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A Regency mahogany mercury stick barometer L. Bellatti, Grantham, early 19th century With open triangular pediment above glazed rectangular silvered vernier scale calibrated in barometric inches and with the usual observations, beside an alcohol tube Fahrenheit scale thermometer and signed L. Bellatti, Grantham to upper margin, the caddy moulded trunk with exposed tube over rounded base with hemispherical cistern cover, 97cm (38ins) high. Louis Bellatti is recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1650-1900 as a maker of angle barometers working in Grantham circa 1825-45.

A Victorian figured mahogany mercury stick barometer L. Bellatti, Lincoln, mid 19th century With cavetto moulded upstand above glazed canted ivory vernier scale calibrated in barometric inches together with the usual observations and signed L. Bellati, LINCOLN to upper margin opposing mercury tube Fahrenheit and Centigrade scale thermometer, the flame figured caddy moulded trunk with vernier adjustment square to throat above circular base with moulded domed cistern cover and level adjustment screw to underside, 97cm (38ins) high. Louis Lawrence Bellatti is recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1650-1900 as working from 34 Steep Hill, Lincoln 1849-68.

A Regency mahogany mercury stick barometer J. Springer, Bristol, early 19th century With arch-glazed shaped ebony and box strung door to the silvered vernier scale calibrated in barometric inches, with the usual observations and signed J. Springer, Bristol to upper margin, the trunk with conforming ebony and double box line strung edges above circular base with ivory button-centred moulded domed cistern cover, (lacking level adjustment screw), 89cm (39ins) high. James Springer is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as working in the parish of St. Thomas, Bristol in 1797.

A Victorian rosewood mercury stick barometer Lee and Son, Belfast, late 19th century With moulded pediment above bevel-glazed canted ivory double vernier scale calibrated in barometric inches and signed Lee & Son, BELFAST to upper margin, the caddy moulded trunk with vernier adjustment squares and foliate carved ears to throat above arched mercury tube Fahrenheit and Centigrade scale thermometer and base applied with urn shaped domed cistern cover over level adjustment screw to the ogee moulded underside, 97cm (38ins) high. Joseph Lee and Son are recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1650-1900 as working at 57 High Street, Belfast circa 1850-70.

An American mahogany and verre eglomise `banjo` wall clock E. Howard and Company, Boston, late 19th century Of `number five` type with four pillar single train weight-driven eight-day movement with anchor escapement and wood-rod pendulum set between movement and dial, the frontplate stamped E. Howard & Co., BOSTON beneath the letter F, the 7.5 inch cream painted circular Roman numeral dial with steel Breguet style moon hands set behind cavetto moulded glazed mahogany bezel fronting the rounded upper section of the case, above conforming tapered trunk with glass panel infill reverse decorated with alternating bands of black and brown within gilt line borders, the base with conforming wider glazed-front panel with central shaped lenticle and opening to reveal pendulum bob and original paper instruction label, 74cm (29ins) high.

A rare Victorian mother-of-pearl inlaid coromandel wood striking drop-dial wall clock with subsidiary seconds dial Stringer, Stourbridge, mid 19th century The five pillar twin fusee gong striking movement with anchor escapement and shouldered plates, the 13 inch circular white painted dial with subsidiary seconds dial and signed Stringer, Stourbridge to centre, with Gothic style numerals and blued steel spade hands within cast brass glazed bezel with silvered fillet to inner border and circular surround inlaid with eight mother-of-pearl curved foliate scroll bordered panels, the box case with side doors above drop-trunk fronted with rectangular glazed lenticle within conforming stylised floral borders flanked by leafy-trial decorated shaped ears, over quarter-round base incorporating pendulum access flap and inlaid with matching spandrel decoration to the upper margin, 80cm (31.5ins) high. Edwin Stringer is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Stourbridge 1860-76.

