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3 Tischlampen in der Art des Jugendstils, um 1990Jeweils in Tiffany-Art. 1) Mit Libellenmotiven, verschiedene Glasfarben, auf Gußsockel mit eingesetzten Glassteinen, Ø 38 cm, Höhe 54 cm. - 2) Mit Rosenmotiven, verschiedene Glasfarben, bronzierter Gußsockel in Form eines Baumstamms, Ø 42, Höhe 63 cm. - Und: 3) Mit Libellenmotiven, verschiedene Glasfarben, runder Schirm, bronzierter Gußsockel, Ø 42 cm, Höhe 60 cm. - Jeweils mit Netzkabel und Schalter. Start Price: EUR 240 Zustand: (2/2)3 Art-Nouveau-Style Table Lamps, c. 1990In Tiffany style. 1) With dragonfly motifs, polychrome glass, on cast base with inset glass ‘stones’, Ø 15 in., height 21 1/4 in. - 2) With rose motifs, polychrome glass, tree trunk-shaped bronzed cast base, Ø 16 ½ in., height 25 in. - And: 3) With dragonfly motifs, polychrome glass, circular shade, bronzed cast-iron base, Ø 16 ½ in., height 23 3/5 in. - All with mains cables and switches. Start Price: EUR 240 Condition: (2/2)
A Louis Vuitton 'Courier' trunk, 1885-1890,striped beige and brown 'rayee' canvas exterior, with brass handles, locks and catches, brass reinforcements to riveted brown leather edging and wooden battens, roller wheels to underside, the lid opening to beige cloth-lined interior with paper label to rear surface numbered '12811', with maroon ribbon pinned lozenge pattern to inside of padded lid (some loss to ribbons) and believed Cyrillic script annotation to inside edge of lid, lacking interior lift-out tray, some wear and staining to interior, the exterior with some wear in places commensurate with age and with remains of painted Royal coronet emblem to each end and monogram initials 'M.A', measuring 100 x 51 x 49cm overall. Footnotes:A 'Mail Trunk' of similar design is illustrated in Pierre Leonforte & Eric Pujalet-Plaa: 100 Legendary Trunks - Louis Vuitton; published 2010 Abrams NY, (see pages 159-164).This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A rare vintage Louis Vuitton 'Malle Fleurs' Flower Trunk, design introduced circa 1910,in the form of a miniature trunk, printed monogram canvas exterior with leather-edging and leather handle to each end, with brass reinforced corners, central catch and two latches, pinned wooden battens, the lid opening to water-resistant painted zinc tub lined interior, measuring 28 x 14 x 11cm, with painted initials 'M.H.S.' to each end. Footnotes:These miniature Flower 'Planter' Trunks were introduced in circa 1910 by Georges and Gaston-Louis Vuitton, as gifts for loyal and valued lady clients in gratitude of their custom, a gesture continued throughout the 1920s and 1930s. Well received, they were often re-purposed as sewing or jewellery boxes or cigarette cases. A similar example of this design appears in Pierre Leonforte & Eric Pujalet-Plaa: 100 Legendary Trunks - Louis Vuitton; published 2010 Abrams NY, (see pages 334-335 and 412-413).For further information on this lot please visit Bonhams.com
Photographs and ephemera from the Mark Wild archive,comprising two Edwardian and one modern photographic albums, depicting early motoring and motor racing scenes, many with annotated titles including 1904 and 1905 Gordon Bennett trials and races, 1904 Circuit des Ardennes, 1907 Coppa Florio, motoring trips, journeys and family images, some mounted in or on card, others loose; assorted ephemera including press cuttings, event menus, some signed by Wild's Wolseley colleagues; a signed letter from J D Siddeley regarding the expectations of Wild in the 1907 Coppa Targa; a signed letter from Chevalier Rene de Knyff and other items, contained in a modern trunk. (Qty)For further information on this lot please visit Bonhams.com
American Ansonia twin train spring driven wall clock with an eight-day movement striking the hours on a gong, with an eighteen-inch octagonal wooden bezel and twelve-inch painted dial with Roman numerals and second's dial, original steel hands (minute hand detached but present) within a flat glass and spun brass bezel, mahogany and ebonised case with a fully glazed trunk door and visible pendulum with a brass bob. Dimensions: Height: 82cm Length/Width: 46cm Depth/Diameter: 10cmCondition Report:Bezel hinge damaged, minute hand detached but present.
