We found 61350 price guide item(s) matching your search

A BESWICK ELEPHANT - trunk stretching - large, model no 998, designed by Arthur Gredington, issued 1943-1975, 26cm, (10.25in) high (both damaged)

L*** Dedlow, Penrith (unrecorded Baillie) A VICTORIAN OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK having a swan-neck pediment with disc terminals, the arched hood door between turned columns, the short trunk door inlaid with a star motif, between half-columns, the base inlay matching the door, on a shaped apron and integral bracket feet, the white-painted arched dial having a scene of Hagar and the Angel, above Roman hours framing a subsidiary seconds dial and date dial, inscribed maker's name, the spandrels painted with castles or ruins, 226cm, (89in)high (sold with weight and pendulum)

A GEORGE II OAK-CASED 8-DAY LONG-CASE CLOCK, the hood having an ogee-sided basket surmount above a foliate blind fretwork frieze, the square door with integral half-columns with brass capitals, the sides with glazed windows, the arched trunk door on a plain base with plinth and integral bracket feet, the square brass dial having Roman hours and Arabic minutes separated by fleur-de-lis motifs, flanking a matted centre with subsidiary seconds ring, single hand, and a date aperture engraved with opposed birds and a basket of fruit above foliate scrollwork, all within foliate-cast spandrels centred by masks, 199cm, (78.3in) high

A MID 18TH-CENTURY OAK LONG-CASE CLOCK CASE (ONLY), having a double-arched surmount to the hood, the square hood door between turned columns with brass capitals, the slender trunk having an arched door with pierced butterfly hinges, on a plain base with plinth, 206cm, (81in) high

Simpson Yeates, Penrith, (1821-1882) A VICTORIAN OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK having a swan-neck pediment flanking a brass ball-and-eagle finial, the arched hood door between turned columns, the pointed arched trunk door between reeded pilasters above a panel, on a plain base and bracket feet, the movement painted to the arch with a Scotsman and his faithful dog, above Roman hours framing maker's name above painted exotic birds, the spandrels painted with ruins in landscapes, gilt-enriched, 227cm (89.3in) high (sold with weight and pendulum)

John Pattison, Halifax, (fl.c. 1780-1800) A GEORGE III OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK, having a swan-neck pediment with brass concentric disc terminals flanking a ball-and-spire finial, the arched hood door between fluted columns with brass capitals, the oak trunk door with shaped arched top and central shell navette, between fluted quadrants, above inlaid bellflower pendants, the oak-panelled base on a shaped apron with integral bracket feet, the arched white painted 35.5cm, (14in) dial having a rolling moon above twin terrestrial globes, Roman hours and Arabic minutes framing subsidiary seconds and date dials, twin false winding arbours, inscribed maker's name and a pair of painted birds, the spandrels painted with flowers, 238cm, (93.7in) high

Stephen Simpsom, Prescot, (fl. late 18th century) A GOOD GEORGE III INLAID MAHOGANY-CASED 8-DAY LONG-CASE CLOCK having a swan-neck pediment with brass ball-and-spire finial, on a boxwood strung frieze and matching square door between fluted Corinthian columns, the trunk having a boxwood-strung frieze on a yoke-topped crossbanded and boxwood-strung door between fluted quadrants, on a canted base with inlaid re-entrant square panel, on ogee bracket feet, the white-painted square dial having Arabic numerals framing an axehead-form rolling moon window painted with a lady holding a bowl of fruit in a landscape, and interestingly painted with Southern hemisphere stellar constellations beneath two views of the Southern hemisphere (illustrating the Pacific Sea, Southern Ocean, New Holland etc. - suggesting, given the proximity of Prescot to the important 18th-century port of Liverpool, that this clock may have been made for a sailor of the South Seas, such as a whaling ship captain?) above crescent-form calendar aperture, inscribed maker's name "Step'n Simpson Prescot", the spandrels painted with bat's wing quadrants and flowers, 224cm, (88.2in) high (sold with two weights, pendulum, key and winder)

Oak and mahogany longcased clock, with broken arch painted face (distressed), two train movement (lacking bell, key pendulum and weights) in a hood with turned columns on a canted trunk and set out plinth.