A Victorian carved walnut mercury stick barometer Unsigned, late 19th century With break-arch cavetto moulded and floral carved pediment above rectangular bevel-glazed double canted opaque glass vernier scales flanking large bore tube calibrated in barometric inches and with the usual observations, the margins annotated 10 A.M YESTERDAY and 10 A.M TO DAY, to upper and LONG FORETOLD LONG LAST, SHORT NOTICE SOON PAST and FAST RISE AFTER LOW FORETELLS STRONGER to lower, the top right corner further inscribed ADD ONE TENTH FOR EACH NINETY FEET ABOVE SEA LEVEL, the trunk with scroll carved ears and vernier setting squares to throat above applied bevel-glazed mercury tube Fahrenheit and Centigrade scale thermometer decorated with carved motifs to upper and lower rails, the base of shaped cartouche outline applied with rosette centred scroll carved cistern cover with level adjustment square to underside, 103cm (40.5ins) high.

A Victorian figured mahogany mercury stick barometer Frankham, London, late 19th century With canted pediment and lappet carved frieze above bevel-glazed canted silvered brass vernier scale calibrated in barometric inches together with the usual observations, annotated YESTERDAY 9 A.M. and TODAY 9 A.M. to lower margin and signed Frankham, 40 Baker Str., Pentonville to upper margin flanking large-bore mercury tube, the fine flame figured and ebony strung caddy moulded trunk with vernier adjustment squares to throat above circular base with moulded domed cistern cover and level adjustment screw to underside, 97cm (38ins) high. Richard William Frankham is recordedin Banfield, Edwin BAROMETER MAKERS & RETAILERS 1650-1900 as working from 40 Baker Street in 1872, 5 Little James Street 1887-89 and 28 Anwell Street from 1895.

A Victorian figured mahogany bowfronted flat-to-the-wall mercury stick barometer Watkins and Hill, London, mid 19th century With canted pediment and lappet carved frieze above bow-glazed canted silvered brass vernier scale calibrated in barometric inches together with the usual observations and signed Watkins & Hill, 5 Charing Cross, LONDON to upper margin flanking mercury tube, the flame figured bowfronted trunk with vernier adjustment square to throat above glazed mercury tube Fahrenheit and Centigrade scale thermometer and ogee moulded swollen base with level adjustment screw to the cavetto moulded underside, 97cm (38ins) high. The partnership between Francis Watkins and Joseph Hill is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as makers of a diverse range of scientific instruments trading from 5 Charing Cross, London 1819-56.

An early Victorian brass inlaid mahogany drop-dial wall timepiece with ten inch dial Unsigned, circa 1850 The four pillar single fusee movement with anchor escapement, the 10 inch circular white painted Roman numeral convex dial with pierced steel hands within cast brass convex glazed bezel and moulded turned wooden surround, the box case with door to right hand side above short drop-trunk with pendulum access flap to the curved base 35cm (13.75ins) high.Please note: This is not brass inlaid, as indicated in the printed catalogue

A rare Regency brass inlaid mahogany striking drop-dial wall clock Dwerrihouse, Carter and Co., London, early 19th century The five pillar twin fusee bell striking movement with anchor escapement and shouldered plates, the 12 inch circular white painted wood Roman numeral convex dial signed DWERRIHOUSE CARTER & Co, Davies Street, BERKELEY SQ.E to centre and with blued steel spade hands within cast brass convex glazed bezel and caddy moulded turned wooden surround, the box case with side doors above drop-trunk fronted with panel centred with stylised floral decoration within line border interrupted with rosettes to angles flanked by scroll outline ears, over conforming decoration to the quarter-round base incorporating pendulum access flap, (case with repairs and losses), 58.5cm (23ins) high. Dwerrihouse Carter and Co. are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Davies Street, London, circa 1825.

A Victorian mahogany small drop dial fusee wall timepiece with eight inch dial James Shoolbred and Company, London, late 19th century The four pillar single fusee movement with anchor escapement and 8 inch circular cream painted Roman numeral dial signed JA.s SHOOLBRED & Co., LONDON to centre within glazed brass bezel and turned wood surround, the box case with side door to right hand side above drop-trunk with pendulum access flap to the curved base, 41cm (16.25ins) high. James Shoolbred and Company were retailers and makers of furniture and decorations who sold their wares through their large department store type premises on the Tottenham Court Road. Illustrations of items from their 1876 catalogue of furniture and furnishings are reproduced in Joy, Edward Pictorial Dictionary of British 19th Century FURNITURE DESIGN.

