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Lot 371
FOUR BOXED ENESCO DISNEY SHOWCASE COLLECTION FIGURES, from the Disney Traditions Collection by Jim Shore, comprising Mickey and Minnie Mouse 'A Magical Moment' no 4055436, Dumbo 'Faith in Flight' no 4010028, Dumbo 'Baby Mine' no 4045248, and Beauty and the Beast 'Love Endures' no 4031483 (4 + 4 boxes) (Condition Report: pieces appear in good condition, a little visible glue residue on Dumbo's trunk in Faith in Flight, but no obvious damage, boxes have some wear)
Lot 1256
A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, the hood door enclosing a 13 inch dial, depicting Arabic numerals, signed Humphrey Jones, Oswestry, above a trunk door, raised on a box plinth, height 217cm (condition report: two weights, one pendulum, one trunk key, two winding keys, distressed and ideal for restoration, due to marks, scuffs, stains, losses, previous repairs, missing trunk glass, other alterations, wear and usage)
Lot 372
A COLLECTION OF BELLEEK PORCELAIN, comprising a cream jug and sugar bowl, with gold seventh mark, a shamrock tree trunk vase, height 15.5cm, green sixth mark, a dish in the form of a boat, also bearing gold seventh mark, and four shamrock vases (8) (Condition Report: most pieces appear in good condition, one shamrock vase has a chip and hairline on the neck, a little wear to the gilding on the boat)
Lot 10
A trunk UP elephant is said to bring good luck. Vibrant colors, a Hinged gilded walking Elephant clasp and astonishingly beautiful painting of a majestic elephant eating from a beautiful tree inside. Peint Main Limoges France back stamp with artist initials MB and GU. Artist: MB,GUIssued: 20th c. Dimensions: 2.75"L x 1.5"W x 2.75"HCountry of Origin: FranceCondition: Age related wear.
Lot 76
A LARGE BURLWOOD SCROLL POT Trunk form, carved pine branches and needles, inset circular plug 39cm high Condition: Condition Report Has some cracks to sides and loss to small sections of pine needles. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 186
A BURMESE LACQUERED TRUNK Decorated in red and black with an elaborate scene within foliate borders, twin curled iron handles and arched base, red painted interior with storage compartment 70 x 45 x 41cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 37
Rory Gallagher: A Gretsch Corvette Electric Guitar,1963,Serial no. 60937 impressed to top of headstock, contoured, double-cut mahogany body with cherry red finish, P90 pickup with two controls set into black pickguard, non-original bridge, Brazilian rosewood fingerboard with dot markers, headstock with non-original Schaller tuners, in plush-lined rectangular metal case, with strap, lead, capo and strings,CITES license 24GBA10EY71A8,guitar 39in (99cm) longFootnotes:Dónal Gallagher recalls, that in the late '70s, he and Rory were on a 'guitar shopping therapy session' in Guitar Village in downtown L.A. Going outside to feed the parking metre, Dónal noticed a Gretsch guitar in the window of a pawn shop he had parked by. After being told it would cost him $75, Dónal managed to get the price down to $50. On being shown the purchase, Rory was delighted to have such a guitar at such a bargain price saying, 'Quick let's get out of here before they find out what they gave you and want it back.' From then on, it became a favourite of Rory's and would travel in Guitar Trunk No.1.'At present I'm using a Gretsch Corvette for slide instead of the Esquire. The Corvette is Gretsch's attempt at a Les Paul Junior, but I took off the Gretsch pickup because it was too weak and I put on a P90, which is an old black Gibson single coil pickup.' - Rory Gallagher, Beat Instrumental, March 1979.Rory discusses his modifications to the guitar in a 1987 magazine article, '...for most of the open tuning things I've been using a Gretsch Corvette with heavy strings. It's a very tough guitar - my brother got it for me for $75 in a pawn shop in Los Angeles. I took the pickup off that and put a P90 on. I should have hung onto it, in retrospect, because they're very good pickups - similar to the Tennessean. But, in my opinion, the P90 is the best pickup for slide - it has the right overtones.'Literature Adam Sweeting, 'Rory Gallagher', Beat Instrumental, March 1979, p.20, www.roryon.com/beat.html Neville Marten, 'Rory Gallagher', Guitarist, June 1987, vol.4, no.1, www.roryon.com/guitarist.htmlThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 328
A Good Japanese Meiji Period Satsuma Figure of a Monkey Trainer by Kinkozan A Good Japanese Meiji Period Satsuma Figure of a Monkey Trainer by Kinkozan, modelled sat on a tree trunk with pipe, wine flask and monkey perched on his left shoulder, bearing impressed four character seal mark to base.23cm highProfessional restoration to the right hand and pipe, crazing, two firing holes to one side of the lower section with only one very small hole to the other, extensive additional images available.
