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Lot 1279
A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, the shaped hood with floral fretwork design, glazed door enclosing a brass 11 inch dial, surrounded by spandrels and mythical creatures, plaque inscribed 'Stripling Lichfield' spindle supports, shaped trunk door on a square plain plinth, height 223cm, one pendulum, two weights (condition - no key or winding key, minor surface wear)
Lot 1280
AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED EIGHT DAY LONG CASE CLOCK, the hood with three brass finials to the broken swan neck pediment, a glazed arched door enclosing a thirteen inch painted dial with subsidiary seconds and date dials, named E. Timings, Dudley, eight day movement, height 226cm (condition - split to front of plinth, one pendulum, two weights, one trunk key, no winding key)
Lot 369
A VICTORIAN PAINTED PINE TRUNK CONTAINING CLOCKS, TOOLS, DRAWING INSTRUMENTS,METALWARES, COLLECTABLES, ETC, together with a brass model cannon mounted on a wooden plinth, a coopered oak sherry barrel, a.f., height 33.3cm, with a wooden stand, a box containing musical trinket and cigarette boxes, etc, s.d. (4)
Lot 214
Ca. 100-300 AD A large bronze spout coming from a vessel, resembling an elephant's trunk, naturalistically curled, with incised decoration around the finial. Size: L:80mm / W:105mm ; 170g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 32
The depiction of the Holy Family focuses on the figure of the Madonna, whose face, shown in profile, has a balanced and almost joyous expression. She holds the Baby Jesus on her lap, sucking from her breast. The atmosphere is intimate, and the tones clear and soft. St. Joseph points to Jesus. Its unconventional position, seen from behind, gives the composition a sense of depth of perspective. A tree trunk appears in the background, along with a wide view of the mountains and the sky illuminated by streaks of light.Everything in the painting contributes to the creation of a calm and balanced atmosphere that gives the piece a contemplative quality.Oil on copperSize 19 x 25.5 cm
Lot 155
A 19th century mahogany cased eight day grandfather clock. With arched top above a circular glass hood flanked by rope twist columns, With two subsidiary dials inscribed JOHN ROSSITER Western Super Mare to the dial. The trunk decorated with box wood and satin wood inlay with two rope twist columns, H203cm
Lot 7001
Mid Victorian 8-day mahogany longcase clock with a painted dial and moon phase disc to the break arch, convex dished dial with Roman numerals, and minute markers, makers name indistinct, non-matching stamped brass hands, calendar aperture and seconds dial, spandrels depicting the four seasons, veneered mahogany case with a swans neck pediment and inlay, canted corners to the trunk with a wavy topped door, square plinth and applied skirting, rack striking movement with a Walker and Hughes cast false plate, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm Length/Width: 50cm Depth/Diameter: 25cm
Lot 7009
Mid-20th century oak cased Grandmother clock striking the hours and half-hours on a coiled gong, with a silvered dial, Arabic numerals and steel hands within a spun bezel and convex glass, case with a flat top and barley twist columns to the hood, trunk with applied beadwork and lozenge moulding, on a square pediment with a decorative skirting. Dimensions: Height: 130cm Length/Width: 27cm Depth/Diameter: 16cm
Lot 7030
A late 18th century mahogany longcase with an associated dial and later movement, flat topped hood with a dentil cornice and blind fret beneath, square hood door flanked by two turned pillars with integral capitals, trunk with conforming blind fret and reeded quarter columns, full length trunk door with raised moulding to the edge and an arched top, trunk on a rectangular plinth with applied moulding to the base, mid 18th century brass dial with cast spandrels, chapter ring and engraved dial centre, fitted with �dummy� winding arbors, dial engraved �William Hardgraves Jnr, Settle�, with a semi-circular date aperture and date disc behind, non-matching steel hands, dial pinned via a false plate to a 20th century chain driven three train movement striking the quarters on 8 gong rods. With three brass cased weights..Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 26cmCondition Report:Case good, dial and movement both associated to the case, replacement hands, glass good, incorrect pendulum, with three weights
Lot 267
