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Four Chinese vases, to include a Ge glaze vase with trunk and ring handles, the glaze a light blue shade, a treacle glaze moon flask vase and a pair of Famille Verte vases, 19th century, decorated with scholars and attendants within a garden landscape, with mask and ring handles. Tallest 25.5 cm. CONDITION REPORT: The blue ground Ge vase is of no particular age but is in good order throughout. This vase comes with a wood stand which is also in good order. The treacle glaze moon flask vase is in good decorative order with no obvious chips, cracks, faults or restorations. The pair of vases, one has a quarter missing from the rim and a further section broken and glued to the rim the remaining body is in good order. Its partner vase has 2 small sections missing from the rim, sections of it have been glued. There are large cracks and small glazed chips to the neck and a large rim to foot rim hairline crack with larger further cracks issuing. Throughout the body both vases have plaster of Paris poured into the interior.
A 19th century brass bound camphorwood trunk, with recessed handle and side carrying handles. Width 103 cm. CONDITION REPORT: The trunk is structurally sound but generally well used. There is one brass binding missing to the bottom edge of the right hand side. All other brass bindings are dented, discoloured and a little tired. All handles are present. The lock escutcheon is present as is the lock. The centre top brass plaque is missing. There are several stress fractures to the top but only very minor movement. The interior is in generally good order. There are stress fractures to the base board and in other places also.
An Edwardian mahogany longcase clock, the dial inscribed Maple and Co Limited London, the swans neck pediment and arched silvered brass dial with three train movement striking on a large gong and four gongs. The long trunk door flanked by fluted quarter column corners with brass capitals and all raised on bracket feet. Height 234 cm.
An Elliott of London eight day lever Westminster & Whittington chime grandmother clock, in walnut veneered case, with three-train movement and panelled trunk and base. Height 162 cm. CONDITION REPORT: The clock case is in generally very good condition with only minor small scratches and marks. There are no splits and no losses. The door is not warped. The clock dial is in generally good condition and In particular the silvered chapter ring and numerals. The movement is currently fully wound on all three trains. It is not currently ticking. The movement appears to be very clean and complete. All gongs are present. The movement is clicking on the quarter half, three quarter and full but is not currently striking.
A walnut veneered grandmother clock, early 20th century, with square silvered dial with Roman and Arabic numerals and cherub spandrels, with three train movement chiming on five gongs, the hood with pagoda top flanked by turned finials above a blind fretwork frieze above quarter and half pilasters, having a well figured trunk door, all upon a plinth base. Height 154 cm. CONDITION REPORT: The numerals on the chapter ring are engraved but only very lightly. The movement winds on all three trains and appears to be striking correctly when advanced. The movement is currently ticking away but we do not have the lower section of the pendulum that hooks over the dumbbell. The case is in extremely good condition with no issues. We do not have a key for the trunk door which is currently locked.
An early 19th century mahogany longcase clock, boxwood strung and with swans neck pediment above the arched painted dial and scene emblematic of farming to the arch, with two-train striking movement. CONDITION REPORT: This is an 8 day clock. The hood is in generally good condition, it is however very dirty. The glass to the door is cracked in two places. The long trunk door has a very slight warp at the bottom left hand corner. The base front edge bottom moulding is detached. The left hand return base moulding is missing. The movement winds on both trains and appears to be ticking. It strikes when advanced. We have the pendulum and 2 weights. The bell is missing. The dial is very dirty and has some paint loss. The numerals have been re-painted.
An oak longcase clock, 19th century, the painted arched dial with subsidiary seconds and date dials, with eight day movement chiming on a bell, the hood with swans neck pediment and turned finial with Gothic arches to the sides and turned columns flanking the door with quarter columns to the trunk. 224 cm high. CONDITION REPORT: The movement winds on both trains. It is currently ticking away and striking when advanced. We have both weights and pendulum. The case is in generally very good condition with no evidence of any woodworm past or present. The trunk door is not warped. The glazed door is not warped. The painted dial has some rubbing to the numerals but is generally in good order.
