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Lot 764
John Lee of Loughborough. An 18thC mahogany cased longcase clock, the brass dial bearing Roman numerals, eight day movement, with central moon decoration and raised spandrels depicting the four seasons, the hood with a moulded cornice above Corinthian column brass capped pilasters, the trunk with a panelled door flanked by further pilasters, on bracket feet, with pendulum and weights, 200cm high.
Lot 1096
Circa 18th-19th century A.D. In advancing pose with trunk extended, tail draped along the hindleg; old inked number '27' to underside; supplied with a custom-made stand. 115 grams, 73 mm (251 grams total, 10 cm wide including stand) (2 7/8 in. (4 in.)). Ex European collection since 1970. with Herman Historica, Munich, Germany, Auction 95, no.6031 (Part). Property of a French collector. [No Reserve]
Lot 357
Bordeaux, 12th century A.D. Square in plan with round base and expanding trunk decorated on two faces with dense scrolled foliage and two opposed lions perching on branches within; high-relief modelling and some deep undercutting. 27.5 kg, 26 cm (10 1/4 in.). Private collection in Bordeaux. with Pierre Berge, 29 November 2017, no.7. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12146-217446. [No Reserve]
Lot 10
A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS LONDON, CIRCA 1700-05 The six finned and latched inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square gilt brass dial with subsidiary seconds, ringed winding holes and conforming calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and signed J. Windmills, London to lower margin, the angles applied with twin cherub and crown spandrels with foliate scroll engraved infill to the plate between, the case decorated with floral and foliate marquetry and with caddy top over glazed hood door with turned columns flanking the aperture, with concave throat moulding and trunk door centred with a lenticle and decorated with three-shaped panels incorporating central bird amid flowers, on conforming plinth base with decorated shallow skirt. 232cm high excluding later finials, 49cm wide, 26.5cm deep Provenance: Acquired August 1919, 'A fine Wm & Mary long case clock with bird & flower marquetry panels'The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers' Company as a free Brother on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at 'Swan Court, Mark Lane End, next Tower Street' by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; shortly after 1700 the firm became a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. Condition Report: The movement is in working condition however is due for a gentle clean/service as lubrication is somewhat dry/gummy and the plates are a little tarnished with some oil staining. The escape wheel and arbor are 19th century 'service' replacements otherwise movement appears essentially all original with no visible evidence of alteration or noticeable replacements. The centre movement pillar is not fitted with a latch all other latches are present. The dial plate retains old yellow lacquer surface which has mellowed/discoloured; it is a little dirty with a few spots of oxidation, the silvering is fairly heavily oxidised; the calendar ring is operational. The hands are replacements of incorrect design and size (with respect to the hour hand). The spandrels appear original and retain good strong gilding.The movement and dial retain the original seatboard which rests at the correct level within the case with no evidence of alteration confirming that the movement and dial are original to the case. The movement backplate has spare holes from a previous securing bracket which is no longer present - there are corresponding holes to the case backboard. The case has generally survived in original 'untouched' condition, The top board to the caddy superstructure, finials and blocks are 19th century replacements; and the 'box' beneath the caddy would have been faced with scroll-pierced fretwork which has bee substituted for a piece of dark veneer. The cornice frieze would have originally also been faced with fretwork - this has been replaced by a section of marquetry veneer which appears Dutch and most likely 'salvaged' from a piece of furniture. The hood door is in good condition; the hinges are unusual being externally mounted (to the right-hand side) however they appear original. The wooden column caps and bases conform with other known examples by Windmills; the lower right front is loose and also appears to be a later turning that the others. The crossgrain chin moulding to the left-hand side is missing a section around 6 ins in length. The rear of the caddy is open and was most likely originally closed with thick paper pasted over the aperture. The throat moulding has a small veneer chip to the rear left-hand edge and a small loss to the leading upper edge of the marquetry at the front otherwise are in good condition. The trunk door is straight with some slight springing to the edge moulding to top left-hand corner and some small localised losses to the marquetry (corresponding to slight movement in the carcass board clamp) towards the lower edge. The