We found 66887 price guide item(s) matching your search

TRUNK, 19th century teak of imposing proportions with brass bindings and side handles, 123cm L x 62cm D x 64cm H.

TRUNK, 19th century Continental painted pine with hinged top, bears later date 1927 and name Maria Lengl to front, 52cm H x 112cm x 57cm. (as found)

TRUNK, 19th century style in brown faux crocodile skin patterned finish with chrome mounts, 72cm x 47cm H x 47cm.

Continental wood carved trunkContinental wood carved trunk, possibly early 18th century, the plank top above a five board case accented with relief decorated reserves depicting stylized dogs and floral sprays, retains early hardware, 21"h x 45"w x 17"dStarting Price: $400

'The Complete Pirelli Calendar Book' introduced by David Niven, published 1975, boxed, other assorted book, watches and miscellanea in an old suitcase, leather handbag and a Victorian tin trunk

Collection of annuals, toys, early copies of the New Musical Express, books etc in three boxes and a tin trunk

Leather brass studded trunk / coffer seated on a carved oak base with two drawers, 116cm long x 56cm deep x 91cm high

Scandinavian carved birch jewel box modelled as a trunk, dated 1882, 16cm, and several small treen items within.

A painted wooden dome top cabin trunk

A dome top cabin trunk with metal mounts

A vintage motoring car trunk with leather handle along with some metal horn funnels, a small leather case and a vintage gargoyle lubricating device & roadside workmans hazard lamp

Two carved elephants, one with Indian decoration, the other having rolled trunk.

A good early 20th century leather vintage suitcase together with a 2nd world war de-mob suitcase and a large green metal security trunk. 17cms high x 67cms Wide

A 19th century canvas and wooden bound steamer trunk / coffee table. Green with wooden strapping, lined interior with notation to side 'Galleymore' 32cms High x 91cms Long x 52cms Depth

An early 20th century large canvas bound steamer trunk (ideal as a coffee table) together with a leather gentlemans vintage attache case 33cms high x 93cms Wide x 54cms Depth

A military style tin trunk being ebonised having painted notation to the hinged lid. 29cms High x 66cms Width x 38cms Depth

A Georgian 19th century oak campaign plan chest trunk. The plinth banded base having exterior brass corner brackets with brass carry handles. All under a heavy and large hinged top. 23cms High x 118cms Wide x 82cms Depth

A pair of Staffordshire lion taper vase groups each modelled with a lion standing before a tree trunk on a shaped gilt line base, 17 cm high, some wear to glaze.

A tin trunk

A tin trunk

A domed top cabin trunk

A trunk

A late19th century continental painted pine trunk

A 20th century Oriental hardwood trunk.

A green travelling trunk and a tin money box.

A mid 19th century oak longcase clock, the painted arch dial signed Francis of Aldeburgh, w.12", the arch painted with fishing boats, the corners with sealife, having subsidiary seconds dial, rolling date dial, twin winding holes for an eight weight driven movement striking on a bell, the trunk with plain panelled door to a boxbase, h.222cm

An early 19th century oak longcase clock, the painted arch dial w.13", with rolling moonphase to the arch, signed John Mears of York, with subsidiary seconds dial, rolling date dial, twin winding holes for an eight day brass movement striking on a bell, the trunk with fluted canted corners, arched panel door to a boxbase, h.223cm

A 19th century mahogany and brass bound campaign trunk, having end carry handles, w.119cm, d.65cm, h.67cm; and one other smaller similar example, w.109cm

A mid 19th century Swedish painted pine dome-top trunk, having twin roundels, one monogrammed, the other dated 1854, in a surround of fruiting vines, w.128cm, d.56cm, h.65cm

A 20th century green painted trunk.

A domed top linen covered bound travelling trunk

A Pine trunk containing carpentry tools, including Bailey No.7 plane

A Rosewood Automata Windmill Drop Dial Wall Timepiece, Schwerer Sheffield, circa 1850, case with octagonal top and side and bottom opening doors, pendulum viewing window to the trunk and side fan `ears`, 12-inch painted dial with Roman numerals, centre painted with automata windmill, single fusee movement with anchor escapement, 59cm high 31.01.13, Case with some cracking and chips to veneers in parts, dial has faded and with small staining marks and small scratches, movement looks complete.

