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An early 19th century golden oak and mahogany longcase clock having swan neck hood with turned columns containing painted dial and 30 hour movement by M Tyson Whitehaven with crossbanded trunk and square base

An early 19th century oak and mahogany longcase clock, having swan neck hood, painted arch dial flanked by ring turned columns containing 30 hour movement by G Wilson, Appleby, with crossband trunk and square base

A late 18th century oak and mahogany longcase clock having square hood with painted dial and 30 hour movement by W Scales, Kendal, flanked by turned pillars over crossbanded and shaped trunk on square base and bracket feet

An Eastern Ivory carved Sword Hilt, modelled as an Elephant's Head and Trunk, and decorated with deities (extensive cracking and repair etc), 6 1/2" long

An oak lantern clock stand, 18th century. With backboard projecting above platform and slender plain trunk with long door, on cavetto moulded base (probably originally with plinth), 162cm high. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A brass and oak wall-mounted water clock, unsigned, late 19th century. Modelled as a longcase clock with moulded cornice and turned pilasters to hood area enclosing a single handed Arabic numeral dial above waisted trunk incorporating engraved brass square section reservoir with regulation tap above secondary bowfronted cistern to the shaped base, 79cm high. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A fine and rare George I oak eight-day musical longcase clock, Benjamin Rodgers, Chesterfield, circa 1730. The substantial five-pillar triple train inside countwheel bell-striking movement playing a choice of two tunes via eight bells with fifteen hammers every four hours, with original anchor escapement and outside fly with adjustable vanes for the music train, the 12 inch square brass dial with subsidiary seconds and foliate engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate half-hour markers, the lower edge signed Benjamin Rodgers, the angles with female mask and scroll cast spandrels, with tune selection switch at 9 o'clock, the case with elaborate moulded caddy and ball finials above integral columns to hood above shaped-top long door with lenticle to trunk, on plinth base with moulded skirt, 242cm high. Benjamin Rodgers is recorded in Hughes, Roy G. and Craven, Maxwell Clockmakers & Watchmakers of DERBEYSHIRE as working in Chesterfield circa 1729-40. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A George III mahogany bulb cistern tube stick barometer, unsigned, circa 1800. The concave-sided pediment with three turned finials above worn paper scale flanked by turned pilasters, the caddy moulded and angled-grain veneered trunk with exposed tube above square hinged-front cistern cover, 96cm high. Visit www.dnfa.com for condition reports.

A Victorian rosewood mercury cistern-tube stick barometer, John Messer, London circa 1850. the glazed arched ivory vernier scale applied with mercury Fahrenheit and Reaumur scale thermometer and signed J MESSER, LONDON above plain trunk with exposed tube and vernier adjustment disc, the rounded base with later domed cistern cover and brass adjustment screw, 91cm high. John James Messer is recorded in Banfield, Edwin Barometer Makers and Retailers 1660-1900 as working from various addresses in London 1849-84. Visit www.dnfa.com for condition reports.

A Victorian rosewood mercury cistern tube stick barometer, Brooks, London, circa 1855. With swollen gadroon moulded pediment above glazed rectangular canted ivory double vernier scale calibrated in inches and signed BROOKS, Ludgate Street, London to upper margin, above caddy moulded trunk with vernier adjustment discs and applied Fahrenheit and Reaumur scale mercury thermometer with vase shaped cistern cover and adjustment screw to the shaped base, 103cm high. Alfred Brooks is recorded in Banfield, Edwin Barometer Makers and Retailers as working from 41 Ludgate Street, London 1853-61 and then 48 Holborn Hill from 1862. Visit www.dnfa.com for condition reports.

A Victorian mahogany mercury wheel barometer, B. Simms, Witney, mid 19th century. The 10 inch star-centre engraved circular silvered register calibrated in inches beneath arched Fahrenheit scale alcohol thermometer to the tapered trunk and hygrometer to the swan-neck pediment, the rounded base with spirit level signd B. Simms, Witney and ivory setting pointer adjustment disc, 107cm high. Visit www.dnfa.com for condition reports.