A Victorian brass inlaid mahogany drop-dial wall timepiece with ten inch dial The dial signed for Gillett and Bland, Croydon, late 19th century The four pillar single fusee movement with anchor escapement and stamped with number 6706 to backplate, the 10 inch circular white painted Roman numeral dial bearing signature GILLETT & BLAND, Steam Clock Factory, CROYDON to centre and with steel spade hands within cast brass glazed bezel with angled silvered fillet to inner edge and moulded turned wooden surround, the box case with side doors above drop-trunk fronted with inlaid brass line border interrupted with rosettes to angles flanked by shaped ears, the curved base with pendulum access flap, 39.5cm (15.5ins) high.

An Edwardian inlaid mahogany quarter chiming eight-day longcase clock Unsigned, circa 1900 The four pillar triple train movement with anchor escapement, chiming a choice of two tunes on a nest of eight graduated bells every quarter and striking the hour on a coiled gong, the 12 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles with mask and scroll cast spandrels beneath subsidiary CHIME/SILENT and WHITTINGTON CHIME/WESTMINSTER CHIME selection dials within conforming cast mount infill, the pagoda pedimented case with brass grille sound fret to pediment above break-arch cornice and foliate trail inlaid door flanked by Corinthian pillars to hood, the trunk with satinwood banded break-arch door inlaid with cornucopaie above lattice cartouche and symmetrical scrollwork between foliate decorated throat and plinth mouldings, the shaped crossbanded panel fronted plinth base inlaid with conforming designs and with moulded skirt incorporating shaped apron, 235cm (92.5ins) high.

A George III ebonised tavern wall timepiece Unsigned, circa 1800 The four pillar single train weight-driven eight-day movement with large greatwheel for the four wheel train, anchor escapement and tapered plates, the 16 inch wooden convex gilt on black Roman numeral dial with gilt spade hands and slender moulded edge, the drop-trunk case with side doors above long concave-topped rectangular door to front and `chisel` foot, (case redecorated), 132cm (52ins) high

An unusual line inlaid mahogany drop-dial wall timepiece with fourteen inch dial Unsigned, early 19th century The four pillar single fusee movement with anchor escapement and arched plates, the 14 inch circular gilt on black painted Roman numeral dial with gilt spade hands within generous cavetto moulded cast brass convex glazed bezel and moulded turned wooden surround integral to the box case with side doors above drop-trunk with quarter-round curved foot incorporating pendulum access flap, 55cm (21.5ins) high. The current lot, with its movement sat on a seatboard and saltbox style fitment of dial to case, appears to be an early, perhaps transitional, form of drop dial wall timepiece, and was probably made for semi-public use as the bezel was designed to be locked from inside the case.

A George III mahogany eight-day longcase clock Timothy Richardson, Darlington, late 18th century The four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial to the fine symmetrical foliate scroll engraved centre within applied Roman numeral chapter ring with sweep calendar to inner track and Arabic five minutes to outer track, with pierced steel hands and unusual rococo scroll cast spandrels to angles beneath arch with circular boss signed Tim`y Richardson, DARLINGTON within bead cast bezel and flanked by conforming mounts, in a case with dentil cornice to the open break-arch pediment above wavy-edge outline glazed dial aperture flanked by slender fluted columns to hood, the trunk with blind fret arcaded infill above break-arch flame figured door flanked by conforming fluted quarter columns with turned caps and bases, on crossbanded plinth base with squat ogee bracket feet, 229cm (90ins) high. A T. Richardson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Darlington circa 1783.

A fine George III eight-day musical longcase clock movement and dial with moonphase James Chater and Sons, London and Olney, circa 1760, the case later The five pillar triple train rack and bell striking movement with anchor escapement and playing a choice of four tunes via a 3.75 inch pinned cylinder on a graduated nest of eight bells with eight hammers on the hour, the 12 inch brass break-arch dial with recessed silvered subsidiary seconds dial and arched nameplate James Chater & Sons, London & Olney to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and incorporating strike/silent selection switch at nine o`clock, the angles with gilt rococo scroll cast spandrels beneath arch with rolling moonphase calibrated for the age of the moon to outer edge and incorporating sunburst and terrestrial globe engraved lunettes, the centre issuing blued steel pointer for selecting a choice of one of the four tunes labelled Jesu Meine Luversich; In allen Meinen Thaten; Globet Leyst du Jesu Christ and Komt ihr Schooden, Adams Kinder to a silvered plate applied to the upper border, now in a purpose made inlaid walnut case with break-arch crossgrain moulded cornice and triple line bordered frieze above conforming surround to the glazed door flanked by Corinthian columns and with hinged brass side frets to hood above crossbanded book matched veneered break-arch trunk door within herringbone and further triple line bordered crossbanded surround, on conforming panel-veneered plinth base with double skirt, 226cm (89ins) high. James Chater senior is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as being admitted to the Clockmakers` Company 1718, gaining his freedom in 1726 and died 1762, Baillie describes him as an `eminent` maker. He had two sons James junior (admitted 1746, free 1753, worked until 1785) and Eliezer (free 1751, Liveryman 1766, Master 1772, died 1777). James and Eliezer are thought to have worked with their father from 1753-62, after which the firm was continued as a partnership between the two brothers.

