book. UNSIGNED. Est. £

1908 pattern British cavalry troopers sword, by Wilkinson, Pall Mall. Inspection marks with Crown cypher, and black cellulose grip and bright steel grip basket and scabbard

Bizarre by Clarice Cliff large oval serving platter plate designed by Milner Gray together with matching set of five egg cups and first edition tea cup along with a 1930's Wilkinson rooster novelty teapot

Brass Guinea Scales & Wooden Case by A. Wilkinson of Ormskirk

Thomas Wilkinson, watercolour, signed, dated verso 1979, 'Ships on the River Tyne', 26cm x 38cm

2 x Henry Wilkinson (1921-2011) signed etchings - dog with pheasant in mouth frame 52cm x 62cm

Rodney Wilkinson (British, 1924-2004) - Early Morning, Poole Harbour - a 20th century oil on board landscape painting of Poole Harbour. Unsigned. Label for the Society of Marine Artists to back. Framed.Measures approx. 25cm x 50cm without frame

A collection of six vintage safety razors, plus accessories, most boxed, to include a Wilkinson Sword Seven day razor set, three Gillette Razors, an Ever Ready and one other

A set of George III mahogany rectangular cased brass pocket sovereign scales, applied paper label to interior detailed 'A. Wilkinson Ormskirk... near Liverpool', length 15cm, together with a brass three draw pocket telescope, unextended length 8.1cm, with card cylindrical case, and a brass linen thread counter, signed 'J. Casartelli & Son Ltd RD 14755 Manchester & Liverpool, with magnifier, length 7.8cm, cased.

Henry Wilkinson, Retriever with pheasant, colour etching, signed in pencil numbered 43/75,plate 24.5x30cm; together with a similar work of two retrievers in moorland, numbered 16/75.Qty: 2

A First World War medal group, including the Military Medal for Bravery awarded to 8634 Acting Sargent Major C.Q.N.S FH Wilkinson of 6th Battalion Lancashire Fusiliers, together with a Special Constabulary Long Service medal, and plaque with photo. Sargent Major Wilkinson was Mentioned in Despatches and went on to become Director of Charlton FC, he also served in Home Guard for the duration of the Second World WarMedals are in good condition, some rubbing to the Military medal left and right-hand side, all medals have been well polished

WILKINSON, HENRY (1921-2011) British (AR), Yellow Labrador, limited edition etching, signed and numbered 156/250. 16.5 x 22.5 cm.

British Wilkinson Victorian naval sword, back edge of blade with serial number 5115

Edward VII Wilkinson Sergeants sword Armory markings to top of blade

A John Armstrong designed plate, Bizarre by Clarice Cliff, Wilkinson Ltd England, 23cm diameter.

A collection of vintage advertising display boxes & badges & other items; Vintage Ford badge, Mappin & Webb display box, Wilkinson sword box, Original Pepsi Cola ballpoint pen, Graceland Elvis movable pen & many more

A Wilkinson Clarice Cliff Fantasque Pottery Clog or Sabot, painted in the 'Melon' pattern, printed marks, 13.5cm long.some small chips to paint, otherwise good condition

A Royal Staffordshire Wilkinson Ltd 'Clarice Cliff' Pottery Square Dish, painted with two swimming fish, printed marks, 10cm sq; A Moorcroft 'Tribute to Charles Rennie Mackintosh' Mug, impressed and printed marks, 8.5cm high, a trinket box in the form of a baby's dummy, 8cm long, a Walt Disney Productions pottery model of Donald Duck, another and a model of a duck in a Christmas outfit. (6)

