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Lot 692
An early Victorian mahogany octagonal cased drop dial wall clock, circa 1860, with dual fusee movement, anchor escapement, chiming on a bell on the hour, 12 inch curved dial with black Roman numerals and minute band, shaped steel hands, signed (with losses to some letters) 'J. Briscall, Birmingham', with curved glass, carved fan shaped decoration, glass window to the trunk and hinged door below, with pendulum and two keys, 41 by 17 by 67cm.
Lot 934
An early 19th century mahogany and crossbanded long case clock, twin train movement chiming on a bell, white painted arched dial, black Arabic numerals and minute markers, gilt hands, decorated to the arch with a young lady and a lion, with further young ladies to the spandrels, signature to dial barely visible due to paint loss, possibly Newark, the hood with broken swan neck pediment and brass fittings and flanking turned columns, full length trunk door, plinth base with small feet, with pendulum and two weights, 45 by 22 by 222cm high.
Lot 632
GROUP OF TOBACCO JARS. Art Deco style jar green speckled glaze, cream glaze casket shape jar (some damage to lid), rope & anchor jar pipe rest to lid mustard glaze. Plus jar with ships in relief with sailor finial to lid (chipped) & Comoys of London jar & tree trunk shape jar with acorn finial (chipped). Tallest 6.75ins. (6) NR
Lot 306
An oak granddaughter clock by Tempus Fugit, the hood with glazed door enclosing brass dial, decorated with mask spandrels, 165.5cm high CONDITION REPORT: Lot 306 - door on hood not closing flushly, repair to beading at top of trunk door, no pendulum, no key, minor surface scratches to wood, door slightly warped, old worm areas to bun feet
Lot 304
A good quality walnut longcase clock by James Stuart Armagh, the hood with glazed door enclosing dial with silent lever, subsidiary seconds dial, and gilt spandrels, marked Tempus Fugit, lacking brass weights, with key and pendulum, 206cm high CONDITION REPORT: Lot 304 - chiming when wound, but lacking brass weights. Cannot guarantee working order, trunk door, pendulum present, has key for dial
Lot 305
A mahogany inlaid granddaughter clock by Tempus Fugit, the hood with glazed door enclosing silvered dial with gilt metal mask spandrels, inlaid motifs to the trunk, 168cm high CONDITION REPORT: Lot 305 - wood cracks to top of hood, pendulum present, lacking key, chiming hammer movement, some small areas of woodworm to trunk door, surface scratches and marks to wood also
Lot 1375
A well-travelled Louis Vuitton Travel Trunk having wooden protective rubbing strips, metal corners, banding and carrying handles, the exterior is time and travel worn, the brass lock is impressed Louis Vuitton, the trunk has four low-profile rollers/castors to the base, two internal fabric lined trays and is ink-stamped to the inside of the lid "Louis Vuitton no. 115631", it measures 33 5/8'' wide x 19'' deep x 18'' high. The trunk bears the initials ''E.R.'' and was the wedding trunk for Ethel Richards, nee Chamberlain. Ethel was the youngest surviving child of Joseph Chamberlain and his second wife, Florence Kenrick, and the younger sister of Neville Chamberlain (Prime Minister) and his other siblings Ida and Hilda Chamberlain. Ethel married Whitmore Lionel Richards in 1900 and sadly passed away in 1905.
Lot 1236
Two very rare early tourist ware Palestine Christian subject olive wood carvings. Both created from whole cut sections of trunk- one showing John the Baptist, the other the Holy Grail with key and cross. Both with Hebrew calligraphy, c. 1900. Some loss of exterior bark to the larger carving.
Lot 452
Richmond (William Blake, 1842-1921) The Arcadian Shepherd, 1858, pen and brown ink, on wove paper without watermark, signed with monogram on tree trunk and dated '1858', 145 x 185 mm. (5 3/4 x 7 1/4 in), several inscribed attributions and inscriptions verso, light spotting and surface dirt, unframed Provenance: The artist's family and thence by descent; With Abbot & Holder, London (circa 1990) Literature: cf. Mrs A. M. W. Stirling, The Richmond Papers, London, 1926, pp. 99-100 Simon Reynolds, Sir William Blake Richmond: an artist's life, 1842-1921, 1995, p. 14, see note 15, p. 364 ⁂ The young William Blake Richmond executed the present drawing aged only 15, and would have done so while enrolled in the Royal Academy Schools, London, where he studied for three years. As a drawing from 1858 the nature of the work at first appears as an anachronism, but in reality the drawing serves to illustrate the "poetic" spell that the artist was under after having grown up with the early work of his father, and his father's contemporaries. For a loosely associated work by George Richmond, albeit in a reproductive medium, see the line engraving 'The Shepherd' (see Tate, ref.: N04064); similarly see the wood-engravings by Edward Calvert, the artist arguably closest to Blake Richmond's aesthetic in this drawing, and the Virgil woodcuts by William Blake. "If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of [my father's] contemporaries - Calvert, Blake and others, whose shadows are substance still to me." [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling, op. cit., p. 28]
Lot 2073
An Indian Bangalore silver teapot and matching sugar bowl by C Krishniah Chetty & Sons, the teapot with a deity riding an elephant as a finial, the handle and spout each an elephant's head and trunk, the sugar bowl with deity finial to the lid, each piece decorated with panels of deities and animals, 820g. (See illustration)
Lot 2074
An Indian Bangalore silver bellied cream jug by C Krishniah Chetty & Sons, the handle an elephant's head and trunk, the spout a mythical beast, the body with panels of deities beneath temples, height 10.8cm, 200g. (See illustration) Condition report: Generally in good condition but some wear due to polishing, slight dent to foot.
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66892 item(s)/page