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A Louis Vuitton trunk, the sides printed with LV, lozenges and flowerheads, with leather borders and brass studs and bindings, the hinged lid with a leather handle stamped Louis Vuitton Paris London and initialled W.R. in red paint, enclosing a cloth lined interior, the lid with a trellis of Louis Vuitton ribbon with brass studs and a label Louis Vuitton 786741 Paris, London, Nice, Cannes, Vichy, 51 high x 27 deep x 50cm wide
A tin trunk containing various items of naval kit, comprising: a Royal Navy officer's sword, with regulation gilt-metal hilt with lion's head pommel and wire-bound fish-skin effect grip, engraved 79cm steel blade, in a leather and gilt-metal-mounted scabbard; a naval reserve officer's mess coat; a naval reserve peaked cap; a souvenir Middle Eastern knife; a souvenir African carved wood paper-knife and various items of civilian dress
A late George III mahogany longcase clock, the swan-neck pediment surmounted by gilt painted figure of Atlas flanked by females, white painted dial below inscribed "Cox Tipton", with eight-day movement flanked by fluted pilasters, inlaid boxwood and ebony stringing to the trunk and single panel door flanked by fluted brass mounted pilasters, raised on bracket feet, 21.5in. x 101in. high.
A 19th Century mahogany longcase clock, patent dial with roman numerals, subsidiary seconds and date dials, indistinctly inscribed, the arch and spandrels decorated with painted spaniels and shooting scene, the hood with later fret carved pediment, flanked by turned pilasters, a single panelled door to the trunk, 21in. x 89.5in. high.
A late Georgian oak and mahogany crossbanded longcase clock the circular brass dial with subsidiary seconds dial and date aperture inscribed "Torkington, Newcastle", the hood with flared cornice above a blind fret carved glazed panel door flanked by brass mounted fluted pilasters, the trunk with a single panel door and ornate brass lock escutcheon flanked by turned pilasters, raised on a later cut-away plinth base, 18.5in. x 83.5in. high.
A George III oak longcase clock, the white painted dial inscribed "Will. Robson, North Shields" to the arch with a painted roman numerals and inner state dial, painted with flowers in the corners, fitted eight-day striking movement, the hood with dentil cornice and glazed panel door flanked by fluted pilasters with arched panel door to the trunk raised on bracket feet, 19.5in. x 85.5in. high.
A George III mahogany longcase clock with brass dial and roman numerals, subsidiary seconds and date dials, inscribed J. Weatherstone, London, fitted eight-day movement, the hood with flared cornice above brass-mounted corinthian pilasters, the arched panelled door to the trunk decorated with inlaid satinwood crossbanding, flanked by further corinthian pilasters, fielded panel below raised on a cut-away plinth base, 19in. x 91.5in. high.
A late 18th Century oak eight-day longcase clock with an arched silvered dial inscribed ''Jas Scott, Leith'' with a subsidiary second dial, date aperture, the arch with a painted oscillating peacock and with acanthus painted decoration to the spandrels, the hood with a broken arch pediment, cylindrical mahogany columns, the trunk with an arched door and on bracket feet, 87in. (221cm) high.
A George III longcase clock, John Taylor, Petworth, the hood with glazed door and column sides, the trunk with plain door on square base, the 10in square brass dial with single hand and silverised chapter ring with Roman numerals and urn and flower spandrels, the centre engraved with four flying birds, the thirty hour movement striking on a single bell, 213cm high
A 19th century mahogany longcase clock, the 8 day movement striking on a bell, to a painted arch dial with a European river landscape, churches and houses, a subsidiary seconds dial (no hand) and a date aperture, inscribed Stevenson, Leicester, the arched hood and case veneered and inlaid stringing, canted corners to the trunk, the base on bracket feet, 7ft 1in (216cm) high.
