Welsh oak and mahogany eight day longcase clock, circa 1820, swan neck pediment with three brass ball finials over reeded square section columns flanking a painted arched 12 1/2ins dial, with floral and strawberry spandrels and a rose to the arch, the centre painted with cherries, within Roman numerals, outer minutes, subsidiary seconds dial and date aperture, movement striking on a bell, the trunk with a mahogany banded door within reeded quarter pilasters raised on a plinth and box base, height 85ins
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Jones, Llanerchnmead (clock maker), a Welsh oak and mahogany eight day longcase clock, circa 1810, architectural pediment over two turned columns flanking a 13ins square painted dial with wild rose and strawberry spandrels, signed to the centre within Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with a cross banded door within quarter reeded columns raised on a box base, also crossbanded, height 83 1/2ins
An early 19th century oak longcase clock, the hood with broken swan neck pediment and central brass globe above a crossbanded long trunk door, box base and plinth, the 31 cms square dial with floral spandrels, Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 219 cms high.
A 19th century mahogany longcase clock, the arched hood with rope twist columns above a short trunk door, box base and plinth, the 35.5 cms dial painted with a landscape to the arch and cottage spandrels, with Roman numerals, calendar aperture and seconds dial, the eight day movement striking on a bell.
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and baluster columns above a short trunk door with shaped top, box base and bracket feet, the 31 cms square dial with Roman numerals and calendar aperture, inscribed 'David Jones Newtown', with a 30 hour movement.
A George III oak longcase clock, by William Porthouse, Penrith, the hood with swan neck pediment and fluted columns, the brass dial with calendar aperture, eight day rack striking movement with anchor escapement, the trunk with inlay, fluted quarter columns and panel plinth, upon bracket feet, (232cm tall).
A George III and later painted and decorated longcase clock, the eight-day movement having 12ins painted break-arch Roman dial, with subsidiary seconds and date aperture, decorated with Mediterranean scenes, the case having pagoda top and break-arch trunk door on plinth base, decorated with prints of lovers in gilt borders, H 243cm W 48cm
A part 18th Century thirty hour Longcase Clock, signed Henry Deykin of Worcester, Number 895, the mahogany case with square hood and overhanging cornice to free standing columns over a shaped trunk door and plinth base, the 9 3/4" brass dial with foliate urn spandrels to a silvered Roman chapter ring with inside quarters track and fleur de lis half hour markers to a matted centre with single pierced steel hand and applied name plate, the plated movement with four knopped pillars and anchor escapement, strike on a bell (associated), height 76"
A glasgow school WALNUT LONGCASE CLOCK, having a circular brass dial with black painted Arabic numerals, eight day chiming movement, the case having a flared cornice above a convex glass and glazed trunk, the lower section having an indented panel with applied linear decoration, on a splayed plinth and bracket base, 75in. (192cms) high
A late 18th Century stripped pine longcase clock, the 12ins arched painted dial with classical figures to the arch and floral spandrels, Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day movement striking on a bell, contained in plain case with deep arched and moulded overhanging cornice and turned pillars to hood, arched trunk door and plinth base, 81ins high
A late George III oak and mahogany longcase clock, circa 1790, the 14" dial with subsidiary seconds dial and date aperture beneath a moonphase movement painted with religious scenes to the spandrils and inside the chapter ring, with an eight day hourly striking movement, the hood with broken swan neck pediment, arched glazed door flanked by turned columns, the trunk with ogee door with crossbanded decoration, on a base with a crossbanded panel, raised on short bracket feet, height 229cm .
An early 19c mahogany and oak longcase clock with caddy top, brass finials, fluted columns to the side of the hood over a trunk with fluted sides, shaped door, cross-banded base on bracket feet; the white painted dial inscribed "Tate Winterton" and with balloon and sailing vessels to the top of the face, jewelled decorative spandrels, Arabic numerals and seconds and date dials, enclosing an eight-day movement, 230 cms. overall.
A George III mahogany stick barometer, with broken pediment over rectangular silvered scale calibrated in inches, with vernier and alcohol farenheit thermometer, signed 'P. Martinelli, London', the trunk with exposed tube within chevron borders and caddy moulded angles, the base with domed cistern cover, 96cm high.