Mahogany long cased clock, circa 1800 painted broken arch face "Wm Wain, Burslem", with rolling moon, subsidiary seconds and date aperture, two train movement striking the hour in swan neck hood with gilt black glass panels on reeded corner trunk and lanceolate door, canted base and bracket feet.

An 18th century oak longcase clock, the 8 day movement striking on a bell to a 13.25in square brass dial, with silvered chapter ring to a matted and engraved centre with shaped plaque inscribed 'Major Schoffield, Rochdale' to a calendar aperture, the case with mahogany pilasters, the hood with a painted frieze above a shaped trunk door, the canted base on bracket feet, 7ft 4.25in (224cm) h. Movement and dial associated.

An oak longcase clock, the 30 hour movement striking on a bell to a 10.75in square brass dial with a silvered chapter ring inscribed 'Jno. Gardner, Sandwich', matted centre and later hands, crown and cherub spandrels, the case with a swan neck pediment, mahogany cross banded trunk door, the base on bracket feet, 6ft 6.25in (198.6cm) h.

A LATE 18TH CENTURY OAK SHROPSHIRE long case clock, with eight day movement, the square painted dial having roman numerals and calendar aperture inscribed Jas Northwood Newport, the square hood with dental cornice and turned corners the trunk with long shell inlaid cross banded shaped door the cross banded base with applied mouldings on a shaped plinth. Dial Width 11". Width 13" Height 81".

A EARLY 19TH CENTURY OAK AND MAHOGANY Cheshire long case clock, with eight day movement the square painted dial with Arabic numerals and seconds dial inscribed J Maddock, North which, the square hood with open fret pediment and fluted angle pillars the trunk with long shaped cross banded door and reeded angles the base with projecting cross banded panel on turned feet. Dial Width 13.5" Height 88"

AN EARLY 19TH CENTURY SCOTTISH MAHOGANY long case clock, with eight day movement with a arched painted dial inscribed 'Dan Brown Glasgow' within arch, roman numerals second dial and calander aperture the square hood with dental cornice turned angle pillars the trunk with long cross banded rectangular door and spiral turned quadrant angles the base cross banded on bracket feet. Dial Width 13" Height 32".

A dolls trunk circa 1910 with black rexine covered exterior, lift out tray, and assorted contents including a 19th century dolls corset, 'Marke R.F.C. a' la Princesse' babies clothes, dolls shoes, a composition doll etc, 36cm long.

A George III oak longcase clock, by William Abbott, Larson Fecit, the plain hood with quarter columns, enclosing 12" brass arch dial, silver chapter ring with Roman numerals and pierced cherub spandrels, the eight day movement with anchor escapement, above plain trunk and plinth, (221cm tall).

A George III mahogany and oak longcase clock, by William Latham, Macclesfield, circa 1800, the dentil moulded hood with fluted quarter columns, the painted dial with floral spandrels, date aperture and subsidiary second dial, eight day anchor escape movement, above a trunk with shaped door and panelled plinth within reeded columns, (201cm tall).

A George III mahogany and oak longcase clock, by Robinson, Sheffield, the swan neck hood with gilt metal ball flower mounts and spindle columns, the painted dial with voyage scene in arch, floral spandrels and subsidiary second dial, the eight day movement with anchor escapement, above a trunk with radial moulding, plain door and reeded reel pillars, upon plinth, (220cm tall).

A mahogany and inlaid grandfather clock, circa 1920, the broken arch hood with Corinthian columns, and pierced fret work side panels, the brass arch dial with silvered chapter ring, scrolling spandrels and a globe engraved Tempus Fugit, with eight day chiming movement, the trunk with arch door and panelled plinth, (202cm tall).