Lot 215
Brounker Watts, London 17th Century and Later 30 Hour Longcase Clock Rope driven movement with external countwheel striking on a single bell, square brass dial with a silvered chapter ring and Roman numerals, plus subsidiary seconds dial, aperture with engraved '1671' date plus two dummy keyholes. All contained in an oak case, the hood with a moulded cornice and square glass flanked by brass capped columns, trunk with quartered columns, box base raised on stile feet. Supplied with brass faced pendulum and a single weight.208cm highClock ticks and strikes, please see all images.Brounker or Brouncker Watts is recorded in Loomes, Brian Clockmakers of Britain 1286-1700, page 819 as apprenticed to Joseph Knibb from c.1685.
Lot 318
LOUIS VUITTON A COATED COATED CANVAS MALLE CABINE TRUNK, NO. 790495, 20TH CENTURY With brass and leather trim, wood slats, twin loop handles, key and flip lock clasps, painted E.M.C, opening to a cream canvas interior 81 x 47 x 33cm Condition Report: Heavily worn with scuffs, marks and losses Split along the hinge line No key Stains to the interior There is an address written in pencil to the interior Condition Report Disclaimer
Lot 342
* Crichton-Stuart (John Patrick, 3rd Marquis of Bute, 1847-1900). Court dress in tin trunk, comprising: a black wool tailcoat by Meyer & Mortimer, 36 Conduit Street, London, with their printed label at nape annotated in contemporary manuscript 'Marquess of Bute', 6 self buttons to front, 3 to each cuff, and 2 to reverse, black braid to front, cuffs, and ornamental pocket flaps, black silk rosette to reverse of neck, and ribbon bows to shoulders, black silk lining; black wool breeches, knees with self buttons, buckles, and black grosgrain ribbon bows, a few tiny holes in rear; a black silk bicorn hat by Meyer & Mortimer, embellished with interwoven black braid, and grosgrain ribbon with matching button, black silk lining, with maker's name in gilt, some light spotting to crown; a black wool and silk waistcoat by Meyer & Mortimer, with their label to verso of rear belt annotated in contemporary manuscript 'Marquess of Bute', with pockets, and 5 self buttons, lined with ivory silk; a long white cotton shirt by Thresher & Glenny Outfitters, 152 Strand, London, with their oval printed label at nape, cuffs with lace frill, a 'B' surmounted by a coronet embroidered in red cross-stitch to right side of front, foxed in places; 5 silk bow ties; and 3 pairs of silk stockings, one pair with 'B' surmounted by a coronet embroidered in pink thread, generally in good condition, various sizes, all contained in a large black metal trunk, with engraved brass plaque lettered 'Marquess of Bute' below the badge of H. Poole & Co., Army & Navy Tailors, 52 Saville[sic] Row, and 4 Old Burlington St, London, height 12 cm (4.75 ins), length 104 cm (41 ins), depth 32 cm (12.75 ins) QTY: (1)NOTE:Provenance: Private Collection, Derbyshire.John Patrick Crichton-Stuart acceded to the title 3rd Marquess of Bute at the tender age of six months, whereupon it was said that his inheritance made him the richest person in the world. He became an industrial magnate, antiquarian, scholar, philanthropist and architectural patron. His collaboration with architect William Burges led to the creation of two of the finest examples of late Victorian Gothic Revival architecture, Cardiff Castle and Castell Coch. When he died at the age of 53 his heart was buried on the Mount of Olives in Jerusalem. He was a Knight Grand Cross of the Holy Sepulchre, Knight of the Order of Saint Gregory the Great and Hereditary Keeper of Rothesay Castle.Prestigious bespoke tailors Meyer & Mortimer, Thresher & Glenny, and Henry Poole are all still in operation today.
Lot 316
* Clothing. A 19th century Elizabethan-style theatrical costume or fancy dress outfit, comprising a doublet, trunk hose, cape, and flat cap, all of terracotta satin and pale turquoise satin (latter faded) edged with plaited gold metallic braid, doublet with padded slashed-look sleeves gathered at intervals, and with neck and cuffs trimmed with net lace edged with gold metallic lace, some wear and marks (black silk lining of doublet with historic insect damage), and a matching blue satin holster belt in two parts with yellow metal buckles and embellishments, a gold metallic mesh sash, and a pair of midnight blue and raspberry pink slashed velvet shoes (worn), various sizes QTY: (7)NOTE:Provenance: Private Collection, Derbyshire.
Lot 366
A fine quality late-Regency satinwood, mahogany and marquetry stick barometer - by George Purchon of Glass House (probably Leeds, Yorkshire), the architectural top with barber's pole and toothed banding, above a glazed door fronting a signed, painted 'Summer - Winter' dial with floral and foliate spandrels and sliding brass vernier marker, the trunk with inlaid bell flower meanders, over a marquetry cistern cover with oak leaves and acorns, 99.5 cm long.
Lot 864
An early 19th century silkwork embroidery of a shepherdess - seated beneath a tree, with two lambs at her feet, the trunk of the tree embroidered with the word ‘TANCRED’, 30.5 x 25.4cm, within a verre eglomise oval, in a period giltwood and gesso frame with foliate spandrels, 45.5 x 40cm.