A Bristol mahogany thirty-hour longcase clock, circa 1760, the two-handed four-pillar outside countwheel bell-striking movement with 11 inch square brass dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Wasbrou' & Thomas, Bristol' to lower edge, with female mask spandrels and foliate engraved calendar aperture to the matted centre, in a swan neck pedimented case with later bobbin turned hood pilasters, rectangular trunk door and on plain plinth base with bracket feet, 213cm high.
An early 19th century mahogany crossbanded and inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed 'Farmer, Stockton on Tees' to centre, with vase of flowers polychrome decorated spandrels and country landscape view to arch, in a swan neck pedimented case over fluted hood pilasters, inlaid throat panel and shaped-top trunk door flanked by canted angles, on banded plinth base with bracket feet, 225cm high.
A South Gloucestershire crossbanded mahogany eight-day longcase clock, with penny moon circa 1840, the four-pillar rack and bell striking movement with 13 inch single-sheet silvered brass break-arch Roman numeral dial, the centre with subsidiary date and seconds dials and signed 'John Gough, Thornbury', the arch with penny moon beneath double-ended age pointer, in a break-arch pedimented case with short trunk door flanked by Corinthian quarter columns, on quarter veneered plinth base with bracket feet, veneer losses to case, 212cm high.
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass square dial with arch calendar aperture, recessed seconds dial and signed 'Henry Jory?, Hale' to centre within an applied Roman numeral chapter ring with Arabic minutes and string of pearls pattern spandrels to angles, in a carved oak case with shaped crest and reeded pilasters to hood over short trunk door and plinth base with bracket feet, movement and dial circa 1780, 222cm high.
An 18th century oak cased thirty-hour longcase clock, the posted movement with outside countwheel strike on a bell and hanging hoop and spurs to rear, the 10 inch square brass dial with concentric hatched infill ring engraved centre and applied Roman numeral chapter ring with lozenge half-hour markers and signed 'Gilkes, Adderbury' to lower edge, the angles applied with female mask cast spandrels, in a rectangular top case with deep ogee cornice and integral pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 194cm high. Probably Richard Gilkes, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Adderbury 1715-87. Stylistically the movement dates to around 1740 and was originally designed to hang from the wall.
A George III mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed 'Tho's Bullock, Bath' to the foliate engraved centre within an applied Roman numeral chapter ring with Arabic five minute markers, and mask and scroll pattern cast spandrel applied corners, the arch with moonphase calibrated with high water markers, the arch-top case with cavetto cornice and Corinthian columns to hood over break-arch door flanked by blind fret canted angles to trunk, on tall plinth base with bracket feet, 215cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working in Bath 1764-73.
An 18th century green lacquer eight-day longcase clock, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre within silvered Roman numeral chapter ring and cast bird and urn pattern spandrel applied corners, the arch with silvered signature plaque 'Tho's Memory, Thorn, Plymouth Dock' flanked by dolphin cast mounts, in a flat-top case with moulded cornice and integral pilasters to hood over rectangular top trunk door decorated in polychrome and gilt with Oriental figures and pagodas on a mid green ground and with brass lenticle, the plinth similarly decorated with equestrian figures, case with restorations, 213cm high.
A Scottish George III inlaid mahogany longcase clock, circa 1800, the four-pillar rack and bell striking movement with 13 inch silvered brass single sheet break-arch Roman numeral dial with calendar and subsidiary dials to centre and floral engraved decoration to spandrels, the arch signed 'Ja's Howden, Edinburgh' within conforming engraved scrolls, the swan neck pedimented case with blind fret infill and fluted pilasters to hood, over shaped-top line inlaid door flanked by fluted quarter columns to trunk, the plinth with quarter rosette inlaid corners, on bracket feet, 222cm high. James Howden is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Edinburgh 1764-1810, 'A maker of repute'.
A rare oak cased eight-day longcase clock with pull quarter repeat, circa 1740, the four finned pillar movement with internal countwheel strike and Knibb type pull quarter repeat work on the hour bell and small bell nested beneath, the 12 inch square brass dial with subsidiary seconds dial within Roman numeral chapter ring with Arabic five minute markers and signed 'Joseph Smith, Chester' to lower edge, the corners with bird and urn pattern cast spandrels, the flat-top case with moulded cornice and integral door pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 205cm high.