A Mahogany Eight Day Longcase Clock, Jno Oakes, Oldham, circa 1810, swan neck pediment, arched trunk door, canted plinth raised upon bracket feet, 14-inch arched painted dial with Arabic and Roman chapter ring, seconds and date dials, arch with rolling moonphase, four pillar movement with attached falseplate stamped William Whitaker, anchor escapement and rack striking on a bell, 232cm high 25.01.13, Case has been restored at some time throughout but to a high standard, all finials are missing to the hood, some edges with small chips and dents in places, bracket feet look replaced, dial has been totally re-painted at some time to a high standard, movement looks all complete.

A Mahogany Eight Day Longcase Clock, signed R Northern, Hull, circa 1830, pagoda top pediment, Corinthian capped columns, unusual stepped trunk door, plinth with inlaid stringing and raised upon later feet, 13-inch painted arched dial with Roman numeral chapter, centre with seconds, date aperture, arch with painted seascape of ships and a rolling moonphase, four pillar movement with attached falseplate stamped S Wilke Birmingham, anchor escapement and rack striking on a bell, later seatboard, 236cm high 31.01.13, Hood has been restored and some new pieces of wood have been added, hood door is bowed, hood door glass is cracked, trunk door is bowed, feet are later added, some dents and chips in parts, dial with seconds hole worn, two dial pins are missing from movement, movement needs cleaning, later seatboard.

An Oak Eight Day Longcase Clock, Geo Brown Beverly, circa 1820, pagoda pediment, arched trunk door, upon later bracket feet, 12-inch arched painted dial, centre with seconds and date, arch painted with floral decoration, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 222cm high 31.01.13, Case with some chips and scuff marks to the surfaces in parts, later seatboard, hood with finials missing, later added veneers in parts, later bracket feet, dial has been totally re-painted but to a high standard, dial with crazing marks, movement needs cleaning, pendulum and both weights are missing.

A Mahogany Eight Day Domestic Regulator, signed John Dyson, Leeds, circa 1860, with drum head pediment and carved cresting, glazed front door, plinth and bun feet, 13-inch circular painted dial with Roman and numerals, subsidiary dials for seconds and date, four pillar movement with deadbeat escapement and rack striking on a gong, 213cm high 16.01.13, Case has faded due to sunlight damage, hood sides with some small pieces of veneer missing and crack marks in places, side of the trunk with a crack and chips to the top hinge, base with dents in places, dial with chips and re-touching to the surface, movement looks complete.

A Small Mahogany Longcase Clock, swan neck pediment, wavy shaped trunk door with side pilasters, plinth with raised quatre form panel, 6-inch square brass dial, centre later inscribed Johanes Walley de Bolton Fecit, weight driven four pillar movement with anchor escapement and striking on a bell, 146cm high 31.01.13, Case with signs of repair behind swan neck pediment, bottom side of the case has been damaged due to sunlight, back right hand side foot is missing, glass panel to the hood with small cracks, dial is later inscribed Johanes Walley de Bolton Fecit, movement frontplate with vacant holes, both weights and the pendulumv are missing.

A Mahogany Eight Day Longcase Clock, signed Samuel Collings, Downing, swan neck pediment, trunk door with inlaid stringing, plinth raised upon bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre engraved with figures leaning against a clock, date aperture and signed, centre seconds, arch with rolling moonphase and engraved above with High Watch At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1770, case later, 220cm high 01.02.13, Case is faded throughout to the surfaces, dial wooden surround is replaced, case sides with cracks, dial and movement look complete and clean, (dial and movement circa 1770, case of a later date).

A Carved Chiming Longcase Clock, circa 1890, elaborate case carved throughout with scroll and floral high relief decoration, 12-inch arched brass dial with applied Arabic numerals, seconds, chime/silent and eight bells/four bells/four gongs selections, arch with rolling moonphase, triple weight driven movement with anchor escapement and chiming onto eight bells or four gongs, a further larger gong for the hours, 243cm high 01.02.13, Case surface looks dirty and needs a clean and polish, top side of the trunk with some small holes, dial and movement look dirty and need cleaning.

A Late 17th Century Thirty Hour Longcase Clock Dial and Movement, signed Charles Tolly, Londini Fecit, circa 1690, with flat top pediment, barley twist columns, side viewing windows, moulded edged trunk door, crossbanded plinth and bun feet, 10-inch square brass dial with silvered Roman chapter ring, dial plate signed below 6, matted centre with date aperture, winged cherub spandrels, four pillar movement with anchor escapement and outside countwheel striking (bell missing), dial and movement circa 1690, modern case, 194cm high 16.01.13, Case is modern and has been made for the dial and movement to fit, case with veneers lifting in parts and lacking, dial needs cleaning and re-silvering, movement is dirty and needs cleaning, bell is missing, pendulum and weight missing.