A George III oak longcase clock, W Clark, Kendal, the 8-day movement having 12.5ins brass dial with silvered Roman chapter ring, date aperture, lunar and date aperture, and urn and eagle spandrels; the case crossbanded in mahogany, the hood having turned fluted pilasters over shaped trunk door flanked by fluted quarter pilasters, on plinth base, H 203cm W 55.5cm

A George III pine longcase clock, Richard Marshall, the 30-hour movement having 11ins brass dial with Roman chapter ring and foliate spandrels; the case having dentil cornice over fret-carved frieze, and shaped trunk door, on plinth base, H 201cm W 54cm (Please see lot 800 for image)

An unusual Edwardian mahogany grandmother clock, the 8-day movement striking on two gongs, having 6ins brass break-arch dial with silvered Roman chapter ring, pierced arabesque and shell spandrels, and strike/silent and slow/fast adjusters to the arch; the case marquetry-inlaid with husks, swags, cornucopia and urns surmounted by pierced pediment and gilt-bronze flame finials over carved frieze and a pair of ormolu Corinthian columns with shaped trunk door, on plinth base and outswept ormolu feet, H 113cm W 31cm

A Clarice Cliff Bizarre square pot in the 'Rudyard' pattern, white ground with green tree trunk, and pink and blue flowers, 5.5cm high, printed marks, together with a Wade figure 'Pavlova' standing 23cm high with factory marks to base, (a/f) (2).

A FRENCH MYSTERY TIME PIECE in the form of a spelter elephant with outstretched trunk supporting the swinging movement, 11" high

THOMAS SPEAKMAN, London, a late 17th century figured walnut eight day longcase clock, the 11" square brass dial with cherub head spandrels, silvered chapter ring, subsiduary seconds and date aperture, the hood with barley twist pilasters above a long trunk door with lenticle, foliate and bird marquetry, 78" high.

An early 20th century camphor wood trunk

A mahogany eight day longcase clock with a swan neck pediment above a painted 14" arched moonroller dial with seconds hand and calender aperture signed C. CASERA Stourbridge over a triple arched trunk door. The hood and trunk having spiral turned columns height 7'10 1/2"

A 19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, having an arched painted dial, 14in., with Roman numerals, two subsidiary dials painted to the centre with Jas Millar of Selkirk, the spandrels painted emblematic of the seasons, the arch with cottagers in an interior, eight-day movement striking on a bell, the hood having a swan neck pediment with three brass ball and eagle finials, turned pilasters, the trunk having convex and moulding, bowed door with cushion cresting and acorn finial flanked by half-round columns, the lower trunk with indented panel and on bracket feet, 86.5in. (220cms) high

A GEORGE III SCOTTISH OAK LONGCASE CLOCK, having a silvered arched dial, 12in. (30.5cms), with Roman and Arabic numerals, seconds and calendar subsidiary dials, engraved to the centre with stylized birds and leafage, signed Alex MacFarlane of Perth No. 7 of eight-day movement with repeat strike on a bell, the hood with swan neck pediment above blind fret panels, reeded pilasters, the trunk having a shaped top to the long door, canted corners, on bracket feet, 82in. (208.5cms)

AN 18TH/19TH CENTURY OAK LONGCASE CLOCK, the brass dial 12in. (30.5cms), with silvered chapter ring and seconds dial, the matted centre engraved with foliate scrolls, cast brass spandrels, inscribed John Holroyd, of 8 day movement striking on a bell, the case with square hood and reeded pilaster, the trunk with naive floral and foliate decoration in low relief, 81in. high (206 cms) (no pendulum or weights)

A CANVAS COVERED CABIN TRUNK, the interior fitted with a pull-out hanging section and six drawers, with leather carrying straps and brass lock, 52in. (132cms) high

A 19th century mahogany eight day longcase clock, the moulded arched cornice above an arch glazed door flanked with reeded columns enclosing an arched 12 inch painted dial with secondary seconds dial and date aperture signed S Peacock, Lincoln with five pillar bell striking movement above an arched long trunk door having a central lock, standing on a plinth base with bracket feet, 221cm high