Webb & Son, Hembury, an oak and mahogany banded longcase clock, the hood with swanneck pediment, brass ball finials and fluted pillars, the trunk with inlaid canted corners, on a rectangular plinth, the retouched 12inch arched dial with floral basket painted to the arch, leaf spandrels, seconds dial and calendar aperture, Finnemore & Son falseplate, restored 8 day movement, (associated), 212cm high
Chas Cornell, Royston, a mahogany longcase clock, the hood with swanneck pediment and fluted pillars, the 12inch arched dial painted with fruit and foliage, gilt floral spandrels, Roman numerals, seconds dial, calendar aperture, with 8 day movement, Finnemore & Son falseplate, the trunk with canted corners, (striking train removed, lacks skirting) 196cm high
James Smith, Oxford Street, a George III mahogany longcase clock, the pagoda top break-arch hood with fret panel, ball finials and stop fluted columns, the 12inch brass dial inscribed above the silvered strike-silent dial, also with silvered chapter ring, seconds dial and date aperture, matted centre, rococo spandrels, the break-arch trunk door flanked by stop-fluted brass capped quarter columns, above a stepped plinth with shaped front panel and skirting, with 5 pillar bell-striking movement, 250cm high
Thos Glase, Bridgnorth, a burr yew longcase clock, the hood with swanneck pediment and turned pillars, the arched 14inch painted dial with Biblical scene to the arch, foliate spandrels, Arabic numerals, seconds dial and calendar aperture above a square and compass motif, the 8 day 4 pillar movement with Wilkes & Son falseplate, the trunk with short trunk door flanked by canted corners, upon a panelled plinth with bracket feet, early 19th century, 229cm high. With original bill of Micklewright's of Ludlow (Antique Dealers) 1919 for £25
An early 19th Century mahogany longcase clock, the hood with reeded columns and gilt corinthian capitals, over a trunk with quarter reeded columns, brass corinthian capitals and a crossbanded arched door, the arched brass dial with subsidiary seconds and date rings, a disc inscribed John Bates, Kettering, and a five pillar movement. (seatboard not original) 208cm high
Scott, Dunning, Early 19th Century oak longcase clock having a moulded swan-neck cornice with brass rosettes and finial, boxwood blind fret decorated spandrels, the arched brass face with engraved ornament name boss, subsidiary second and date dial, eight-day movement, glazed door flanked by fluted column, the trunk with quarter columns with crossbanding and boxwood strung decoration, central paterae inlay and base on turned feet, 2.10m.
Large Meissen porcelain centrepiece, 19th Century, the lattice basket festooned with floral garlands over a pedestal formed as a floral encrusted palm tree with courtiers chasing one another around its trunk, raised on a Rococo style scroll base, with further floral garlands, decorated throughout in a white glaze, underglaze blue cross swords mark (slight restoration to the ribbon handle on the basket), height 72cm
A crossbanded mahogany 8 day striking longcase clock with a 14" painted moonroller dial having second and calendar dials signed Vesher Wolverhampton contained in a swan neck hood with turned octagonal columns above a shaped trunk door flanked by turned octagonal columns and a canted stepped base 7' 7" tall
An 18th Century oak longcase clock by William Womersley, the 12ins square brass dial with silvered chapter ring and dial showing phases of the moon, now with eight day two train movement striking on a bell, contained in case with deep moulded and overhanging cornice, and reeded columns to hood, shaped trunk door, 78ins high.
An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds dial, date aperture and strike/silent dial to arch, the dial centre engraved with scroll work and urns, to the eight day five pillar movement striking on a bell, contained in case with arched and moulded cresting with fluted pillars to hood, arched trunk door, on turned feet, 94ins high.
A late 18th Century mahogany longcase clock by William Ing??? of London, the 12ins arched painted dial with strike/silent dial to arch (inoperative), subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded caddy top and turned, fluted and brass stopped columns to hood, figured veneered trunk door with arched and moulded top, fluted and brass-stopped quarter columns to sides, raised astragal moulded centre panel, on plinth base, 102ins high (glass cracked, fretted panel to top missing, and side fret panels broken - painted dial rubbed and chipped)
A GEORGE III OAK LONG CASE CLOCK with thirty hour movement, the square brass dial with rococo spandrels and silvered dial with Roman numerals, the matt gilt centre with silvered calendar aperture and circular name plate inscribed "Fran.s Bayley Uttoxeter", the square hood with blind fret frieze and turned angle pillars, lacking door, the trunk with long cross banded door, the plain base on a shaped apron. Dial Width 12". Width 12.5". Height 80".
