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Chippendale style mahogany three train longcase clock, circa 1930, the domed hood with blind fretwork panels flanking arched brass 26cm square dial with chime selector dial to the arch, Roman numerals, silvered chapter ring, the trunk with a bevelled glass door revealing brass cylinder weights, and bordered with blind fretwork, over a base with a fielded and blind fretwork panel within canted corners, all raised on ogee bracket feet, height 213cm Please see Special Sale Notices regarding watches and clocks
Andrew Black, Alloa (clockmaker, circa 1835), Scottish mahogany eight day longcase clock, circular hood with moulded bezel, silvered circular dial, signed and with Roman numerals, subsidiary seconds and date dial, eight day movement striking on a bell over a trunk with turned half pilasters flanking a bowed flame mahogany door, the base with a flame mahogany recessed panel raised on shaped bracket feet, height 207cm
MacGregor, Edinburgh (clockmaker, circa 1815-25), Scottish mahogany eight day longcase clock, circular dial with Roman numerals, subsidiary seconds and date dials, signed, with a circular door with brass bezel, the movement striking on a bell, the trunk with reeded quarter pilasters flanking an arched door over a small recessed rectangular panel and a box base with a further moulded recessed panel, all raised on bracket feet, height 208cm Please see Special Sale Notices regarding watches and clocks
Nicolas August Lenard, Dublin (Irish clockmaker circa 1760-80) mahogany eight day longcase clock, the hood with floral carved and dentil swan neck pediment centred with a carved shell, cushion frieze carved with acanthus scrolls over fluted Corinthian columns flanking 34cm square brass dial with signed silvered chapter ring with Roman numerals, engraved and matted centre with ringed winding holes and date aperture, silvered subsidiary seconds dial, the whole with cherub and crown spandrels, the trunk fitted with a long fielded flame mahogany door within canted corners over a box base with a raised panel and ogee bracket feet, height 240cm Please see Special Sale Notices regarding watches and clocks
A mid-18th Century and later oak longcase clock with thirty hour movement striking on a bell, the square brass dial with single hand and matt centre inscribed 'Jn. Inkpen, Horsham', framed by a silvered chapter ring with Roman numerals, surrounded by pierced spandrels depicting putti holding a crown aloft amongst foliate scrolls, the oak case with moulded top hood above turned pilasters, the trunk with arched door on a plain base and plinth, height approx 194cm (alterations and restoration).
An Arts & Crafts eight day longcase clock by Liberty & Co. perhaps designed by Leonard Wyburd the hammered and part-patinated steel dial with embossed arabic numerals and TIME FLIES the dome top fixed hood with moulded cornice the leaded glazed trunk door flanked at the top by shelves with open brackets the tapered sides forming the supports on block feet ivorine label 195.5cm high 67cm wide 26cm deep (the movement perhaps associated)
A large 19th century comport with turquoise hand painted details, modelled as two putti ferns and trunk, supporting a fern leaf oval dish extensively restored and stapled, along with a white glazed putti and shell dish, a continental putti and wheelbarrow dish and small cream glazed Italian putti on square plinth (four)
A mahogany longcase clock by John Ellicott, London, circa 1900, inlaid throughout with stringing, cross banding and shell patera to the arched trunk door and panelled plinth base, the break arch hood with brass finial's, stop fluted columns and with a brass break arch dial with subsidary strike silent in the arch, the eight day rack striking movement with a train of eight bells, 230cm high.