Lot 364
A 19th century inlaid mahogany eight-day longcase clock with moonphase by Edward Massey of Burslem - the floral painted Roman arched dial with subsidiary seconds dial at noon and arched date aperture at six, pierced brass hands, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan neck cornice with brass rosette rondels and central ball finial, over fluted columns and an ogee moulded door, probable later alterations to case, the trunk with fluted quarter columns and a cross banded glazed door, on a cross banded plinth with fan spandrels, with ogee bracket feet, probable alterations to case. (LWH 60.5 x 28 x 246.5 cm)
Lot 1144
FREDERICK WILLIAM JACKSON (BRITISH, 1859-1918)Approaching the city, Tangier signed 'F.W. JACKSON' (lower left), inscribed with title (verso) oil on board 38 x 45cm Provenance Private collection, UKCondition reportFine craquelure, including to man and camel and to centre left near tree trunk where there is also a very little paint separation.Diagonal scratch lower centre but this appears to have original paint in/over it so this could well be original to the board/work.Build up of thicker paint to a small patch in centre of trees, could be a little retouching or could be deliberate and original to work.Surface and ingrained dirt.Some frame abrasions to extreme edges.Inspection under uv light reveals the small central spot in trees (mentioned above) fluorescing.
Lot 1259
A QUANTITY OF ARTIST'S MATERIALS BELONGING TO ARTHUR WARDLE AND HIS DESCENDANTSincluding a leather trunk with printed initial 'A.W.'; boxes of pastels, a table-top easel, an oil pallet, a paint brush, oil paints and further artist's materials (quantity) Provenance Property of Arthur Wardle and his descendants, thence by family descent
Lot 388
ROYAL HOUSEHOLD UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) LATE 19TH/EARLY 20TH CENTURY Comprising a blue full dress coat with red facings and gold embroidery, a blue undress coat with red facings and gold embroidery, a black Edwardian evening dress tailcoat with ER VII buttons, a pair of white breeches, three cocked hats with varying loops and buttons a braided sword knot and one uniform trunk Provenance:The Hon. Alexander Grantham Yorke, and thence by descent The Hon. Alexander Yorke was a son of the 4th Earl of Hardwicke and was a Groom-in-Waiting to Queen Victoria (1884-1901) and Extra Groom in Waiting to King Edward VII (1901-1911). He was a courtier to Queen Victoria and, by popular account, the provoker of the most famous remark in British regal history. He was attending one of the Queen's dinner parties at Windsor Castle and at one point turned to his German neighbour and told him a slightly risqué story. The German, who evidently was pleased easily, burst into near hysterical laughter and began to clutch his sides in riotous appreciation. The Queen then asked to hear the story and, after Yorke had reluctantly repeated it, she delivered her historic riposte: "We are not amused." Condition Report: All in worn condition, showing signs of age and long term storage. Lining of the brocade coat is distressed. Some old moth damage throughout all. All buttons present. Hats are worn but still possess shape and inner lining. Appliques intact. Trousers with heavy surface wear and further moth holes - buttons presentChest size approximately 36-38". Short body. Condition Report Disclaimer
Lot 25
An early 19th century mahogany longcase regulator the circular 11" silvered dial with Arabic and Roman numerals, with central seconds over hours dials within outer minute track and blued steel hands, signed H.T.W. Ellis London, single train 8 day brass six pillar movement with deadbeat escapement and dust cover, the steel pendulum rod with mercury compensated glass jar pendulum and brass cased weight supported on a six spoked brass pulley, the arched hood surmounted with three gilt brass pineapple finials over a trunk with glazed door and reeded canted sides, on a box base with raised outline moulding on plinth height 205cm., width 44.5 cm., depth 23.5 cm. Condition:Winds ticks and runs however no guarantee can be offered as to the full working order. No case key. Winding key later. Original seat board. Case unrestored with chips and losses to veneer. Section of moulding loss to side of hood, another loss to moulding on the plinth base on one side. LARGE ITEMS (W lots) are available for collection the day after the sale, from 17th October.
Lot 132
A box containing various leather mounted horse brasses, stoneware and glass inkwells, a box containing various writing and jewellery boxes to include a parquetry inlaid example and one as a pile of books, a wooden trunk containing a kettle and trivet, a reproduction Austin Seven car poster and a box of assorted 45s
Lot 145
Five vintage trunks: a large trunk with signs of use and vintage stickers on the side of 'Hotel du Lac' and 'Grand Hotel des Alpes' 43cm x 85cm x 52cm and a large travelling case with pull out compartment 26cm x 70cm x 45cm, two blue cases with blue and white striped interior, and a pale blue case.....
Lot 563
A pair continental porcelain florally encrusted figural candelabra, 19th century, one modelled with a lady, the other with a gentleman, each standing against a stylised tree trunk on naturalistic rococo base, the trunks supporting four branches and a central raised sconce, each 46cm high (2) (at fault)
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66889 item(s)/page