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A MODERN PINE DOMED TRUNK, width 74cm x depth 40cm x height 55cm (surface scratches and missing piece of wood to back of trunk, a plywood walnut effect nest of three tables, Ikea standard lamp, a Fortnum and Mason wicker picnic basket, and four wicker baskets (condition:-surface scratches to nest of tables) (8)
A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, reeded pillars that are both flanking a domed glazed doors, that's enclosing a painted 11.5 inch dial, with landscape to the arch, Arabic numerals, subsidiary date aperture and seconds dials, and signature reading Shaw of Spalding, height 194cm, with winding key, one weight (one weight missing) and pendulum (condition:-ideal for restoration, some veneer loss, cut down trunk door, lowered plinth, some cracks, discoloured dial and missing seconds dial)
A GEORGIAN AND LATER OAK EIGHT DAY LONGCASE CLOCK, the hood enclosing a brass and silvered 10.5 inch dial, singed John Coates of Tetbury, Roman and Arabic numerals, on a plain trunk, height 203cm, with two weights, no pendulum and no winding key (condition:-trunk ideal for restoration due to alterations, overstaining, movement untested)
1860's Scottish longcase clock in a Mahogany case with a painted dial and eight-day striking movement, break arch dial with roman numerals, minute track and quarter hour minutes, four continents depicted in the spandrels and Britannia to the break arch, makers name indistinct, with subsidiary seconds and date dials, mahogany case with a swan's neck pediment, long trunk door and square plinth (feet missing). With pendulum and weights.Dimensions: Height: 210cm Length/Width: 46cm Depth/Diameter: 22cmCondition Report:Dial with paint losses, calendar hand missing and seconds hand broken, case feet missing.
Taxidermy: A Cased Late Victorian Diorama of European Kingfishers (Alcedo athis), circa 1870-1900, a diorama of nine full mount Kingfishers, all mounted upon and around a centrally positioned tree trunk, amidst a natural setting of tall dry grasses, above painted groundwork beneath, enclosed within a period three-glass display case within gilded internal border, 65cm by 24cm by 63.5cm, in need of full restoration, (af)Many specimens within in need of replacement, case in good condition an ideal opportunity for refurbishment.
Taxidermy: Scottish Pine Marten (Martes martes), circa 2018, East Scotland, a full mount adult stood upon a frosted tree trunk, amidst frosted fauna, above snow covered groundwork beneath, set against a pale blue painted sky back drop, enclosed within an ebonised three-glass display case 46cm by 28cm by 72cm
IKEDA TAISHIN: A SUPERB ALBUM OF FOURTEEN URUSHI-E (LACQUER) PAINTINGSBy Ikeda Taishin (1825-1923), each sealed Taishin or KomaJapan, late 19th century, Meiji period (1868-1912)The fourteen paintings mounted as an accordion album on gold paper with silk brocade cover and back, superbly painted with lacquer on paper, with subtle use of ink and watercolors, to depict various subjects: a gushing waterfall, cleverly indicated with subtle linework and negative space, the craggy rockwork finely painted with hues ranging from ochre-brown to gray-black; two reishi mushrooms growing from craggy and grassy rockwork, the fungi appealingly variegating in color from a deep dark-brown to a pale gray; a blossoming prunus tree, with only a part of the trunk and few branches and blossoms visible; a shoreside mountain landscape lined with trees above a path with three figures walking along it; two pine saplings with brown-lacquered trunks and dark leaves; a spray of bamboo leaves as well as three bamboo stalks, which are mostly off-image and lacquered a lustrous brownish-black; a particularly lustrous black-lacquered nazume (eggplant) and kaki (persimmon); a cluster of lotus leaves, zuiki (leaf stalks of hasuimo or lotus yam) and chrysanthemum, clearly painted in the form of a stylized crab with prominent pincers; a magpie in flight amid thickly grown pines, with the use of silver and dark-brown lacquers creating a striking contrast; two small gourds borne on wispy vines with large leaves, the veins finely painted in black lacquer; another prunus tree with thin branches and vines bearing neatly veined leaves and lavender-pink blossoms and bud; a garden with yellow