A Pine Eight Day Half Hour Passing Strike Longcase Clock, signed Isaac Papavoine, Dukes Court, London, circa 1710, case with a flat top pediment, side viewing windows, trunk door with lenticle, 12-inch square brass dial with silvered Roman numeral chapter ring signed, matted centre with seconds and date aperture, five pillar movement with anchor escapement and half hour passing strike on a bell and a further hammer striking a bell for the hours, 207cm high 30.01.13, Case has been restored, all surfaces have been highly polished, hood with a later added fret to the front, dents and scratches, moulding around the trunk door has been replaced, wooden dial surround has been replaced, dial and movement look clean.

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment, trunk with barber pole stringing and matching plinth, 12-inch brass dial, engraved centre with seconds and date aperture, arch with rolling moonphase and above on a silvered arched plaque inscribed Thomas Lister Luddenden Fecit, four pillar movement with anchor escapement and inside countwheel striking on a bell, case later, 228cm high 31.01.13, Case with cracks and chips in places, hood door is bowed, feet are later added, inside side cheeks have been later added to lift the dial and movement within the case, case is of a later date to the dial and movement.

An Oak Eight Day Longcase Clock, signed Jno Branson, Hull, circa 1790, swan neck pediment, arched moulded trunk door, plain rectangular plinth raised upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, scroll engraved centre with date aperture, seconds and signed, arch with strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, 231cm high 30.01.13, Case has been restored, case surfaces have been polished throughout, swan neck pediment possibly replaced, trunk door hinges are later, some chips and dents to edges in parts, plinth with later added bracket feet, dial is clean, movement looks complete.

An Oak Eight Day Longcase Clock, signed Wm Stumbels, Totnes, arched pediment, side viewing windows, arched trunk door, upon bracket feet, 12-inch arched brass dial, centre with date aperture, seconds and signed, strike/silent selection lever above 12, arch with unusual lunar dial, engraved borders, five pillar movement with anchor escapement and striking on a bell, later seatboard, case later, 223cm high 31.01.13, Case with chips to edges in parts, left hand side moulding missing below hood, dial and movement looks complete, later seatboard, later added finials to hood, some wood missing to the top side of the hood, movement with gathering pallet missing, case possibly of a later date to the dial and movement.

An Oak Eight Day Longcase Clock, pagoda pediment, arched trunk door, mahogany crossbanded plinth raised upon bracket feet, 12-inch brass dial, engraved centre with seconds and date, painted rocking ship scene to the arch and above signed Thomas Husband Hull, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1780, case later, 233cm high 31.01.13, Case has been polished throughout, hood with a later added front fret, dial surround later added, dial and movement looks complete, dial and movement circa 1780 and the case is later circa 1820.

A Green Japanned Eight Day Longcase Clock, signed Joseph Green, Northshields, circa 1730, flat top pediment, side viewing windows, decorated throughout with Oriental scenes, trunk door with lenticle, 12-inch square brass dial with silvered Roman numeral chapter ring signed, matted and engraved centre with seconds, date aperture and ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 197cm high 30.01.13, Case has been restored in the past to the painted oriental scenes, gilding has faded in places, chips and scratches around the case, plinth re-duced, originally the hood would have had a small caddy top which is missing, dial looks clean, movement needs cleaning.

A Mahogany Eight Day Longcase Clock, signed John Baker, Hull, circa 1780, pagoda pediment, wavy shaped trunk door, upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, centre with seconds and date aperture, arch with moonphase and signed on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 232cm high 31.01.13, Case has been polished throughout, hood with the pagoda re-built, scratches around the case, hood with the back right hand side bottom capital missing, later added wooden dial surround, left hand side moulding beneath hood has come loose, slight staining to chapter ring, movement looks complete.

A Mahogany Eight Day Longcase Clock, pagoda top with ball finials, arched trunk door, plinth on later bracket feet, silvered dial with Roman and Arabic numeral chapter ring, centre with seconds and later inscribed Agar Malton, four pillar movement with anchor escapement and rack striking on a bell, dial later, case also later, 239cm high 31.01.13, Case surfaces have been cleaned throughout, re-built pagoda, hood glass cracked, right hand side cheek is damaged and the seatboard is not sitting correctly, finials are later, trunk door, is bowed, dial is later inscribed, dial added later to the movement, case later, case has faded to the surfaces.