A George III oak thirty-hour longcase clock Ball, High Wycombe, mid to late 18th century The posted single-handed countwheel bell striking movement with rectangular section steel uprights and 9.75 inch square brass dial decorated with charming engraved landscape of a Thameside watermill and windmill before a sailing craft incorporating an elaborate scroll bordered cartouche signed BALL High Wycomb to centre within applied Roman numeral chapter ring with squat cruciform half hour markers and fine rococo scroll cast spandrels to angles, in a case with dentil cornice above plain door to hood, shaped-top caddy moulded door to trunk, on plain plinth base, 186cm (73ins) high. A Samuel Ball is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in High Wycombe 1786.

A Queen Anne ebonised eight-day longcase clock William Moore, London, early 18th century The five finned pillar inside countwheel bell striking movement with 12 inch square brass dial with subsidiary seconds dial, herringbone border engraved calendar aperture and silvered oval signature cartouche W`m. Moore, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with Indian mask and scroll cast spandrels within herringbone engraved outer border, with fine pierced blued steel hands, the case with domed caddy surmount and box upstand above moulded cornice, foliate fretwork frieze and three-quarter pilasters to the glazed hood door, the trunk with concave throat and rectangular door, on conforming plinth base with moulded double skirt (case with restoration), 226cm (89ins) high. William Moore is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as born circa 1679. He was apprenticed through Charles Gretton to Benjamin Johnson and gained his freedom of the Clockmakers` Company in 1701. Recent research undertaken by Warner Meinen and Dennis Radage, as part of their `Gretton Project`, has identified the fact that William Moore was indeed Gretton`s nephew who, in 1712, moved into Gretton`s premises at `The Ship` and took on three apprentices of his own. Gretton subsequently left to take-up residence at Two Crane Court next door. Moore at this time was signing clocks with his own name (rather than working as journeyman to his uncle) and continued at The Ship until the early 1720`s.

A William III burr walnut eight-day longcase clock Joseph Windmills, London, circa 1695 The six finned and latched pillar rack and bell striking movement with anchor escapement and 11 inch square brass dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed J: Windmills, London to lower edge, the angles with gilt twin cherub and crown cast spandrels with foliate engraved infill between, in a case with gilt ball finials to the domed caddy upstand above moulded cornice, fine foliate pierced frets to frieze and generous three-quarter columns with gilt caps and bases flanking dial aperture, the sides with rectangular windows and rear quarter columns each set against bargeboard rising up the underside of the cornice projection, the trunk with convex throat moulding and 41 inch book matched veneered door, the sides divided into pairs of panels with line borders, on crossbanded plinth base with bun feet (case probably with restoration) 214cm (7ft) high excluding top finial, 222cm (87.5ins) high overall. The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers` Company as a free Brother in on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at Swan Court, Mark Lane End, next Tower Street by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; by 1700 the firm had become a partnership which lasted until Joseph`s death in 1724. As a contemporary of Knibb, Quare and Tompion Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. The current lot is no exception as the movement is very well made with no less than six finely turned and latched pillars, the underdial lever work for the rack strike is also fully cocked (rather than pivoted on steel posts alone). The dial is typical of Windmills at this period with the winding holes, calendar aperture and centre of the seconds dial having ring-turned decoration, and the chapter ring utilises his preferred form of stylised sword hilt half marker. A slightly later clock with almost identical movement and dial is illustrated in Neale A.J. Joseph and Thomas Windmills.., page 123 (fig. 5.3). The case is also of fine quality with richly figured veneers and `Tompionesque` proportions. The current lot is in has been consigned in fine presentable working order however the case has probably had some well executed conservation work undertaken in the past.