Royal Interest: A square of lace that has been handed down through the family of the vendor, it came from Osbourne House on the Isle of Wight and was reputed to have been part of the lace veiling that shrouded HM Queen Victoria as she lay in her coffin in January 1901, the lace measures; 16 x 27½ inches approx, small hole in the centre The original provenance is included in the lot, dated 01/02/1901I was given the Lace and note by my Grandmother many decades ago. I have kept it stored in a trunk in which I keep special items.Recently I was going through the trunk and showing my daughter the items that had come down through the family. She suggested that I should show the lace with note to an Antiques Specialist as it looked like it might be of historical importance and interest.I approached Hanson’s who put me in touch with Notty as she has years of experience in such items. The Lace I think was inherited down through my Grandfathers family and came into my Grandmothers possession after his death in 1978.My Grandfather kept a family journal that dates back to the 1800s . The journal gives a great incite into his branch of the family through photographs, newspaper clippings, announcements and a copy of his family tree titled “ Extract from the Genealogical Magazine for 1899. The Royal Decent of Carlyon”. (The family name carried on through the generations - myself, daughter and grandson included).The Lace must have been given to a relative of my Great Grandparents generation either through an Army connection as several members of the family were in the Indian Army or possibly one of my ancestors was a companion lady to Queen Victoria !!I have always been fascinated by family history, my Grandmother shared incites and family stories with me and gave me many photos and special items.The Lace is historically interesting, so just sitting in my trunk seems a waste. It needs to be seen and appreciated, hence my reason for selling itPlease note this Lot will need to be collected from Head Office in Etwall
Lot 341
A PAIR OF ITALIAN CARVED AND PAINTED MONKEY WAITERS VENETIAN, MID-19TH CENTURY each modelled perched on a pile of rocks, with his tail wrapped around a tree trunk and holding out a platter, wearing a painted and gilded Renaissance style costume (2) 144cm high (max) Catalogue Note For a similar single walnut figure, see Woolley and Wallis, Furniture, Works of Art & Clocks, 6th July 2021, lot 464.
Lot 383
A MAHOGANY MUSICAL LONGCASE CLOCK BY J. HEYWOOD, NORTHWICH the brass three train movement with four turned pillars striking the hours on one bell and chiming on a nest of eight bells, the twelve and three quarter inch brass dial with black Roman hour and Arabic five minute numerals, months of the year, days of the month and Saint's days, inscribed to the centre 'Labour here with all my Might/To tell the Hours of Day and Night/Thy constant care then let it Be/To serve the GOD as I serve Thee' and 'Heywood / Northwich' amongst foliate scrolls, beneath an arched brass moon dial with the days of the month, inscribed 'He appointed the Moon for Certain Seasons', the arched case in the manner of Gillows, the hood centred with a Prince of Wales plumes of feathers with a gilt crown, the broken swan neck pediment and blind fretwork above a glazed door flanked by four fluted columns and four half columns to the side, the trunk with applied scrolling foliage to the door flanked by fluted columns and above a fruiting swag, the base with similar decoration, on bracket feet, with three weights and a pendulum 255cm high
Lot 385
A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCK BY JOSEPH WINDMILLS, LONDON, LATE 17TH CENTURY the brass eight day twin train movement with four turned pillars, the anchor escapement striking on a bell, the ten and a half inch brass dial with a silvered chapter ring with black Roman hour and Arabic five-minute numerals and inscribed 'J Windmills London', the matted centre with a subsidiary seconds dial and a date aperture inside cherub head spandrels, the hood with a square, glazed door framed with a floral inlay and flanked by turned columns with gilt capitals and bases, the trunk with a circular glazed lenticle to the door, between panels inlaid with birds amongst scrolling foliage, with two weights and a pendulum 202cm high Catalogue Note Joseph Windmills an esteemed maker and was made free of the Clockmakers' Company in 1671 and became master in 1702. He was in partnership with his son Thomas and they were based in Tower Street, London.
Lot 386
A WALNUT AND OLIVEWOOD OYSTER VENEERED AND PARQUETRY LONGCASE CLOCK PROBABLY BY SAMUEL WATSON, LONDON, LATE 17TH CENTURY AND LATER the brass eight day movement with four turned pillars, the anchor escapement striking the hours on a bell, the brass ten and a quarter inch dial with a silvered chapter ring with black Roman hour numerals interspersed with fleur-de-lis markers with a matted centre, with a subsidiary seconds dial, a date aperture and pierced hands, the shuttered wind holes inside cherub head spandrels, the hood with silk backed fretwork frieze, with ebonised spiral twist columns, the trunk decorated with fan and star paterae on an oyster ground, with a glazed lenticle, on a plinth foot, with a pair of weights, pendulum and key 197cm high Provenance The family collection formed at Well Head House, Halifax, Yorkshire. Catalogue Note Samuel Watson (d.1740) was elected as Sherriff of Coventry in 1686 before going to London in 1690. Watson made two astronomical clocks for King Charles II. He had been made 'Mathematician in Ordinary' to the King in 1682 when he delivered the first clock. Watson was the leading astronomical clockmaker at the end of 17th century. He seemed to specialise in table (spring) clocks but he also made some longcase clocks and a number of watches.
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