A compact oak cased longcase clock with a 30hr chain driven movement retailed by G. Green , Lincoln, c1820, hood with a flat top, broad cornice and blind frieze, 12� square painted dial flanked by two detached pillars and brass capitals, long trunk door with a wavy top on a square plinth with a raised moulding and decorative skirting, dial painted with upright wavy Arabic numerals, minute track, and floral spandrels, with a semi-circular date aperture and non-matching stamped brass hands. With pendulum and weight.Dimensions: Height: 186cm Length/Width: 44cm Depth/Diameter: 23cm
A 20th century American floor standing �tall case clock� with a swan's neck pediment and full-length glazed trunk door flanked by reeded pilasters with capitals, cream dial inscribed �Howard Miller� with Roman numerals and serpentine hands within a gilt spun brass bezel, three train weight driven German movement chiming the quarters and striking the hours on eight gong rods, with strike/silent facility. With key, three brass cased weights and Gridiron pendulum.Dimensions: Height: 210cm Length/Width: 50cm Depth/Diameter: 28cm
A late 18th century mahogany longcase with an associated dial and later movement, flat topped hood with a dentil cornice and blind fret beneath, square hood door flanked by two turned pillars with integral capitals, trunk with conforming blind fret and reeded quarter columns, full length trunk door with raised moulding to the edge and an arched top, trunk on a rectangular plinth with applied moulding to the base, mid 18th century brass dial with cast spandrels, chapter ring and engraved dial centre, fitted with �dummy� winding arbors, dial engraved �William Hardgraves Jnr, Settle�, with a semi-circular date aperture and date disc behind, non-matching steel hands, dial pinned via a false plate to a 20th century chain driven three train movement striking the quarters on 8 gong rods. With three brass cased weights..Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 26cmCondition Report:Case good, dial and movement both associated to the case, replacement hands, glass good, incorrect pendulum, with three weights
An oak cased longcase clock with a mid-18th century 30 hour posted frame movement, chain driven pulleys with a recoil anchor escapement and external count wheel, striking the hours on a bell, 8� square brass break arch dial with crude provincial engraving to the break arch and dial centre, engraved Roman numerals, minute track and half hour markers, with a single pierced steel hand and four open fretted spandrels, oak panelled case with a flat topped hood, narrow trunk door and with later alterations. With pendulum and weight.Dimensions: Height: 200cm Length/Width: 39cm Depth/Diameter: 23cm
ALEXANDER DERKACHENKO: BEETLE ON A LOGBy Alexander Derkachenko, signed with the artist's markUkraine, c. 2015Naturalistically carved from boxwood and finely stained, depicting a beetle with large inlaid eyes resting on the edge of a tree trunk. Inside an opening a minutely inlaid silver spider is visible. The himotoshi formed by one larger and one smaller hole next to the inlaid signature tablet with the artist's mark.LENGTH 6 cmCondition: Excellent condition.Provenance: British collection.