A fine Victorian mahogany marine barometer, S. Bithray, London circa 1840. With gadroon carved caddy above bowfronted two-piece canted ivory vernier register signed S. BITHRAY, ROYAL EXCHANGE, LONDON, with ivory vernier adjustment disc and brass gimbal mount to collar above spiral twist turned trunk applied with a mercury tube Fahrenheit scale thermometer, terminating in a moulded brass cylindrical cistern canister to base, lacking mercury and glazing, 94cm high. Stephen Bithray is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from 29 Royal Exchange, London 1827-43. Visit www.dnfa.com for condition reports.

A George III mahogany eight-day longcase clock, Barker, Wigan, circa 1780. The four-pillar rack and bell striking movement with sprung trip-repeat lever and 13 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and winged cherubs head and foliate scroll cast spandrels to angles, the arch with circular silvered boss signed Barker, Wigan flanked by dolphin cast mounts, the swan-neck pedimented case with carved rosette terminals above well turned columns to hood, shaped-top triple line bordered and crossbanded door flanked by quarter columns to trunk, on raised shaped-panel fronted plinth base with canted angles and ogee bracket feet, 128cm high. Probably made by the father and son partnership William and Daye Barker who are recorded in Loomes, Brian LANCASHIRE CLOCKS and CLOCKMAKERS as working from Wigan up to 1787. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A mahogany eight-day longcase clock, Thomas Humber, Bristol, 18th/19th century. The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with scroll engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles with bird and urn pattern spandrels beneath silvered boss signed Thos. Humber, Bristol between dolphin cast mounts to arch, now in a parquetry banded arch-top case with shaped crest above fluted pilasters and wavy-edge door to hood, short trunk door flanked by quarter columns, on tall plinth base with bracket feet, 215cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

An eight-day longcase clock with penny moon, John Cooper, Whitchurch, 18th century. The substantial four finned-pillar rack and bell striking movement with 12 inch square brass dial with foliate engraved calendar aperture, ringed winding holes and penny moon within the subsidiary seconds dial to the matted centre, the applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes and signed Jo: Cooper, Whitchurch to lower edge, the angles with female mask and scroll cast spandrels, now in a walnut case with moulded cornice above integral pilasters and 12.75 inch aperture (now fitted with a brass mask for the current dial) to hood, crossbanded break-arch door to trunk, on plain plinth base with ogee bracket feet, 218cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A George III black japanned tavern timepiece, unsigned, circa 1780. The four-pillar weight-driven movement with five wheel train, anchor escapement and tapered plates, the 24.5 inch circular cream painted Roman numeral dial with Arabic five minutes and black painted hands (the minute counterweighted) within an ogee turned surround, the drop-trunk case with shaped ears above concave-topped door decorated in polychrome and gilt with figures in an oriental landscape, with canted ogee and cavetto moulded base and movement access doors to sides, case lacking decoration to door surround and sides, 147cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

An early Victorian mahogany 'Norwich' type eight-day wall timepiece, Thomas Pilch, North Walsham, mid 19th century. The four-pillar weight-driven movement with anchor escapement and 13 inch white painted circular Roman numeral dial signed THos PILCH, NORTH WALSHAM to centre, the case with turned dial surround to the hood above drop-trunk with concave-topped door and moulded tapered base, 109cm high. A Thomas Pilch is recorded in Baillie G. H.Watchmakers & Clockmakers of the World as working in North Walsham circa 1780. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A rare Scottish inlaid mahogany eight-day wall timepiece, C. Lunan, Aberdeen, circa 1800. The four-pillar weight- driven movement with anchor escapement and bolt-and-shutter maintaining power, the 10 inch circular silvered Roman numeral dial with calendar aperture, shuttered winding hole, pierced blued steel hands and signed C.LUNAN to centre, the case with cavetto moulded shallow break-arch cornice above door inlaid with radial fan motifs around the circular aperture flanked by ivory capped pilasters to hood, with oval fan cartouche centred break-arch trunk door above unusual elongated octagonal base with further oval fan inlay within a crossbanded and radial radial veneered fascia, 112cm high. Provenance: The property of a private collector, by repute ex Craigie House, Ayr. Charles Lunan is recorded in Baillie, G.H.Watchmakers & Clockmakers of the World as working in Aberdeen 1760-1816. Craigie House, Ayr was built for Thomas Wallace around 1730, purchased by William Campbell in 1782 remaining in his family until 1940 when was acquired by Ayr Council, the house is now a management centre for Paisley University. The current lot may have possibly been supplied to the house for William Campbell around 1800. The relatively simple but purposeful nature of the movement housed in a fine quality well detailed case suggests that it was made for a discerning client to be used as a functional timepiece within a relatively sophisticated interior. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