lock and hinges appear original and undisturbed. The sides of the trunk are in good condition - the left-hand side has a small veneer chip to the rear edge and evidence of some light historic worm infestation (long gone!). The right-hand side has some 'rubbing through' of the crossbanded veneer towards the front leading edge at the level of the lower door hinge. The plinth base is original and undisturbed retaining marquetry veneers in good original condition having only slight losses to the upper left-hand edge and towards the centre. The side veneers have horizontal shrinkage cracking (but are stable) and some historic worm damage. Unusually the clock retains its original skirting faced in marquetry. The design of the marquetry suggests that the skirt may have originally been taller, there are also veneer losses to the sides and some historic worm damage. Faults to the case are otherwise limited to minor bumps, scuffs, bruises and wear commensurate with age and use. The surface/colour is particularly good and untouched with the marquetry having raised 'glue' texture around the various elements indicating that the finish is old. The backboard retains all of its origiginal height continuing all the way to the lower edge of the base.Clock is complete with pendulum, original brass-cased weights, door key and a winder. Condition Report Disclaimer
Lot 290
LOUIS VUITTON A BROWN LEATHER WARDROBE STEAMER TRUNK, NO. 777259, CIRCA 1925 With a leather loop handle, brass corners, flip and key lock clasps, monogrammed L. F. P, on four wooden feet, opening to five clothes hangers, a rail and five removeable storage boxes/drawers 113cm long, 56cm wide, 43cm highUsed by Lena Palmer on HMS Berengaria (label attached) to New York for her honeymoon. Condition Report: No key. The whole with signs of transatlantic and travel use. Used in a Marine context as confirmed by remnants of Cunard line baggage label and some interior signs of damp. Exterior with assorted label remnants, scuffing marks, wear and abrasions notably to corners and raised edges. Metalwork dirty and unpolished. Interior with signs of old damp, with some mould and lifting to surfaces and some warping to internal drawers and drawer fronts. The brass to interior with Verdigris from damp. Some strap poppers not clicking in. Two vacant leather restrainer straps to interior. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 92
A GEORGE II/III GREEN JAPANNED EIGHT-DAY LONGCASE CLOCK THE MOVEMENT AND DIAL BY JOHN BURGES, GOSPORT, CIRCA 1730, THE CASE CIRCA 1760 WITH LATER DECORATION The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds and calendar aperture to the matted centre within silvered Roman numeral chapter ring and female mask and scroll cast spandrels to angles, the arch with recessed shaped silvered plate signed John Burges, GOSPORT within foliate scroll engraved infill, now in a pagoda-top case later decorated in polychrome and gilt with chinoiserie designs onto a mid-green ground 230cm high, 52cm wide, 25.5cm deep Provenance: Barbara Gibbs and thence by descent John Burges is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Gosport circa 1726 SALEROOM NOTICE: Please note the correct measurements have been updated Condition Report: Movement is in clean working condition and survives in its original form; the strike train hammer pin wheel and the escapewheel have however been re-pinioned (service repairs no doubt to address past wear). The dial has some patchy discolouration/oxidation to the silvering otherwise is in good clean condition although the hour hand is a replacement of incorrect length. Movement retains original seatboard which now rests on packing applied to the cheek uprights of the case confirming that the movement and dial are not original to the case. The case has been entirely re-painted but is structurally sound with the carcass being essentially original with some repair/rebuilding to the lower edge of the base only. The decoration is generally in very god condition although there is some retouching to the lower part of the trunk door which also exhibits a very slight warp.Clock is complete with two weights, pendulum, case key and a winder. Condition Report Disclaimer
Lot 163
A pair of French bronze models of the Belvedere Antinous and Bacchus, After the Antique, late 18th / early 19th century, Each depicted standing with tree trunk behind, mounted on ormolu bases with scrolls and foliage, 44cm high, 18cm wide, 19cm deep (2)Footnotes: Note: The antique marble statue of Antinous Belvedere was first mentioned in 1543 when Pope Paul III purchased it for the Belvedere garden. It quickly became highly admired and was subsequently copied in many materials throughout the following centuries.
Lot 171
After Edme Dumont, French, 1761-1844, a French bronze model of Milo of Croton, Mid-19th century, The figure shown splitting a tree trunk, on a rouge griotte marble plinth, 42.5cm high overall, 21cm wide, 22cm deepFootnotes: Note: Milo of Croton was a legendary athlete of the 6th century B.C. whose pride in his own strength caused him to attempt to wrench an oak tree apart with his bare hands. The original marble version is now in the Louvre, Paris.