GUY SHAW: BAKU MADONNA AND CHILDBy Guy Shaw (1951-2003), signed with the artist's initial GSEngland, c. 1998The two mythological creatures borne from flames and huddled together in a loving embrace, the young baku's trunk 'feeling' underneath the adult's ear and the adult's trunk coiling around the young, holding it close. Finely carved in lightly stained boxwood, the eyes inlaid in amber, the himotoshi between the flames, and signed underneath within a gold-inlaid plaque GS.The late Guy Shaw writes on this subject in the Netsuke Kenkyukai Study Journal, vol. 10, no.1 (Spring 1993), p. 13: “In Baku Madonna and Child I portray another private scene of the mythological baku – that of a baku mother cuddling her child. Both mother and child have been carved in an economical style for a specific reason. The problem I set myself was to capture a feeling of great tenderness and compassion between the two while at the same time expressing the essentially aggressive nature of this mythological creature. After all, baku prey upon the most terrifying of phenomena, our own deepest fears and the horrors that lurk in our subconscious. They are lapped by flames of the spirit world and bathed in the love for each other. The pose reminds me of the carvings of the Madonna and Child, hence the title, a meeting of eastern and western philosophies“. HEIGHT 5.8 cmCondition: Excellent condition.Provenance: Old Viennese private collection, purchased in 1998.Literature comparison:A similar netsuke carved from mammoth tusk is illustrated in Netsuke und Sagemono von Meistern aus Japan (1992), no. 119. Another similar netsuke carved from burr yew is illustrated in the Netsuke Kenkyukai Study Journal, vol. 10, no.1 (Spring 1993), p. 13, fig. 9.
KENJI: A RARE MARINE TUSK NETSUKE OF A BAKU AND GHOSTBy Kenji Abe (born 1947), signed Kenji 賢次 to 刀Japan, Tokyo, 20th centuryA superbly carved netsuke depicting an unusual and clever subject – the nightmare-devouring baku encircling its trunk around a cycloptic ghost shrouded in ghastly flames, its long bony fingers hanging downwards and the face with a surprised and terrified expression, evidently caught in the act of appearing in a nightmare. The details such as the baku's curly mane and bushy tail are finely carved, the eyes of both are double inlaid in tortoiseshell and horn. Natural himotoshi and signed to the side of the ghost KENJI to [carved by Kenji].HEIGHT 3.8 cm, LENGTH 3.8 cmCondition: Excellent condition.Provenance: Collection Gabor Orszagh, Budapest, Hungary.Kenji Abe (born 1947) learned carving from his father Godo. He is versatile in any subject matter and material and is a member of the International Netsuke Carvers Association. His works are, amongst others, in the collection of HIH Prince Takamado (1954-2002).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
HARRY POTTER AND THE GOBLET OF FIRE (2005) - Quidditch Field Supplies TrunkA Quidditch field supplies trunk from Mike Newell's fantasy sequel Harry Potter and the Goblet of Fire. Trunks were used as set decoration in the Waiting Tent as Harry (Daniel Radcliffe) awaited his turn to battle a dragon, the first task of the Triwizard Tournament. The wicker storage trunk is covered in green-painted canvas with brown leather trim and metal chain detailing. Both sides are decorated with stencilled text, a medical cross logo, and the Hogwarts crest. A rope handle is attached to each end, and the lid secures via two metal clasps. The box exhibits paint wear and warping, and some of the leather has come away. Dimensions: 35 cm x 74 cm x 38 cm (13 3/4" x 29 1/4" x 15") Estimate: £2,000 - 3,000 †This lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.
BEATLES, THE - Black-and-white Yesterday and Today Butcher Cover Promotional PosterAn original prototype poster issued by Capitol Records in 1966 to promote The Beatles' ninth album Yesterday and Today. This poster features a black-and-white image of the album's highly controversial, original "butcher" cover image. It shows all four members in butcher's smocks surrounded by dismembered baby doll components and raw meat. The cover was quickly deemed inappropriate and changed to a tamer image of the Fab Four posed around a travel trunk. As a result, stores were advised not to display posters featuring the "butcher" photo, making them incredibly rare. This example features handwritten annotations along the top and bottom, relating to the piece's installation at a Sam Goody store. The poster displays signs of discolouration from age and small tears around its edges. Dimensions: 43 cm x 28 cm (17" x 11") Estimate: £5,000 - 7,000 MThis lot will be auctioned on Friday, November 4th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Saturday, November 5th; or Sunday, November 6th.
