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Lot 3004
Peter Jacquet, London, a George III mahogany eight day longcase clock, circa 1770, pagoda pediment with fretwork panel, brass flame finials, reeded corinthian columns with brass inserts, arched brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, chime/silent subsidiary dial in the arch, urn and eagle spandrels, arched trunk door, height 222cm, (two weights, pendulum and key)
Lot 3034
A George III oak and mahogany inlaid 8-day longcase clock, circa 1780, three turned globe shape brass finials, swan neck scrolling pediment with brass floral inlay, above a square glazed door and square painted and brass inlay dial, Roman numerals, subsidiary second dial, moulded panel trunk with fluted pillars, raised on a platform base. 205cm H x 52cm W x 25cm
Lot 1569
A good George III 30 hour oak long clock, domed top to hood supported on turned ringed columns, brass round 12in (30.5cm) dial, Roman chapter with outer Arabic minutes chapter, florally engraved centre, demi-lune date aperture, signed Dugmore/Derby 30 hour ringed four pillar movement countwheel striking on a bell, shaped top to trunk door, shaped brass escutcheon with original key, skirted base, wire rod pendulum and weight, 82in (208.3cm) high (3)John Dugmore (1721-1792) was apprenticed to Thomas Storer of Derby 1735-1742 and set up in business in Rotten Row, Market Place. In 1776 he was made an honorary burgess of Derby & he was also a property owner. He made both traditional and round dial clocks, also with eight day movements. His son Thomas (1766-1832) became an attorney at Thetford, Norfolk. A similar clock is on display in the kitchen at Pickford's House Museum, Derby.
Lot 1817
A William IV oak and mahogany long case clock, the arched painted 12in (30.5cm) dial with moon phase, painted roses in spandrels, Arabic chapter, subsidiary seconds dial and date aperture, ringed winding arbors, signed Jas. Shipley/Derby, 8-day movement striking on a bell, curly pediment with brass paterae to hood supported on turned columns, inlaid mahogany frieze below hood, fluted quarter columns flanking trunk door with shaped top with marquetry urn in vesica shaped reserve, panel and canted angles to base, bracket feet, pendulum & weights, 87.25in (221.5cm) high.James Shipley (1784-1850) was son of William, of a clockmaking dynasty. He was apprenticed to his uncle 1798-1805 and worked with his elder brother Jonathan until the latter's death in 1811, after which he worked alone and later with his sons Bevel and Digby Shipley. In 1806 he purchased the bankrupt stock of William & John Holliwell of Derby, and worked from no less than four addresses, ending in St. James's Lane from 1843, where he was succeeded by his sons.
![An oak and mahogany George III inlaid long case clock, painted round dial, Roman chapter, signed [ ]/Derby, 30 hour move](https://cdn.globalauctionplatform.com/dcfd7eef-22ef-4c39-aab1-ab620068c2c4/38a29fac-79dc-463c-a887-abb8011c68fc/468x382.jpg)
Lot 1968
An oak and mahogany George III inlaid long case clock, painted round dial, Roman chapter, signed [ ]/Derby, 30 hour movement striking on a bell, architectural pediment to hood with central turned finial supported on turned columns, inlaid frieze above trunk door with shaped top, flanked by fluted quarter columns, panel to skirted base, pendulum and weight (3).
Lot 1969
A George III oak and mahogany Neo-Classical long case clock, round painted 13.5in (34.2cm) dial, Roman and Arabic chapter, seconds dial, pierced gilt hands, ringed winding arbors, signed Condliff/Sheffield 8--day movement striking on a bell, Gothick trunk door with inlaid borders, inlaid in ebny and boxwood, curly pediment with marquetry inlaid paterae, grooved pylons to angles with central conforming fan, supported on unusual inlaid pillars with delicately carved Tower of the Winds capitals, shaped brass escutcheon with contemporary key flanked by fluted quarter columns, bracket feet, pendulum and weights, 85in (215.9cm) high (4)Martin Condliff and his brother Joseph (of Chapel-en-le-Frith) were apprenticed to Samuel Ashton of Ashbourne, Martin on 23rd September 1777 (having been born 1763); he set in Ashbourne in 1785, but by 1790 was married and working from 27, Far Gate, Sheffield. He was father to the eminent James Condliff of Liverpool (1790-1851)
Lot 1493
A George II oak long case clock with curly pediment supported on turned columns, dentil frieze above caveto moulding below hood, round brass dial, signed [ ]/Alfreton, 8-day movement striking on a bell, shaped top to trunk door, plain quarter columns, skirted base, 204cm high Condition Report: Case damaged; pediment broken.
