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A mahogany longcase clock, early 19th century, the hood with swan neck pediments, brass finials and Corinthian columns, enclosing a 12 inch painted enamel and arched dial with subsidiary dial and calendar aperture, the trunk with arched door, set on four short bracket supports, 94in (239cm high).
A walnut cased Vienna wall clock, late 19th century, with carved pediment, the glazed trunk door enclosing an eight day movement striking on a gong, the dial with Roman numerals, the three rod pendulum with cast brass bob, the door flanked by turned half-columns, the base with carved and applied decoration, 49in (125cm) high.
A Mahogany Trunk Dial Wall Timepiece, H Carter & Son, Ripon, circa 1850, the case with side and bottom opening doors, circular top and plain finished trunk, 12-inch painted dial with Roman numerals, single fusee movement with shaped movement plates, anchor escapement, 51cm high See illustration
An Oak Eight Day Longcase Clock, signed Natl Sanders, Manchester, circa 1775, the case with a caddied pediment, turned columns with brass capitals, wavy shaped trunk door with mahogany crossbanding, crossbanded plinth with canted corners (feet missing), 12-1/2-inch square brass dial with Arabic and Roman silvered chapter ring, dial centre with two subsidiary dials for seconds and date, finely engraved with floral, bird and a sailing boat, signed NatL Sanders, Manchester, four pillar movement with anchor escapement and rack striking on a bell, 209cm high See illustration. Nathaniel Sanders is recorded working in Manchester 1772-1800. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 281.
An Oak Eight Day Longcase Clock, signed Samuel Whalley, Manchester, circa 1775, case with swan neck pediment, turned columns, wavy shaped trunk door with mahogany crossbanding, rectangular plinth upon later skirting (feet missing), 13-inch arched brass dial with Arabic and Roman numeral chapter ring, textured dial centre with subsidiary seconds and date aperture, the arch with rolling moonphase and signed on an arched silvered plaque, four pillar movement with anchor escapement and rack striking on a bell, 223cm high See illustration
A Walnut Eight Day Longcase Clock, the case with caddy top pediment, brass stop-fluted columns, side glazed viewing windows, later inlay to the hood, moulded trunk door with later inlaid D shape floral and bird inlay, re-built plinth with inlay and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture below 12, oval shaped silvered plaque bearing inscription Edw Newton, Grantham, centre seconds hand, the arch with silvered disc depicting Father Time, five pillar movement with anchor escapement and rack striking on a bell, 248cm high (dial possibly associated to the movement) See illustration
A Mahogany Eight Day Longcase Clock, signed Tho Clare, Warrington, circa 1780, the case with broken arch pediment, gilt painted glazed front panels, fluted columns, nicely figured wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised central panel and canted corners, upon bracket shaped feet, 13-inch arched brass dial with silvered Arabic and Roman chapter ring signed, matted dial centre with two figures riding eagles, date aperture surrounded by scroll work, subsidiary seconds, the arch with rolling moon disc, four pillar movement with anchor escapement and rack striking on a bell, 240cm high See illustration. Thomas Clare is recorded working in Warrington circa 1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 58.
A Mahogany Eight Day Longcase Clock with Rocking Ship Automata, signed Coe, Cambridge, circa 1790, the pagoda case with good figuration and of good colour, stop brass fluted columns with brass capped capitals, moulded arched trunk door flanked by stop brass fluted pilasters with brass capitals, quatreform moulded plinth inlaid with fan and shell decoration, later skirting and bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, subsidiary seconds silvered dial signed Coe, Cambridge, the arch with rocking ship automation and painted background scene, five pillar movement with anchor escapement and rack striking on a bell, later seatboard, 275cm high See illustration. Purchased from P A Oxley. William Coe is recorded working in Cambridge c.1795. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 62.
An Unusual Small Mahogany Eight Day Longcase Clock signed Jno Thwaites, Clerkenwell, London, No.2393, circa 1800, the figured case with architectural pediment and side finials, side viewing windows, hood with inside holding catch, arched trunk door with moulded borders and flanked by canted corners, moulded plinth upon later feet, 12-inch square silvered dial with Roman numerals, two subsidiary dials for seconds and date, signed Jno Thwaites, Clerkenwell, London, No.2393, later hands, five pillar movement with anchor escapement and rack striking on a bell, movement frontplate stamped I Thwaites and numbered to the bottom side and top edge of the frontplate 2393 later seatboard, 206cm high See illustration
A George III mahogany longcase clock by John Porthouse of Penrith, the case with Victorian alterations, with scroll carved pediment above the arched glazed door enclosing the 12.5 inch arched brass dial with moon phase and eight day striking movement inscribed to the centre "J.N.O. Porthouse Penrith", with date aperture and Roman numerals to the silvered chapter ring, with long trunk door below and base raised on short feet. Height 92 ins.