An Irish George III inlaid mahogany eight-day longcase clock, Shaw Williamson, Dublin early 19th century. The four-pillar rack and bell striking movement with 13 inch square white painted Roman numeral dial with subsidiary seconds dial and bearing signature SHAW WILLIAMSON, DUBLIN to centre, with Arabic five minutes and flowering fruit painted spandrels, the case with broken triangular pediment and cavetto cornice above fluted pilasters flanking dial to hood, short shaped-top door flanked by quarter columns with line outline panel beneath to trunk, on crossbanded and line bordered flame panel fronted plinth base with bracket feet, dial retouched, 221cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine Irish George III mahogany eight-day longcase clock, David Gordon, Dublin, circa 1750. The four-pillar inside countwheel bell-striking movement with 13.5 inch square brass dial with ringed winding holes, subsidiary seconds dial, blanked-off calendar aperture, and ribbon shaped nameplate signed David Gordon DUBLIN to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, the angles with cherub head and foliate scroll cast spandrels, the case with scallop-shell centred swan neck pediment and lion's mask centred foliate scroll carved swollen frieze above stop-fluted Corinthian pilasters to the hood, the trunk with convex throat moulding and long break-arch door flanked by canted angles, on raised panel-fronted plinth base with bracket feet, some old repairs, 224cm high. David Gordon is recorded in Fennell, Geraldine A LIST OF IRISH CLOCK MAKERS as working in Dublin 1739-55. The current lot is almost identical to an example by Alexander Gordon supplied to John Corry for Castle Coole, Co. Fermanagh in 1748, illustrated in The Knight of Glin and Peill, James IRISH FURNITURE, page 256. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A George III mahogany eight-day longcase clock, Jacob Heardman, London. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with bird and urn pattern spandrels beneath silvered boss signed Jacob Heardman, London flanked by dolphin cast mounts to arch, in a case with break-arch cornice and reeded Corinthian pilasters to hood above break-arch door flanked by fluted canted angles to trunk, the conforming plinth with shaped panel to front on double skirt base incorporating bracket feet with shaped apron between, 214cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A red japanned eight-day longcase clock, bearing signature for Francis Neale, Aylesbury, 18th/19th century. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, the angles with female mask and scroll cast spandrels beneath arch now with recessed centre section applied with silvered boss signed Fran's Neale AYLESBURY flanked by dolphin mounts within a foliate engraved surround, now in an impressive red japanned case with pagoda pediment fronted by a seated Oriental deity in gilt with silvered detail above break-arch cornice and reeded pilasters to hood, the long trunk door finely decorated with raised terrace garden landscape with pagodas and figures, on raised panel-fronted plinth decorated with figures hunting birds, above double skirt base, 248cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine George III mahogany eight-day longcase clock, William Jourdain, London, circa 1765. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed seconds dial and calendar aperture to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles, with S/N lever at 12 o'clock and circular boss signed W'm Jourdain, London flanked by conforming mounts to arch, the case with fine brass flambeau finials to the concave sided pediment above break -arch frieze and brass stop-fluted columns to hood, the trunk with shaped-top door flanked by conforming quarter columns, on raised panel-fronted plinth base with double skirt incorporating shaped apron and shallow block feet, 250cm high. William Jordain II inherited the family clockmaking business in 1747 from his father, a Huguenot immigrant of the same name. William senior arrived in Spitalfields in the 1680s, by the turn of the 18th century he had become known for his musical and chiming clocks. William II continued in his father's footsteps until he was admitted to William Sutton's Hospital, near Smithfield in 1778 where he remained until his death in 1782. For an interesting account of the Jourdain family of clockmakers see Ponsford, Clive N.THE JOURDAIN FAMILY OF SPITALFIELDS, LONDON... Antiquarian Horology, September 2007, page 381. The current lot is housed in a fine fully developed example of the London mahogany 'Pagoda' case and has survived in relatively original condition. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A Dutch walnut and marquetry eight-day longcase clock with moonphase, Jan. Gobels, Amsterdam, mid 18th century. The five finned-pillar rack and bell striking movement with 12 inch brass break-arch dial with ringed winding holes, bird and foliate scroll engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, stylised cruciform half hour markers and signed Jan. Gobels, Amsterdam to lower edge, the angles with mask-and-scroll cast spandrels within a herringbone engraved border beneath rolling moonphase calibrated for the lunar month to the edge of the disc and with conforming herringbone upper border to arch, the case with ebonised fret infill to the rococo-scroll carved crest-centred shaped pediment above chevron parquetry decorated integral pilasters and dial surround to hood, the shaped trunk door with conforming crest to the top-edge above scroll-cast gilt metal mounted lenticle within horticultural motif marquetry panels, the sides with further foliate panels, on flat-fronted symmetrical scroll inlaid plinth base flanked by canted swollen uprights incorporating scroll feet, (motionwork for calendar and moonphase lacking), 237cm high. Jan. Gobels is recorded in Baillie G. H.Watchmakers & Clockmakers of the World as working in Amsterdam circa 1767. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A walnut eight-day longcase clock with 10 inch dial, Henry Mountlow, London, late 17th century and later. The five finned pillar inside countwheel bell-striking movement with 10 inch square brass dial with ringed winding holes and foliate scroll engraved calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes and signed Hen. Montlow, Londini Fecit to lower edge, the angles with winged cherub head spandrels, the case of fine proportions with moulded cornice and blind fret frieze above spiral twist integral columns to the hood, the trunk with convex throat moulding and long door with lenticle, on crossbanded plinth base with double skirt and shallow block feet, case basically late 17th century with later veneers, 195cm high. Henry Mountlow is recorded in Loomes, Brian The Early Clockmakers of Great Britain as becoming Free of his apprenticeship to Richard Brown in November 1685 and is thought to have worked into the first decade of the 18th century. Provenance: Acquired by Alfred Loader (Greiner) circa 1910, thence by descent. (Full provenance available in the printed catalogue). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