A fine George III mahogany quarter-chiming eight-day longcase clock Thomas Gardner, London, circa 1760 The six pillar movement with anchor escapement, chiming the quarters on a nest of eight-graduated bells and striking the hour on a further larger bell, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and arched nameplate engraved Thomas Gardner, London to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes, with pierced blued steel hands and figural cast spandrels emblematic of the four seasons to angles beneath arch with subsidiary STRIKE/SILENT selection dial flanked by dolphin cast mounts, in a pagoda pedimented case with Gothic arch pierced fret to superstructure, break-arch cavetto cornice and foliate scroll blind fret frieze above generous brass stop-fluted columns flanking dial and break-arch side windows to hood, the trunk with cavetto throat above geometric `block top` figured trunk door flanked by conforming brass inset quarter columns, on raised shaped panel fronted plinth base with double skirt incorporating bracket feet with shaped apron between, 250cm (98.5ins) high. Thomas Gardner is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working at the Minories, London, from circa 1740 until his death in 1770.

A George III green chinoiserie japanned eight-day longcase clock James Scholefield, London, circa 1760 The five pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and shaped signature plate Jam`s Scholefield, LONDON to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and rococo scroll cast spandrels beneath subsidiary STRIKE/SILENT dial flanked by conforming mounts to arch, in a break-arch case with cavetto moulded cornice above gilt foliate panel bordered door applied with three-quarter columns to angles, the trunk with break-arch door decorated in raised polychrome and gilt with figures within an oriental garden with pavilions above a square rigged man-o-war to lower margin, the sides painted with large gilt floral sprays, on conforming plinth base with shallow moulded skirt, 213cm (84ins) high. James Scholefield is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working at the Strand, London from before 1747 to circa 1760.

A George III blue chinoiserie japanned eight-day tavern clock William Gostling, Diss, circa 1785 The four pillar movement with anchor escapement, five-wheel train and slightly tapered plates, the 25 inch circular cream painted slightly convex circular Roman numeral dial with Arabic five minutes to outer track and pierced brass heart hands within gilt highlighted blue japanned moulded surround, the drop-trunk case signed in gilt Will`m Gostling, Diss between leafy scroll painted shaped ears to throat, above concave-topped caddy moulded door decorated in raised polychrome and gilt with oriental pavilions and exotic birds beneath sun disc issuing radial rays on a dark blue ground, within fine gilt trellis painted borders above ogee moulded canted foot decorated with stylised scallop shell in a field of foliate scrolls, the sides with pendulum access flap above large stylised floral spray decoration, 148cm (58.5ins) high. William Gostling is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Diss 1774-91. An early dial clock by William Gostling is illustrated in Rose, Ronald E. English DIAL CLOCKS on page 54.

A George III mahogany eight-day longcase clock Thomas Green, Bristol Hotwell, circa 1790 The four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed THO. GREEN, Briftol Hotwell to centre, the angles with gilt foliate scroll decoration beneath arch with central Adam style urn flanked by further Classical scrollwork, the break-arch case with dentil cornice and blind fret frieze above fluted Corinthian pilasters to hood, fine flame veneered shaped-outline rectangular caddy moulded door flanked by canted angles to trunk, on conforming raised panel fronted plinth base with moulded skirt, 225cm (88.5ins) high. Thomas Green is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as apprenticed to Charles Horwood, watchmaker and goldsmith on the 27th July 1771. He married Horwood`s daughter before setting up business at Chapel Row, Dowry Square, Hotwells, Bristol in 1780 where he stayed until relocating to Portland Place, Clifton in 1815. Moore transcribes the advertisement for the 1824 retirement auction of his workshop and comprehensive stock in trade, which includes `a capital Regulator by George Graham of London, ditto duplex jewelled and six other clocks of superior manufacturers in handsome cases`. Please note: The movement and the dial are not original to the case

