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AN IRISH GEORGE III MAHOGANY AND MARQUETRY LONGCASE CLOCK, the brass dial with calendar aperture and seconds dials, signed on a plaque, Chas. Smith, Dublin, the hood with blind fret frieze and triangular urn filled pediment, the trunk with seaweed marquetry panels above a crested door with half paterae centred by a draped urn and with quarter paterae, flanked by inlaid quarter engaged columns, on a plinth base centred by an urn, with ogee bracket feet. 227cm high
BRASS DIAL CARVED OAK LONGCASE the arched dial top marked 'Tempus Fugit', flanked by dolphin pierced mounts and mask spandrels to a silvered dial having Roman numerals and subsidiary seconds dial, twin weight pendulum driven bell strike movement (pendulum and weights included), behind a single glazed hood door (glass cracked), long trunk door and stepped base, all having carved detail, 220cms H, 45.5cms W
14" SQUARE PAINTED DIAL LONGCASE CLOCK, Roman numerals with subsidiary seconds and date aperture to the dial with cottage painted spandrels before a twin weight pendulum driven bell strike movement, the cast plate stamped 'Walker', (pendulum in part, no weights), the oak and crossbanded mahogany case with broken swan neck pediment over a single glazed door with flanking turned pillars, short trunk door with turned pillar side decoration on a long stepped base (requiring restoration, lower trunk parts loose and lacking), 217cms H, 54cms W
CIRCA 1840 OAK LONGCASE CLOCK, 13" square painted dial set with Roman numerals, subsidiary seconds dial and date aperture with bird decorated centre and shell painted spandrels before a twin weight pendulum driven bell strike movement, pendulum and one single weight included, the hood with broken swan neck pediment over a single glazed door with reeded and capped pillars, the short trunk door flanked by quarter cut reeded and capped pillars on a stepped trunk base, 217cms H, 51cms W
BRONZE ELEPHANT. A brown patinated bronze elephant, the surface with simulated wood grain effect. Unsigned. (Tip of one tusk broken off). Length from tip of trunk to tail 26.5cm. Max. Height 16.5cm. Weight approx. 2.8kg. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
RUPERT BEAR ETC. Six Royal Doulton, Rupert Bear figures including Edward Trunk RB33, Algy Pug RB32, Pong-ping RB34, Podgy Pig RB35, Banging on his Drum RB17 & Captain Rupert RB25, No. 517/2500. All in original boxes, original packing & apparently unopened Certificates & Swing labels etc. Also two Coalport ceramic Characters, Building the Snowman & the Wrong Nose, also in original packing etc. (Several boxes have suffered from damp).WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
BRONZE ELEPHANT. A large brown patinated bronze walking elephant with realistic grained hide. Unsigned. Length from tip of trunk to tail 37cm. Height 18cm. Weight approx. 4.6kg. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
A 19th Century Continental leather covered and steel and brass mounted domed trunk on a later oak stand:, with brass studded geometric ornament and steel strapwork corners and cartouche lock, the hinged top with central initials R. G., having two short drawers below, the sides with iron carrying handles, the later stand on turned legs, united by plain stretchers, terminating in bun feet, the trunk 93cm (3ft 0 3/4in) long, 52cm (1ft 8 1/2in) deep, 51cm (1ft 8in) high.
Joseph Wood, Scarborough a faux-tortoiseshell moon-phase lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name Joseph Wood, Scarborough, the arch having a moonphase disc painted with a seascape and landscape, the break-arch faux-tortoiseshell lacquered case having raised Oriental chinoiserie decoration to the base, trunk and hood, with three-quarter columns to the hood, height 212cm.* Biography Joseph Wood is recorded as working in Scarborough from circa 1760 until at least 1790 and is noted for the quality of his longcase clocks which are of the 'London style'.Reference Brian Loomes Clockmakers of Northern England Pub. Mayfield Books 1997.
A twentieth century moonphase grandmother clock: the eight-day duration, weight-driven movement striking the hours on a bell, the seven-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, with engraved decoration to the centre and cast floral spandrels to the four corners, the arch having a painted moonphase disc, the mahogany case having various applied mouldings with the trunk having a shaped door, blind fretwork and quarter fluted columns, the hood having fluted columns and a swan-neck pediment with carved finials, the base with blind fretwork to the canted corners and a shaped raised panel, all standing on bracket feet, height 156cm.