A 19th century oak cased eight day longcase clock, the scroll carved circular glazed door enclosing a white painted dial with Roman numerals and secondary seconds dial signed Wm Stover, Taunton above an arched long trunk door within fruiting oak leaf carved spandrels, standing on a similarly carved plinth base with claw and ball feet, 199cm high

A 19th century mahogany 30 hour longcase clock, the arched cornice above a glazed door flanked with turned columns enclosing an 11 inch painted dial with Roman numerals and secondary date and seconds dial signed W Loof, Parade, Tonbridge Wells, with four pillar bell striking movement above a long trunk door, standing on a plinth base with bracket feet and a shaped apron, 195cm high

An 18th century walnut eight day longcase clock, the moulded cornice above an arch glazed door flanked with three quarter columns enclosing a 12 inch brass arched dial with Roman numerals and secondary seconds dial and date aperture, signed Richd Rayment, Bury, with five pillar bell striking movement above a long arched trunk door, standing on a reduced plinth base, 201cm high

Goldar, Gloucester, a 19th century mahogany wall clock, the twin fusée eight day movement striking on a bell, the trunk below the circular dial with convex glazed brass bezelled door, 39cm diameter

A late 19th century European majolica spill vase centrepiece, a retriever below the tree trunk vase scenting a pheasant perched in its branches, the honey and brown glazes enhanced by patches of green on the oval base, 33cm high (D)

A Beswick elephant, standing, trunk stretched, designed by Arthur Gredlington, 24cm high, printed mark, model no. 974.

A Denby Danesby Ware Marmaduke Rabbit lamp base, moulded with three buff rabbits seated before a tree trunk, glazed in green, 23cm high (larger rabbit's ears re-glued)

A Denby majolica elephant money box, with trunk raised, inscribed in gilt Feb 11th 1937, 15cm high

Four Sylvac items - Old English sheepdog, puppy, fawn, tree trunk ornament and group of two monkeys.

A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high.

A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high

A mahogany chisel based drop dial wall clock of early 19th Century design by Leslie Brundle, the 12ins silvered dial engraved with Roman and Arabic numerals and date aperture to the eight day fusee movement with anchor escapement and maintaining power, contained in case with turned bezel, the trunk with shaped ears to side and angled lower section, 24ins high

An 18th Century mahogany cased 'Tavern' wall clock, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with A-frame plates and anchor escapement, contained in case with cast brass bezel and turned bezel to case, the long trunk with shaped ears and shaped trunk door, with moulded apron, 50ins high.

A mahogany cased 'Tavern' clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, shaped trunk door and shaped apron, 54ins high

A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with carved leaf ears, shaped trunk door and shaped apron, 54ins high

A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, figured veneered shaped trunk door and shaped apron, 54ins high.

A mahogany cased wall mounted 'Regulator' of early 19th Century design by Leslie Brundle, the 12ins cream enamelled dial, sweep minute dial and with central seconds dial, hour dial and small 'Up and Down' dial to side, to the eight day fusee movement with maintaining power and dead beat escapement, contained in case with turned bezel, the long trunk with shaped ears, the shaped trunk door crossbanded in rosewood, and with curved apron, 52ins high.

A late 17th/early 18th Century longcase clock movement by Ralph Cloud at Beaminster, the 11ins square brass dial with wide silvered chapter ring, subsidiary seconds dial and date aperture, turned winding holes and engraved 'Tudor Rose' to dial centre, engraved wheat sheaf pattern borders and cast cherubs heads and scroll spandrels to the eight day two train movement with outside locking plate striking on a bell, now contained in later oak and mahogany case with shaped and moulded pediment, reeded pillars to hood, the trunk door crossbanded in mahogany, with reeded front corners, 84ins high. Note: Ralph Cloud recorded working Beaminster, born 1663-1714 . See 'Dorset Clocks and Clockmakers' by Tom Tribe and Philip Whatmoor, published by Tanat Books 1981 for further details of maker

