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A storage trunk.

GOYARD Aine Paris - Superb 1920s cabin trunk covered in goyardine canvas and protected by lozine edging. - Weight: 5.56 kg - Shipping unavailable - Region: France - Sizes: H 450MM X L 710MM - At first glance: normal wear / patina of use

Three various travel trunks; Two canvas and wooden bound trunks and metal trunk.

A Victorian subtly-arch-topped pine trunk, 98 cm x 49 cm x 49 cm

A Victorian pine trunk, 94 cm x 60 cm x 50 cm

A vintage tin trunk containing a mixture of ceramics, glassware and assorted items

A George III mahogany longcase clock, the painted arched 13inch face with seconds dial and date aperture, the hood with stop fluted pillars and the trunk with banded canted corners, the 8 day twin train movement striking on a bell, H 240cm approx.

A Victorian style Howard Miller mahogany longcase clock, the 15in simulated enamel dial with the maker's name, the trunk tapered and with a bevelled glazed door, the three train movement including hour strike and chime melody, with pendulum, three weights, key, and instruction manual, H 214cm

Colorful representation of this beautiful bird perched on a tree trunk. Feathers are yellow, red, blue and green. Long tail feathers are a blend of all colors. Potschappel Dresden mark. 68. Issued: c. 1901Dimensions: 5.5"L x 4.5"W x 14"HManufacturer: Potschappel DresdenCountry of Origin: GermanyCondition: Age related wear. Tail has been restored but is chipped and scratched.

Clear, faceted crystal figural with widespread ears, trunk up and jet crystal button eyes. Swarovski backstamp. 7640 040 000. This item has its original box: 2.5"H x 3.25" dia. Artist: Adi StockerIssued: 1989 - 2006Dimensions: 1.25"L x 1.75"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Part of the Rare Encounters theme group, this crystal figure has trunk up, open mouth, ears flared looking at you with jet crystal eyes. Swarovski backstamp. 7640 000 001. This item has its original box: 5"H x 4" dia. Artist: Martin ZendronIssued: 1995 - 2012Dimensions: 2.5"L x 1.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

FOUR INDIAN STEEL FLINT STRIKERS WITH ELEPHANTS AN EYE FOR DETAIL: PROPERTY FROM A PRIVATE ESTATE IN NORTHERN LONDON Mughal Northern India, late 18th - 19th centuryEach cast in the typical upward-turned shape, comprising an openwork specimen with three roundels in-filled with stylised flowers on the base and an elephant on the handle's terminal, 11cm x 6.5cm; a near pair with a chased-in-relief base featuring vegetal and floral motifs, sinuous stylised makara handles, terminating with elephants, the largest 11cm x 5.5cm; and another similar, the base decorated with a row of three peacocks, the handle incised with details of a bird's head, and terminating in an elephant with an upward-curled trunk, 11.5cm x 6cm. the largest of the group 11.5cm x 6cm Qty: 4

A box containing assorted plated cutlery and mustards, a box containing assorted vintage beer mats to include Guinness and Babycham, a tin trunk containing a Universal Hobbies Fordson Major E27N metal tractor and a Massey Ferguson MF-35X model tractor, a vintage Motorola 4500X (3 boxes)

A stained pine trunk containing various vintage games including a boxwood and ebonised chess set, King 7 cm high, a leather covered chess and backgammon board as The History of England, Volumes I and II, Bagz-i!, Monopoly circa 1936, Sorry, Lotto, Dominoes x 3, various packs of cards, The Yachting Monthly x 3, October 1920, December 1921 and April 1922, together with a carved oak fire kerb and a painted tin trunk bearing initials to lid "D.M.H."

A late 18th Century oak cased long case clock, the eight day movement with brass arch dial bearing medallion inscribed "Ed.Webb Wellington" over a chapter ring with Roman and Arabic numerals enclosing a subsidiary date aperture within spandrals emblematic of the four seasons, the trunk with starburst and stylised foliate inlaid decoration on a cross banded base to bracket feet, 41 cm wide x 23 cm deep x 225 cm high

A Chinese cherry wood trunk with fielded panels opening to reveal a lined interior on carved squat cabriole supports to scroll feet, 101 cm wide x 50 cm deep x 58 cm high

Milne (Alan Alexander). Winnie-The-Pooh and the Bees, circa 1952, four double-page colour pop-up plates, colour illustrations throughout, first pop-up with minor repair to bridge, third pop-up with some creases (3 characters) which have been strengthened to verso, presentation inscription to title-page in black ink, some offsetting to title and last leaf, original spiral-bound pictorial boards, slight edge wear and toning to margins, together withWinnie-The Pooh and Eeyore's Tail. a pop-up picture book, [1953], four double-page colour pop-up plates, colour illustrations throughout, first pop-up with some minor closed tears to tree trunk and Little Roo (with small repair to verso), slight offsetting to title and last leaf, original spiral-bound pictorial boards, slight edge wear and toning to margins, 8vo QTY: (2)