Thomas Leadbeater, Sandbach a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-and-a-half-inch break-arch painted dial having black Roman hour numerals with the centre having subsidiary seconds and date dials and signed Thos. Leadbeater, Sandbach, with decorative painted corner spandrels and a moonphase disc to the arch showing the phases of the moon and date, with decorative brass hands, the mahogany case with various inlaid decoration and stringing, the trunk having a shaped door, fluted and inlaid corners and a panel set below, the hood having fluted and inlaid square columns and surmounted by a swan-neck pediment, the base with canted corners, a circular panel, inlaid decoration to each corner and standing on bracket feet, height 226cms. * Biography Thomas P. Leadbeater is recorded as working in Bridge Street, Sandbach, Cheshire prior to 1822 until at least 1855. Reference Keith Appleby Clockmakers of Cheshire Pub. Farmhouse Antiques 1999.
Mark Hawkins, Bury St Edmunds, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the matted dial centre having a subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Mark Hawkins, St Edmunds, Bury, with cast-brass vase spandrels to the four corners, the arch having a round boss engraved with a ho-ho bird with dolphin spandrels either side, the pagoda-topped black lacquered case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 212cm. * Biography Mark Hawkins is recorded as both a watch and clockmaker in Bury St. Edmunds working in the early-to-mid 18th century with his father, also Mark, working from before 1670 until at least 1710.
James Ritchie, Edinburgh, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch round silvered dial engraved with black Roman hour numerals, subsidiary seconds dial, date dial and signed James Ritchie, Edinburgh, with blued steel moon hands and a cast brass bezel, the mahogany drum-head case having a curved top to the trunk door, quartered columns with panel below, a panelled base and standing on bracket feet, height 205cm.* Biography James Ritchie was apprenticed to James Howden of Edinburgh in circa 1799. He married Sarah (Sally) Neil in December 1804 and began his business at 29, Leith Street in 1809 gaining a reputation for his honesty and sound work. He was admitted as a Burgess of the city on the 18th of April 1816. He had a son Frederick who was apprenticed to Ritchie and who became his partner in 1838 aged only 11 years old. James Ritchie died intestate on the 5th of April 1850.Reference Donald Whyte Clockmakers & Watchmakers of Scotland Pub. Mayfield Books 2005. An advertisement for James Ritchie is shown on page 248.Donald Whyte Letter to Antiquarian Horology Journal of the Antiquarian Horological Society Winter 1992.
D. Angelo & Cadenazzi, Winchester, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman hour numerals and floral corner spandrels, the dial centre having subsidiary second, date dials and signed D. Angelo & Cadenazzi, Winchester, with floral decoration painted within the arch and blued steel spade hands, the mahogany case having ebonised crossbanding to the arched trunk door and base, the hood with inlaid stringing and fluted pillars with cast-brass capitals and surmounted with whales-tooth cresting, all standing on bracket feet, height 217cms.
Samuel Northcote, Plymouth a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman hour numerals and Arabic five-minute markings to the outer aspect, the dial centre engraved with subsidiary seconds and date dials along with the maker's name Saml. Northcote, Plymouth, the arch engraved with a Strike/Silent dial, the arch-topped mahogany case having boxwood crossbanding to the to the trunk and hood doors, with the quarter pillars to the trunk and hood having brass stops and capitals, the pediment surmounted by three brass ball-and-spire finials and with a raised panel to the base, height 212cm inc. finial.* Biography Samuel Northcote is recorded as working in Plymouth as a clockmaker and optician. He died in his eighty-third year on the 13th November 1791. His son, also Samuel, continued as a watch and clockmaker and died aged 71 in 1813. Samuel jnr's son James Northcote RA was apprenticed to Samuel but settled as an accomplished portrait painter becoming a Royal Academician.Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub: David & Charles 1985.
A small and slim mahogany grandmother longcase clock: the eight-day, weight-driven movement striking the hours on a bell and having a brass cylindrical pendulum bob, the 6½-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre engraved with floral decoration, with cast-brass c-scroll spandrels to the corners, the arch with an applied boss signed with the makers name J. Hughs, London and further c-scroll spandrels, the arched mahogany case having a shaped moulding to the trunk door, barley-twist columns to the hood and all standing on bracket feet, height 176cm.