Lot 159
An Italian specimen marble and micromosaic table,Attributed to Giacomo Raffaelli, early 19th century, the base late 19th century,The white marble top inset with a central circular micromosaic depicting a chaffinch guarding its nest of eggs from an inquisitive mouse, surrounded by one hundred and sixty radiating specimens arranged in concentric tapering bands edged in Marmo Nero, samples include: porfido verde serpentino antico, Egyptian alabaster, porphyry, black granite, labradorite, amazonite, rhodonite, bloodstone, malachite, lapis lazuli, amethyst and various jaspers and agates, within a verde antico border on a Regency style polychrome decorated faux marble base with triform foliate scroll supports, overall - 74.5cm high, 134cm diameter; the micromosaic - 26.3cm diameterLiterature: Anna Maria Massinelli, Giacomo Raffaelli (1753-1836), Maestro di stile e di mosaic, Florence, 2018, pp.230-231, pp. 297-298, figs. 256 a, b, 353, 354.Footnotes:Note: Giacomo Raffaelli (1753-1836) trained as a sculptor and painter but by 1775 he was already known for his work in micromosaic, a medium which he is credited with advancing. Through the work of the chemist Alessio Mattiloi, Raffaelli was able to create tiny tesserae made from spun enamel of extremely fine quality which allowed for the creation of complex compositions. Working from both his studio in the Piazza di Spagna and the Vatican workshops in Rome, his gallery became a place of pilgrimage for sophisticated European aristocrats on their Grand Tour.Following the French occupation of Rome in 1797, Raffaelli transferred his workshop to the Milanese Court of Eugene Bonaparte. However, the collapse of the Court in Milan saw Raffaelli return to Rome between 1815-20, and set up his flourishing workshop in the via del Babuino.Alongside his intricate and acclaimed micromosaics, Raffaelli was also fascinated with the mineral world and was a highly accomplished lapidary artist, using sophisticated combinations of marbles, jaspers and semi-precious stones such as lapis lazuli, amethyst and malachite to create stunning table tops. The present lot can be almost certainly be attributed to Raffaelli combining as it does his genius in the techniques of both micromosaic and hardstone in a beautiful, harmonious design.The central circular scene in the micromosaic of the present lot with a chaffinch guarding its nest of eggs from a mouse can be directly compared with one of a pair of panels by Raffaelli sold by Sotheby’s, Pelham, The Public and the Private, 8 March 2016, lot 142, with provenance to Hamilton Palace, showing an identical scene alongside a second panel with a goldfinch and a serpent. Further comparisons can also be drawn to a plaque in the Hermitage Museum, St Petersburg, and another in the Palazzo Borromeo, Borromeo Islands. In all three of these panels the tree is lacking a further trunk on the far left which is part of the design of the present lot. In addition, there is an inkwell in the Wallace Collection, London, which includes a medallion of the same picture but lacking the nest of eggs. Close examination reveals in all these examples, including the present lot, Raffaelli’s trademark device to outline his birds and animals with white, rectilinear tesserae.The rich range of specimen marbles in the present lot can be compared with a table by Raffaelli sold Sotheby’s, Kentshire, New York, 18 October 2014, lot 156, with provenance to The Hon. John and Lady Augusta Kennedy-Erskine; and also a table at Trinity College, Cambridge, Fitzwilliam Museum (Massinelli op.cit p. 298). A further table, not fully attributed to Raffaelli, is at Ickworth House, Suffolk, and displays the same arrangement of specimen marbles surrounding a central micromosaic of The Doves of Pliny (NT 850351). The outer border with a band of verde antico marble in both the Kennedy-Erskine and Ickworth House table tops are identical to the present lot.While the base of the current table appears to be a later association, the ornamental scheme of the top combining a stunning lapidary palette with the intricate micromosaic can be attributed to the distinctive production of Raffaelli.
Lot 190
ROCK/ INDIE/ PSYCH/ PROG LPs - MODERN PRESSINGS/ RELEASES. Another quality collection of 23 LPs. Artists/ titles include Ian Dury & The Blockheads - Do It Yourself (EDSL 0035, 40th Anniversary LP/ CD/ DVD box set), Matt Berry inc The Small Hours, Television Themes (signed cover), Phantom Birds (signed cover), Music For Insomniacs. Kings Of Leon - Youth And Young Manhood (10"), Lenny Kravitz - Mama Said, Max Tundra inc Parallax Error Beheads You, Some Best Friend To Turned Out To Be, Mastered By Guy At The Exchange. Jules Verne/ Johnny Trunk - 20000 Leagues Under The Sea. Kacey Musgraves, Kaprekar's Constant, Henry Senior Jr, Admirals Hard, Pugwash, Bonzo Dog Band, Supermodel, Prefab Sprout. Condition is generally Ex to Ex+.
