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Click here to subscribeMatchbox Superfast 1d Dodge Challenger Revin' Rebel Dragster - orange body with blue & white tampo print, blue plastic roof, clear windows, black interior, bare metal base - Excellent Plus with chip to leading edge of hood, Factory assembly mark to roof & Factory Tampo Print flaw to trunk, in Excellent Type L Box with matching model artwork.
Matchbox Superfast 9c Ford Escort RS2000 - white body with racing number 9 labels, clear windows, dark tan interior, GRAPHITE GREY BASE - Excellent (does have a few tiny chips to trunk & small scratch to rear spoiler), in Excellent "New" Type K Box with 2-line English/French text to rectangular side panel on 1 striker side.
Matchbox Superfast 34c Chevy Pro-Stocker - white body with blue & red racing number 34 hood roof & trunk tampo print only, without side tampo print, clear windows, bright red interior, bare metal base - Near Mint with tiny chip to rear spoiler & usual factory tampo print flaws in Near Mint "New" type L box.
Matchbox Superfast 4d '57 Chevy - red body with black & white "Cherry Bomb" Tampo Print to sides & trunk only, hood without Tampo Print, clear windows, chrome interior, GLOSS BLACK BASE - Excellent with some chrome loss to exhausts & rear bumper along with usual Factory Tampo Print flaws, in Near Mint to Mint "New" Type L Box. RARE COMBINATION OF WITHOUT HOOD TAMPO PRINT & GLOSS BLACK BASE.
Scottish mahogany longcase clock, hood with swan neck pediment abd eagle finial, Corinthian column supports, trunk with long arched door, fluted quarter pilasters, plinth on short turned legs, thirteen inch arched brass dial with subsidary seconds dial and date aperture, signed James Bowie, Kirkcaldy, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a pendulum are present (the pendulum shaft is bent and misaligned). Not set up in the saleroom to determine if fully working. The movement appears complete. The minute hand has been replaced. Some spot tarnishing on the dial. HIstoric repairs to the swan necks on the hood. The rest of the case is generally in good presentable condition, some of the crossbanding is replaced. Adaptations to the base and feet.
Scottish mahogany longcase clock, the hood with moulded and dentil cornice, blind fretwork spandrels, trunk with long coor and Conrinthian quarter pilasters, bracket feet, thirteen inch arched brass dial with cast spandrels, silvered chapter ring, subsidiary seconds dial and date aperture, signed Alexr. Mitchell, Gorbals, Glasgow, eight day movement striking on a bell, height 202cm.Condition report:Two weights and a pendulum are present - the weights would appear to be the originals, and the pendulum shaft is slightly bent and distorted. Not set up in the saleroom to determine if in full working order. The movement appears complete. Recent brass screws have been inserted to secure the soundboard. Dial with some spot wear and tarnishing but otherwise in good general presentable order. Likewise the case, good all round condition. There is a slight crack in the top of the hood glass. Some of the detailing to the carved pilasters on the trunk has been lost through rubbing over time.
Oak and mahogany longcase clock, cavetto cornice, turned columns, trunk with long door, bracket feet, twelve inch square painted dial with subsidiary date aperture, signed Jno Birtles, Harboro, thiry hour movement striking on a bell, height 193cm, with weight and pendulum.Condition report:Not in working order, the pendulum guide looks to have been twisted so much that the pendulum won't fit and swing freely. The top of the pendulum has a crude old repair and seems to be lacking the hook regardless. The movement is loose from the seat board. The dial appears repainted and has an existing paint flake approx 1.5cm in diam above the flowal bouquet. The hood and door of the case are much later in age (the hood late 20th century replacement and doesn't match very well. The back panel has historic worm activity.
Mahogany longcase clock, the hood with scrolled pediment and applied carved frieze, turned and carved supports, trunk with short door and engaged pilasters, bracket feet, thirteen inch arched painted dial indistinctly signed, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a winding key, no pendulum. The dial has heavy losses of enamel to the lower left corner and lower margin. Hands replaced The movement is clean which suggests it has been maintained and serviced but no known history and not set up in the saleroom to test if complete. Sound boards replaced. The case with various replacement elements and restorations.
A GEORGIAN OAK 30 HOUR LONG CASE CLOCK, signed Joyce Ruthin, the box hood with cylindrical pillars, flanking a glazed door that’s enclosing a brass 10 inch dial with foliate spandrels, Roman and Arabic numerals, surrounding a signature, and seconds dial, on a plain trunk, height 206cm (condition report: raised later plinth, worn finish) (one weight, pendulum and trunk key)
SIX ROYAL DOULTON AND ROYAL WORCESTER CHRISTMAS PLATES, AND AN ELEPHANT FIGURE, comprising Royal Doulton Christmas plates dated 1977 and 1978, Royal Worcester plates 1979-1982 inclusive, and a resin elephant with raised trunk, height 23cm (7) (Condition Report: appear in good condition, no obvious damage, elephant would benefit from a clean)
Spectacular frosted sculpture depicting two doves joined together standing over a trunk with leaves. Lalique factory label. Lalique France etched to side. This item has its original box. Box measures: 11.25â€L x 8â€W x 5.75â€H. Dimensions: 6.5"L x 5"W x 8.5"HManufacturer: LaliqueCountry of Origin: FranceCondition: Age related wear.
