We found 66890 price guide item(s) matching your search
There are 66890 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
66890 item(s)/page
A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.Bid Live at the-saleroom.com
An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.Bid Live at the-saleroom.com
A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.Bid Live at the-saleroom.com
A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.
An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.
A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.
A late George III mahogany longcase clock, having a 13-inch broken arch painted Roman and Arabic dial, decorated with a highland shepherd and shepherdess amongst a romantic landscape above a dial with outer minute markers and second subsidiary dial flanked by foliate painted spandrels and fitted a two train 8-day movement with anchor escapement, the case with broken swan neck pediment over a pair of fluted column supports and a shaped trunk door flanked by fluted quarter pilasters raised on a shaped plinth base, H. 217 cm, W. 48 cm.
Walter Inglis Anderson (American/Mississippi, 1903-1965), "Oak Trunk", c. 1955-65, watercolor and pencil on paper, unsigned, Luise Ross Gallery, New York City labels with title and date en verso, 11 in. x 8 1/2 in., framed. Provenance: Luise Ross Gallery, New York, NY. Exhibited: "Walter Anderson: Realizations of the Islander", Pennsylvania Academy of Fine Arts, 1985. Reference: Driscoll, John Paul. Walter Anderson, Realizations of the Islands, Walter Anderson Estate, 1985.
A Louis Vuitton wardrobe trunk in monogrammed canvas, first quarter of the 20th century composite leather and brass bound, with leather handles, the interior lined in orange canvas, leather strap and rail with three stamped hangers to one side and fittings for six removable drawers to the other, the drawers with leather pulls stamped L.Vuiton the lock stamped 70 CHAMPS-ÉLYSÉES PARIS, LOUIS VUITON LONDON 149. NEW BOND STREET. Length 112cm, depth 54.5cm, height when laying flat 55.5cm when upright 112cm
AN 18th CENTURY OAK LONGCASE CLOCK, SAMUEL BUXTON, DISS, the 11" brass dial with Roman numerals, subsidiary dial and date aperture, within foliate cast spandrels, eight day movement, the hood surmounted by scroll carved pediment and three giltwood spheres, the glazed door flanked by gilt-highlighted columns, the trunk with moulded panelled door, raised on a moulded plinth base, with pendulum, key and weights. 2.04m
A LATE 18th CENTURY OAK LONGCASE CLOCK, the 11" brass dial signed in the arch James Common, Coldstream, with subsidiary dial and date aperture, pierced foliate spandrels, eight day movement, with pendulum and weights, the hood with swan neck pediment, above an arched door with parcel gilt columns, the slender trunk with arched door, on a plinth with bracket feet. 2.26m
A MID-19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK, THOMAS HUMPHREYS BARNARD CASTLE, the 12" painted dial beneath an arch painted with a hunting scene, 30 hour movement, the hood with swan neck pediment, the glazed door between turned upright, the trunk with crossbanded door on a substantial plinth base. 2.27m
A George III oak longcase clock, with broken scroll neck pediment, above an arch door, enclosing a 13 inch brass dial signed by Dent, the chapter ring with Roman and Arabic numerals beneath painted man and an eight day rack striking movement with anchor escapement, above a crossbanded trunk door flanked by quartered columns above panelled base, raised on bracket feet, including two weights and a pendulum, 212 cm high. CONDITION REPORT: Case: appears fairly original but has sustained knocks and bashes and has some veneer losses. the front of the plinth has split horizontally. The backboard does not appear to have been disturbed. Dial is original and appears unaltered. Movement- appears original and needs cleaning . The clock is fairly original overall and although there may be minor repairs that have occurred over time these are not substantial.
GOOD QUALITY EARLY NINETEENTH CENTURY CARVED AND FIGURED MAHOGANY WEIGHT DRIVEN ""ACT OF PARLIAMENT"" WALL CLOCK, signed K.D. Sykes, Manchester, the 13"" painted roman dial with subsidiary seconds dial, polished by an eight day movement striking on a bell, housed in a moulded drum top case over a glazed trunk door, flanked by chamferred forecorners and sloping foot, 60"" (152.5cm) high
LATE EIGHTEENTH CENTURY OAK AND CROSSBANDED MAHOGANY LONGCASE COCK, with rolling moon phase, signed James Joyce, Whitchurch, the 12"" painted dial with subsidiary seconds dial, date aperture, gilt scrolled spandrels and rolling moonphase to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, three gilt metal eagle and ball finials and brass capped free standing fluted columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a panelled base with fluted and chamferred fore corners and ogee bracket feet, 89"" 226cm) high
EARLY EIGHTEENTH CENTURY YEWWOOD AND STAINED BEECH LONGCASE CLOCK, signed Peter Stretch, Leek, the 12"" brass dial with silvered chapter ring, angelic mask spandrels and subsidiary seconds dial and date aperture to the matted centre, powered by an eight day movement striking on a bell, housed in a flat top case with scroll carved and part glazed frieze and barley twist fore columns, over a long trunk door with bulls eye glass and raised on a plain base with deep plinth, 82 1/4"" (209cm) high
EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY LONGCASE CLOCK, signed Grant, Fleet Street, London, the 12"" silvered dial with subsidiary date and seconds dials to the centre and strike/silent dial to the arch, powered by and eight day movement striking on a bell, housed in a pagoda topped case, with scroll pierced panel and pair of flame finials, above stop fluted free standing columns and long trunk door with arch top, raised on a panelled base with shaped plinth, 92 1/2"" (235cm)
WARMINK, MODERN BURR WALNUTWOOD GRANDMOTHER CLOCK, the 7 3/4"" brass dial with silver chapter ring, figural spandrels, matted centre ad rolling moon phase to the arch, powered by a three weight movement striking on eight rods, housed in an arch top case with brass finials scroll pierced frieze and frets and gilt mounted, ebonised fore columns, over a long trunk door and raised on a bombe shaped base with chamferred fore columns and scroll feet, 77 1/2"" (196.9cm) high
EARLY TWENTIETH CENTURY CONTINENTAL CARVED WALNUTWOOD COMBINATION WALL CLOCK/THERMOMETER AND BAROMETER, the 8 1/2"" twelve piece enamelled roman dial, powered by a spring driven movement, striking on a gong, housed in an ornately carved case with enamelled thermometer to the trunk and circular aneroid barometer to the base, 36"" (91.4cm) high
19th CENTURY CASED WALNUT DROP DIAL WALL CLOCK SIGNED W. POTTS & SONS, LEEDS, the 13 1/2"" painted Roman dial powered by a substantial twin fusee movement, possibly earlier striking on a gong and housed in a waisted case with foliate carved outline, glazed aperture to the trunk, shaped foot, 42"" (106.7cm) high
LATE EIGHTEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK with rolling moonphase, signed Thomas Williams, Preston, the 13"" brass dial with subsidiary seconds dial and date aperture to the matted and floral engraved centre, angelic mask spandrels and rolling moonphase to the arch, signed, powered by an eight day movement striking on a bell, housed in a flat top case with swan neck pediment above a pair of red tinted glass panels and pair of brass capped free standing fluted fore columns, over a flame cut long trunk door with shaped top, flanked by fluted quarter columns and raised on a conforming panelled base with shallow plinth, 89"" (226cm) high
EARLY 19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED J. TOPHAM, NANTWICH, the 13 3/4"" painted Roman dial with shell spandrels and subsidiary seconds dial and date aperture to the centre, powered by an 8 day movement striking on a bell, housed in a case with swan neck pediment, eagle and ball brass finials and part-fluted free standing square section fore columns, over a long trunk door with shaped top flanked by fluted panels and raised on a conforming base with moulded plinth, 85 1/2"" (217.2cm) high
A GOOD GEORGE III LANCASHIRE MAHOGANY LONG CASE CLOCK, the eight day movement striking on a bell with painted arched dial inscribed `G. Monks, Prescot`, with moon-phase and sweep seconds and calendar hands, the spandrels emblematic of the seasons, the case of good colour and attractive presentation with swan-neck pediment to the hood inset with South Staffordshire enamel roundels and painted glass tablets, brass corinthian capitals with fluted detached pillar flanking the door, the trunk with fluted quadrant forecorners with canted corners to the base, standing on ogee bracket feet, 94 1/4"" (240cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with rolling moon phase, the 13"" square painted dial with fruit and flower spandrels and date aperture and rolling moon aperture to the floral painted centre, powered by a 30 hour movement striking on a bell and housed in a case with swan neck pediment, eagle and ball brass finials and brass capped free standing columns, over a long trunk door with shaped top, flanked by quarter columns and raised on a plain base with shaped plinth, 89"" (226cm) high (a.f.)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed John Dumvile, Alderley, the 12"" silvered dial with brass angelic mask spandrels and subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, housed in a flat top case with three brass ball and spike finials and brass capped free standing, fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a plain base with ogee bracket feet, 83 1/2"" (212.6cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed Holliwell, Derby, the 13"" painted circular dial with date aperture to the floral painted centre, powered by a thirty hour movement striking on a bell, hosed in a case with swan neck pediment, brass eagle and ball finial, circular glazed aperture to the door and brass capped freestanding fluted fore columns, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on an associated stepped base, 85 1/2"" (217.2cm) high
EIGHTEENTH CENTURY CARVED OBLONG LONGCASE COCK, signed Baker, Appleby, the 12"" brass dial with silvered chapter ring, signed, scroll and shell pierced spandrels and matted, centre with subsidiary seconds dial and date aperture, powered by an eight day movement and housed in a heavily carved flat top case, the cornice inscribed `Time and Tide Wait for No Man`, above free standing fore columns and long trunk door with figural and heraldic crest carvings and the inscriptions;` William and Mary`, `Ales Volat Propriis`, ` Thomas Earl, Catherine Countess of Thanes, 1692`, on a conforming base with sunburst carved central medallion, 84 3/4"" (215.4cm) high, later carving and possibly lacking feet
MODERN REPRODUCTION OAK TAVERN CLOCK, signed Pattison and Son. Thirsk, the 23"" enamelled Roman dial, powered by a single fusee movement and housed in a case with moulded surround and short trunk door above a curved foot, 51 1/2"" (130.8cm) high, 28 1/2"" (72.5cm) diameter, supplied with original receipt dated May 27 (19) 95

-
66890 item(s)/page