A George III mahogany eight-day longcase clock in architectural case Allam and Caithness, London, circa 1800 The four pillar rack and bell striking movement with 12 inch square single sheet brass Roman numeral dial with recessed subsidiary seconds dial and signed ALLAM & CAITHNESS. LONDON to centre, Arabic five minutes to outer track and with slender pierced steel hands, the case with triangular pediment above brass stop-fluted columns flanking dial and blind side panels with raised mouldings to hood, the trunk with convex throat above rectangular flame figured door flanked by conforming brass mounted quarter columns, on rectangular raised panel fronted plinth base with moulded double skirt, 218cm (93.75ins) high. The partnership of Allam and Caithness are recorded in Baillie, G.H., Clutton, C. and Ilbert, C.A. BRITTEN`S OLD CLOCKS AND WATCHES AND THEIR MAKERS as working from 119 New Bond Street, London 1800-1804. Prior to that John Allam worked in partnership with Clements (presumably Thomas) from the same address 1785-94, then alone from 1798-1800.

A vintage canvas wooden bound dome topped trunk.

One vintage travel trunk.

A teak bound trunk with metal fittings and another similar

An ivory model of an elephant with trunk extended

Wooden banded trunk

Tin trunk & 3 table lamps

Sarcophagus shaped trunk

A blue travel trunk

A dome topped cabin trunk

A metal bound travel trunk

A cabin trunk

A 19thC oak and mahogany crossbanded longcase clock, with painted arch dial having hay cart to the arch, rural scenes to the spandrels, Roman numerals, seconds ring and maker`s mark to painted dial, T Pearce, Bourne, canted trunk with line and dot inlay, 79" high, (excl additional platform), eight-day movement striking on a bell.

A large leather bound Travel Trunk initialled M.H.

A 19th century pearlware plate, the centre painted with Joseph`s Two Dreams, the border with moulded decoration of various animals including hare coursing, also a quantity of decorative ceramics including Sunderland lustre, T G Green, Fell Willow pattern meat plate, a naturalistic tobacco jar modelled as tree trunk, etc (in two boxes)

A tin hat box, a small tin trunk containing a quantity of vintage Christmas decorations, oak fretwork box etc

AN EARLY 19TH CENTURY POSSIBLY SURGEONS SHIP TRUNK, having blue painted pine exterior with rope handles, opening to reveal two mahogany multi-drawer sections with multiple drawers, each with turned knops, and a hinged section at the base, 70cm high x 104cm wide

A brass bound camphor wood trunk, 19th century, hinged lid, a pair of brass side carrying handles, approximately 55cm high, 110cm wide

A carved grey marble plinth, modelled as a naturalistic tree trunk, 70cm high, 34cm diameter

A mahogany eight-day longcase clock, George Yeats, Maldon, 18th century, the five pillar bell striking movement with anchor escapement and 12 inch brass break-arch dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with mask and scroll cast spandrels beneath silvered boss signed Geo: Yeats, Maldon flanked by dolphin cast mounts, in a case with break-arch swollen cornice and brass stop-fluted Corinthian columns to hood above break-arch door flanked by conforming quarter columns to trunk, on shaped raised panel fronted plinth base with double moulded skirt, 229cm high

A George III inlaid mahogany eight-day longcase clock with moonphase, circa 1805, the four pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Kendall, Liverpool to centre, with floral painted spandrels beneath rolling moonphase to arch, in a swan neck pedimented case with shaped-top short trunk door flanked by fluted quarter columns to trunk, 229cm high Provenance: Widgenton House, Buckinghamshire.

A pine lidded trunk, approx. 96 x 62 x 49 cms

A tin trunk containing a quantity of vintage ladies and gentlemans hats

A vintage tin trunk

A Vintage Tin Trunk

A Stripped Pine Trunk

Canvas Bound Travelling Trunk and Victorian Flip Top Pedestal Occasional Table (2)

Neat Pine Trunk, Nest of Two Oak Tables and Magazine Table (3)

A banded travel trunk

A tin trunk with brass clasps

A dome topped trunk

AN ANTIQUE TAN HIDE COVERED AND BRASS STUDDED TRUNK with twin brass side handles, 99.5cm wide

A MODERN YEW GRANDMOTHER CLOCK, the arched gilt dial with silvered chapter ring and name disc to the arch, signed Thomas Byrne, and with three train German movement, the case with glazed trunk door, 179.5cm high

A retro travelling trunk, initialled 'E.L.M'

A metal trunk; linen; and Victorian print