A CARVED PALE GREEN JADE 'CRANE AND LINGZHI' VASE17th/18th century The vase finely carved in the form of a gnarled tree trunk flanked by a a crane standing on rockwork, grasping a branch of large peaches in its beak beside a lingzhi fungus, the stone of even pale tone with faint cloudy inclusions, stand.12.5cm (4 7/8in) high. (2).Footnotes:十七/十八世紀 玉雕仙鶴獻壽紋小瓶Provenance: formerly in the collection of Jan Habbema (1885-1970), acquired in the early 1930s, by repute來源:Jan Habbemam舊藏,傳於二十世紀三十年代早期入藏,並由後人保存迄今Jan Habbema was born in Ambon, the Dutch East Indies, to Habbema and Jacoba Petronella van der Vlist, who were married in Batavia in 1878. After graduating in law in Leiden in 1904, he became a resident of Rembang, Blora, Djocja and Bodjonegoro in the Dutch East Indies between 1930 and 1936. In 1936 he relocated to The Hague where he still lived in 1940 at the outbreak of the Second World War. He formed a large collection of Chinese art when stationed as a high official in Bodjonegoro, Indonesia, until 1936.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A RARE GILT-BRONZE 'MAKARA' BASE18th centuryThe mythical creature cast with a curved fish body and a horned dragon head defined by bulging eyes and open fangs, finely depicted emerging from tumultuous waves. 14cm (5 1/2in) high.Footnotes:十八世紀 銅鎏金「摩伽羅」底座The present makara would have likely served as a base supporting one of the Eight Buddhist Emblems, bajixiang, which were positioned on altar tables during the performance of Buddhist rituals. Compare two similar gilt-bronze makaras, Yongzheng, supporting respectively a conch and a parasol, in the Ji Zhen Zhai Collection, illustrated by Fang Jing Pei, Symbols and Rebuses in Chinese Art, Berkeley, CA, 2003, nos.36 and 49.In ancient Indo-Tibetan cosmology, makara are sea-monsters that balance the universe on their backs as they move through the cosmic ocean. The mythical creature combines the jaws of a crocodile, trunk of an elephant and lion's paws.For further information on this lot please visit Bonhams.com
GONDA HIROSUKE LINEAGEA Cloisonné-Enamel and Musen Tall Baluster Vase Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryDecorated in partly musen (wireless) and yusen (wired) enamels with a shimenawa (sacred rope) tied around the trunk of a gnarled pine tree on the seashore at low tide in the foreground, the sun setting in the background, applied with a silver rim and foot, signed with the enamelled mark of Gonda Hirosuke on the base; with a wood stand and a plain wood storage box. 31.5cm (12 3/8in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
SHIBATA ZESHIN (1807-1891)An Album of Eleven Miniature Urushi-e (Lacquer Paintings) Meiji era (1868–1912), circa 1885–1886With a calligraphic title page, bound in orihon (concertina) style, the blank pages covered in gold-painted paper, the cover of silk brocade woven with geometric and floral designs and bearing a blank gold-paper title slip, the title page and paintings as follows:1) Title page inscribed with a single black urushi-e character Ga (Elegance) and signed Yowai hachiju Tairyukyo Zeshin (Tairyukyo Zeshin, in his eightieth year)2) The trunk and branch of an ancient pine tree by a river, with bamboo grass in the foreground; signed Zeshin and sealed Shin3) A turtle climbing into a sakazuki (sake cup) inscribed Kotobuki (Long life); signed Zeshin and sealed Shin4) A branch of plum and a bowl with bamboo chopsticks and tororo (grated yam), perhaps with fish and seaweed, served as a New-Year dish; signed Zeshin and sealed Shin5) Butterflies and spring plants—warabi (fern), tanpopo (dandelion), bamboo, and bamboo grass—by a stream; signed Zeshin and sealed Shin6) Pine trees with a swallow flying overhead; signed Gyonen nanajukyu-o Zeshin (Zeshin, aged 79) and sealed Shin 7) Five clam shells; signed and sealed Zeshin8) Pumpkin, daikon, and two aubergines; signed Zeshin and sealed Ze9) A mountainous pine-clad shore with fishing boats, gulls, and a shiofuki (whale's spout) in the