A Mahogany Eight Day Longcase Clock, signed Thos Husband, Hull, circa 1795, arched top pediment, side viewing windows, figured arched trunk door, raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic chapter, centre with seconds, date aperture, arch with rolling moonphase, five pillar movement with anchor escapement and rack striking on a bell, 233cm high 31.01.13, Case surfaces have been polished throughout, top cresting has been added later, top side of the hood has been restored, trunk door is bowed, bracket feet look later added, dial has been totally repainted at some time but to a high standard, some touching up in parts to the dial surface, movement looks complete and clean.

A Mahogany Regulator Longcase Clock, 19th century, pediment with carved gallery and flowerheads, bevelled glass trunk door, plinth with raised panel and upon bracket feet, 12-inch circular silvered dial with outer minute track and corresponding centre minute hand, two subsidiary dials for hours and seconds, large four pillar weight driven movement with deadbeat escapement and ``Harrisons`` maintaining power, mercury tubed pendulum, 205cm high 31.01.13, Case has been polished to the veneered surfaces, case with some small cracks, scratches and small dents in places, gilded surfaces have faded, silvering to the dial has discoloured slightly, movement looks complete, pendulum complete with mercury still present.

A Mulberry Eight Day Longcase Clock, unsigned, mulberry veneered case with flat top pediment, side viewing windows, moulded trunk door with tulipwood crossbanding and lenticle, 11-inch square brass dial with silvered chapter ring, centre with date aperture and seconds, ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 205cm high 31.01.13, Case has been totally restored, mulberry veneers have been polished, all ebonised surfaces have been re-ebonised, hood door is later, mouldings missing in parts, top caddy missing and a later piece of wood has been added, hood glass, side viewing glass and lenticle are all replaced, later skirting and re-duced plinth, surfaces with scratches and dents in parts, dial looks clean, movement needs cleaning.

A Walnut Marquetry Eight Day Longcase Clock, flat top pediment, side viewing windows, later marquetry inlay, trunk door with lenticle, 12-inch square brass dial with silvered chapter ring signed Windmills & Wrightman London, matted centre with date aperture and seconds, five pillar movement with anchor escapement and rack striking on a bell, later seatboard, dial and movement circa 1720, case later, 211cm high 31.01.13, Case has been polished throughout, later marquetry inlay throughout, top of the hood has been re-built, right hand side of the trunk door with a large split and the door and the right hand side is coming away from the main case body, chips and cracks to veneers and moulding, later veneers have been added, dial is stained and the movement needs cleaning. dial and movement would date circa 1720, case of a later date.

An Oak American Forecast Barometer, signed Joseph Davis & Co, 6 Kennington Park Road, London, circa 1880, pierced crested pediment, 9-1/2-inch silvered dial with two vernier displays for winter/summer, visible mercury tube, trunk with day of the week disc registers, glazed front with pierced fret work and thermometer, compass to the base, 105cm high 17.01.13, Case with some small dents in places, some of the silvering has slightly discoloured, mercury tube with mercury visible.

A Rosewood Stick Barometer, signed Chadburn, 71 Lord St, Liverpool, circa 1850, with concealed mercury tube, single ivory vernier scale signed, thermometer tube, turned cistern cover, 91cm high 11.12.12, Case with some minor dents to the edges of the trunk, arch top with veneer slightly lifting, dial is slightly dirty, mercury is visible in the tube.