A George III mahogany longcase clock by Barwise of Cockermouth, circa 1765, the hood with swans neck pediment and applied carved roundels above the arched glazed door flanked on either side by reeded pillars, and with blind fret carving above the long shaped crossbanded trunk door flanked by reeded quarter column corners, the base with canted corners and raised on bracket feet, with eight day striking movement and 13" arched brass dial with Indian mask spandrels, silvered chapter ring and Roman numerals. With centre date hand and inscribed Barwise Cockermouth. The arch with moon phase. Height including finial 238 cm. NOTE: Lott Barwise was born at Oulton Wigton in 1726 and died in 1779. He worked in Cockermouth from 1750. See Brian Loomes Clockmakers of Northern England pages 86/88 (see illustration). CONDITION REPORT: In our opinion this clock and case are not a marriage. The cheeks have not been cut nor do there appear to have been any strange alterations. The movement does have both weights and pendulum and is currently ticking away, striking and operating the moon phase. The case is in generally very good condition. There are some minor repairs to the fretwork collar beneath the hood but other than this the case is in first class condition. The door closes as it should and is not warped. There is no evidence of any woodworm. We have the winding and door keys.
A 19th century cedarwood dome topped cabin trunk, metal bound and with carrying handle to either sides. Width 94.5 cm. CONDITION REPORT: The trunk is structurally sound. It is simply well used. All of the brass bindings are present but tarnished, scuffed and marked. The trunk top has three old splits but there is no movement. The trunk interior is fairly clean. The lock and all handles are present.
A Regency mahogany longcase clock with movement by James Doig Edinburgh, with circular hood enclosing the eight day striking movement and with crossbanded trunk door flanked by quarter column corners. Height 206 cm. CONDITION REPORT: We have two weights and the pendulum. The movement winds on both trains and is currently ticking away. It is however very dirty and dry and not striking when advanced. The face has been dropped at some point and the dial has a slight crease to the left hand side. There is also some minor overpainting to the scroll pattern in places. The case is generally in fairly good condition with no significant issues. There are some very minor veneer nibbles but nothing serious. The trunk door is not warped. The backboards are original. There is a stress crack running vertically on the plinth. There is no evidence of any woodworm.
An early 20th century walnut grandmother clock, having a domed hood above an arched brass dial with Roman and Arabic numerals and with eight day three train movement chiming on five gongs. 174.5 cm high. CONDITION REPORT: The clock has a Junghans B20 movement. It is currently ticking away however the movement does not strike when advanced. The left-hand facing train is fully wound. The centre train winds. The right-hand train appears to have a loose spring and is not currently winding. The face is in generally good condition and it does have engraved numerals. The movement does click when advanced but is not currently operating the strike. The case is in generally very good condition. The trunk door is not warped. There are no significant scuffs or marks to the case.
A mid 18th century oak longcase clock by John Sanderson, Wigton, made for a Mr John Skelton circa 1741. The hood with flat top and opening door with half round dial beading. With long trunk door with original hinges and fastener. The brass plates have the owner details JMS and 1741. The movement has four turned pillars anchor escapement and is rack striking. The dial is 12" and is without spandrels. There is an engraved centre with inset moon dial and half round date dial. The floral engraved centre has a border and owners inscription John Skelton. Height 206 cm. NOTE: John Sanderson was born in 1671. His output was principally 30 hour clocks with only a few eight day. He died in 1748, further information can be found in Penfolds "Clockmakers of Cumberland" pages 81-84 and "Brass Dial Clocks" by Brian Loomes pages 392-409. CONDITION REPORT: The clock is 8 day and is currently ticking and striking as it should. The condition of the case is generally very good with no significant issues. The movement is in good order and appears to be working as it should. The clock could be enjoyed in its current state without the need for any work.