foreground; signed Zeshin and sealed Ze10) A snake and reeds; signed Zeshin and sealed Shin11) A sailing boat by a rock with the branch of a tree; signed Zeshin and sealed Ze12) A gardener's bamboo basket with fruits of hozuki (Chinese lantern plant, Physalis alkekengi); signed Zeshin with an unidentified seal; with a fitted wood tomobako inscribed outside Tairyukyo Zeshin hitsu urushi-e cho (Album of lacquer paintings brushed by Tairyukyo Zeshin); signed inside Chikushin shiki (Recorded by Chikushin), with an unidentified seal; also with silk brocade chitsu (outer wrapper). Overall: 1.7cm × 3.7cm × 6.9cm (5/8in × 1½in × 2¾in); each painting: 6.4cm × 5.2cm (2½in × 2in). (3).Footnotes:Provenance:A Royal Collection.For a similar single-character inscription by Zeshin, in an album dating from 1882–1883, compare Shibata Zeshin no shikko, urushi-e, kaiga (Shibata Zeshin: From Lacquer Arts to Painting), exhibition catalogue, Tokyo, 2012, cat. no.111.8 (also Sebastian Izzard, Zeshin: The Catherine and Thomas Edson Collection, exhibition catalogue, San Antonio, San Antonio Museum of Art, 2007, cat. no.44.1).Shoji Chikushin (1854–1936), whose go or art name was Kakan'an, was a leading pupil of Zeshin who often signed boxes authenticating his work.For further information on this lot please visit Bonhams.com
A GEORGE III MAHOGANY MERCURY STICK BAROMETER, WILLIAM BOWLEY, SHREWSBURYEARLY 19TH CENTURYWith open triangular pediment over silvered Vernier scale calibrated in barometric inches opposing the usual observations, the right-hand upper corner with engraved signature W'm Bowley, Shrewsbury, Fec't within a circular cartouche, set behind hinged glazed door over chevron strung and crossbanded trunk with visible tube flanked by angled banded veneers, above rounded base fitted with ring-turned domed cistern cover.100cm (39.5ins) high excluding brass finial, 15cm (6ins) wide. William Bowley is recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1660-1900 as an engraver working from Wyle Cop, Shrewsbury, 1809-18. Condition Report: The tube is intact and contains mercury but has extensive air locks hence will need refilling. The silvered scale is in sound original condition but has heavy patchy tarnishing/discolouration. The case is in sound original condition with faults limited to a filled bump/chip to the right hand side of the rounded base panel and minor bumps, scuffs, chips to mouldings and shrinkage; the surface is in untouched condition hence is a little dull/uneven hence would benefit from the attention of a good furniture finisher. Condition Report Disclaimer
A RARE ROCK CRYSTAL TREE-TRUNK-SHAPED BRUSHPOT, BITONGMid Qing DynastyThe transparent crystal smoothly hollowed and crisply carved as a gnarled tree-trunk with swirling knots, the stone with 'pine-needle' inclusions, wood stand. 14cm (5 1/2in) high. (2).Footnotes:清中期 水晶樹幹形筆擱Provenance: S. Marchant & Son, London, 25 June 2002來源: S. Marchant & Son,倫敦,2002年6月25日Published and Illustrated: S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, pp.18-19錄著:S.Marsh, 《Brushpots: A Collector's View》,香港,2020年,頁18-19Rock crystal is traditionally valued for its translucent quality as a symbol of purity, and is referred it as shujing, literally meaning 'water essence' (水晶); see M.Wilson, Chinese Jades, London, 2004, p.102. The present lot is carved a tree-trunk, probably a gnarled pine because of the 'pine-needle' inclusions. The pine tree is one of the 'Three Friends of Winter' along with bamboo and plum blossom and was admired by scholars for encapsulating ideals of Confucian morality such as self-discipline and fortitude.See a related rock-crystal brushpot carved as a gnarled pine tree with crane and bamboo, Qing dynasty, illustrated in The Jade Carving Art in the Ch'ing Dynasty, Taipei, 1990, p.165.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Jerome & Co. - Superior 8 day Anglo-American clocks, early C20th inlaid and figured walnut drop dial wall clock, brass bezel enclosing painted 30cm dial set with Roman numerals and railtrack minutes, case inlaid with scrolling foliage, glazed panel door with pierced fretwork aperture, twin scroll trunk two train striking movement on a bell, W42cm D14cm H80cm