A mahogany wall clock circa 1825 Thomas Yates 14-inch painted dial signed Thos Yates Preston iron falseplate indistinctly signed two train weight driven rack and bell striking movement the well figured case of good colour with drum hood shaped top to the trunk door ivory escutcheon flanked by reeded pilasters moulded under-curved base h.161cm. W
A late 18th Century oak cased 30-hour Longcase Clock, Willliam Gouldsbrough of Scarborough, the hood with swan neck pediment over freestanding columns to a convex throat and arched long trunk door, raised on a plinth base (base distressed), to an 11" arched brass dial, signed to a silver boss over a Roman and Arabic chapter ring, set within cast floral and foliate scrolling spandrels, to an engraved centre, with blued steel hands, to a movement with four knopped pillars and count wheel strike on a bell, (movement and case associated), height 89"
A mid 18th Century Chinoiserie decorated 8 day Longcase Clock, Geo Lumley of Bury, the arched hood with applied pagoda top, to a glazed door with 3/4 columns, over a convex throat and long arched trunk door, raised on a plinth base, the whole decorated on a blue field, with gilt and gesso detail, the door depicting birds, pagodas, oriental figures and stags, with the plinth decorated with two sailing vessels, to a 12" arched brass dial, surmounted by a strike/silent subsidiary with cast scrolling foliate spandrels and Roman and Arabic chapter ring, to a matted centre with sunk subsidiary seconds and date aperture, applied nameplate with blued steel pierced hands, the movement with four knopped pillars, anchor escapement and strike on a bell, height 91"
A mid 18th Century mahogany cased 8 day Longcase Clock, Benjan Maud of London, the arched case surmounted by shaped panel with three globe and spike finials, to a glazed door over free standing reeded columns with gilt metal capitals and detail, to a convex throat, to a trunk with canted and reeded corners over a long arched trunk door and raised on a panelled plinth base with bracket feet, to a 12" arched brass dial with strike/silent subsidiary to the arch, with cast scrolling foliate spandrels, to a Roman and Arabic chapter ring, signed and engraved centre with sunk subsidiary seconds and date aperture with pierced blued steel hands, to a movement with five knopped pillars and anchor escapement, strike on a bell, height 92"
An exceptionally fine late 19th Century mahogany and walnut cased Gothic Revival 8 day Longcase Clock, Smith & Sons of St Johns Square, Clerkenwell, London, the hood with exaggerated arch flanked by spires with carved foliate decoration, to a blind fret panel over an arched glazed door, to a wide trunk with large arched pierced sound frets, to free standing cluster columns, flanking an arched glazed door with heavily bevelled glass, to a base with outset corners and arcaded detail to a plinth base and bearing a brass presentation plaque inscribed 'Presented by the Tenant Farmers of the Tendring Hall Estate to Joshua Thellusson Rowley, Esquire, DLJP of Tendring Hall, Stoke by Nayland, Suffolk, on the occasion of his marriage October 19th, 1887', to a 12" silvered circular dial with Gothic Roman numerals, outside minute track and subsidiary seconds with blued steel fleur de lys hands and chime/silent and Westminster and full chime levers, to a massive movement, the heavy plates united by four gun barrel pillars with dead beat escapement, surmounted by a cylindrical pin barrel, to a rack of levers with strike on nine tubular bells with three large polished brass cased weights on four spoke pulleys and wooden rod pendulum with massive cylindrical alloy bob, height 97"
An early 19th Century mahogany cased Scottish Longcase Clock, unsigned, the drum top hood with plain moulded mahogany surround hinged at 12, to a plain foliate carved mount over an ogee throat to a tapering trunk, set with half turned urns and columns, flanking a tapering short trunk door with similar urn decoration, to a panelled plinth base with short bracket feet, to an associated 12" silvered and brass dial with Roman and Arabic chapter ring, to an engraved centre with subsidiaries for seconds and date with floral engraved winding squares to a movement with four knopped pillars and anchor escapement, strike on a bell, height 77"
An early 19th Century mahogany and boxwood inlaid 8 day Longcase Clock, R Westmore of Preston, the swan neck pediment flanking a globe and spike finial, over an inlaid lozenge frieze over free standing fluted columns with gilt metal mounted capitals, to a further replicated shell inlaid frieze over fluted quarter columns, to a shaped trunk door and raised on a plinth base, to a 14" painted second period dial with inverted moon roller and lozenge spandrels to a Roman and Arabic chapter ring over a date subsidiary with pierced and blued steel hands, the movement with four knopped pillars and anchor escapement, strike on a bell, height 80"
A mid 18th Century oak cased 8 day Longcase Clock, Christian of Aylsham, the square hood surmounted by a scrolling frieze with three eagle and sphere finials (one A/F), to an over hanging cornice with 3/4 columns, with an ogee throat and plain long trunk door, raised on a plinth base (reduced), to an 11" dial with cast and applied scrolling foliate spandrels, to a Roman and Arabic chapter ring with signed and engraved centre and black steel pierced hands, to a brass movement with four knopped pillars and anchor escapement, strike on a bell, height 79"