A George III Mahogany Cellaret on Stand, by Gillows, circa 1790, the hinged domed lid crossbanded in tulipwood within boxwood strung lines, enclosing a compartmentalised interior, with original brass carrying handles, stamped Gillows Lancaster, the lock by J Bramah, the stand of fluted form with flowerheads at each corner, on plain brass cappings and castors, 59.5cm by 46cm by 78cm The stand formerly reduced in height, but now raised to its original dimensions using the 1788 Gillows sketch and 18th century mahogany; the interior compartments re-arranged but retaining the original timbers. From 1789/90 until the mid 1790`s Gillows used two blocks, such as used on the present cellaret, to make the stamp GILLOWS LANCASTER, which narrows its date of manufacture to c. 1790 - 1795. This drawing of the cellaret is retained in the Gillow Archives housed by the City of Westminster Archives Centre, volume 344, number 94, pages 238-239, published in 1787-1788. It is described as a Guardevine with trunk to hold 9 bottles, with a loose frame, rail flutes and taper legs with lid. The estimated costs are given as follows: Feb 14th 1788 - a Guardevine with trunk lid; 8 ft of ¾ inch mahogany and birch vin[ee]r - 10s 9d; 2½ ft of 1 inch mahogany - 4s 4½d; 2 ft of ¼ inch mahogany the same - 2 s 2d; 1 ft of 1 inch ditto the legs - 10½d; 2? ft of ½ inch ditto the bottom - 1s 1¾d; 1 pair of stop hinges - 1s 0d; 1 lock and escutcheon - 1s 5d; 1 pair of lifting handles - 2s 2d; 1 sett of sockett castors ? inch - 2s 6d; 1 small cock - 5½d; 3 dozen of ¾ inch and ½ inch screws - 4d; 17 pound of lead at 3d per pound - 4s 3d; Lining ditto Mr Stewart - 5s 9d; Making ditto Henry Walling, Compute - 19s 6d; Rails fluted & carved rows per Mr Gibson - 4 s 9d; Total cost: £3 1s 3½d. Henry Walling was apprenticed for 7 years from 5.3.1770 to Henry Baines and William Bruce, cabinet makers of Lancaster. He became a freeman in 1779-1780. In 1785, with 32 other workmen, he signed the Gillow wage agreement. His work is recorded at Gillows from c. 1785-1796. Henry Gibson (1736-1797) was apprenticed to Christopher Walker, joiner and cabinetmaker of Lancaster, from 10.6.1753. He probably began working for Robert Gillow & Son on completing his apprenticeship. He was described by Richard Gillow in December 1789 as their best carver. Note on Joseph Bramah: Originally a cabinet maker, Joseph Bramah (1748-1814) patented a lock in 1784 which, due to its complex design, remaining unpicked for more than 50 years. As such it was a popular choice for pieces of furniture which held valuables, such as fine wine. Note on Gillows: Gillows and the furniture they made are renowned for several reasons. First, the quality of construction is considerably higher than that of the majority of contemporary cabinet-making firms. Second, with the firm`s proximity to the port of Liverpool and the trading links to the West Indies, the firm was actively (and very profitably) engaged in the importation of not only top quality mahogany, satinwood and other timbers, but also in the sale of British goods to Jamaica and the importation of other West Indian produce for sale in Britain. Third, the innovation of their designs and the preservation of the designs` uniqueness were highly important to the success of the business. If a pattern book was published, its designs were anyone`s (a problem often encountered when attempting to attribute furniture without a secure provenance to Thomas Chippendale). Because Gillows never published their designs, they were always striving for novelty and protecting their patterns from industrial espionage. Gillows` sober and restrained designs, the exceptionally high quality of timber and workmanship, and the exclusivity of their patterns have contrived to create in Gillows the quintessential English cabinet-making firm of the late 18th and 19th century. Good colour and condition throughout. Top with very minor bruising, all consistent with age. Very fine natural split on brackets and stand. Rejoined (as full catalogued). Small bruising around legs, fluted frieze and moulding consistent with age. 080313

A pair of early 20th Century Continental porcelain figural five branch candelabras modelled with a boy and a girl beside a tree trunk supporting floral encrusted branches and urn shaped sconces

A 19th Century Staffordshire figure group spill vase, modelled with an eagle beside a tree trunk looking down upon a sleeping figure with sieved clay decoration, a 19th Century Staffordshire flat back figure group depicting a mandolin player seated beside a bridge alongside a swan with sieved clay decoration, a graduated pair of 19th Century pottery figural decorated jugs, a 19th Century Staffordshire flat back figure group depicting a Scotsman alongside a young girl wearing a kilt on a gilt-lined oval base, a graduated pair of porcelain figural cornucopia vases, a Royal Doulton Matsumai Japan pattern mug, a Royal Terracotta porcelain Japan pattern pottery mug, an early 20th Century Continental porcelain figure of a recumbent greyhound and various tea wares, etc

Two 19th Century Staffordshire figures, one depicting Victoria seated with child upon her knee, the other with Prince Albert seated on a throne chair and two 19th Century Staffordshire pottery spill / pen holder mantel ornaments, modelled with two poodles beside a tree trunk (4)

A rectangular tin trunk, a wrought iron floral decorated oval mirror and a fire guard