Lot 1540
A George III oak longcase clock, arched painted 12in (30.5cm) dial signed E. Marriott/Downham in arch, Roman and Arabic chapter subsidiary seconds dial and date aperture, gilt spandrels, pierced hands, eight day movement striking on a bell, carved hood with lofty swan-neck pediment centered by a brass ball and spire finial with modillion cornice supported on brass furnished Doric columns, luted quarter columns to trunk, shaped door, brass keyhole escutcheon, panelled base, bracket feet, 90.5in ( 226cm) high.Erasmus Marriott was working at Downham Market, 1780/1800.
Lot 1568
A good George II oak and mahogany long case clock, square 30.5cm dial, silvered Roman chapter with Arabic minutes, matted centre, silvered seconds dial and tablet below signed Wimshurst/Deal, pierced steel hands 8-day movement striking on a bell, cast brass spandrels, flat top to hood with blind fret to frieze below, supported on turned columns with cast brass Corinthian capitals and bases,glass side panels, rectangular trunk door, skirted base, pendulum and weights, 209.5 cm high (4)Thomas Wilmshurst was a member of a southern clockmaking dynasty, born 1698, son of Thomas Wilmshurst of Mayfield, later of Sandwich, but apprenticed to the widow of John Finch of London (1654-1711) in 1713. Set up at Deal 1721 and retired 1764.
Lot 20
An Italian patinated bronze of the Bacchic Faun or 'Faun in Rosso Antico', after the Antique, probably Rome, first half 19th century, the grinning faun portrayed standing and nude for a draped goat's skin around his shoulders, raising a bunch of grapes with his right hand and holding a curved club in the other, flanked by a tree trunk with pan flute to one side, and with a goat leaning on a wicker basket to the other, on an integral octagonal plinth, 36cm high, 21cm wide The present model is a reduction of the Faun in Rosso Antico marble which was excavated before 1741 at Hadrian's Villa. The marble group was subsequently given to the Capitoline Museums by Pope Benedict XIV in 1746, where it was met with admiration. The workshop of Giovanni Zoffoli is known to have produced reductions of the Faun, and an example of very similar size and patination by this maker is at Anglesey Abbey. See Francis Haskell and Nicholas Penny, Taste and the Antique, The Lure of Classical Sculpture 1500 - 1900, Yale, 1981, 39, fig. 111, pp. 213-15 Cf Christie's New York, 13 April 2016, lot 23.
Lot 1578
A GEORGE III OAK AND MAHOGANY BANDED THIRTY HOUR LONG CASE CLOCK, the hood with swan neck pediment flanked by columns, painted arched dial with a dog hunt scene, Roman numerals, dial diameter 28.5cm, indistinctly signed, the trunk with a marquetry inlaid diamond to the door, height 213cm (sd) (one weight, pendulum and trunk key)
Lot 817
An early 19th century oak longcase clock by Thomas Brass, Guildford, H.220cm Condition: Case looks to have been restored and repolished many years ago, is of mid dark brown tone but now a little tired and in need of some attention, arch to the top has two pronounced splits in the moulding, signs of old repair to the lower right hinge of the hood door, dial oxidised but otherwise looks original, movement complete but not tested for timekeeping, trunk door has dropped a little and now has two keyholes, the original hole has a brass escutcheon but missing lock, a later lock has been added above with a cut escutcheon but no key, comes with brass faced pendulum, one brass cased weight and one cast iron weight, box base a little faded but complete.
Lot 236
A large 19th century continental carved oak cassone chest / trunk being heavily carved with figural masks and relief work. Rectangular form with hinged top above enclosing open storage set within. All raised on carved spade feet with a heavily flared and gadrooned carved plinth. Measures 69cm x 117cm x 58cm
Lot 243
同治底印 鍾山作款 粉彩花鳥紋六角形溫酒套壺 the outer porcelain insulator raised on six bracket-shaped feet, three exterior panels decorated a bird perching on a tree trunk with chrysanthemums, the three remaining panels inscribed with inscriptions ending with 'Zhong Shang Zhou', the cylindrical footed wine pot delicately painted with blossoming flowers, the shoulders adorned with bamboo leaves in iron red and the top with a ' f ou' character meaning 'luck' in black, the shoulders, spout and top of the teapot with gilt rim; the outer insulator with gilt rim, both fitted with two wire handles, each base stamped with a four-character Tongzhi mark in iron red, with a wooden stand (Dimensions: 13cm high) (Qty: 1)
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66890 item(s)/page