Thomas Tompion, London, an important William and Mary eight-day longcase clock in a 'mulberry' veneered case, number 253, circa 1695. The fully-latched five knopped and finned pillar inside countwheel bell-striking movement with anchor escapement, bolt-and-shutter maintaining power and long crutch, the backplate cut with an aperture for the anchor pallets and punch-stamped 253 to the centre of the lower edge, the 11 inch square brass dial with subsidiary seconds dial and calendar aperture with pin-hole adjustment to the finely matted centre within an applied silvered Roman numeral chapter ring with cruciform half-hour markers and Arabic five minutes to the narrow outer track, with fine pierced blued-steel hands and angles applied with winged cherub mask and scroll cast spandrels with foliate engraved infill between, maintaining power lever at 2 o'clock and signed Tho: Tompion, Londini fecit to lower edge, in a stained field maple ('mulberry') veneered case with moulded cornice and foliate pierced fret above rectangular side windows and plain integral pilasters to hood, the trunk with convex throat moulding and 42 inch rectangular door with brass edged circular lenticle, each side divided by fine narrow ebony and box triple-line inlay into two panels, the base with conforming border, on a later mounded skirt, case with some restoration, 203cm high. Thomas Tompion has often been referred to as the 'father of English clockmaking'. When considering the legacy of his work and influence on subsequent generations of clockmakers, such a compliment is justly deserved. Born in Ickwell, Suffolk in 1639 Thomas Tompion appears to have developed an affinity for metalworking from his father, also named Thomas, who worked as a blacksmith. By 1670 Tompion had moved to London and had become involved in the clockmaking trade. Although there is no record of his apprenticeship or whether he had received any formal training prior to moving to London, he quickly became established, becoming Free of the Clockmakers Company in 1674. His early clocks demonstrate a close working relationship with the Fromanteel, East and Knibb workshops. Around this time Tompion became friendly with the eminent mathematicians and scientists Jonas Moore and Robert Hooke, perhaps the most progressive and inventive minds of the day. Such associations led to Royal commissions, firstly from Charles II for whom Tompion is known to have made one of the earliest balance-spring watches in 1676, and later William III who ordered numerous clocks to furnish his various palaces throughout his reign. As well as being an extremely talented artisan Tompion was also commercially minded, cleverly introducing serial numbering for his clocks in around 1682. This, as well as maintaining a high degree of refinement in both the construction and design of his clocks, ensured the highest level of exclusivity for clients purchasing examples from his workshop. By the 1690s his reputation was such that Tompion was receiving orders from all levels of European nobility. In around 1700 Tompion took a former apprentice, Edward Banger, into partnership however this arrangement came to an abrupt end in 1707-8 for reasons unknown. In 1711 a second partnership with George Graham was established who, in turn, inherited the business when Tompion died in 1713. Graham continued the business to the same exacting standards as his former master until his death in 1751. The current lot is numbered 253 which, according to Jeremy Evans (THOMAS TOMPION at the Dial and Three Crowns page 71), would date the movement and dial to around 1695. The movement, although of relatively standard specification, is very finely finished with details such as the fine wheelwork and exquisitely worked tail to the steel hammer spring being a delight to behold. The dial is a good example of Tompion's refined layout, with engraving almost certainly by 'G195'. The case exhibits details in design and construction commensurate with other examples supplied to Tompion by one of his many case makers at this time. Eight-day longcase clocks by Tompion are relatively rare with only ten known surviving examples numbered between 200 and 300 (compared to around 40 table clocks) dating approximately to the period 1692-8. Provenance: Acquired by Alfred Loader (Greiner) circa 1910, thence by descent. (Full provenance available in the printed catalogue). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A George II inlaid oak eight-day longcase clock, Travis Thorne, mid 18th century. The four pillar inside- countwheel bell-striking movement with 12 inch square brass dial with ringed winding holes, recessed subsidiary seconds dial and star engraved arched calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes and signedTRAVIS THORNE to lower edge, the angles with foliate cast spandrels, the case with ogee-shaped caddy above integral pilasters to hood, rectangular trunk door inlaid with an ebony and boxwood triple-line break-arch panel centred by a parquetry star, on plinth base with moulded skirt, 210cm high. Travis Thorne appears to be unrecorded, however features such as the arched calendar aperture, ogee caddy, integral pilasters to the hood, and parquetry star inlay to the trunk door suggest that the current lot was made in the West Country. From this it is probably safe to suggest that Travis Thorne was possibly related to the Thorne clockmaking family who were active in the Weymouth area throughout the 18th century. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A good quantity of Britains Zoo. Including large elephant with rubber trunk and handler, bison, rhino and baby, large giraffe, crocodile, gorilla, camel, walrus, polar bear, giant tortoise, warthog, kangaroo, penguins, pelican, monkey, tiger, zoo keepers, panda, stag, lion, lioness, etc. Plus a coconut palm tree. GC-VGC, minor paint chipping.