An early 19th century oak and mahogany inlaid longcase clock, the painted arch dial with eight day movement, subsidiary seconds and date dials, inscribed for J.A.S. Will Laurencekirk, the hood with swans neck pediment and plain columns above a pointed arch trunk door, all upon a plinth base. Height 211 cm, width 49 cm. CONDITION REPORT: The case is in generally extremely good order and does not need any work. It is a good colour. Neither door is warped. The plinth base is in good condition. The backboards are original and there is no evidence of any woodworm. We have both weights and a pendulum. The clock is currently ticking away and striking when advanced.
A 19th century mahogany longcase clock, with painted dial and eight day striking movement with moonphase by Thomas Allkins West Bromwich, the case with swans neck pediment and short trunk door flanked by half round columns. Height 228 cm. CONDITION REPORT: Dial width 14 ins, height 19.75 ins.
A mid 18th century oak and walnut crossbanded longcase clock by James Gandy Cockermouth circa 1750, with caddy top and turned side pillars. With long trunk door with double arched top, the base being raised on small bracket feet. The movement is eight day and hour striking. Dial 11¾" square with silvered chapter ring and with seconds and date dials. Height 214 cm. NOTE: James Gandy was one of the best known makers in the Cockermouth region. He was famous for making several musical and astronomical clocks. He was born circa 1700 and died in Cockermouth in 1779.
An 18th century ball moon clock in a solid red walnut case by Edward Hariman, Workington circa 1750, the hood with pagoda top and glazed arched door flanked by columns and with long trunk door beneath and conforming base raised on bracket feet. With 12" arched brass dial with four season spandrels, the four pillar movement rack striking and with continuous ball moon drive. The hours strike on a bell. Height 225 cm. NOTE: Edward Hariman was born circa 1700 in the Crosby area and was married in 1729. He moved to Workington in the early 1730's making 30 hour and eight day clocks. He also made special clocks with astronomical dials and globe moons. He died in Workington in 1776 (see illustration). CONDITION REPORT: The clock is currently ticking away and striking when advanced. There does not appear to be any pieces missing from the movement. In our opinion the movement is original to the case and the cheeks and seatboard are original and unaltered. The case itself its in generally very good order throughout with only very minor imperfections. The trunk door is not warped. The backboards are all original. We have both weights, pendulum and all keys.
A walnut veneered longcase clock, the brass and silvered arch dial inscribed for Samuel Northcote Plymouth, the silvered dial with Roman and Arabic chapter ring, subsidiary seconds and date dials beneath strike and silent and with pierced spandrels, the eight day movement chiming on a bell. +/- 229 cm high, 54 cm wide (see illustration). CONDITION REPORT: The clock case is in reasonably good condition with no significant issues. The hood is in generally good order. The door is not warped. All glass is present and original. The left hand return moulding at the bottom of the hood is a little loose but all present. The right hand return moulding has a very small loss right at the very rear of the case for +/- 2 cm. There is a small section of moulding detached from the collar beneath the case - we have the piece. The trunk door is not warped. The base is in generally good condition also. We have a pendulum with the clock but it is not the correct one. When weight is applied to the going train the clock does however tick. The catgut is snapped on the strike train so we are not able to ascertain whether the strike is actually operating at present. The strike/silent mechanism is present but detached from the pointer. There maybe something missing from the operation of the date wheel. The backboards of the case are original and we cannot see any evidence of any woodworm.