chrysanthemums, bamboo, and dark weeds; a flock of plovers flying low above crashing waves with boldly painted sea foam; and blossoming camellia with finely veined brown leaves borne on a young branch, the trunk mostly off-image.Each leaf is signed KOMA or TAISHIN to the lower right corner.Condition: Excellent condition with minor wear and minimal soiling.Provenance: Ex-collection Donald Mendelsohn. Christie’s, 11 December 1985, New York, lot 33. Sotheby’s, Fine Chinese Ceramics & Works Of Art Including Chinese And Japanese Art From The Collection Of Frieda And Milton Rosenthal, 16 September 2008, New York, lot 298. A private collector in New York, USA, acquired from the above.SIZE 19.1 x 16.8 cm (each leaf) and 25.2 x 22 cm (the album)Ikeda Taishin (1825-1903) was the leading pupil of Shibata Zeshin who worked in the Meiji period. He was born in Edo and became Zeshin’s first lacquer apprentice in 1835 at the age of eleven. He became an independent artist around 1870, approximately 35 years later. Together with Kawanobe Itcho (Genjiro; 1830-1910), Taishin was appointed an Artist to the Imperial Household (Teishitsu gigeiin) in 1896. His pupils included Umezawa Ryushin, a member of the Art committee of the Imperial Fine Arts Academy and the Imperial Household.Auction comparison:A closely related album by Shibata Zeshin and his pupils of smaller size and with only twelve leaves, some sealed Koma, was sold at Christie’s, An Inquiring Mind: American Collecting of Japanese and Korean Art, 15 April 2016, New York, lot 51 (sold for 47,500 USD).
A LARGE INLAID BRONZE VASE WITH SPARROWSBy Kazumasa and Hidemisu Kansei, signed Kazumasa and sealed Hidemitsu KanseiJapan, late 19th century, Meiji period (1868-1912)Well cast, the bulbous body rising from a spreading foot to a tall, gently waisted neck with a petal-lobed trumpet mouth. The front applied in high relief with three sparrows with gold-inlaid eyes, two of them in flight above lotus leaves and buds along with the remains of an old mushroom-covered tree trunk, scattered bamboo leaves, and a tattered woven bamboo net filled with grains, all within a subtly modeled and incised stream, the back similarly decorated with a lotus leaf and bamboo. The bronze patinated to a warm copper-brown tone. The base signed ISSEI above the seal HIDEMITSU KANSEI.HEIGHT 54 cmWEIGHT 6,778 gCondition: Very good condition with minor wear and casting irregularities, few minuscule nicks, the applied decoration partly with green verdigris.Provenance: French private collection.
George III oak-cased 8-day brass dial longcase clock, Thomas Church of Norwich, circa 1760, the 12-inch arched brass dial with silvered chapter ring having Roman hours and Arabic minutes, the matted centre with silvered subsidiary seconds ring and calendar square, within spandrels cast as the Four Seasons, the arch with signed boss between sea creatures, the knopped five-pillar movement striking on a bell, the case with arched hood and sunken columns, the moulded long trunk door on plain base and plinth, 206cm high, sold with two weights, pendulum, key and winder
Scottish Interest - George III black-lacquered chinoiserie 8-day longcase clock, James Allan, Kilmarnock, the 14-inch break-arched dial with Roman hours and Arabic minutes, subsidiary seconds and calendar dials, signed 'Ja's. Al* Kilmarnock', within gilt figural spandrels and chinoiserie arch scene of three figures beside a pavilion, the knopped four-pillar movement rack-striking on a bell, the case with swan-neck pediment and square columns, decorated with perching birds, the trunk door with two figures (one perched upon another's shoulders) beside a pony, pavilion, trees and diaperwork, the base with figure and deer, 225cm high (sold with two weights, japanned pendulum, two keys, and winder)
Second quarter 19th Century oak and mahogany-cased 8-day painted dial longcase clock with automaton, Wheeler, Bridgnorth, circa 1830, the signed 13-inch break-arched Arabic dial with subsidiary seconds dial and calendar crescent, beneath articulated swan and boat mechanism to arch, case with swan-neck pediment, reeded hood columns and trunk pilasters, crossbanded trunk door and conforming base (a/f), 202cm high, sold with two weights, pendulum and key

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66892 item(s)/page