George Strigel, London a mahogany longcase regulator: the eight-day duration timepiece movement having a dead-beat escapement, maintaining power, a brass bob to the steel-rod pendulum and a brass bound weight, the ten-inch shallow-arched silvered dial having a conventional longcase layout with Roman hour numerals, Arabic five-minute markings, a recessed subsidiary seconds dial, blue steel spade hands and engraved to the arch in script George Philp. Strigel, Facing Her Majesty's Palace, London, the mahogany case having fluted quarter-columns with cast-brass capitals to the trunk with a shaped moulding to the door, the hood with fluted canted corners and a tall shaped pediment top, the base having a shaped raised panel and standing on a double-plinth with bracket feet, height 216cm.* Biography George Philip Strigel, born 1718, is recorded as working in Pimlico, Stafford Row, near Buckingham Gate, London as Clockmaker to Queen Charlotte, wife of George III who once walked in on Strigel as he was attending to one of the Palace clocks. He was made an honorary Freeman of the Clockmakers' Company in April 1781 which is bestowed on those makers who it was believed could advance the interests of the company. Two porcelain clocks signed for Strigel were in Clarence House, the residence of the Queen Mother. A fine complicated watch with seconds and quarter seconds was a part of the famed Courtenay Ilbert collection acquired for the nation and now in the British Museum.Reference. The Philosophical Society of London The European Magazine and London Review Vol.34 Obituary for Mr George Philp Strigel, Watchmaker, in his 80th Year.
Philip Avenell, Farnham, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell with decorative steelwork to the bell stand and having a twelve-inch break-arch brass dial with a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name within a cartouche Philp. Avenell, Farnham, with cast-brass c-scroll spandrels to the four corners and decorative blued steel hands, the arch having a Strike/Silent dial with matching spandrels, the black lacquered flat-top case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 204cm.* Biography Philip Avenell is recorded as working in Farnham, Surrey circa 1765 before moving to London in circa 1775 where he died in 1809.
Ainsworth Thwaites, London a slim oak longcase clock: the thirty-hour duration movement having a verge escapement and striking the hours on a bell with an outside countwheel with the six-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, with c-scroll and rococo engraved decoration to the centre, corners and arch and blued steel hands, the arch having a round boss engraved with the maker's name Aynsworth Thwaites, London, the slim oak case having a shallow arch to the trunk door, a flat-top hood with wood pillars and a plain base standing on bracket feet, height 185cm.* Biography Aynsworth (sometimes Ainsworth) Thwaites is recorded as being apprenticed in 1735 and a member of the Clockmakers' Company from 1751 until 1880 working in Rosoman Row, Clerkenwell. His son John, apprenticed 1772, went into partnership with George Jeremiah Reed to form the well-known clockmaking firm Thwaites & Reed.
John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
George Ellis, Oaken Gates, an oak and mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell and having a painted twelve-inch break-arch dial with black Roman numerals, date aperture, decorative gilded brass hands and decorated with rural buildings to the four corners and arch, the oak case with mahogany crossbanding and panels, the fluted quarter columns to the trunk having cast-brass capitals, the hood with a swan-neck pediment and fluted pillars, the panelled base standing on bracket feet, height 214cm.*NOTE The height of the clock is 214cm and not 124cm as described.* Biography George Ellis is recorded as working in Oaken Gates, Shropshire from circa 1842 until at least 1850.* Notes Reference. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd 1979.
A pair of Meissen bucolic figural candelabra, 19th century, the gentleman figure playing bagpipes and the lady a pipe, standing in front of a tree, underglaze blue crossed swords marks, removable three branch candle arms, incised 'F155' and 'F156', H. 42cmCONDITION: There is restoration on some of the candle arms, there are typical small losses to the encrusted flowers of the candle arms and the leaves on the tree, on the male figure one of the nozzles and drip pans has become detached and has been restored around the whole of the drip pan, there is also restoration to the drip pan on the central nozzle above the tree trunk and to the dogs right ear and to the majority of the leaves on the tree, female figure - there are losses to the end of her pipe, restoration to two of the drip pans for the nozzles on the candle branches and to the drip pan on the central nozzle, below a tree there is also a gilt metal reinforcement, also most of the leaves on the tree have been restored, otherwise in a reasonable condition.
Furnival Sheffield; a George III oak longcase clock, the moulded broken swan neck pediment with brass orb finials, brass mounted free standing fluted pilasters, the arched long trunk door flanked by fluted quarter columns, on a panelled base, the 12.5" circular brass dial with Roman and Arabic numerals, the twin train movement striking on a bell, 214cm high, with key (2).
Scott Perth: a Regency mahogany satinwood crossbanded boxwood and ebony strung longcase clock, the arched hood with broken swan neck pediment and brass orb and spire finial, freestanding rope twist columns, the arched long trunk door between ropetwist quarter pilasters, the 13" painted dial with figure panels, subsidiary seconds and calendar dials, the twin train movement striking on a bell, the pendulum painted with a house in a highland landscape, 230cm high.

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66892 item(s)/page