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A George II Chinoiserie lacquered longcase clock, the arched brass dial with silvered chapter ring, roman and arabic numerals, mask head spandrels, subsidiary seconds and date aperature, to an 8 day movement striking a gong, housed in a case with arched hood and moulded cornice over a trunk door to plinth base,223 cm high-with weights
ϒA Dutch ‘mulberry’ veneered eight-day longcase clock with moonphase, Daniel Soos, Amsterdam, mid 18th century The five pillar rack and bell striking movement repeating the hour on a second smaller bell at half past and with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with date-of-the month and day-of-the week apertures, ringed winding holes and subsidiary seconds dial to the scroll decorated matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Daniel Soos, Amsterdam to lower margin, with scroll pierced steel hands and spandrels cast as figures emblematic of the four seasons to angles within a herringbone border, the silvered arch with rolling moonphase incorporating cloud engraved lunettes, age of the moon to the visible circumference and high-water times to a sector within the conforming cloud decorated upper margin, the lampblack-stained burr field maple veneered case with giltwood flambeau finials and domed ogee caddy over fretwork frieze and ebonised cavetto moulded break-arch cornice with conforming fret to lintel, with ebonised three-quarter columns to hood door and the sides with scroll pierced break-arch sound frets and conforming quarter columns set against bargeboards at the rear, the trunk with triple-line bordered break-arch door centred with a circular brass lentical, the sides with twin ebony line bordered panels, on conforming panel-outlined plinth base with swept skirt and bracket feet, 254cm (100ins) high excluding top finial. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Hornby 0 Gauge No 1 clockwork Engine Shed and Other Scenic Items, the shed with 2-rail tracks, F-G, slight rusting, with a 'M' Station Set in original box lid, G, and a collection of figures (30+) and platform accessories including 12 milk churns, luggage trunk and watchman's hut, mostly F-G (qty)
SAM COLLIER, ECCLES, GEORGE III INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, the 14” painted dial with subsidiary seconds and date dials, enclosed by figural spandrels, allegorical of the seasons, and set beneath the arch, inscribed: I LABOUR HERE WITH ALL MY MIGHT TO TELL THE HOUR BOTH DAY AND NIGHT, THEREFORE EXAMPLE TAKE BY ME AND SERVE THY GOD AS I SERVE THEE’, signed: SAM COLLIER, ECCLES and also faintly signed GEO KENT, powered by an eight day movement striking on a bell, and housed in a case with dentil moulding and spike and ball brass finials to the swan neck pediment, above a green and gilt painted frieze, inscribed: J. BIRCH, ECCLES, over free standing fluted columns to the fore corners, long trunk door with shaped top, flanked by cluster columns to the fore corners, and raised on a conforming, panelled base with chamfered fore corners and ogee bracket feet, the front with oval paterae and shell inlays, 94 ½” (240cm) high, lacks central finial
Charles Frodsham, London, a quarter-chiming longcase clock: the substantial eight-day duration movement striking the hours on a gong and the quarters on a further four gongs with brass-bound weights and a mercury-filled jar to the pendulum bob, the twelve-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and black Arabic five-minute markings with engraved decoration between and signed Chas. Frodsham, London, 2368, the gilded-brass dial plate profusely engraved with floral and c-scroll decoration, with a subsidiary seconds dial and decorative blued-steel fleur-de-lys hands, the arch having a subsidiary strike/silent dial, the mahogany case having a glazed trunk door, fluted quarter-columns to the hood and trunk, an inset panel to the base, a swan-neck pediment to the hood and all standing on bracket feet, height 232cms.* Biography Charles Frodsham was born into the famous Frodsham family of clockmakers on the 15th of April 1810 and apprenticed to his father William Frodsham, a founder of the chronometer making firm Parkinson & Frodsham. Charles entered eleven chronometers in the Premium trials at Greenwich until the cessation of these trials in 1836, receiving a 2nd prize in 1830. After marrying he set up on his own account at 7, Finsbury Pavement and in 1843 acquired the chronometer making business of the eminent Arnold family moving to 84, The Strand and trading as Arnold & Frodsham until 1858. On the death of Benjamin Lewis Vulliamy in 1854 Frodsham purchased the goodwill of the Vulliamy business, and on the recommendation of Airy succeeded Vulliamy as Superintendent and Keeper of Her Majesty's Clocks at Buckingham Palace. Charles Frodsham was a highly regarded author of papers and books on horology and in 1871 published The History of the Marine Chronometer, the first English language book on this subject. Frodsham died of liver disease in 1871 being succeeded by his son Harrison Frodsham and from 1884 the firm traded as Charles Frodsham & Co., becoming incorporated in 1893 and moving to 115 New Bond Street in 1895.
An Art Nouveau oak chiming longcase clock: the eight-day duration, weight-driven movement having brass bound weights, hour striking on one gong, the round silvered dial having black Arabic hour numerals and signed with the name of the retailer J. Cramp, Horsham, the oak case having a curved top, a glazed trunk door with applied metal trim, with the base having typical carved decoration to the front and sides, height 193cms.
John Bickard, Exeter, a mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell, the eleven-inch square painted dial having black Roman hour numerals and decorative corner spandrels with the centre having a date aperture, a painted bird, decorative blued-steel hands and signed for the maker John Bickard, Exeter, the flat-top mahogany case having with three-quarter columns with gilt-wood capitals to the hood, a long trunk door and plain base, height 200cms.

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66890 item(s)/page