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Large Carved Oak Belgian Long Case Clock, plinth carved with portrait head amongst a reef with split baluster decorated stiles, main trunk decorated with cherubs amongst foliage with cariotate stiles, domed hood with carved figures containing brass face with raised Arab numerals with chime, silent, Whittington or Westerminster chime selector, central seconds hand, 3 brass clad weights chiming on rods with steel 7 polished brass pendulum with pull repeat
19th Century oak longcase clock by Edward Glase of Bridgnorth, the hood with swan neck pediment and reeded pillars, the trunk having a short door with mahogany crossbanding and inlaid decoration, standing on bracket feet, the arch shaped dial with moon phase, subsidiary seconds dial and calendar aperture, signed, 234cm high
George III longcase clock by John Hayter Jnr of Wells, oak, pine and mahogany case, hood with swan neck pediment and tapered cylindrical columns, trunk with long door, square brass dial with engraved decoration and Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, signed, 30 hour striking movement, 194cm high
George III mahogany crossbanded oak longcase clock by James Webster of Salop, the square hood with reeded pillars, trunk having a long door with conch shell inlay, standing on bracket feet, the brass dial having a silvered chapter ring with Roman numerals and with conforming calendar aperture, engraved foliate decoration to the centre, signed, eight day striking movement, 203cm high
Merseyside Theatres A large quantity of theatre programmes, playbills, posters, postcards, including signed entertainers, etc., relating to various Merseyside theatres including the Shakespeare, New Brighton and Prince of Wales, 19th century onwards, in 8 ring binders, 2 boxes and a small tin trunk (10)
A late 18th Century Mahogany cased Stick Barometer, P Caninadal, the broken arch pediment over a single glaze door (A/F), to a herringbone trunk with reeded corners and rounded base with applied cistern cover, to a signed dial with single scale thermometer (tube lacking), and barometric scale of 27-31 with adjustable vernier, to a visible tube, height 39” (ILLUSTRATED INSIDE FRONT COVER)
A late 19th Century Walnut and marquetry inlaid drop dial Wall Clock, the moulded surround with inlaid coloured crossbanding and rosette details, to a long chisel bottom trunk with hinged glazed door, to a spun brass bezel enclosing an 11” painted Roman dial with outside minute track and pierced hands, to a spring-driven movement with anchor escapement, strike on a bell, height 35”
A late 19th Century Walnut and marquetry inlaid Wall Clock, the moulded surround with inlaid crossband detail over carved ears and glazed chisel bottom trunk, to a spun brass bezel enclosing an 11 1/2” painted Roman dial with outside minute track and blued steel pierced hands, to a spring-driven movement with anchor escapement, strike on a bell, height 30”
A late 19th Century stained Oak cased Barometer, unsigned, the overhanging cornice with moulded pediment and freestanding finials, to a further carved long trunk with scrolling plinth base, and centred with a transferred on glass twin scale alcohol thermometer and further glazed barometric scales flanking a concealed tube with scale of 28-31, height 43”
An early 19th Century Oak cased 30 hour Long Case Clock, the overhanging cornice with swan neck pediment over freestanding baluster columns, to a moulded throat and long arch trunk door with plinth base, to a 12” square painted second period dial, with Arabic numerals and quarters, painted with roses and tulips to the spandrels, further replicated to the centre over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars, and anchor escapement, strike on a bell, height 79”
A mid-20th Century Mahogany cased Long Case Clock, unsigned, the overhanging cornice to a plain frieze to freestanding baluster columns and moulded throat to a long trunk door and plinth base, to a 9 ½” square brass dial with applied angel mask spandrels enclosing a Roman and Arabic silvered chapter ring, and further floral engraved centre with blued steel pierced hands, to a triple weight driven movement, with anchor escapement and strike on 12 rods, height 77”
A mid-18th Century 8 day Long Case Clock, in associated Oak case, John Ingram of Spalding, the 12” square brass dial with engraved wheat ear border, to cast and pierced scrolling foliate and mask spandrels, enclosing a Roman and Arabic chapter ring, with outside minute track, inside quarters, fleur-de-lys half-hour markers and signed to the base, to a matted centre with subsidiary seconds, ringed winding squares and engraved date aperture surround, with pierced and blued steel hands, to a movement with plates united by four knopped pillars and strike count wheel, with anchor escapement and strike on a bell, and contained within a 20th Century Oak case with overhanging cornice, plain frieze, ¾ columns, moulded throat, long trunk door with glazed lenticle and plinth base, height 80”