Max Ernst (1891–1976) was a German-French artist known for his significant contributions to the Surrealist movement and his innovative approaches to art-making. He played a crucial role in expanding the possibilities of artistic expression through his exploration of various mediums and techniques. Ernst's work often delved into the subconscious, mythology, and the irrational, making him a key figure in the development of Surrealism.Key points about Max Ernst and his art:1. **Dada and Surrealism:** Ernst was associated with both the Dada and Surrealist movements. He was part of the Dadaist movement in Cologne and later became a prominent Surrealist artist in Paris. His art sought to challenge conventional norms and tap into the subconscious.2. **Frottage and Grattage:** Ernst developed innovative techniques such as "frottage," which involves creating rubbings from textured surfaces, and "grattage," which involves scraping paint from a canvas. These techniques allowed him to explore chance and randomness in his art.3. **Birds and Insects:** Birds and insects were recurring motifs in Ernst's work. They often symbolized transformation, freedom, and the unknown. These motifs are also connected to his fascination with mythology and ancient art.4. **"Elephant Celebes":** Ernst's painting "The Elephant Celebes" (1921) is considered a seminal Surrealist artwork. It features a hybrid creature with multiple legs and an elongated trunk, defying traditional representations of reality.5. **Collage and Assemblage:** Ernst was a pioneer of collage and assemblage techniques. He combined unrelated images and objects to create dreamlike compositions that challenged conventional notions of space and form.6. **Fugitive Objects:** Ernst often referred to his artworks as "fugitive objects," suggesting their evocative power and the transient nature of the images and ideas he captured.7. **Exile and Influence of Mexico:** Ernst fled Nazi-occupied Europe and spent time in the United States and Mexico. The rich cultural heritage of Mexico influenced his art, as he incorporated elements of pre-Columbian art and mythology into his work.8. **Books and Writing:** Ernst was also a writer and poet. His writings often accompanied his visual art, reflecting his interest in the relationship between image and text.9. **Legacy:** Max Ernst's legacy as an artist extends beyond Surrealism. His experimentation with techniques and materials influenced subsequent art movements like Abstract Expressionism and Art Brut.Ernst's exploration of the subconscious, his innovative artistic techniques, and his willingness to challenge conventional norms continue to inspire artists exploring the boundaries of imagination and creativity. His legacy as a key figure in Surrealism and his impact on the trajectory of 20th-century art remain profound.Measures 24 x 30.
William & Mary floral marquetry 8-day longcase clock c 1700, later mid-18th century four pillar rack striking movement with a square brass dial and subsidiary seconds dial, ringed winding holes and calendar aperture to the matted dial centre, with London cherub head cast spandrels and (later) fretted steel hands, silvered Roman numeral chapter ring with stylised fleur di Lis half hour makers, narrow Arabic five-minutes, minute track and inner quarter hour track, signed Thomas Horlock, Hammersmith, case with box upstand to the domed floral marquetry decorated caddy with three brass flame finials, above a moulded cornice and fretwork frieze, inlaid hood door with attached barley twist pillars to the front above an inlaid convex moulding, full length D moulded trunk door with a circular lenticle inlaid with floral and foliage panels inhabited with birds, on a conforming marquetry plinth with applied double skirting. Thomas Horlock is recorded as a Whitesmith & Clockmaker of Hammersmith, Middlesex.A copy of Thomas Horlock's will dated the 15th June 1757 is held at The National Archives Kew.Dimensions: Height: 240cm Length/Width: 42cm Depth/Diameter: 23cm
John Mudge of London - mahogany 8-day longcase clock with a break arch top c 1800, shallow cornice surround and circular glazed hood door, trunk with reeded, canted corners and wavy topped trunk door, square plinth raised on bracket feet, silvered sheet dial with engraved Roman numerals, five-minute Arabic's and minute track, with pierced steel hands and seconds dial, two train rack striking movement with a recoil anchor escapement. With weights and pendulum.Dimensions: Height: 195cm Length/Width: 43cm Depth/Diameter: 24cmCondition Report:Pendulum suspension missing
John Abbot of London - early 18th century walnut 8-day longcase clock c1740, hood with glazed side panels and tall swept pagoda pediment above a break arch hood door with attached pillars and gesso wooden capitals, long trunk door with a conforming break arch top on a rectangular plinth with applied shaped skirting, brass dial with a matted center and continuous herringbone engraving to the surround, cast spandrels, silvered chapter with Roman numerals, five minute Arabic's, minute track and inner quarter hour track, subsidiary seconds dial and square date aperture, silvered tempus fugit boss to the break arch, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 250cm Length/Width: 45cm Depth/Diameter: 22cm