A MID 19TH CENTURY MAHOGANY LONG CASE CLOCK with eight day movement, the arched dial painted with marine scenes, the convex centre with Roman numerals, second dial and calender aperture, the arched moulded and fret cut hood with spirally turned angle pillars, the trunk with short rectangular inlaid door and canted angles, the base with stringing inlay, on bracket feet. Dial Width 13". Width 14.5". Height 88".
An early 19TH CENTURY WELSH OAK LONG CASE CLOCK with thirty hour movement, the painted arched dial with Roman numerals and calender aperture and inscribed "John Lloyd Brecon", the hood with swan neck pediment and rib turned angle pillars, the trunk with ogee shaped door and similar angle pillars to the hood, the plain three planked base on a plinth. Dial Width 11". Width 13". Height 84".
A MAHOGANY LONG CASE CLOCK with eight day movement, the circular white enamelled dial with Roman numerals and second dial and the square hood with swan neck pediment and baluster turned angle brackets, the trunk with long rectangular door, the plain base with shaped apron and bracket feet. Dial diameter 11.5". Width 13". Height 87".
A George III mahogany longcase clock, late 18th century, the broken scroll pediment above a verre eglomise panel and arched glazed door enclosing a 13" brass dial with silvered chapter ring and Roman numerals, matted centre, subsidiary seconds dial and marked 'Richard Pugh, Newtown' in the arch, pierced cherub mask and dolphin spandrels, eight-day movement striking on a bell, flanked by later fluted pilasters over a full length shaped top trunk door between quarter pilasters, ogive moulding and raised panel baseboard and on later ogee bracket feet, restorations throughout, 94" high
A mid-Victorian mahogany crossbanded longcase clock, 1840's, the broken scroll pediment above an arched glazed door enclosing 14" white painted enamel dial with rolling moon phase in the arch and marked 'J Addison, Bridgnorth', subsidiary seconds and date dial, Roman numerals and painted with representatives of the seasons in the corners, eight-day movement striking on a gong, flanked by faceted half pilasters over an arched top, crossbanded three quarter length trunk door, flanked by faceted half pilasters over a canted apron and crossbanded baseboard and on ogee bracket feet, 94" high.
A mid-Victorian crossbanded mahogany longcase clock, mid 19th century, the broken scroll pediment above an arched glazed door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked 'JEH Matthews, Oswestry', painted with hunting dogs and game in the corners and a huntsman and dogs in the arch, eight day movement striking on a bell, flanked by turned pilasters over a three-quarter length crossbanded shaped top trunk door, between turned half columns over a canted apron and crossbanded base board, lacking feet, 88" high
An oak and rosewood and mahogany crossbanded cottage longcase clock, early 19th century, with shaped pediment and square glazed door flanked by turned pilasters enclosing a 12" white painted enamel dial with Roman numerals, subsidiary seconds dial and marked 'Horden, Kidderminster', painted flowers to the corners, eight-day movement striking on a bell, above a three-quarter length lozenge centred trunk door over a mahogany panel, flanked by fluted quarter pilasters above a crossbanded base board and on bracket feet, distressed, 83" high
An Oak White Dial Eight Day Longcase Clock, signed John Winstanley, Holywell, circa 1820, arched trunk door with central shell motif, (later) feet, swan neck pediment with central finial, 13 inch square painted white dial with painted floral decoration, date aperture, subsidiary seconds, with falseplate to the four pillar movement, anchor escapement, rack strike on bell, (210cm high)
A Marquetry Eight Day Longcase Clock, the case with profuse bird and floral marquetry, the trunk door with central lenticle, (later) bracket feet, the caddy top with floral marquetry, 12 inch square brass dial, silvered chapter ring, matted centre with subsidiary seconds, date aperture, four pillar movement with anchor escapement, rack striking on bell, movement and dial associated, (244cm high)
A Victorian Mahogany Eight Day Longcase Clock, the plinth with moulding upon bracket feet, arched trunk door flanked by reeded sides, the hood with swan neck pediment and surrounded by bell finials, 14 inch painted white circular dial, Roman numerals, subsidiary seconds, four pillar movement with anchor escapement, rack strike on bell, (223cm high)

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66889 item(s)/page