A mid 18th Century walnut longcase clock by John Faver of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and calendar dial to arch and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with deep moulded overhanging cornice, fretted frieze and plain turned pillars to hood, matched veneered trunk door inlaid with herringbone banding and with cross-grained mouldings, 90ins high. Note: John Faver recorded working London before 1753

An early 18th Century walnut longcase clock by James Walker of London, the 12ins brass square dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved wheat sheaf pattern borders to the eight day five pillar two train movement with inside locking plate striking on a bell, contained in case probably rebuilt and partly reveneered in figured walnut with caddy top and moulded cornice above fretted frieze, plain turned pillars, the shaped trunk door veneered in figured walnut and banded, and with cross-grained mouldings, 91ins high (new plinth and caddy top). Note: James Walker recorded working as apprenticed in London 1733

An 18th Century walnut longcase clock by Henry Thornton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case probably partly rebuilt and partly reveneered with deep moulded arched pediment above fretted frieze, plain turned pillars to hood, the trunk door veneered in figured matched veneers, banded and with cross-grained mouldings, inset with circular glass 'Bulls-Eye', 93ins high. Note: Henry Thornton recorded as apprenticed 1692 clockmaker 1699-1732 recorded in Basing Lane in 1723 and Royal Exchange in 1730

An 18th Century walnut longcase clock by Benjamin Steele of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved dial centre to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in case largely rebuilt and reveneered in figured walnut with moulded overhanging cornice and fretted frieze, plain turned pillars to hood, figured veneered trunk door and with cross-grained moulding, 87ins high. Note: Benjamin Steele recorded working Old Southampton Buildings, London 1744

An early 18th Century walnut longcase clock by John Harris of London, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and turned winding holes to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in modern replacement case with moulded cornice and fretted frieze, spiral turned columns to hood, figured veneered trunk door and with cross-grained mouldings, on bun feet, 84ins high. Note: John Harris recorded as apprenticed 1717, and member of The ClockmakersÕ Company 1737

A mid 18th Century walnut longcase clock by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case with deep moulded cornice and fretted frieze, plain turned pillars to door, arched trunk hood inlaid with herringbone banding and crossbanded (the plinth rebuilt and with some reveneering), 86ins high. Note: William Dowell Swan recorded working Margate before 1754

An early 18th Century walnut longcase clock by James Leicester, Drury Lane, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, calendar dial to arch showing phases of the moon and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with moulded overhanging cornice above fretted frieze, arched and moulded lower cornice, plain pillars to hood, figured trunk door, crossbanded and with cross-grained mouldings, 86ins high

An early 18th Century walnut longcase clock by Jonathan Beake, Crutch Fryers, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to arch and star pattern centre to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered, with moulded overhanging cornice and fretted frieze, moulded arch and plain turned pillars to hood, arched trunk door with figured veneered centre panel, crossbanded and with cross-grained mouldings, 91ins high. Note: John Beake recorded as apprenticed 1673 member of The ClockmakersÕ Company 1681 Ð Assistant to Daniel Quare

A late 18th Century mahogany longcase clock by Levy & Godfrey of Kidderminster, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture showing phases of the moon, landscape and shipping scene to arch to the eight day two train movement striking on a bell, contained in associated case with moulded scroll pediment, turned and fluted pillars to hood, shaped trunk door inlaid with oval shell motifs and crossbanded in satinwood, fluted quarter columns, the rebuilt plinth similarly inlaid and on ogee bracket feet, 84ins high. Note: Levy & Godfrey dissolved partnership in 1795

A late 18th Century mahogany longcase clock by Walter Barry of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in modern replacement case with deep arched and moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered arched trunk door with moulded edge and conforming plinth, 89ins high. Note: Walter Barry recorded working London 1790