A 1940's German mahogany longcase clock with plain Roman numeral silvered dial, the trunk with astragal glazed door, on plinth foot, 211cm high

A Rexine Covered Car Trunk, suitable for vintage motor cars, 80 cm wide

A Vintage Running Board Rexine Covered Hunting Trunk, formally fitted to a Silver Ghost, 122 cm wide

A Large Vintage Dome Topped Rexine Covered Trunk, formerly fitted to a Phantom II, 100 cm wide See illustration

Cawthorne of Newcastle, a 19th century mahogany and crossbanded longcase clock, the painted dial supporting a twin train striking movement under an arched hood, the trunk with moulded pilasters on a cavetto base

A JAPANESE BRONZE OF A BULL ELEPHANT with trunk raised, the underside with a seal signature, Meiji, 7" high, on an associated oval green marble base

A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamelled dial indistinctly signed with a central moon phase and date aperture, the eight-day movement striking on a bell, the hood with swan necked pediment, the trunk with quarter recessed reeded columns, 86" high.

A GEORGE III MAHOGANY LONGCASE CLOCK with a silvered dial, signed Gravell & Tolkien, London, with a strike/silent dial above a silvered chapter ring enclosing a subsidiary seconds dial and date sweep, the five pillar twin train movement striking on a bell, the arch top hood surmounted by three ball and pinnacle finials, the trunk with arch topped hood and canted corners, on a plinth base, 88" high.

An antique leather upholstered trunk decorated with birds flowers 70cm x 50cm

An early 19thC oak and mahogany cross banded long case clock with swan neck, pillared hood, short trunk door and painted dial marked THOS.HALLAM, NOTTINGHAM, with floral reserves to the spandrels and the arch, with Arabic minute hour numerals and date crescent, thirty hour movement.

Good quality 1920s Louis Vuitton trunk with brass, cane and leather strapwork and printed monograms, 32cm high, 54cm deep, 92cm wide

A Domed Topped Leather and Wooden Slatted Trunk having hinged lid (in need of restoration), 77cm wide

A pine domed top trunk with a hinged lid revealing a candle box, flanked by iron handles

A 19th century mahogany longcase clock with a broken arch pediment and turned pilasters housing a 10 1/2 inch brass dial with Roman numerals and an eight day movement bearing a label for Carrington & Co. 130 Regent Street St. W., the trunk enclosed by a single door on a stepped plinth base

A North African dome top trunk geometrically inlaid with various woods, flanked by copper handles

A 19th century Continental longcase clock, the enamelled dial supporting an eight day twin train striking movement, within a gilt bezel under a closed hood, the painted and grained pine case with baluster shaped trunk and glazed door, 228cm high

BENBOW, NEWPORT A mid 18th century oak longcase clock, the brass dial with Arabic and Roman numerals, two secondary dials, moon phase, supporting a twin train movement, under a carved arched hood, the trunk with stop-fretwork, reeded pilasters on a plinth base, 220cm high

A Victorian 8 day longcase clock with associated brass dial, silvered chapter ring, secondary dial within a mahogany arched hood with reeded twist columns, the trunk with gothic arched door and plinth base, 241cm high

A vintage metal bound rectangular cabin trunk, with twin handles, width 82cm.

A small pine trunk, with hinged lid and twin handles, width 64.5cm.

An early 20th Century canvas covered and leather travelling trunk with fitted interior

William Stumbles, Totnes, An oak cased longcase clock, the eight-day duration, five pillar movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and five minute outer markings, the matted centre having an inset subsidiary seconds dial and date aperture and having rococo style cast brass spandrels, with a silvered boss to the arch engraved with the maker's name 'Wm. Stumbles, Totnes', the associated oak case having a panelled base, arched trunk door, barley twist columns to the hood and an arched top with blind fretwork set within, height 225cm. *William Stumbles was one of the finest of the Devon clockmakers originally working at Aveton Gifford, where he married Sarah Phillips in 1716, before moving to Totnes in 1729 where he died in 1769. He made clocks for some of Devon's oldest families including the Courtenays and Carews. There is one of his finest clocks still at Powderham Castle.

