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A GOOD LARGE SIGNED JAPANESE MEIJI PERIOD BRONZE GROUP OF TWO TIGERS ATTACKING AN ELEPHANT BY ASAKURA YOSHIHARU, one of the tigers on the elephant's back, the other being trampled underfoot, the coats of each animal naturalistically cast , the base cast with a seal mark, 22.5in long overall & 22in high to top of trunk.
A miniature longcase clock in the 18th century style, with removable broken arched hood and hinged door, the trunk with hinged door and lenticle enclosing dummy weights and pendulum, veneered in rosewood, mahogany and walnut, the verge movement signed John Pitt, London with an engraved brass dial (31cm).
Han dynasty (206 BC – 220 AD) A Han silver bear with fierce expression and a large tongue hanging out of one side of the mouth. It has huge paws with sharp claws and a tail curled up over the trunk. Fine linear engravings enhance the features of the head, ears, and eyebrows. Every feature of the bear is encapsulated in the finest detail this small silver scroll weight. Dimensions: diameter 5cms, height 1.5cms, weight 275g
An 18th century white jade group of 3 rams, the jade of pure mutton fat colour carved almost in the round to show a ram, head with luxuriant beard turned around, seated next to his partner and with a young ram perched on his back, the base finely carved to show detailed line decoration of the underside of the legs and hooves. Coupled with its original ivory stand, carved as a slice of a tree trunk with foliage. Three Rams’ (sanyang) design is commonly found represented in Chinese art, particularly in Jade. The ram is a traditional emblem of good luck, since the Chinese term for ram (or goat), yang, is a homophone of yang, ‘sun’, and represents the male or positive principle in the yin-yang duality. The Chinese character for ram is also used as a variant for a similar character pronounced xiang, which means happiness. Three rams, san yang, are considered a particularly auspicious symbol, evoking the expression sanyang kaitai, the awakening of nature in spring, which signifies good luck and happiness. Dimensions: Length 9cms, height 5cms, weight 375 grams references 1. See `The complete Collection of Treasures at the palace museum’ jade ware 111, pl.88. 2. Christies sale of Hartman jade 28th Nov 2006 lot 1418. 3. Sothebys sale of ram group March 2015 Lot 298
*Uniforms. A large wooden trunk belonging to Lieutenant Colonel I.R. Graeme, OBE, Royal Artillery, enclosing Indian Army lightweight tropical tunic by Hawkes & Co., Savile Row, Gurkha sidecap with four piece badges, India Army headdress and other items, including Skinners Horse commemorative plates, monochrome snapshot photographs, mostly relating to India, etc. (a trunk)
Two Staffordshire flatback style figures of girl and boy with sheep and dog, Crown Devon ginger jar, various miscellaneous china wares, two spelter figures of ladies stood upon the backs of eagles, one marked "Le Jour", the other "La Nuit" and a resin figure of a bear leaning against the base of a tree trunk, together with a selection of postcards to include hand-embroidered postcards, etc
A Victorian iron bound pine trunk, together with an oak side table with barley twist supports and an oak framed stool CONDITION REPORTS The trunk displays a large split to the top, various marks, frits, knocks, scratches etc throughout. Ironwork is rusty, various general signs of wear and tear throughout conducive with age and use
SET OF SIX LATE 19TH CENTURY SILVER PLATED IVORY HANDLES FISH KNIVES AND FORKS maker Mappin & Webb, each with carved ivory handle in the form of a knobbled trunk, each handle with monogram 'RF', forks engraved, knifes engraved with pierced with fish scene, each knife 23.5cm long; together with two silver and horn knife rests, maker Lee & Wigfull, Sheffield 1887-91, each 9.5cm long
A Peter Rabbitman Heap of Wetwang adzed oak longcase clock, first model, the plain oblong hood with half-penny style moulding and carved rabbit motif to the top, enclosing a German two-weight movement striking on three gongs, silvered chapter ring with Roman and Arabic numerals, adzed panels to the hood, trunk and cupboard base with wrought iron fittings and stile supports, 200cm high Peter Heap advises that he only made two clock cases in this style as later ones were a different design without the cupboard base***AMENDED ESTIMATE***
*Tom Parr - Cartoon Drawing. A framed and glazed pen-and-ink and coloured drawing on card, dated 1920, signed by the artist in the bottom left-hand corner, showing an open landscape across which a driver has driven his veteran car at speed and has managed to collide with the trunk of the only available tree. Image size 25 x 16.5cm. Together with another mounted, framed and glazed pencil and pen-and-ink drawing of similar vintage, entitled 'Going Strong' in the bottom margin, indistinctly initialled in the bottom left corner, and again showing a chauffeur-driven vehicle, this time racing along a country road while its two passengers cling on in the back seat and an onlooking policeman peers from behind a roadside tree in horror. Image size 15.5 x 12cm. Both drawings are in good condition. (2)
Oak longcased clock banded in mahogany, painted break arch dial with rolling moon, subsidiary date and seconds dials signed B Mitchells, Cockermouth, eight-day movement (detached from dial), in a swan neck hood with turned columns on a quadrant column trunk, height 233cm (pendulum, two weights). *See clocks and watches proviso. Condition report: see terms and conditions.

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66889 item(s)/page