Late C19th/early C20th simulated rosewood inlaid drop dial wall clock, brass bezel enclosing painted 31.2cm dial, set with Roman numerals and railtrack minutes, case inlaid with mother of pearl and white metal stringing, trunk with brass framed pendulum lenticle, two train movement striking on a bell, W43.5cm D14.5cm H68cm
Jerome & Co. superior 8 day Anglo-American clocks, late C19th/early C20th inlaid walnut drop dial wall clock, brass bezel enclosing painted 30cm dial with Roman numerals and railtrack minutes, case extensively inlaid with Tunbridge ware bands and roundels, hinged glazed panelled door over glazed panelled trunk with pierced fretwork and fabric backed panel, two train movement striking on a bell, W42cm D13cm H70cm
Newhaven Clock Co., Newhaven Conn, late C19th/early C20th inlaid walnut drop dial wall clock, brass bezel enclosing later replaced dial, D30.2cm, inlaid foliate case decorated with flowers, glazed and painted panelled door revealing pendulum, trunk having inlaid running horse, two train movement striking on bell, W43cm D13cm H68.5cm
A Longcase clock John Gates London. Contained in a mahogany case with chamfered sides to trunk, square panel to base. Swan neck to hood. The dial is a silvered single sheet dial with subsidiary minutes and date calendar. Untested. John Gates is recorded as working in London in 1773 (Baillie’s watch and clockmakers of the world)
A 20th century Middle Eastern hardwood and brass mounted trunk, height 41cm, width 92cm, depth 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century South African hardwood and brass mounted trunk, raised on cabriole legs, height 70cm, width 97cm, depth 56cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V chinoiserie lacquered longcase clock with eight day movement striking hours on a bell, the 9-inch brass breakarch dial engraved with Chinese figure and trees, the silvered chapter ring with Roman hour numerals and inscribed 'Dartmouth Devon', the case decorated with gilt figures, birds and flowers on an iron red ground, the hood with three turned finials and glazed door, the rectangular trunk door with glazed lenticle, on bracket feet, height 206.5cm, with pendulum and two weights.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian pine washstand, height 87cm, width 92cm, depth 53cm, together with a Victorian pine trunk, height 36cm, width 70cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large 20th century Zanzibar hardwood and brass mounted trunk, the hinged lid above three drawers, height 57cm, width 133cm, depth 70cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century oak longcase clock, the hood with a broken swan neck pediment and columns, above a long trunk door, box base and bracket feet, the 30.5cm dial with cottage by a lake painted to the arch, and floral spandrels, Roman numerals to the dial, a seconds subsidiary dial and calendar aperture inscribed Thos Mills Caerleon, 30 hour movement striking on a bell, 204cm high
A GOYARD, PARIS, FRENCH BLACK PAINTED CANVAS MOTORING TRUNK CIRCA 1915Of rectangular form, the lid enclosing a compartment, the interior of the lid with an old paper label for the maker and serial numbered 132914, the metalware also stamped29cm high, 86cm wide, 42cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useScuffs and marks to the canvas as expected, some peeling to cornersThe interior with some marks and staining, the label with some tears and lossesThe metalware with dents and knocks from use, the handles with 'snapback' action - this is working at time of report, signs of polishing to the metalwareStencilled CEP to one side in redPlease refer to additional images for visual reference to condition Condition Report Disclaimer

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