Thomas Hall Londini fecit, A walnut longcase clock, the ten inch square brass dial having a silvered chapter ring engraved with black Roman numerals, Arabic outer numerals and fleur-de-lys half hour markings, the matted centre having a subsidiary seconds dial and engraved centre with cherub head spandrels to the four corners and engraved below the chapter ring with the maker's name 'Thomas Hall Londini fecit', the later movement having adjustable pallets to the dead beat escapement and striking the hours on a bell, the backplate stamped 'Peerless, 325060', the later walnut case having a panelled base, crossbanding to the trunk door, applied columns to the hood and a pagoda top, height 220cm. *Thomas Hall is recorded as working in London from his apprenticeship in 1675 becoming free of the Clockmakers company in 1695.

J Watson, London, A Victorian 'Georgian style' mahogany longcase clock, the eight-day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised chapter ring engraved with black Roman numerals, the matted centre having a subsidiary seconds dial and a silvered arched name plate engraved with the maker's name 'J. Watson, London', and female head spandrels to the four corners, with a silvered 'strike/silent' dial with dolphin spandrels to the arch, the mahogany case having a double plinth, canted corners to the trunk, an arched door, fluted columns with cast brass capitals to the hood and a shallow pagoda top, height 280cm. *John Forrest Watson is recorded as working in the late 19th century.

Tim Stafford, Ironbridge, An oak moonphase longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen inch painted arched dial having a moon phase disc to the arch, floral decoration to the four corners, seconds dial and date aperture to the centre, black Arabic numerals and signed by the maker 'Tim Stafford, Ironbridge', the falseplate embossed with the dial maker's name 'Finnemore, Birmingham', the oak case having mahogany crossbanding, a raised oval panel to the base, shell inlay to the trunk door, fluted pillars with brass capitals to the trunk and hood and a swan-neck pediment with a brass ball and eagle finial, height 227cm.

A George III mahogany longcase clock, with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed 'Heny Kellitt, Bredbury', cornered by painted figures emblematic of the Continents, the hood with swan neck pediment surmounted by three brass ball and eagle finials above turned columns and a glazed door, the crossbanded case with triple arched trunk door flanked by turned columns on a canted corner base and bracket feet, height approx 238cm (faults).

A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'John Hawting, Oxford', the arched hood with three gilt ball finials above a glazed door, the arched trunk door and base painted and gilt with Chinese figures and landscapes, on bracket feet united by a shaped apron, height approx 233cm (some faults).

A 19th Century Scottish mahogany marine stick barometer, the ivory dial with vernier scale and inscribed 'J. Bon. Dundee', the case with shaped pediment above mercury thermometer to trunk and brass cistern, height approx 98.5cm (restoration).

A George III and later oak longcase clock with eight day movement striking on a bell, the brass break arch dial engraved with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'Willm Harvey, Brentwood', cornered with foliate scrolls, the pale oak case with arched pediment above a rectangular trunk door, plain base and bracket feet, height approx 208cm (faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the brass breakarch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman numerals, cornered with coat of arms spandrels, beneath a circular boss to arch inscribed 'Smoult and Gilbertson, Newcastle', the arched hood with pierced fretwork pediment surmounted with three gilt metal ball finials, the trunk with crossbanded arched door flanked by canted corners above a crossbanded base cornered with leaf inlay, on bracket feet, height approx 227cm (some faults).

A 19th Century mahogany longcase clock case with arched trunk door flanked by fluted corner panels on a plain base and bracket feet (lacking hood and faults).

A 19th Century mahogany stick barometer, the silvered arch dial with vernier scale, mercury thermometer and inscribed 'Horne & Co., 123 & 121 Newgate St. London', enclosed by a glazed door above a trunk with visible mercury tube and circular cistern cover, height approx 93.5cm.