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Lot 104
A Bow figure of a piping shepherd boy, circa 1765, modelled standing barefoot with a dog by his side, on a floral encrusted scrollwork base, decorated in bold enamels with gilt highlights, iron red mark to back, 17cm highSome losses, including to bocage. Professional restoration, including to hat, right hand, pipe, left foot, foliage and tree trunk. Displays well.
Lot 104
American Outline N Gauge Steam Locomotives, boxed Bachmann 52652 Dockside Switcher tank locomotive in black Santa Fe livery, cased locomotives with tenders, Rivarossi 9134 0-8-0 102 in black Indiana Harbor Belt livery, Atlas 2117 4-6-2 Grand Trunk Western 5629 also in black, unboxed, Bachmann Old Time 119 Union Pacific locomotive and CPRR Jupiter and a cased, Bachmann 13076 Baltimore & Ohio Observation coach, F-G, packaging P-G, (6)
Lot 632
N Gauge American Steam Locomotives and Various Tenders, all unboxed, in black livery some damage, Rivarossi/Atlas 4-6-2 with tender (locomotive with fatigued under carriage, Rivarossi/Atlas 0-8-0 No 102 (minus tender), Santa Fe No 96 metal body possibly Rivarossi), with tender, two tank locomotives, Baltimore & Ohio no 96 with brass body (some wear to one side), AT 7 SF 0-6-0 (missing one rear step), various tenders, mainly Atlas/Rivarossi, 3484 (2), Union Pacific (1), Grand Trunk Western (2), Atlantic Coast Line (1), one in plain black and a steam locomotive black plastic body (unbranded), P-F, (13)
Lot 1315
A GEORGIAN AND LATER OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK, the hood with fluted pillars, square door enclosing a painted 12inch dial with a Arabic numeral, signed T.Iorns of Alcester, Possibly Thomas Iorus of Alcester, on a plain trunk with bracket feet, overall height 200cm (condition:- later timbers and alterations, the clock plinth is missing) (with one weight and pendulum)
Lot 1316
A OAK 30 HOUR LONGCASE CLOCK, the hood cylindrical pillars, flanking a square glazed door, enclosing a silvered and brass 11 inch dial with foliate spandrels surrounding roman numerals and date aperture, signed Henry Deykin of Worcester and number 794 to arched signature plate, on a plain trunk and bracket feet (condition:- silvering partially worn to dial, bell missing, cracks to plinth) (one weight and pendulum)
Lot 553
North Africa, Ca. 400-500 AD. A terracotta oil lamp of a round body with a spout on one end and a lug on the other. The body of the lamp is decorated with a recessed tondo in the center, and it features a palm tree, which is a symbol of victory, peace, and abundance in the Roman world. The palm is depicted with a slender trunk and a crown of fronds that spread out in all directions. The fronds are finely detailed and create a sense of movement and energy. The tree is surrounded by a raised border of relief decoration. The lug to the back of the lamp would have been used to hold the lamp while it was being used. The spout was used to pour oil into the lamp, while the two holes in the tondo would have allowed air to enter the lamp and help to regulate the flame. The lamp would have been filled with oil and then a wick made of linen or cotton would have been inserted into the spout. The wick would have been lit and the lamp would have provided light for the household. Oil lamps were an essential part of daily life in the Roman world. They were used for lighting homes, temples, and public spaces and were also used in funerary rituals. Oil lamps were typically made of clay, bronze, or glass and were fueled by olive oil.Size: L:130mm / W:80mm ; 125gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 1037
William Raw of Bridge End Whitby - early 19th century 8-day oak cased longcase c1810, flat topped pediment with a wide cornice, plain front and breakarch door beneath, detached columns with brass capitals, trunk with a long door, chamfered top and inlay on a plain plinth with decorative skirting and feet, painted dial with floral garlands and a cameo depicting a sailing ship to the arch, Roman numerals five-minute Arabic's and minute dots, with makers name, date aperture, seconds dial and matching steel hands, rack striking movement striking the hours on a bell. With weights and pendulum.William Raw was a clockmaker in both Hull and Whitby, succeeded by his sons Edwin and Henry.Dimensions: Height: 230cm Length/Width: 47cm Depth/Diameter: 24cm
Lot 1040
Joseph Richmond of York - late19th century mahogany cased 30 hr longcase clock, with a swans neck pediment, break arch hood door flanked by ring turned pilasters, broad trunk with part-length recessed pillars and a short trunk door on a broad plinth with a recessed panel, fully painted dial with depictions of country cottages to the spandrels and break arch, with Roman numerals and minute track, stamped brass hands, dummy winding arbors and dummy seconds hand, dial pinned directly to a chain driven count wheel striking movement, striking the hours on a bell. With pendulum and weight.Joseph Richmond of Fossgate was a respected clockmaker in 19th century York, maintaining the clocks in York Minster and other civic buildings in York.Dimensions: Height: 230cm Length/Width: 60cm Depth/Diameter: 26cm
Lot 1042
Painted longcase clock - with a flat topped pediment and break arch hood door, long trunk door with glass lenticle, on a square base with decorative applied moulding, break arch dial inscribed Fr Lauengaard & son, Kiobenhavn 1830 pinned to an 8-day weight driven movement striking the hours on a bell. With pendulum and weights.Dimensions: Height: 210cm Length/Width: 47cm Depth/Diameter: 25cm
Lot 1043
Thomas Wrangles - early 19th-century oak longcase clock with a swans neck pendulum and three brass finials, glazed hood door flanked by two free standing pilasters, long trunk door with a break-arch top on a square plinth raised on bracket feet, painted dial inscribed T Wrangles Scarboro, dial pinned directly to a 30-hour chain driven count wheel movement striking the hours on a bell. With pendulum and weight. Dimensions: Height: 210cm Length/Width: 45cm Depth/Diameter: 23cm
Lot 8
BronzeThailand, modern style Dimensions: Height: 24 cm Wide 18 cm Depth 17 cmWeight: 1595 grams Contemporary bronze statue of a zoomorphic seated Ganesha with human body and the head of an elephant. Only head, hands and legs exist, the rest of the body represented by hollowness. The knees are drawn close and the soles of the feet touching. His right hand is resting on the knee showing the abhaya mudra. The left hand is also resting on the knee but with the palm facing upwards, the hand shaped into a bowl, holding a large ball of sweets. The elephant's trunk is reaching for that sweet. The tusks are both broken. Ganesha is also a popular god in Thailand especially in reference to the arts due to him also being the patron of arts and sciences.