AN OAK LONGCASE CLOCK, signed John Whitehurst, Derby, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with painted moonphase in the arch, silvered chapter ring with Roman and Arabic numerals, matted centre with seconds dial, calendar aperture and signature plaque, the mahogany banded and inlaid case with scrolled pediment with brass finials on fluted columns, canted trunk with arched door with marquetry floral patera, panel base with inlaid roundel, on bracket feet, 90" high (Illustrated) (Est. plus 21% premium inc. VAT)
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, BY ALEXANDER MITCHELL, GORBALS LATE 19TH CENTURY the moulded swan neck pediment above an arched brass dial with signed boss Alex. Mitchel/ Gorbals, above a silvered chapter with Roman and Arabic chapters, a subsidiary seconds dials and date aperture, above an arched moulded trunk door flanked by reeded quarter columns, on a plinth base; the eight day movement striking a bell(211cm high, 52cm wide, 26cm deep)
DUTCH MARQUETRY LONGCASE CLOCK SECOND QUARTER 18TH CENTURY the moulded cornice above the 10in. brass dial with a silvered Roman numeral chapter, date aperture, subsidiary seconds dial and month dial, flanked by corner columns above a long trunk door and bombé base raised on carved paw feet, inlaid throughout with bird and flowering urn marquetry, the movement striking on two bells(215cm high, 56cm wide, 29cm deep)
Richard Ganthony, London. An early 19thC mahogany longcase clock, with eagle finials, arched hood, long trunk door flanked by quarter columns, on compressed bracket feet, with arched silvered 28cm W Roman numeric dial with subsidiary second hand date aperture and strike silent feature, signed R Ganthony London, 8-day movement, 126cm H.Richard Ganthony resided in Lombard Street, London. It is believed his apprenticeship finished c1810.
A late 18thC oak longcase clock, with a broken swan neck pedimented hood surmounted by eagle and orb finials, above a long trunk door and panelled base, on bracket feet with 28cm W brass dial with raised spandrels, Arabic and Roman numeric chapter ring, date aperture and subsidiary Arabic secondhand, with 8-day ship rolling movement, 107cm H.
Eardley Norton, London George III mahogany longcase clock, arched brass dial with subsidiary second dial and date aperture, cast Rococo spandrels, the lunette signed EARDLEY NORTON LONDON over a strike/silent dial, eight-day two-chain movement striking on a bell, the case with swan-neck pediment, trunk door with a shaped topped, oval fan inlay, quarter column quadrants, ogee bracket feet, height 248cm.Footnote: Eardley Norton, Clarkenwell, London 1760-94.
10th-late 7th century BC. A carved jasper Neo-Assyrian cylinder seal with La?mu before the Marduk-symbol; facing left the god La?mu as a naked muscular bearded man, kneeling with a turban-like headgear and curly-haired head (La?mu = 'Hairy'), a protective and beneficent deity, in the Neo-Assyrian Period associated with the God Marduk, kneeling on his left knee in front of a three-legged shaft with a tasselled triangular head, the spade-symbol (MAR / marru) of Marduk, the chief god of Babylon; above it a big ball in a circle, his spade can be used as an indication of his origins as an agricultural deity, on the left of the Marduk-symbol is a highly elaborate 'stylised tree' in the form of a stylised palm with a trunk consisting of seven spherical segments, which accumulates laterally in leaflets, at the top a large ball in two circles, of which laterally four phallus-like rays point upwards, between La?mu and the Marduk-symbol above a crescent with rays going up, between La?mu and the 'stylised tree' the 'ball-and-staff'-symbol; fourteen bullets appear as a stand line, framed by two lines above and below. Above, the seal image is bounded by a simple line; plastic style, strong use of the ball drill; accompanied by a museum-quality impression. For the god La?mu see J. Black; A. Green, Gods, Demons and Symbols of Ancient Mesopotamia. An Illustrated Dictionary, London, 1992, p. 115a; for the spade-symbol of the god Marduk see ibid., p.168b; for the 'stylised tree' see ibid., p.170-171. 6.26 grams, 26mm (1"). Property of a London lady, part of her family's Swiss collection; formerly acquired in the 1980s. [No Reserve] Fine condition.
A fine 19th century Italian bronze sculpture. Silenus and Infant Dionysus after the Antique. The satyr stood contrapposto playing cymbals with the infant raised upon his shoulders. Posed by a tree trunk draped with a fleece, pan pipes and trailing vines. Supported on a rectangular textured plinth, 68cm.

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66887 item(s)/page