Lot 505
ANTHONY NEWLEY - LP COLLECTION (INCLUDING MEMORABILIA). Great instant collection of 38 x LPs featuring Anthony Newley. To include Frankly Fiona (PR1121973 - Ex/Ex), Funny Old World (white label test pressing featuring alternate tracks to that were released on Ain't It Funny - Ex condition), Stop The World I Want To Get Off (2017), The Small World Of Sammy Lee (Trunk Records 2013), Doctor Dolittle, Love Is A Now And Then Thing, Stop The World I Want To Get Off and Willy Wonka And The Chocolate Factory. Condition ranges from VG to Ex+.
Lot 358
Early oak longcase clock, hood with moulded cornice and turned columns, trunk with long arched door, ten inch square brass dial with cast spandrels, subsidiary date dial, single hand, signed Wilkins Leicester,thirty hour movement striking on a bell, 203cm. Condition report:Pendulum and weight are present. The left cheek has been adapted to fit the seat board, unsure if a marriage. Cse has replaced back board and evidence of old woodworm to the sides, repair to the top of the hood, hood is not 'square', trunk does not have a lock, adapted stepped base.Additional images have been uploaded to the lot page on our website for you to view.
Lot 1063
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, the lifting lid to compartments housing four large, five medium and nine smaller pharmacy bottles with stoppers, some with ‘Mawson & Swan, Chemist, 9 & 13, Mosley Street, Newcastle-on-Tyne’ paper content labels, with brass retaining rod to draw with compartments housing a creamware mortar and pestle, glass and creamware graduated measures, four further glass bottles with stoppers three with aforementioned retail content labels, with removable section housing accessories, beneath a further section with various bottles with cork and bottle stoppers – 33cm. x 27cm. x 14.2cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1064
Victorian Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to the interior, ruched plush-lining to the lid, the lifting lid to compartments for four larger, eight medium and five small glass bottles and stoppers (one replacement), some with printed paper content labels, the central section with two removable sections, the first housing a brass handheld balance, weights and a plated tongue depressor, the second larger removable section with glass mortar and pestle, four further small glass bottles and stoppers with various paper content labels, a plated funnel and treen caustic holder (possibly), and a further section beneath with a graduated glass measure, ‘LONDON’ impressed in small lettering near the hinges – 30.2cm. x 15.6cm. x 21cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1069
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to interior, the lifting lid to compartments housing four larger, five medium and six smaller pharmacy bottles with stoppers, the majority with handwritten paper content labels, two with chamois covers, five replacement bottles four of which have facet cut shoulders and plated lid with engraving, with brass retaining rod to drawer with compartments beneath, a removable section with compartments housing a handheld brass balance and weights, the drawer with a glass mortar and pestle, a plated funnel and two glass pots with plated lids (one with significant crack but intact, both possibly replacements) and four further glass bottles with stoppers and handwritten paper content labels and one replacement bottle and stopper – 21cm. x 21cm. x 16.5cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1067
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to the interior, ruched plush-lining to the lid and a brass plaque engraved FROM APOTHECARIES HALL LONDON, the lifting lid to compartments housing a glass pill tile, four larger, five medium and six smaller pharmacy bottles with stoppers (3 possible replacements), with a mixture of retailer, printed and handwritten paper content labels, with brass retaining rod to drawer beneath, two compartments with sliding doors one with a glass mortar and pestle and the other containing three glass pots with plated lids, a plated funnel, a small graduated glass measure in a card case, the further compartments with two tin boxes for powders, a handheld brass balance and weights in a removable section, two spatulas beneath, and a further six small bottles and stopper with various paper labels and one with chamois cover – 26.5cm. x 22.5cm. x 19.2cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1068
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to the interior, the lifting lid to compartments housing three very large, ten medium (two replacement bottles and two compartments with added graduated glass measures) and four small pharmacy bottles with stoppers, four with chamois covers and some with paper content labels, with two brass retaining rods to two draw beneath, one draw with removable section with compartments housing a brass handheld balance with paper roundel with weights, a treen caustic holder (possibly), with further compartments beneath housing a glass pill tile, a glass mortar and pestle, a plated funnel, two glass pots and plated lids and six further bottles with lids, the second drawer with bandages, paper parcels and other accessories – 35cm. x 24.8cm. x 22.5cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1065
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, ruched plush-lining to the lid and a small paper label for ‘Corbyn & Company 86 New Bond St Corner of Oxford St’, the lifting lid to compartments housing a glass pill tile, four larger, six medium and eight smaller glass pharmacy bottles with stoppers (all bottles empty), one with aforementioned retailer’s content label, with brass retaining rod to drawer beneath, a detachable section housing a handheld steel and glass balance, with a glass mortar and pestle and three (of four) tin boxes for powder housed beneath, a further six small bottles and stopper, five with printed content labels, and two slim compartments with sliding doors one containing a graduated (in spoon measures) glass measure in a case – 26.7cm x 22.2cm x 17cm.
