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A George III mahogany 8-day longcase clock by John Gibson, Edinburgh, with anchor escapement striking bell, the swan neck pediment over arched brush metal face, Roman and Arabic numerals, subsidiary seconds and silent dials with date aperture flanked by fluted columns and shaped moulded trunk door flanked by quarter columns and plinth base, 212cm high
A George III mahogany 8-day longcase clock by John Gibson, Edinburgh, with anchor escapement striking bell, the swan neck pediment over arched brush metal face, Roman and Arabic numerals, subsidiary seconds and silent dials with date aperture flanked by fluted columns and shaped moulded trunk door flanked by quarter columns and plinth base, 212cm high
An eight day Essex longcase clock with pillared arched hood and decorated with brass finials, the painted arched dial bearing Roman Numerals, painted pheasants at each spandrel and with reclining child above, inscribed WATKINS - MANNINGTREE, the mahogany trunk of rich colour, with quarter Corinthian columns, Gothic-arch door and cantered base, 85ins high (216cms)
An early 19c eight day longcase movement with associated late 18c 12"" arched brass dial signed Frewin, Hereford with engraved dial centre, female head spandrels and a Tempus Fugit boss in the arch. The movement is of standard four pillar rack striking pattern with anchor escapement. It is contained in an early 19c oak and mahogany case with swan neck pediments to the hood and fluted columns flanking the dial. The trunk has fluted quarter columns and a short trunk door with fixed panel below. The door has a central shell inlay and it and the fixed panel have mahogany edge crossbanding. The base has an applied rectangular panel and bracket feet, 86"" tall overall.
A late 18c eight day longcase clock, the 12"" arched silvered dial signed William Marsh, London and having strike/silent (mechanism removed) and seconds dials (the date aperture has been filled). The five pillar movement has rack strike and anchor escapement and brass bound weights and brass pendulum rod. It is contained in a black lacquered case with full arched hood and plain columns flanking the dial. The trunk door is divided into two transfer printed scenes, the top one of a shepherdess and her flock and the lower showing a domestic scene of a couple, these are divided by gold lacquered floral and geometric panels. The door has a raised edge London type moulding and the base has another transfer panel showing a bird and floral display. The clock has a plain plinth and stands 85.5"" tall.
An early 19c eight day longcase clock with 12"" square painted dial having florally painted corners and seconds and date rings. The dial centre has been re-painted and bears the spurius name Thomas Moore, Ipswich. It is contained in an oak case with swan neck pediments to the hood with a central ball and spire finial and the plain columns flanking the dial. The trunk has plain quartered columns and a long trunk door with wavy top and the base has an applied rectangular panel with indented corners and a wavy plinth, 85.5"" tall.
A mid 18c eight day longcase clock, the 12"" arched brass dial signed David Rivers, London and having a matted dial centre, scroll spandrels, date and seconds rings and a strike/silent in the arch (disconnected). The five pillar movement has rack strike and anchor escapement and the original bell strike has been converted to a gong in the back of the case. It is contained in a black lacquered case with chinoiserie decoration, the arched hood is surmounted by a pagoda top and has attached columns flanking the dial. The long arched trunk door has chinoiserie decoration of pagodas and trees and at the base a horseman. The base panel shows two lions and the base has a double plinth, 91"" tall overall.
A LATE 19th CENTURY INLAID BURR WALNUT AND MAHOGANY LONGCASE CLOCK, MAPLE & Co. in 18th century style, the eight-day five pillar movement with 11" silvered chapter ring, Roman numerals and subsidiary seconds dial, signed Maple & Co. Ltd, London, the arch with `chime/silent` and `Westminster/chime on six gongs` levers and with scroll cast gilt-brass spandrels, the hood with moulded arch and brass mounted columns, the sides with pierced fret panels, the trunk with a panelled door centred by a chequered string inlaid triple lozenge, on a moulded cross-banded plinth base, raised on bracket feet. 2.29m by 0.57m by 0.36
AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900
AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900
Stained wooden two train American banjo wall clock by the New Haven Clock Company, the 7.5" silvered dial over a shaped flared trunk inset with a geometric foliate decorated glass panel to the rounded rectangular base, inset with a glass panel decorated with a stately home by a lake, 38" high
Rare three train German wall clock, the 6.25" white dial signed Brettuhr Leopold Kromer, within an ornate stylised bezel surmounted by a stylised cut brass cresting, the movement within a brass casing striking on two gongs housed behind in a wooden casing with sliding door over a shaped trunk, 58" high overall (pendulum and three weights)

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66889 item(s)/page