Lot 60
Bronze with gems inlayIndia, 18th century Dimensions: 12 x 7 x 7 cmWeight: 991 grams Ganesha, the remover of obstacles and one of the most popular deities in Hinduism, shown seated on a lotus base attached to a square platform with decorated sides. The deity is sitting casually next to his vahana, the mouse or rat who is holding a sweet ball in its tiny hands. Ganesha has four arms, two at the back are raised and hold a noose and a goad. The front right hand is raised with the open palm facing us and a stone inlay, abhaya mudra. The other hand's palm is facing the sky, as if holding something. Possibly the ball of sweet balls has been lost from there. His trunk is curled to his right. On his belly we see the serpent which he used to tie his belly up after he ate too much sweets and it burst. His ears are small and elegant and he wears a crown.
Lot 59
SilverIndia, 18th century Dimensions: Height 7 cm Wide 5 cm Depth 4 cmWeight: 272 grams Seated Ganesha on round lotus base attached to square surface. He has four arms holding his attributes, his trunk is reaching for the sweets in his right hand. He is wearing a short dhoti with incised pattern and a conical tiara with diamond bud finial.
Lot 3
Three Bronzes and one SilverIndia, 16th to 18th century Dimensions: Height 5 - 16 cmWeight: 698 grams All Group of four Ganesha bronzes of varying sizes and additional statue in silver. The largest statue shows a special depiction of Ganesha seated on a lotus flower throne with human body, untypically slim belly and four arms. Seated casually, holding his attributes, the trunk quite large compared to the small head. A beaded arch covers the deity. One dancing Ganesha is standing on one leg, the other foot lifted in the air, the four arms elegantly fanning out holding objects and body adorned with elaborate jewellery. Two smaller statues show Ganesha seated on platforms with legs crossed and four arms holding objects, wearing conical headdresses. Provenance:Collection Madeleine und Erich Dammann , 1950 -2012 The journeyNewlyweds Madeleine and Erich Dammann took their first trip in 1950. Their travel route was determined by their great shared curiosity about foreign cultures, by climactic circumstances, and by the financial resources available to them. In 1963, they settled in Switzerland with the birth of their first child. Erich became an editor for Swiss television, and worked for the Rundschau known for their reports. His focus: exciting reports from around the world That made it possible for him to travel to the most remote corners of the world, and to bring back and collect art and other objects from these places. His wife Madeleine regularly accompanied him. For more than 50 years, the couple pursued their shared passion and went exploring together – on a journey through many cultures. The collectionThe collection developed completely situationally. It was influenced by the couple’s great fascination for life in other cultures. This is how the collection came to include everyday objects, furniture, weapons, masks, musical instruments, and jewelry, as well as representations of revered figures, minerals, and many other interesting items.Madeleine and Erich Dammann visited countries more as observant “guests” than as tourists, living in the respective cultures and becoming a part of them.Together with their three children, Madeleine and Erich lived with and in their collection, which influenced the family’s home visually and atmospherically.
Lot 143
BronzeNepal, 18th century Dimensions: Height 11 cm Wide 8 cm Depth 5 cmWeight: 478 grams Bronze statue of the Hindu God Ganesha seated on square throne with four paw feet and ornamental decoration in the center, the sides featuring geometrically incised patterns. The God of New Beginnings is seated leisurely with one knee drawn to his belly, the other resting on the floor in a 90 degree angle. He is wearing pants and beaded jewellery on ankles, arms and chest. He is showing his large, bulbous belly and both hands are reached out to the front, one holding a cup of sweet laddu balls, which he is grabbing with his trunk. The other hand seems to be holding something flat, the raised hands at the back are holding an elephant goad and a lotus flower. He has smaller ears, his head is titled slightly to his right and he is wearing a conical, large headdress. He is backed by an open-work aureole of ornamental shapes.
Lot 362
A Castle Hedingham pottery tobacco jar and cover, in the form of a tree trunk, stamped BINGHAM HEDINGHAM ESSEX, 13cm high, together with a green glazed tyg, inscribed ROBART SHAW, 1692, incised E W Bingham, England, no 159, with pad mark to base and a blue glazed mug, inscribed FEARE GOD 1630, incised E.W.B. no 160 with pad mark to base, 13cm high (3)Chipped and marked
Lot 427
A Castle Hedingham brown glazed pottery jug, modelled as a tree trunk, with two woodpeckers, stamped E BINGHAM, CASTLE HEDINGHAM to vase, 13cm high, together with a blue glazed twin handled vase, a brown glazed jug and a mug (4)Bark jug - rim chips. Twin handled cup - 4cm flat chip to foot and glued chip to rim. Brown jug - small chips to foot and rim and losses to some of the applied applied circles. Brown cup - losses to some of the tips of flowers. Glaze is poor quality of manufacture. All are dirty.
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