Kubasta (Voitech). The Runaways and the Robbers; The Flying Trunk; Cinderella; Hansel and Gretel; Snow White & the Seven Dwarfs; Jack and the Bean-Stalk/Hop O'My Thumb; Table, Lay Yourself!; Three Little Pigs/Goldilocks, Prague: Artia, 1950s-1960s, also The Brave Tin Soldier, 1978; Jack and the Beanstalk, 1981, together 10 pop-up books, with colour pop-up and moveable illustrations throughout, some creases and repairs, two with ink manuscript ownership name inside front cover, original boards (cloth-backed to first 8 listed), some creases and edge wear to The Runaways and to Table, all 10 books with small Ex Libris Megan + Michael Dawson ticket or ink stamp to upper corner inside front cover, oblong 4toQTY: (10)

A 19th century painted pine dome-top trunk - in pale blue, with iron carrying handles, the interior with till (the lid a/f), on bun feet (LWH 95 x 54 x 52.5 cm), water damage to base.

A French gilt bronze and porcelain mantel clock - late 19th century, the Japy Freres twin train, 8 day movement striking the half hours on a bell, no. 648, fronted by a celeste blue porcelain dial with white ovals with black Roman numerals, the centre painted with cupid and signed by the retailer Northfields of St John's Wood, the case with porcelain urn surmount over a porcelain panelled trunk and base with fluted, Vitruvian scroll and lappet borders flanked by bold foliate scroll brackets, raised on beaded toupie feet, 36.5cm high, with key, on a shaped, fluted giltwood base with ball feet.

A mahogany cased quarter striking grandmother clock, mid-20th century - the arched brass 'Tempus Fugit' dial with Roman chapter ring, the three train movement striking and chiming the Westminster chimes on six gongs, the case with arched hood with canted corners, a panelled trunk and plain, egg and dart moulded base on bracket feet, 163.5cm high, lacks pendulum.

A George IV inlaid mahogany eight day longcase clock with Adam and Eve automata, by Anthony Meyers of Bristol - the signed, painted arched Arabic dial with subsidiary seconds and date dials and painted and gilt spandrels, the arch with an automata of Adam and Eve in the Garden of Eden, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fretwork cresting and mask to the glazed door, a fluted frieze and turned columns, the trunk with geometric ebony banding and canted corners, the similarly inlaid base with bracket feet (the back feet missing), 206.5cm high, lacks pendulum and weights.* The clock has been restored (case, movement and dial). It remains in good physical condition. The hood lacks the finials and has a replacement handle to the door. The dial is in good condition, but lacks the hand from the subsidiary seconds dial. The seatboard has some packing pieces beneath it, so the movement and case may be matched. The clock does not have a pendulum or weights.

A mid-19th century Welsh mahogany eight day longcase clock with moonphase by William Meredith of Merthyr Tydvil [Tydfil] - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, gilt brass hands, painted landscape vignette spandrels and painted moonphase to the arch, fronting a bell strike movement, the case with arched hood with fretwork cresting and mask to the glazed door, flanked by barleytwist columns, over a trunk with conforming columns flanking the geometric inlaid door, the similarly inlaid and cross banded base with ogee bracket feet (the back feet missing), 220.5cm high, lacks pendulum and weights.

An early 18th century mahogany, satinwood and marquetry eight day longcase clock - the square brass dial with silvered Roman chapter ring with engraved foliate half-hour markers and Arabic outer 5 minute track, the matted centre with silvered subsidiary seconds at 12 and chamfered and foliate engraved date aperture at 6, gilt hands, with bullseye winding holes and angel mask gilt brass spandrels, fronting a bell strike movement with four knopped pillars, the case with an ogee moulded cornice over a lozenge panelled frieze, above boxwood and ebony faux-fluted columns and a satinwood cross banded door with gilt brass sight edge, the conforming trunk with marquetry inlaid panels to the sides, the door with a circular brass framed lenticle and two shaped floral urn and foliate marquetry panels, above a base inlaid with marquetry ribbon tied drapery, suspending a musical trophy, on a boxwood strung plinth and bun feet, 220cm high, lacks pendulum and weights.