Robert Dalgliesh of Falkirk - Early 19th century 8-day mahogany longcase clock with a break arch pediment and conforming hood door, hood with flanking turned pilasters and brass capitals, trunk with canted corners and spire topped door, on a rectangular plinth with applied shaped skirting, silvered sheet break arch dial with engraving to the spandrels and arch, Roman numerals, five minute Arabic's and matching steel hands, calendar aperture and seconds dial, with a recoil anchor escapement, rack striking movement, striking the hours on a Bell. With weights and pendulum.Dimensions: Height: 197cm Length/Width: 47cm Depth/Diameter: 24cm
Benjamin Maud of London - 8-day mahogany longcase clock c 1770, with an open fretted swan necked pediment and urn finial, break arch hood door flanked by reeded pilaster with Corinthian capitals, trunk with blind fretwork, reeded quarter columns and a break arch trunk door with a glazed lenticle, short plinth with raised beaded moulding on a stepped base, brass break arch dial with spandrels, matted dial centre, recessed seconds and date apertures with a silvered chapter ring, cartouche name plate and engraved silvered boss depicting a bird of prey to the arch, with a recoil anchor escapement and rack striking, striking the hours on a cast bell. With weights and pendulum.Dimensions: Height: 232cm Length/Width: 40cm Depth/Diameter: 20cm
Philip Brew of Dublin - 8-day mahogany longcase clock c 1760, with a swans necked pediment and deeply carved convex frieze beneath, square hood door flanked by reeded pilasters with Corinthian brass capitals, trunk with convex molding and canted corners, break arch topped door with canted edge on a square plinth with applied base and bracket feet, square brass dial with a matted center, silvered chapter with Roman numerals and five minute Arabic's, seconds ring and date aperture, cast spandrels and matching steel hands, recoil anchor escapement and rack striking movement, striking the hours on a bell. With weights and pendulum. Dimensions: Height: 254cm Length/Width: 47cm Depth/Diameter: 26cmCondition Report:Gut line missing from the going barrel.
Denton & Fox of Hull - Early 19th century mahogany 8-day longcase clock c1802, pagoda pediment with an oval inlay and three ball and spire finials, break arch painted dial and hood door flanked by reeded pilasters with brass Corinthian capitals, long trunk door with conforming break arch top on a rectangular plinth raised on bracket feet, early Wilson (Birmingham) dial with Roman numerals, five minute Arabic's and minute dots, subsidiary seconds dial and calendar aperture, with matching steel hands, floral spandrels within raised gesso work and a conforming oval depiction of a young maiden and dog to the break arch, dial pinned via a falseplate to a rack striking movement with a recoil anchor escapement striking the hours on a cast bell. With pendulum and weights.Joseph Denton was a respected and prolific Hull clock maker working in Scale Lane Hull 1779 and Silver Street 1782-1814. Entering a short-lived partnership with Charles Fox from Beverley in 1802.Dimensions: Height: 240cm Length/Width: 44cm Depth/Diameter: 22cmCondition Report: The pendulum requires attention.
An Oak Eight Day Longcase Clock, signed Samuel Shepley, Stockport, circa 1760, arched pediment, crossbanded arched trunk door, 12-inch arch brass dial with a silvered Roman and Arabic chapter ring, scroll engraved dial centre with seconds and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, (possibly later case), 238cm highCase with small chips and mouldings missing in parts, hood left hand side capital with a chip, underside of the hood with some of the mouldings missing in parts, both side cheeks of the case with small pieces of wood under the seatboard, later seatboard, possibly later case, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, unsigned, circa 1790, pagoda pediment, stop brass fluted columns and pilasters, 12-inch arch silvered dial with Roman numerals, seconds and date dials, arch with strike/silent selection, five pillar movement with an anchor escapement and rack striking on a bell, 247cm high Trunk door with small cracks, front of the plinth with scratches and small cracks, dial is discoloured, later hands, movement with a later hammer and later bell, movement needs cleaning, with pendulum and two weights.
An Oak Eight Day Longcase Clock, signed J. Harrocks, Lancaster, circa 1750, flat top pediment, crossbanded arch trunk door, 12-inch square brass dial with a silvered Roman and Arabic chapter ring signed, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 207cm highCase with minor chips to the edges in parts, hood moulding with one small piece missing to the left hand side, trunk door is discoloured in parts, later bracket feet, later seatboard, movement needs cleaning, with pendulum and two weights.
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