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Lot 81
Mauchline ware and associated foreign _ ten pieces comprising a cylinder powder box (The Tower of London From Tower Hill/Buckingham Palace _ Front View/Manufactured abroad) 9cm, a baluster shaker (Present From Harlech Castle) 9.5cm, a pear shaped box (London Bridge/Rowntree and Co) 9.5cm, a cigarette box with striker (Royan Le Phare de Cordouun), 9.5cm, a tumbler case with opaque tumbler of Souter Jonny (Palais De Fontainebleau LÍEtang des Carpes/impressed at base Fontainebleau) 7.cm, a darner (A Present From Largs), 12.5cm, a trunk form box (Pecheuse de Crevettes Boulogne Sur Mer/Import_) 10.5cm, a cup and ball game (Crystal Palace, Sydenham/New Royal Italian Opera House, Covent Garden) 39.5cm, a rectangular stamp box (Le Havre/inset within larger costal print) 15.5cm, and a continental box (returning soldier and family), 15cm (10)
Lot 592
*Schoenhut (A., of Philadelphia). A large collection of jointed wooden circus figures and animals, circa 1910, comprising: four clowns in original costumes and hats (one ruff lacking), each with expressive red and black painted white faces on bisque heads, one foot and two ears lacking; two characters 'Max and Moritz' in original costumes (Max lacking jacket, Moritz lacking belt), with bisque heads (Moritz's face crudely remoulded) and sculpted hair, Moritz with original top-knot; glass-eyed elephant, with tusks, leather ears, and worn head-cloth (lacking saddle-blanket, tail, one ear and tip of trunk); glass-eyed and open-mouthed donkey, with original saddle-blanket, leather ears, and felt mane (lacking tail), together with various circus accessories, including blue wheelbarrow, four ladders, four chairs, a stool, two barrels, two 'drum' stands, a ball, and five other miscellaneous circus props, figures 22cm (8.5ins) tall, donkey 20cm (8ins) tall, elephant 15cms (6ins) tall In 1903 the toymaker Albert Schoenhut patented his first jointed, wooden figure. The Schoenhut clown became the first in a series of figures that comprised the Humpty Dumpty Circus set. In 1907, Max and Moritz joined the circus set, based on characters from a series of German stories which later inspired Rudolph Dirks's popular comic strip 'The Katzenjammer Kids'. The earliest animals had glass eyes, but in the 1920s, in an effort to scale back on expenses, Schoenhut switched to painted eyes. Although individual pieces and small groups appear on the market from time to time, it is unusual to find such a large and varied collection as this. (28)
Lot 355
A George III oak eight day longcase clock, the 13.25 inch square brass dial signed Watkin Owen, Llanrwst, with central seconds dial and date aperture, within a ring of Roman and Arabic numerals, with leaf moulded spandrels, the hood with swan neck pediment over a blind fret frieze, the short trunk door and box base on later bracket feet, 221cm highNote: G.H. Baillie lists Watkin Owen, Llanrwst 1761-1809 in Watch Makers and Clock Makers of the World Volume One.
Lot 347
A Victorian mahogany eight day longcase clock the 14 inch arched enamel dial signed 'Fred Fraser, Wrexham' under a subsidiary seconds dial and date aperture within a ring of Roman numerals painted with a rural scene to the arch and architectural ruins and cottages to the spandrels the hood with swan neck pediment and wrythen turned front corner pilasters over a short crossbanded trunk door between wrythen pilasters on a crossbanded box base lacking feet, 230cm high
Lot 449
An early 19th Century oak and mahogany cross-banded long case clock, having arched hood surmounted by turned finials, the painted dial with a "Sacred to Lord Nelson" panel, inscribed "Bennett, Debenham", supporting an 8 day movement above a lancet shaped trunk panel door, raised on bracket feet, 216cm high
Lot 1027
Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Garrat Peterboro, the hood with swan neck pediment over free standing columns to an arched door and moulded throat, to short and shaped trunk door, flanked by canted corners to a plinth base and raised on bracket feet, to a 12ins arched third-period painted dial, decorated to the arch with a seated figure reading verse over rose spandrels to a convex third-period painted Roman dial with outside minute track and enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 80ins
Lot 1025
Mid-19th century Scottish mahogany 8-day longcase clock, Alexr Kelt Dundee, the hood with swan neck pediment over free standing columns to a moulded throat with carved quarter-columns to a panelled short trunk door to a further panel and raised on a plinth base, to a 12 1/2 ins third-period painted dial, decorated to the arch with foil backed depiction of a Highland skirmish entitled Rob Roy over spandrels depicting the 4 continents to a Roman chapter ring enclosing subsidiary seconds and date, and with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement strike on a bell (associated), height 80ins
Lot 1028
Mid-19th century mahogany cased 8-day longcase clock, Josh Roe Ipswich, the arched hood with shaped pediment over free standing reeded columns to a moulded throat and further brass capped and reeded quarter columns to a long trunk door and raised on a panelled and stepped plinth base, to an arched third-period painted dial, decorated to the arch and spandrels with country cottages, to a Roman chapter ring with outside minute track and enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement strike on a bell, height 86ins
Lot 1026
Early 18th century marquetry inlaid 8-day longcase clock, Henry Harper London, the case with moulded overhanging cornice to a pierced gilt brass panel and further overhanging moulding over barley twist columns with further quarter-columns to the back and with brass lined and glazed side panels and dial to an ogee moulded throat and long trunk door with D moulded border and enclosing marquetry detail of a floral urn with birds over a further brass lined and glazed lenticle with further floral and bird detail beneath, all within marquetry borders to a similarly decorated plinth base with further moulding and with plain side panels to a 10 1/2 ins square brass dial with wheatear border to cast and applied cherub and crown spandrels, to a silvered Roman and Arabic chapter ring with outside minute track and inside quarters, with further half hour markers to a matted centre with silvered subsidiary seconds and date sector with ringed winding squares and fitted pierced and carved blued steel hands to a movement with plates united by 5 knopped and finned pillars with anchor escapement and strike on a bell and fitted with a steel rod pendulum and pair of flat topped brass cased weights, height 80ins Condition: Case: extensive repair and restoration throughout – see photos. Dial: staining to top of chapter ring. Movement: appears complete and is currently running.
Lot 1029
Mid-20th century oak cased triple weight driven longcase clock, the arched hood with overhanging cornice to a moulded throat and glazed and panelled trunk door and raised on a panelled and stepped plinth base, to a 10ins arched brass dial with subsidiary for St Michael/Westminster/Whittington over mask spandrels with strike/silent levers left and right to a silvered Roman and Arabic chapter ring with outside minute track and matted centre with pierced and blued steel hands, to a triple weight driven movement with anchor escapement and strike on 12 rods, height 78 1/2 ins
Lot 676
A Victorian brass bound camphorwood campaign-trunk with drop handles to sides, 89 x 46 x 40 cm Condition Report Heavily used, multitude of old/new surface marks, scratches, indents, brass fittings all present, corners bruised, handles match and complete lock plate and flush left handle OK< interior lacking tray - top front corners with one brass replacement
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