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A 19th Century shallow pine trunk with wrought iron carry handles, 120 cm wide.

A 19th century mahogany longcase clock, the arched hood with rope twist columns, above a short trunk door enclosed between rope twist columns above a box base and bracket feet, the dial painted with ships to the arch and spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture inscribed William Jones, Brynmawr, the eight day movement striking on a bell, 227 cms high.

A small tin trunk containing a variety of ephemera, indenture, books maps etc.

A dome-topped wooden bound cabin trunk with wrought iron handles, the interior re-lined.

H. Goffey, Signed Black and White Etching "Luggage", in form of a dog seated upon a trunk, signed in pencil in black frame, 30.5cm x 21.5cm

An African tree trunk drum

A mahogany eight day striking longcase clock with a painted arched 13" dial having a calendar and second dial signed KIRTON Newcastle above an oblong trunk door and crossbanded stepped base on bracket feet 90" tall

An oak and mahogany eight day striking longcase clock with a painted 13" arched dial signed Wm Darling York (1825) having a calendar and second dial above a shaped trunk door and stepped base 90" tall

A tin trunk, a set of scales, cutter etc.

A studded leather and metal bound trunk, late 19th / early 20th century, by William Bal Inc, New York, the rectangular hinged top opening to a fitted interior including a divided tray and three additional removeable trays, side carrying handles, each side painted Denis OSullivan, and bearing a White Star Line label Provenance: Private collection, Sonning on Thames

An early 19th Century light oak and mahogany banded long case clock with arch top swan neck pediment, painted dial and eight-day striking movement with date window and seconds register by W Bartle, Market Rasen, trunk with inlaid door and flanking split turnings, 86" high

An Oriental camphorwood lined trunk, the interior with fitted slide

An Indian hardwood lamp-base modelled as an elephant with raised trunk, on an oval base, height, 88cm.

A George III mahogany longcase clock, the break arch hood with brass stop fluted columns, the brass break arch dial with subsidary seconds and calendar aperture, strike/silent dial in the arch, dial previous with makers name plate now lacking, eight day rack striking movement with anchor escapement, flame veneer trunk door with break arch top and above panel plinth, pendulum and two weights, 199cm high.

An oak linen trunk, the domed lid above plain front and sides upon bun supports, 67x138cm.

A Wade Disney dog 'Trusty', fourteen Wade whimsies, a small vase in the form of a tree trunk with koala bear and other small ornaments/pill boxes (25)

An oriental carved camphorwood trunk

An old stripped pine trunk

An old trunk

Britains Zoo: rare Adult Giraffe (lacks horns) rubber trunk Elephant (trunk perished) Adult Hippopotamus, Zoo Keepers, Howdah for Elephant ride (Slight damage), Seated Girl F-G (8)

Storm, Two Little Girls Crouching Beneath an Umbrella, unknown factory, circa 1900, impressed title, 26.5cm high; and A Copeland’s China Porcelain Figural Lamp Base, after Owen Hale, late 19th century, as a young classical maiden with dove clasping a tree trunk, impressed marks and "J93", 41cm high (drilled for electric flex (twice), cracked) (2)

Tragedy and Comedy, after W B Kirk, Worcester, circa 1855, Tragedy as a standing classical beauty with glaring expression, holding a dagger in her right hand which rests on the top of a broken pillar, Comedy as a smiling young beauty standing holding a comedy mask in her left hand by a tree trunk, both on textured rounded square plinths, both apparently unmarked, 44cm and 44.5cm high respectively See illustration Originally purchased from The Parian Phenomenon Catalogue of an Exhibition arranged by Richard Dennis, Chelsea Town Hall, December 1984, numbers 20 and 21.

A Ralph Salt Type Pottery Recumbent Sheep, circa 1820, beside a flower encrusted bush, on a blue scroll edged base, 9.5cm; Another Somewhat Similar, 10cm; A Pair of Staffordshire Pottery Musician and Lamb Bocage Groups, circa 1850, as figures beside trees, with lambs at the foot of a flight of steps, in typical colours, 19.4cm high; and A Figure of a Trumpeter, circa 1830, standing by a tree trunk, in typical colours, 16cm high (5)

A Pair of Minton Porcelain Figure Groups of Dallying Lovers, circa 1830, one depicts a gallant removing the left shoe of his lover, who grasps a tree trunk, the other with his leg over her knee, a basket of eggs at their feet, both on open pierced scrolled circular bases, in vivid enamel colours and gilt throughout, pseudo Meissen blue crossed swords mark, 17cm and 16.5cm high (restored)

A Derby Encrusted Porcelain Figure of Mars, circa 1790, standing, a shield at his side, beside a flower encrusted tree trunk (formerly supporting candlestick or basket, now lacking), on a scroll form base, 21cm high; and A Samson Porcelain Figure of Mars, circa 1900, similarly posed to the preceding, pseudo red painted crown, cross batons, dots and D mark, 18.5cm high (2)

An Oak Thirty Hour Longcase Clock, signed Joseph Butterworth Fecit, circa 1740, the ebonised oak case with caddied top, shaped trunk door, plain rectangular plinth with feet and skirting "missing", 11-inch square brass dial with chapter ring signed, matted dial centre with arched date aperture, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 211cm high See illustration