Lot 1070
A 19th Century Domestic Medicine Chest, English, mahogany slim trunk-type chest with brass fittings, velvet lining to the interior, the lifting lid to compartment fitted for two larger, two medium and four smaller glass pharmacy bottles with stoppers – 20.5cm. x 15cm. x 9cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1066
A 19th Century Domestic Medicine Chest, English, mahogany slim trunk-type chest with brass fittings, velvet lining to the interior, the lifting lid to compartment for four large and two smaller glass pharmacy bottles with stoppers and printed paper content labels, three with ‘R.U. Potts, Chemists 26, South Audley St., Grosvenor Square’ retailer labels, with brass retaining rod to drawer beneath, with a further five small glass bottles with stoppers, chamois covers and printed paper content and aforementioned retailer labels, a removable section housing a brass handheld balance and paper roundel with weights, and beneath a glass mortar and pestle and package of plaisters and ‘Superior Gold Beaters Skin’ – 25cm. x 23cm. x 9.2cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 1062
A 19th Century Domestic Medicine Chest, English, oak ….. trunk-type chest with brass and japanned metal finishes, the lifting lid to compartments housing four large, five medium, nine smaller bottles with stoppers, some with chamois covers (six replacement bottles), with a brass retaining rod to draw beneath with compartments containing a ceramic mortar and pestle, four small glass bottles with stoppers and chamois covers, two with ‘JAMES ROBERTSON & COY 35 GEORGE ST. EDINBURGH’ paper content labels, two white ceramic ointment pots with the aforementioned retailer’s content labels, and a graduated glass measure, handheld brass balance and weights and a booklet ‘Domestic Medicine’ by S. Maw Son & Thompson – 32.5cm. x 18cm. x 25cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
Lot 558
A leather mounted and banded trunk, early 20th century, with two locking hinges, the exterior with remnants of luggage tags, 71cm wide45cm deep46cm highCondition ReportWear to the exterior. Warping to the leather. The carrying handles missing. With knocks, scratches and wear commensurate with age and use. Internally with loss to decoration.
Lot 118
A Kendi "Elephant", Chinese export porcelain to the Islamic world, blue, red and green decoration "Flowers", Wanli period (1573-1620), restoration of the tusks and trunk, alteration of the neck, minor faults in the glaze. Notes: vd. "O Exótico nunca está em casa? - A China na faiança e no azulejo portugueses (séculos XVII-XVIII)". Lisbon: National Azulejo Museum, pp. 283-285, nº 45; and HOWARD, David; AYERS, John - “China for the West - Chinese Porcelain and other decorative arts export illustrated from the Mottahedeh Collection”. London and New York City: Sotheby Parke Bernet, 1978, vol. I, p. 50, nº 5., Dim. - 19,2 x 19,8 x 12,5 cm
Lot 1273
Pearfon, Berwick, a 19th century oak longcase clock, the hood with broken swan neck pediment and fluted columns, the trunk with arched plain field door on a box base, the 30.5cm painted arched dial signed Pearfon, Berwick, with subsidiary seconds and date aperture, the eight day twin train movement with anchor escapement striking to a bell, 221cm high.
Lot 1271
Adam Costen, Kirkham, an oak and crossbanded longcase clock, the hood with moulded cornice and turned pillars, the trunk with ogee arched panelled door on a box base, the 30-hour movement striking to a bell, with 29cm square brass dial with silvered chapter ring, signed Adam Costen, Kirkham, 201cm high.
Lot 1272
James Pike, Newton Abbot, an 18th century mahogany and ebony crossbanded longcase clock, the hood with moulded cornice and square fluted columns, the trunk with ogee arched panel door and canted angles on a box base, the 28cm all brass dial signed James Pike, Newton Abbot, the 30-hour movement striking to a bell, 193cm high.
Lot 1273A
Puckridge, London, a Georgian mahogany longcase clock,, the arched hood with spire finials, the trunk with arched moulded panel door flanked by canted angles on a box base with bracket feet, having a 30.5cm arched silvered dial with subsidiary seconds and strike /silent to the arch, signed Puckridge, London, 5271, the twin train eight day movement striking to a bell, 223cm high.
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