An early 19th Century Mahogany and boxwood inlaid 8 Day Long Case Clock, James Yardley of Bish Stortford, the arched hood surmounted by reeded plinths to a moulded arched cornice, over an ogee throat and long arched trunk door with central inlaid rosette, and further rosette inlaid panelled base, to a 12” arched brass dial, signed to an applied silvered boss to the arch with “C” scroll and foliate spandrels enclosing a Roman and Arabic chapter ring, and further engraved to the centre with subsidiary seconds and date sector with pierced and stamped steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 93”
Vintage Textiles: An early 20th century lace makers pillow in original trunk complete with assorted bead mounted pins, bone lace bobbins, lace cards (pricked) also a selection of assorted vintage clothing to include Victorian black straw and lace bonnet, yellow ground silk and silver thread hand sewn runner, shawl, embroidered apron, smoking cap etc
Sir Harry Lauders` travel trunk made by Seward Trunk and Bag Co, Wonderrobe, Petersburg, Virginia USA, and bearing Sir Harry Lauder Co label, H.V.L. monogram, Trans Atlantic, Anchor Line to Europe inscribed Henry Vallance Transylvania, New York First. 28th Jan, Cunard Line label, Sir Harry Lauder Co Hotel; the interior fitted with four graduating drawers containing tweed jacket, two tartan kilts, tartan shorts, sporran with gilt metal thread tassels, Dunoon town crest shield, photograph of John Lauder dated 1911, handkerchiefs, two crocodile skin handbags, an auto block stamp of Sir Harry, photograph of Sir Harry and son John, and four acid etched printing blocks of Sir Harry together with another cabin trunk, stamped A.L.V and an oil on board of Sir Harry by J.R. Burgoyne 1932, with inscription `This is supposed to be me`, Harry Lauder
A George III oak longcase clock By Jo Kirkwood Redpath with eight day movement, the arched brass dial and chapter ring with Arabic and Roman numerals, subsidiary second dial and date aperture, surrounded by spandrels, the swan neck pediment with brass urn finial over column flanked door, moulded trunk door, plinth base, raised on bracket feet
A George III mahogany longcase clock By C. Brotherston, Dalkieth the arched enamel and painted dial with Roman numerals, subsidiary date and second dials, with eight day movement, the swan neck pediment over door flanked by fluted columns, inlaid trunk door flanked by fluted quarter columns, plinth base raised on bracket feet 224cm high
A 19TH CENTURY MAHOGANY NORTH COUNTRY LONGCASE CLOCK, the eight day twin train movement striking on a bell, the 35cms painted dial with Roman numerals, seconds dial, signed Wask, Wakefield, painted with St Jerome and lion to arch, the spandrels with floral sprays, the hood with swan neck pediment centred by a brass finial and ring turned and baluster pilasters, the wide crossbanded trunk with an ogee shape door, on deep plinth with inset panel, 243cms high.
A MAHOGANY LONGCASE CLOCK, having a circular silvered dial (26.5cms diameter) with black Arabic numerals, seconds dial and eight-day three chain striking movement, the case having an arched and moulded cornice above a circular dial aperture framed with harebell moulding, glazed trunk door above a plain panel and plinth base, circa 1920s, 210cms high
An early nineteenth century oak longcase clock, the eight day movement striking on a bell, the arched 12in painted dial with subsidiary seconds dial and calendar aperture, inscribed T. Phillips Ludlow, the case mahogany banded, the hood with a swan neck pediment, brass capped reeded pillars, the trunk with inverted serpentine top door, inlaid a marquetry conch shell, the base on a plinth moulding. 6ft 8in (203cm) high.
An early nineteenth century Midlands longcase clock, the eight day movement striking on a bell, by S. Ainsworth Warr’n, having a moon phase aperture to the painted square 14in dial, the subsidiary seconds dial flanked by birds, indistinctly signed, flowers to the corners, the mahogany case hood with an open fretwork swan neck pediment, brass capped reeded pillars, the trunk with a well figured shaped top door, ribbed square corner pilasters, the flame veneered base with angled corners. 7ft 6in (229cm).
An early nineteenth century oak longcase clock, the eight-day movement striking on a bell, the arched painted 12in dial with a moon phase aperture and chart, subsidiary seconds dial and calendar, the corners with flowers, the hood with a fret frieze, wall gilt ball and spire finials, the glazed door flanked by brass capped reeded pillars, glazed side panels, the trunk with an arched door, the base on a plinth. 7ft 5. 5in (227cm) high.

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66890 item(s)/page