A Regency inlaid mahogany eight day longcase clock with moonphase by Thomas Trall of Brisol - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, painted fruit and cornucopia spandrels and a painted moonphase to the arch, fronting a bell strike movement with four knopped pillars, the case with boxwood strung arched hood above a fretwork mask to the glazed door, flanked by ebonised and gilt brass barleytwist columns, above a flame mahogany trunk with conforming columns and feather banding, the similarly banded base with bracket feet, 220.5cm high, lacks pendulum.* The case has been sensitively restored and is in good, very clean condition. There are some minor well executed veneer repairs. Lacks finials from hood. The putty has been renewed to the glazing. The dial is in VG condition, with minor retouches to the edges. The seatboard appears to be original and the movement and case appear to be original to each other. The back feet are missing from the case. The clock is complete with cast iron weights but the pendulum is missing.

An early 19th century oak eight-day longcase clock - the painted arched Roman dial with painted arched and spandrels depicting coopers at work, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan-neck hood with turned columns over an arched trunk door and a plain base with bracket feet, 210 cm high, the glass broken.

A late 19th century cedar wood trunk - rectangular, with triple hinged lid and plinth base. (LWH 66 x 51 x 47.5cm)

A George III Cornish mahogany eight day longcase clock by Charles Read of Helston - the silvered arched dial with Roman chapter ring with Arabic outer minute track, the signed centre with subsidiary seconds and arched date aperture, engraved with a lighthouse and two masted man o'war, within engraved spandrels with cherubs emblematic of the four elements, the arch with 'Tempus Fugit' and an eagle, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fluted columns, over an arched trunk door flanked by fluted canted corners, the plain base on shallow bracket feet, 207cm high, lacks pendulum and weights.

A mid-19th century inlaid honey oak and mahogany eight day longcase clock with moonphase by D. Robins of Birmingham, of substantial proportions - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, painted figural spandrels emblematic of the four continents and a painted moonphase to the arch, fronting a bell strike movement with four knopped pillars, the case with swan neck cornice over an inlaid and cross banded frieze, on turned baluster and barleytwist columns, the broad trunk with conforming pilasters flanking a triple lancet arched door inlaid with ebony and mahogany cross banding, on a conforming inlaid base with ogee bracket feet, 238cm high, lacks pendulum and weights.

A 19th century Continental painted chest or trunk, probably Scandinavian - rectangular, polychrome painted with bands of stylised twigs and berries on an egg yolk yellow ground, the interior with till, on a moulded plinth base. (LWH 112 x 62 x 57cm)

A Japanese cloisonné vase - Meiji period (1869-1912), of shouldered baluster form, decorated with a pheasant perched in the branches of a blossoming apple tree, the trunk with a climbing vine with pink flowers, the base with a shallow band of lappets and the rim a band of stylised flowers, all on a dark blue ground, 24cm high, with later carved hardwood stand.* In good condition, with no damage, bruises, cracks or losses to the enamel and no restoration.

A George III mahogany eight-day longcase clock by Richard Biggs of Rumsey (Romsey) - the arched brass dial signed to the centre, with a subsidiary seconds dial, arched date aperture and engraved leafy scrolls, within a Roman chapter ring and gilt-brass floral and C-scroll spandrels, the arch with painted rocking ship automata, fronting a twin train 8-day movement with four knopped pillars, bell strike and anchor escapement, the case with dentil carved arched hood with fluted columns (glass cracked), an arched trunk door with boxwood-strung edges and a plain base with swept feet, 215 cm high.* Very original condition and the case and movement do appear to be original to each other. The glass is cracked. The hood is nicely quality with finely carved columns and dentil carving. Lacks finials. The dial has a nice original patina and the painting to the rocking ship appears original. The case has a good colour and nicely original surface. There is a small piece to the mask around the hood glazing which has been off and glued back in place. The sides of the trunk are free from splits. The inside of the trunk door has a little old (inactive) worm but it is minor. The door lacks the escutcheon. The base has a small split to the top edge of the right hand side panel. The pendulum has snapped off at the lower end of the rod. 

A mid-19th century Cornish inlaid mahogany eight day longcase clock by Hodge of Helston - the signed, painted arched Roman dial with subsidiary seconds and arched date aperture, gilt hands, painted castle ruin spandrels and a painted female figure in a landcape to the arch, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fretwork cresting and mask to the glazed door, flanked by barleytwist columns, over a trunk with geometric ebony banding and canted corners, the similarly inlaid base with bracket feet, 206.5cm high, lacks pendulum and weights.

