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Click here to subscribeA George V oak longcase clock, with eight day movement striking on a gong, the gilt break arch dial with silvered chapter ring and Roman numerals, cornered with foliate spandrels, the hood with swan neck pediment above a glazed door flanked by columns, the trunk with moulded decoration and circular glazed lenticle on a panelled base and bracket feet, height approx 191cm, together with pendulum.
A George III oak longcase clock with eight day movement striking on a bell, the square painted dial with Roman numerals, moon phase indicator, date aperture and inscribed `Gaskell, Knutsford`, the hood with moulded pediment above a glazed door flanked by fluted columns, the crossbanded trunk door flanked by fluted pilasters above a panelled base, on ogee bracket feet, height approx 204cm, with pendulum, two weights and a key.
An 18th Century and later oak longcase clock with thirty hour movement striking on a bell, the brass dial with single hand and matt centre framed by a silvered chapter ring with Roman numerals cornered by pierced floral and foliate scroll spandrels, the moulded pediment above a glazed door flanked by turned columns above a plain trunk door and plain base, height approx 192cm, with pendulum and weight.
A George III oak longcase clock with thirty hour movement striking on a bell, the painted dial with Roman numerals and inscribed `Nicholas, Daventry`, the hood with swan neck pediment above turned columns and glazed door, the crossbanded case with rectangular trunk door, on bracket feet, height approx 199cm, together with weight and pendulum (some faults).
A pair of Rudolstadt Volkstedt porcelain figures, late 19th Century, modelled as a maiden with a cockatoo perched on her shoulder and a gallant standing beside a wooden trunk with a monkey perched on his shoulder, each decorated in brown with floral costume, heightened in gilt, on naturalistic bases, factory mark to bases.
Collection of dolls including large composition doll, unknown manufacture, blond wig, weighted blue eyes, closed mouth, wearing black and white dress, 22"/56cm; Effanbee Limited Edition Doll Club 1987-1988 reproduction Baby Grumpy, Faithful reproduction of the original composition version complete with certificate and original box, 15"/39cm; Emma Pedigree Victorian doll, vinyl, totally original, still retained within original box, Near Mint including leaflet and Good box, 16.5"/42cm; Effanbee Gotz Kinderland Hildegard Gunzel vinyl baby doll, Mint still retained within original Excellent box, 19"/48cm; Collection of composition doll parts; Horsman Baby Precious replica vinyl doll LE3000, complete with certificate, 20"/51cm; Effanbee Bubbles reproduction vinyl doll, Limited Edition for The Doll Club in 1984, 15.5"/39cm; Effanbee One World Collection Sissy black vinyl doll, complete with card wrist tag, 11"/28cm; Effanbee Sunday Best black Sam black vinyl doll, complete with card wrist tag, 11"/28cm; plus a small quantity of hard plastic costume and other assorted dolls; and a tinplate trunk, Haeberlein-Metzger, illustrated with different types of traditional costume; conditions are mainly Excellent Plus to Mint throughout. (qty)
A Military plywood trunk containing a large quantity of Army Servicemen`s kit and other items relating to Service in the Royal Signal Corp circa 1950`s and later to include two photograph albums containing photos relating to the Korean War, two bayonets, a leather scabbard, a Korean dagger, two batons, various badges and buttons and other items (a lot).
* Tinplate Clockwork motor car. A good large example by Tipp & Co., Germany, c. 1930s, having coachwork in the form of a two-door cabriolet limousine, decorative colour-lithographed tinplate with clockwork motor, liveried chauffeur, “Balloon” tyres and travel trunk to rear with opening lid, original old-stock condition, length 14in (36cm) (1)
A mid-19th Century Mahogany cased drop dial Wall Timepiece, the plain mahogany surround to drop trunk with glazed panel, to a cast brass bezel enclosing a replacement 12” painted Roman dial with outside minute track and further black painted fleur-de-lys type hands, to a single fusee movement, with rectangular plates and anchor escapement, height 20 ½”
A mid-19th Century Mahogany cased Stick Barometer, Pillischer of 88 New Bond Street, London, the rounded head to a plain trunk and shaped base with applied cistern cover, to a two-part ivory scale, also set with a twin scale mercury thermometer and further barometric scale of 27-31 with adjustable vernier and visible tube, height 37”
A late 18th Century Oak and Mahogany crossbanded 8 day Long Case Clock, Jofh Burn of West Bromwich, the swan neck pediment flanking a globe and eagle finial, to a plain frieze over freestanding fluted columns, to a moulded throat, and shaped long trunk door flanked by quarter columns, to a plinth panelled base, to a refreshed 13” arched painted dial, decorated to the arch with a horse and hound hunting scene, over gilt highlighted gesso spandrels, with Roman and Arabic chapter ring enclosing subsidiary seconds and date sector with pierced stamped brass hands, to a signed falseplate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 91”