A George III mahogany longcase clock, with moulded cornice above a circular glazed door enclosing the 13 inch diameter painted dial with Roman numerals, subsidiary date and seconds hand and two train movement, in turn above a long shaped trunk door flanked by fluted quarter column corners and with conforming base. Height 90 ins.
A George III longcase clock, mahogany, with swans neck pediment with eagle and ball finial between above the arched glazed door enclosing the arched painted dial with female figure to the arch and with Roman numerals and thirty hour movement by W. Foster, Whitehaven, flanked by fluted columns and with long shaped trunk door inlaid and flanked by fluted quarter columns, with conforming base beneath. Height 92 ins including finial.
A George III oak longcase clock by Monkhouse of Carlisle, having a swans neck pediment above the arched glazed door, flanked by turned columns and enclosing the painted dial with Roman numerals and thirty hour movement by Monkhouse of Carlisle in turn above a fretwork collar and long crossbanded trunk door flanked by fluted quarter column corners and with conforming base.
A George III oak and mahogany crossbanded longcase clock, by Hendrie of Wigton, the case with triangular pediment above a crossbanded frieze and glazed door enclosing the 11 inch square brass dial and thirty hour movement, with date aperture, Roman numerals and subsidiary Arabic numerals, flanked by turned columns and with conforming trunk door and base. Height 77 ins.
An 18th century oak longcase clock, having a moulded cornice above the glazed door enclosing the 10.5 inch square brass dial with Roman numerals and subsidiary date aperture, by John Thornton, Brentwood, the movement of bird cage variety and being thirty hour, with mahogany trunk door beneath and conforming base, the case subject to alterations.
A 19th century provincial oak and fruitwood crossbanded longcase clock, the eight day movement with anchor escapement striking the hours on a bell, the triangular dentil cornice above a floral enamel arabic dial painted with a song bird to the arch above foliate spandrels, the star inlaid trunk door above inlaid apron, on plinth base, 212cm high
A mid 19th century longcase clock, By James Bell of Edinburgh, the architectural case with leaf-carved pediment above a silvered roman dial with subsidiary seconds dial and deadbeat escapement striking the hours on a coil, the glazed trunk door between leaf corbels, enclosing a silvered pendulum scale, on shell and leaf carved plinth base, 216cm high
A Scottish George III mahogany and inlaid longcase clock, the twin train eight day movement with anchor escapement striking the hours on a bell, the swan-neck pediment above neo-classical faux verre eglomise dial with fan paterae around a Roman dial with subsidiary seconds and calendar dials, the maker's name indistinct (town possibly Doune/Dundee), the ogee arched trunk door between reeded quadrant corners, on a line inlaid apron and cut plinth base, 209cm high
A late 17th century walnut and floral marquetry longcase clock, By Andrew Broun, Edinburgh, the anchor escapement striking the hours on a bell, the caddy top hood with foliate pierced frieze and column uprights enclosing a matted brass and silvered dial with 'boyes and crowne' spandrels, the roman dial with subsidiary arabic chapters, calendar aperture, seconds dial and ringed winding holes, the trunk door with glazed pendulum aperture, on apron base with later short cabriole legs, 235cm high
A 20th Century mahogany longcase clock with chiming movement, the break arch dial with moon phase above a silvered chapter ring framing subsidiary second, date, day and month dials, inscribed 'Charles E. Short Brighton', the case with arched hood above a glazed trunk door, on a panelled base and bracket feet, height approx 188cm.
A 19th Century mahogany longcase clock, with eight day movement striking on a bell, the brass broken arch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman and Arabic numerals, cornered by leaf scroll spandrels, the hood with a swan neck pediment above a glazed door flanked by turned columns, the trunk with a plain door flanked by further columns on a plain base and bracket feet, height approx 215cm (faults).
A George III oak longcase clock with eight day movement striking on a bell, the painted breakarch dial with Roman numerals, subsidiary seconds and date dials, cornered with flowers beneath a bird to the arch, the hood with concave sided cresting above a glazed door, the trunk with arched door on a plain base and plinth, height approx 216cm (faults).
A George III oak longcase clock with thirty hour movement striking on a bell, the brass dial with Roman numerals framing a matt centre with single hand, date aperture and boss inscribed 'Avenell Farnham', cornered with pierced foliate spandrels, the case with caddy top above an arched trunk door on plain base, height approx 220cm (alterations and faults).