Nash (John, illustrator). The Natural History of Selbourne by Gilbert White, with drawings by John Nash R. A.. and an introduction by The Earl of Cranbrook, Ipswich: W. S. Cowell for the members of The Limited Editions Club, 1972, signed by the artist to limitation page, colour and black & white illustrations, original quarter sheep over patterned boards, light scuff marks to spine, matching slipcase, small folio, Limited edition, one of 1500 copies, together with:Wilkinson (C. A., illustrator). A Book of Wood-cuts..., London: Methuen & Co, 1922, signed by the artist to limitation page, 10 wood block plates, original quarter cloth, printed title label on upper cover, 4to, Limited edition 19/100Stone (Reynolds, illustrator). Moments of Vision, Kenneth Clark, with wood engravings by Reynolds Stone, London: John Murray, 1973, woodcut engraving to title page and to end of text, bookplate of David Potter (designed by Reynolds Stone) to front pastedown, original quarter cloth over marbled boards, 8vo, Limited edition, one of 500 copiesReckitt (Rachel, illustrator). Seven Psalms, Wellingborough, Skelton's Press, 1981, 7 woodblock illustrations, original green wrappers with matching dust jacket, printed illustration to upper cover of dust jacket, 4toSmith (Richard Shirley, illustrator). The paintings & collages 1957-2000, London: John Murray, 2002, signed by the artist to limitation page, 2 original signed wood engravings (loose in pocket at end), original quarter cloth over printed boards, matching slipcase, folio, Limited edition 122/140Hassall (Joan, illustrator).The Poems of Robert Burns selected and with an Introduction by DeLancy Fergerson, decorated with wood engravings by Joan Hassall, Glasgow: Printed for the Members of The Limited Editions Club at the University Press, 1965, signed by the engraver to limitation page, colour frontispiece, numerous woodblock engravings to text, quarter green leather, portrait of burns in relief to upper board, tall 4to, Limited edition 523/1500Simon (Oliver, editor). The Curwen Press Miscellany, edited by Oliver Simon and published for the Curwen Press, Plaistow: Socino Press, 1931, Curwen Press miscellany prospectus pamphlet loosely inserted, original colour printed buckram boards, slipcase a little worn, Limited edition 238/275 QTY: (7)

Spare (Austin Osman). The Starlit Mire by James Bertram & F. Russell with ten drawings by Spare, London: John Lane, The Bodley Head, New York: John Lane Company, 1911, frontispiece and nine tissue-guarded plates, some minor spotting mainly to endpaper and limitation leaf, one leaf of advertisements to rear, ex libris Diana Wilkinson bookplate to front pastedown, original green cloth with gilt title and illustration, 8vo, together with Farr (Florence). The Dancing Faun, 140 Fleet Street: The New Age Press, 1908, previous ownership inscription to free front endpaper dated 1913, some toning to endpapers, original decorated paper boards, some toning to spine, 8voQTY: (2)NOTE:The Starlit Mire is one of 350 copies.

Three Victorian Coloured Glass Decanters, together with glass dressing table jars, stoneware including advertising, carved wooden portrait plaque by R. Wilkinson, Yorkshire 1950, framed prints, various wooden carvings of toadstools, biscuit mould, two mounted sets of antlers etc (qty)

Clarice Cliff (1899-1972): A Taormina Plate, Wilkinson pottery marks, 21.5cm diameter, together with a small Goldstone Lotus jug and a Celtic Harvest conserve jar (3)

A Corgi mostly Superhaulers 1/64 scale group of 12 boxed modern issue diecast to include No. TY87009 DAF 95 race transporter Ducati, No. TY86613 Scania container Wilkinson, No. TY87006 DAF 95 short wheelbase, and others

XX Century British Pattern 1907 Bayonet and Scabbard, with manufacturer mark 'Wilkinson'.

WWII Wilkinson Sword 2nd Pattern Fairbairn Sykes Fighting Knife with Brass Knurled Grip, leather sheath, brass lower chape, (elasticated strap absent), double edge blade with Wilkinson Sword London makers mark to one side.

XIX Century British Pattern 1845 Sword and Scabbard, by Henry Wilkinson, Pall Mall, London, ornate etching to blade, Victoria Royal Cypher to hilt and fishskin grip.SERIAL NUMBER 29747

WWI Medal Duo, comprising British War Medal & Victory Medal, awarded to 270701 Pte G.W Wilkinson, R Scots.