An early 19th Century Mahogany cased 30 hour Long Case Clock (name rubbed), the hood with overhanging cornice and shaped pediment, to an ogee throat and long trunk door on plinth base, to an 11” third period square painted dial with floral painted spandrels, to a Roman chapter ring with outside minute track enclosing subsidiary seconds and date with black painted steel hands, to a movement with plated united by four knopped pillars with back mounted count wheel and anchor escapement, strike on a bell, height 79”
An early 19th Century Oak and Mahogany crossbanded 30 hour Long Case Clock, Rogers of Stevenage, the hood with swan neck pediment surmounted by three giltwood spherical finials over freestanding fluted columns, and moulded throat to a short crossbanded trunk door and plinth base, to an 11 ½” square painted third period dial, with gilt floral spandrels enclosing a Roman chapter ring with outside minute track and pierced and stamped brass hands, to a movement with plates united by four knopped pillars, back mounted count wheel and anchor escapement, strike on a bell, height 82”
An early 19th Century Mahogany cased 30 hour Long Case Clock, Bedford of Hingham, the hood with overhanging cornice to a scrolling pediment, over freestanding columns to an ogee throat and long arched trunk door and plinth base, to an 11” painted square third period dial, with floral spandrels, to a Roman chapter ring with outside minute track and enclosing date sector and further painted country house detail, with pierced hands, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 82”
A Mid 19th Century mahogany longcase clock,the eight day movement striking on a bell,painted arch enamel dial with Scotsman and highland castle scenes,seconds subsidiary dial signed Purdie & Safley Carluke,enclosed by a hood with broken swan neck pediment and brass eagle ball finial, over a trunk with bowfront door and doric pilasters, canted bracket plinth base 222cm high (lacking weights and chain) ILLUSTRATED
A late 17th Century and later cased inlaid walnut marquetry long case clock by John Clowes London,the moulded square top supported by Corinthian capitals and ebonised twist columns and inlaid hood,the long trunk door with two shaped panels of floral marquetry on a similar base,the 10” square brass dial with winged cherub spandrels signed below the silvered Roman chapter ring,engraved with spherical interlocking centre ,subsidiary dial and date aperture ,the movement with five knopped pillars to an anchor escapement,count wheel and striking on a bell,200cm high. ILLUSTRATED
A late 18th to early 19th Century oak longcase clock the eight day movement striking on a bell, the 12” square brass dial with seconds and date dials inscribed H Thomas Caernarvon, pierced spandrels, enclosed by a pillared fluted hood over a short trunk door, canted plinth base, 200cm high. ILLUSTRATED
A Uniform to Major J W B Hext, 4th King`s Own Royal Regiment (Lancaster), comprising Number 1 Dress Blues Tunic and two pairs of trousers, Number 2 Dress khaki tunic and trousers, battledress blouse and trousers, mess dress jacket, waistcoat and trousers, pair of black leather boots, a Sam Browne belt, and an 1897 Pattern Infantry Officers sword with steel scabbard, leather service scabbard and leather cloth slip case, all contained in a black japanned tin trunk with brass label engraved "C H Hext".
An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high
An Oak Chiming Eight Day Longcase Clock with Centre Seconds, signed Jonas Barber, Winster, No.78, circa 1750, the case with swan neck pediment, turned columns with gilded capitals, arched trunk door flanked by fluted pilasters, rectangular base with canted corners and upon later feet, 13-inch arched brass dial with silvered Roman and Arabic chapter ring, finely matted dial centre and scroll work and engraved figural mask, date aperture, centre seconds, engraved borders, arch with rolling moonphase for lunar scale and tidal indicators, triple weight driven movement with deadbeat escapement, striking the quarters with three hammers striking three bells and a further hammer striking a larger bell for the hours, movement front plate engraved No 78, 214cm high Jonas Barber Jnr (b.c.1718-1802) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. This clock is illustrated fig 7/10 in Loomes (Brian) Clockmakers of Northern England, pg 83-84. It is sold together with a Clock Magazine dated 1982 in Brian Loomes has written an article about this clock, and a service receipt dated 1981.
A George III oak longcase clock By Follows Newcastle eight day movement, the painted enamelled arched dial with flowers and fruit, Arabic numerals, subsidiary second dial and date aperture, swan neck pediment over door flanked by fluted columns, moulded crossbanded trunk door flanked by fluted quarter columns, panelled base raised on ogee bracket feet 218cm high
A late 18th/early 19th century mahogany and oak longcase clock By Edwards, Knowle the painted arched face depicting deer and hunting scenes, with Roman numerals, date aperture, the broken swan neck pediment over door flanked by baluster turned columns, frieze panel, inlaid trunk door flanked by fluted quarter columns, raised on an adapted plinth base 208cm high
A George III mahogany longcase clock By Jas Robertson of Dundee the painted arched face depicting Adam and Eve with Arabic and Roman numerals, subsidiary second dial and date aperture, the broken swan neck pediment with ball finial, closed fretwork panels, moulded door, flanked by fluted columns, moulded arched trunk door with fan inlay flanked by fluted quarter columns, plinth base raised on bracket feet 215cm high
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