A late 18th century Scottish eight day oak longcase clock, requiring restoration - the arched brass dial signed to the arch 'Andrew Scott, Edinburgh', with a silvered Roman chapter ring and gilt brass foliate and C-scroll spandrels, the centre with a subsidiary seconds dial, circular date aperture and engraved with leafy scrolls, fronting a bell strike movement with four knopped pillars, complete with cast iron weights and pendulum (the steel spring broken), the oak case with fluted columns and a serpentine arched trunk door, 202.5cm high.

An early 19th century oak eight-day longcase clock by Pearce of Stratford - the signed, painted arched Roman dial with subsidiary seconds and calendar dials, floral painted spandrels and painted castle landscape to the arch, the bell strike movement with anchor escapement, the case with swan neck top on plain turned columns, the trunk with double peaked arched door flanked by fluted quarter columns, over a panelled base with canted corners, 226 cm high.

A large vintage metal trunk carry case

A Victorian pine trunk, the interior with two fitted upper trays, and divisions below, the hinged lid bearing a brass plaque inscribed "Trooper CD Shaw, B Squadron, Northants Yeomanry, EOP number 175 Reg number 651", 48cm high, 71.5cm wide, 47.5cm deep.

A George III oak coach or carriage trunk, hinged cover, 27.5cm high, 70cm wide, 32cm deep, c.1800

A 19th century carved oak cased eight day longcase clock, unnamed arched sunburst gilt dial with silvered chapter ring, Roman and Arabic numerals, pierced spandrels, heavily carved trunk with Ribbon scrolls, Swags and Floral decorations, 233cm high, 51cm wide, with pendulum, two weights and key

A late 19th/early 20th century wooden linen and metal strap bound steamer trunk, deep green fabric outer with black iron work and locking latches, floral interior, 63.5cm high, 59cm long, 41cm wide

A 18th century carved oak Longcase clock, John Fletcher, Barnsley, silvered dial, subsidiary half hour, bold Roman numerals, brass spandrels, two train chiming movement, intricately carved trunk with crown lozenge within floral field, shaped feet,

An continental early 20th century carved Bear, modelled standing front paws curled on a tree stump base, a bear cub at his feet, the stump with crossed tunnel holes, a bear cub in one, smaller trunk spill holder  corners, cm high, 22cm x 22cm base.

A 19th century camphorwood brass inlaid military trunk, with carrying handle to either side. Height 41 cm, width 91 cm, depth 47 cm (see illustration). CONDITION REPORT: The chest has been heavily restored and re varnished . The brasswork around the edges has steel and copper nails and the top is very slightly distorted and kicks out at the front right-hand side. The top has a split to the rear left-hand side in three places, more to the front left, a repair to the front right and all the way up the right-hand side. There are further splits to all sides of the chest but none of these are particularly open other than the one at the rear and the ones to the base.

John Smorthwaite of Colchester, an eight day longcase clock with silvered and brass dial, the hood with three eagle finials and with columns the trunk with arched door and ebony and boxwood stringing. Overall height including finial 227 cm, width 51 cm, depth 25 cm with weights and pendulum (see illustration). CONDITION REPORT: The dial sheet is 41.5 cm x 30.5 cm. The trunk width is 34 cm.

A George III oak and mahogany crossbanded longcase clock, with two train striking movement by N Brown Manchester, with caddy top long shaped trunk door and quarter columns and raised on a plinth. Height +/- 210 cm, maximum width at cornice 56.5 cm.

James Bell eight day longcase clock, with calendar movement, with a brass dial the case with swans neck pediment and with turned columns the trunk with curved door and half columns. Overall height 217 cm, width 46 cm, depth 25 cm, with weights and pendulum.

A 19th century pine cased longcase clock, with two train striking movement and painted dial, the case with shaped trunk door and quarter column corners. Height including finial 224 cm.

A painted tin trunk, with chromed fittings stamped I.S.T.W. and with green painted interior. Height 33 cm, width 104.5 cm, depth 48 cm.

An early 20th Century black painted trunk. Location:A2M

A late 19th/early 20th Century military trunk with red flecks, inscription to lid R.F.H Stowbron R.N.A.S, approx 42" wide x 14" deep x 11" high. Location: A2B