Robert Hughes, Colchester (1711-1769) An eight day walnut longcase clock, the arched brass dial with a strike/silent in the arch over a silvered chapter ring, seconds dial, plaque engraved ‘Rbt Hughes, Colchester’ and calendar aperture. The five pillar movement striking on a bell, the trunk with a burr walnut, strung and crossbanded arched door, dial 11' (28cm) case 95' (2.42cm)
Simon Ganeron, London, An eight day walnut longcase clock, the arched brass dial with a strike/silent in the arch over a silvered chapter ring, seconds dial and calendar aperture. The movement striking on a bell. The hood with fret cut decoration, the trunk altered, dial 11' (28cm) case 90' (2.3m)
George III crossbanded mahogany longcase clock, the hood with dentil cornice, the trunk with arch shaped door, the brass arch shaped dial with moon phase movement having seconds subsidiary dial and calendar aperture - eight day striking movement showing high water at Bristol key, dial signed Jno Hunter, Bristol, 205cm high (John Hunter is recorded by AJ Moore 'The Clock Makers of Bristol' as working between 1761 and 1774, 206cm high
George III mahogany longcase clock, the hood with dentil cornice, blind fretwork frieze, the door with conforming corner brackets flanked by reeded Corinthian columns, the trunk with long door flanked by conforming reeded pilasters, standing on ogee bracket feet. The circular dial with matted centre and silvered chapter ring - eight day striking movement, 221cm high
19th Century North Country crossbanded mahogany longcase clock, the hood with swan neck pediment and with tapered ring turned pillars, the conforming trunk standing on splayed bracket feet, the arch shaped painted dial with moon phase movement and with spandrels depicting the four continents, the convex centre with seconds subsidiary dial and decoration of a monarch with a harpist, signed Parkinson Bros of Bacup - eight day striking movement, 243cm high
A GEORGE III MAHOGANY EIGHT DAY LONG CASE CLOCK, having an arched painted dial, by Waight of Birmingham, seconds and date dials, the restored case having a broken scroll pediment, pillar supports and quarter pillars to the trunk William Waight is recorded as working at Birmingham 1792 see Brittens
A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the white enamelled dial signed Richard Birch, Birmingham, the chapter ring painted with Roman numerals with subsidiary seconds dial and date aperture, with moon phase to the arch, with an eight-day movement striking on a bell, the hood with scrolling cornice with ball and pinnacle finials, the arch topped door flanked by fluted columns with cast capitals, the trunk with conforming quarter recessed columns and long door, on conforming base, 91" high. .
A GEORGE III OAK LONGCASE CLOCK, with a silvered dial signed W. Curtis, Exeter, with Roman numerals with central date aperture and seconds dial, the corners engraved with figures representing the four seasons, with an eight-day movement, the square topped hood with blind fret decoration and turned columns, the trunk with a tall crossbanded door on conforming base with open bracket feet, 78" high.
A George III oak cross banded mahogany eight day longcase clock the 12" square brass dial signed J N Haley, Wrexham with chapter ring of arabic and Roman numerals centred date aperture and subsidiary centred seconds dial within scrolling leaf engraving, the pierced corner spandrels moulded with flowers and scrolling leaves, the four pillar movement striking on a single bell, the hood with swan neck pediment over a dentil moulded frieze the square glazed hood door flanked by fluted front corner hood pilasters over a moulded long crossbanded trunk door with brass pierced key escutcheon flanked by quarter fluted front corner pilasters on a crossbanded box base and cut out plinth, 89" high (with weights and pendulum)
A George III oak thirty hour longcase clock, the 11" square brass dial signed Eunice Guy the chapter ring of Roman numerals within moulded classical figures depicting the seasons, the four pillar movement lacking it's bell the hood with drop on architectural boxed pediment over a trefoil blind fret frieze above a square glazed hood door flanked by back corner quarter turned pilasters (one lacking capitals) over a cross banded trunk door with inlaid star motif and pierced brass key escutcheon on a cut down box base, 75" high (with single weight and pendulum)
A Victorian mahogany eight day longcase clock, the 14" square painted dial signed J N Cross, Liverpool with ring Roman numerals, centred date aperture and subsidiary seconds dial the four pillar movement striking on a single bell the hood with swan neck pediment over a square glazed hood door flanked by slender baluster and ring turned front corner pilasters over a short gothic arch trunk door flanked by spiral reeded quarter front corner short pilasters on a single panel box base and cut out plinth, 94" high (with twin weights and pendulum)

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66889 item(s)/page