A good inlaid mahogany eight-day longcase clock, with moonphase and centre seconds, circa 1830, the four-pillar rack and bell striking movement with deadbeat escapement and 15 inch cream painted break-arch Roman numeral dial signed 'Nicholas, Birmingham' and with sweep calendar hand to centre, the spandrels figural painted with classical maidens representing the Four Seasons beneath arch with moonphase, the substantial case with fleur de lys and conch shell oval cartouche inlay to the swan neck pediment over reeded Corinthian pilasters to hood and parquetry decoration to throat, the trunk with Gothic triple arch topped door flanked by Corinthian pilasters to angles, on oval panel inlaid plinth base with rosette decorated corners and canted reeded angles, feet and centre seconds hand lacking, 231cm high. Probably Caleb Nicholas, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World Vol.2' as working in Birmingham 1787-1842.
An Austrian month duration inlaid mahogany 'Lanterndluhr' wall regulator, the four-pillar single weight movement with deadbeat escapement, Harrison's maintaining power, centre seconds and fine beat adjustment to crutch, the two-piece white Roman numeral dial with engine-turned bezel and signed 'Hussnik Janos, Kolosvartt' to centre, in a waisted nine-light case with triangular boxwood lined pediment and arch glazed panel trunk housing steel rod pendulum with brass disc bob and silvered beat scale to base section, the base with cavetto tapered foot, movement and dial probably early 19th centrury, case later, 102cm high.
Thomas Bilbie, Chew Stoke. A good inlaid oak eight-day longcase clock, circa 1740, the five-pillar rack and bell striking movement with 12 square brass dial with foliate scroll border engraved date aperture, subsidiary seconds dial and arched silvered nameplate 'Tho' Bilbie, Chew Stoke' to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five-minute divisions, the corners applied with Indian mask pattern cast spandrels, the flat-top case with moulded cornice and integral pilasters to hood over parquetry border decorated rectangular trunk door and plinth base with bracket feet, 209cm high.
An inlaid mahogany eight-day longcase clock with moonphase, circa 1815, the four-pillar rack and bell striking movement with cream painted 13 inch break-arch Roman numeral dial with subsidiary calendar dial and unusual windmill automaton (incomplete) beneath XII numeral, the centre signed 'W'm. Muncaster, Whitehaven', the spandrels figural painted with representations of the Four Seasons beneath moonphase to arch, the swan neck pedimented case with reeded hood pilasters and conch shell lozenge inlaid throat over shaped-top long trunk door flanked by reeded uprights, the plinth with chevron bordered circular panel within foliate inlaid angles, 222cm high.
A 19th century Bristol mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and date dials and signed 'Dell Brothers, Bristol' to centre, with polychrome and gilt decorated spandrels and conforming infill to arch, in a break-arch top case with cavetto moulded cornice and plain pilasters to hood over rectangular trunk door and plain plinth, with skirt base, 213cm high.
A George II oak cased eight-day longcase clock, circa 1730, the four-pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with Hoho bird and foliate engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the corners applied with female mask pattern spandrels beneath arch centred with silvered boss of Chronos beneath arched nameplate 'James Tatlock, Leeds', the case with box upstand to the cavetto moulded cornice and integral pilasters to hood, over break-arch trunk door and plain panel plinth, 217cm high.
A late 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement now with a 13 inch brass break-arch dial with arch calendar aperture and subsidiary seconds dial to the lozenge hatched matted centre within an applied silvered Roman numeral chapter ring and foliate cast gilt spandrel applied corners, the arch with silvered boss inscribed 'Coats, Wigan' between conforming dolphin cast mounts, the swan neck pedimented case with verre eglomise infill above dial and turned pilasters to hood, the trunk with shaped-top door flanked by fluted quarter columns, the base with canted angles and ogee bracket feet, 220cm high.
An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.
A George III mahogany longcase clock, the arched hood with shaped pediment and a pair of fluted columns, the trunk enclosed by a shaped and crossbanded waist panel door between fluted three-quarter pilasters, on ogee bracket feet, the 32.5cm. arched brass Roman dial with engraved scrolling foliate centre, having a subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 220cm. high.

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66892 item(s)/page