A double-sided illustrated album folio : a Kathak dance and a study of a blue-throated barbet after the Mughal artist Ustad Mansur (d. 1624AD)Awadh, provincial Mughal, circa 1760-80Opaque pigments heightened with gold on paper, two ladies holding hands dancing, laid on card within white rules and margins with gold scrolling tendrils against dark blue ground, within orange, blue and gold rules, wide gold floral borders, laid on card ; the reverse with a study of a perched green feathered bird, opaque and transparent pigments on paper, similarly laid, gold foliate tendril on dark blue ground, large gold speckled dark cream borders, thin gold and blue rules, laid on card, framed and glazedfolio, 39.5 x 27cm., 40 x 27.2cm framedFootnotes: A very similar painting depicting two female dancers in the same pose as ours, attributed to early 18th century Mughal India, is now kept at the Victoria and Albert Museum, London. Although slightly smaller in format the Victoria and Albert Museum example shows the same proportions and composition. Both paintings share the realistic rendering of the dancers' elegant energy whirling their garments and sashes. The museum records it was formerly part of an album bought from "Lieut. Col. Murdoch Smith, Teheran" (inv. 132:27-1885).Condition Report: The folio's edges are scuffed, some with minimal losses. The edges are in fair condition although solely in part. The laid borders' corners are lacking safe for the upper left one. Their edges are irregular with some losses, tears and repaired tears.The painting presents as clean overall. A closer inspection reveals some crease, staining, and white speckles inclusions. Two hair cracks resulting from marked creases affect this painting : the first, most visible, runs vertically from upper margin to lower margin, affecting the veil of the dancer, her upper and lower leg. Along the crease fold, near the veil, a brownish deposit can be noticed. The second crease runs vertically on approximately 10cm. along the left blue border to the centre of the painting. Upon close inspection, some minimal drop stains can be seen to the actual right of the left hand side dancer. Some scattered  very minute losses can also be noticed the the surface of this painting. The margins are in good condition overall. The wide borders are in fair condition with some staining and some creasing.The study of the blue-throated barbet is affected by a long crease which, in place, resulted in a tear. It runs vertically from the upper blue margin, approximately 2.5cm. form it upper left corner, down to the middle of the lower wide border, approximately 3cm. from the edge. it affects the upper part of the left tuft of grass, the tip of the bird's tail, the lower leaf of the sprig below the bird, the side of the trunk, the lower margin, rules and border. The margins are slightly rubbed and discoloured. This is especially noticeable to the lower part of the lower left side and corner. The wider borders are stained.Please note this lot was not inspected under U. V to prepare this condition report.

Three small sewing boxes for a child or doll and a metal sewing pannier, comprising a leather dome top trunk with brass catch and studs, interior in original purple paper with a few miniature accessories, a dome top box with metal fittings, buttoned silk interior, 9.5cms, a paper covered box, losses to lid border, 8.7cms, and a printed tin sewing pannier with sprung lids below swing handle, 7cms.    (4)       From the collection of Ann Wick

A good late 18th/early 19th Century diminutive mother of pearl and gold mounted vinaigrette in the form of a miniature dome top trunk, gold shield escutcheon, hinge mount and side carrying handles, interior complete with sponge, the domed lid pierced and carved with flowers and leaves, a single indecipherable mark struck to the hinge mount above the shield escutcheon, 2.2 x 1.3 x 1.3cms.        From the collection of Ann Wick

A charming late 18th Century travelling writing case in grained red leather and of trunk form, near oval in section, twisted metal carrying handle and circular mounted ring side handles, the front with two swivel catches, the interior in original silk and paper with two miniature glass inkwells, one with metal cover, two quills and an old wax seal, 9 x 4.2 x 3.5cms.        From the collection of Ann Wick

Mauchline ware, sewing, six pieces, comprising a cylinder ribbon case (Dryburgh Abbey / Kelso Abbey / While Summer, with a matron grace ….), 6.5cms, a slant top curved front thimble case (Moor Park, Rickmansworth), 3.5cms, a dome top thimble trunk (black / flowers), 3cms, a disc form pin cushion (The Dripping Well, Fairlight), 5.2cms dia., a thimble egg with reel and needle case but lacking cover (Kirkstall Abbey, East View), 5.4cms, and a double ended girdle form pin cushion (green / floral print), 4.5cms.     (6)

Thimble cases and thimbles, four thimble cases comprising a bone thimble egg inscribed 'A Token of Regard', amongst colour filled engraving, possibly sailor's work, 3.5cms, a fruitwood thimble egg containing the original rosewood thimble, 4.5cms, a beadwork covered wooden thimble case in the form of a pear, some small losses to beadwork, 7cms, a trunk form velvet covered thimble case, 3.5cms, six hall marked silver thimbles including one with raised band 'Hovis Bread', and a Meissen thimble with underglaze blue leaf and flower border, crossed swords mark.     (11)       From the collection of Ann Wick

French pigskin-bound fitted steamer trunk, with five drawers and four pockets inside. Not available for in-house P&P

A VINTAGE TRAVEL TRUNK

A VINTAGE TRAVEL TRUNK BEARING THE NAME PHILIPPA ROBINSON

Large oak trunk, 98 x 48 cm. Not available for in-house P&P