A Regency mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Arabic numerals, subsidiary seconds and date dials and inscribed 'Wm Blackwood, N. Shields', cornered with green and gilt spandrels filled with cornucopia and flowers, the arch gilt with two figures watching two dogs chasing a hare, the hood with moulded arch pediment above a glazed door flanked by turned pilasters, the arched trunk door and plain base with boxwood line inlaid decoration, on outswept bracket feet, height approx 224cm (faults).
An 18th Century and later oak longcase clock with thirty hour movement, the brass dial with silvered chapter ring inscribed 'John Wilkes', cornered with pierced gilt spandrels depicting two cherubs supporting a crown, the hood with stepped pediment above a glazed door and turned pilasters, the case with rectangular trunk door above a plain base and plinth, height approx 208cm (alterations and restoration).
John Vise, Wisbech, a George III and later mahogany and satinwood banded longcase clock, the pagoda hood above a break-arch trunk door, the 12 inch dial signed to a curved plaque and with strike/silent to the arch, seconds dial and date aperture, with 5 pillar movement (though lacking a pillar between the barrels), 215cm high
Brounker Watts, London, an early 18th century green lacquer oak longcase clock, the rectangular hood with three ball and spire finials and blind frets below the cornice, the trunk with raised chinoiserie decoration and lenticle, raised upon a restored plinth, the 12 N inch brass dial signed below the centre 'Brounkr Watts / London', with engraved silvered day and deity figure dial to the arch, gilt boys and crown spandrels, seconds dial and date aperture, all within a feather banded border, the 5 pillar movement with outside countwheel strike (the seatboard replaced), 259cm high
Two Louis Vuitton printed and leather bound cabin trunks, circa 1930, each with leather label to the interior, numbered 779399 and 779400 respectively, each 54cm high, 61cm wide, 48cm deep; together with a Louis Vuitton cabin trunk, circa 1930, marked to the metalware, 45cm high, 80cm wide, 47cm deep (all with key, and later black and white painting). Visit www.dnfa.com for condition reports.
19th Century oak Longcase Clock, the hood with a moulded cornice and turned supports, glazed door, the trunk with an arched door and reeded outlines, on a box base, 12" square painted dial with floral spandrels, Arabic numerals and subsidiary date aperture, thirty-hour movement, 196cms, (6'5").
A 19th Century oak and mahogany longcase clock by E. Williams of Trecastle, the 13ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch decorated with a seated figure playing a mandolin and classical arches to spandrels to the eight day two train movement striking on a bell, contained in oak and mahogany case with scroll pediment and turned pillars to hood, the trunk door inlaid with stringings and with banded quarter columns, on bracket feet, 87ins high (dial cleaned off and some figures repainted, case split in places and in need of restoration) Note : Evan Williams recorded working as a watchmaker in Trecastle 1840.
A late 18th Century oak and mahogany "North Country" longcase clock by Richardson of Weverham, the 13ins polished brass square dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to dial centre to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and blind fret frieze, and turned and fluted columns to hood, the shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, conforming plinth, on ogee bracket feet, 90ins high.
A 19th Century figured mahogany "North Country" longcase clock by William Rolls of Caburn (?), the 14ins arched painted dial with Roman numerals, subsidiary seconds dial and calendar dial to the eight day two train movement, the arch painted with three figures and the spandrels with romantic ruined buildings to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming pillars to sides, 92ins high (lacking bracket feet).
An 18th Century longcase clock movement by John Watts of Canterbury, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes to the eight day two train five pillar movement striking on a bell, the movement now with added arch cast with a royal coat of arms, contained in early 19th Century oak and mahogany banded case with arched and moulded pediment and plain turned pillars to hood, angled trunk door, 83ins high Note : John Watts recorded working Canterbury 1720-1775.
A late 18th Century mahogany longcase clock by John Edgccumb (Edgecumbe) of Bristol, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon to the eight day two train movement striking on a bell, contained in plain mahogany case with swept top and turned, fluted and brass stopped pillars to hood, arched trunk door, 88ins high (dial scratched, plinth reduced in height and case repolished).
A late 18th Century mahogany longcase clock by John Vidion of Feversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, showing phases of the moon to the arch, to the eight day two train five pillar movement striking on a bell, contained in mahogany case with pagoda top, and turned, fluted and brass stopped pillars to hood, arched and moulded trunk door veneered in figured mahogany and flanked by fluted and brass stopped quarter columns, the base with applied astragal moulding and double plinth base, 90ins high Note : John Vidion recorded working as a Watchmaker in Faversham pre 1774- 1801.

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66890 item(s)/page