An Oak Eight Day Longcase Clock, signed Jos Read, Knutsford, circa 1770, case with flat top pediment, (finials missing), fluted columns, case with mahogany crossbanded borders, wavy shaped trunk door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon "later" bracket feet, 13-inch square brass dial with Roman and Arabic chapter ring, engraved scrolled dial centre with date aperture, seconds and signed, four pillar movement with anchor escapement and rack striking on a bell, 200cm high See illustration

An Oak Eight Day Longcase Clock, signed Lawson, Newton, circa 1780, the "later" carved case with swan neck pediment, front of hood with inset gilded glazed panel, wavy shaped trunk door with inset pilasters, canted plinth with raised panel, 13-inch square brass dial with chapter ring signed, engraved dial centre with date and lunar moon disc aperture, "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 220cm high See illustration

A Mahogany Eight Day Longcase Clock, the case with arched pediment and surmounted by three eagle finials, twisted columns, arched trunk door with inlaid stringing and flanked by inset twisted pilasters, rectangular plinth with inlaid stringing, 12-inch arched brass dial with Roman and Arabic chapter, dial centre signed "Blackford, Plymo Dock", date aperture, subsidiary seconds, the arch with rolling moon disc for lunar scale, and above "High Water At Plymo Dock", "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, (dial and movement circa 1790) associated to case "later", 224cm high See illustration

An Impressive Dutch Burr Walnut Inlaid Ship's Automaton Longcase Clock with Calendars and Alarm, signed Jan Hermelink, circa 1760, the nicely figured burr walnut case with moulded shaped hood with central carved bird, (finials missing), "later" pierced front and side frets, trunk with canted corners, long shaped door with inlaid borders and a father time lenticle, curbed base with inlay and raised upon claw feet, 13-inch arched brass dial with silvered chapter ring signed, arcaded minute track, dial centre with rolling moon lunar disc, central alarm disc, month and day of the week apertures, seconds combined with date aperture, the corners with the worlds four continents, automata depicting Neptune’s chariot and ships before a painted landscape background, four pillar movement with anchor escapement, striking on two bells, separate small weight to drive alarm with hammer striking within the bell, levers connected from arbors to operate automata in the arch, (some imperfections to case), 245cm high See illustration Jan Hermelink is recorded as working in Amsterdam in the 2nd half 18th century. See Baillie (GH) Watchmakers & Clockmakers of the World, page 151.

An Amphora shaped circular figural centre piece, the floriform bowl on a tree trunk pedestal with three girl joining hands dancing around it, on a circular base, impressed and stamped marks, no. 1318, 30cm high, 26.5cm wide

Mahogany drop dial wall clock, circa 1870, painted metal dial signed Winterhalder Leicester, brass bezel and cushion mount, single train fusee movement, the trunk with pendulum aperture and leaf scroll side pieces. Length 57cm. (Pendulum and 2 keys).

Oak longcased clock, swan neck hood with reeded columns enclosing a square face "Wm Edwards Shrewsbury" painted with shell spandrels and a ship, date aperture, thirty-hour movement, on trunk with fluted corner columns ands set-out panelled base. Height 201cm.

A Fair Hebe pearlware jug in the form of a tree trunk, moulded on one side with a figure and his dog, on the other a girl, her boy companion with a birds nest, painted in Pratt enamels, 22cm. high, early 19th century, firing crack under the base, 22cm. high.

Richard Kenfield, Winton. A George III mahogany longcase regulator timepiece, the arched hood with brass ball and spire finials and stop fluted turned columns, the trunk enclosed by an arched waist panel door between stop fluted quarter pilasters on a panelled and shaped plinth base, the 30.5cm. arched and silvered Roman dial signed Richd Kenfield, Winton to the arch, having a subsidiary seconds dial and date aperture, the single train movement with dead beat escapement, 208cm. high.

David Collier, Gatley. A George III oak, crossbanded and inlaid longcase clock, the hood with swan-neck pediment and brass ball finials above a scrolling foliate painted frieze and turned columns, the trunk enclosed by a shaped waist panel door inlaid with a snake and flanked by quarter pilasters, on a box base and shaped plinth, the 33cm. arched brass Roman and Arabic dial with moonphase mechanism, signed David Collier, Gatley to the arch, having a subsidiary silvered seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 226cm. high.

A camphorwood and brass bound trunk, with side carrying handles the hinged cover with an ivory plaque inscribed 'Army & Navy C.S.L makers.', the back stamped 4344, 20.75in (53cm) h, 35.25in (89.5cm) w, 20.25in (51.5cm) d.

An early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.

A Mahogany and Boxwood line inlaid Watch Case, the caddy top with a cast brass swing handle to a single trunk door with canted corners and shell detail on a plinth base; together with a Silver Cased open face Pocket Watch, John White of Teddington (2)

A late 19th Century Walnut and crossbanded American Drop Dial Wall Clock, the scalloped surround with crossbanded inlay to a glazed and mirror backed drop trunk with further stepped and turned lower section, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and pierced steel quatrefoil hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 30”

An early 19th Century Mahogany Boxwood and Ebony line inlaid “Norwich” Timepiece, G Priest, Norwich, the reeded circular hood to a plain trunk with stepped and convex base with shaped trunk door, to a 12” painted convex Arabic dial with further Arabic quarters and outside minute track with pierced steel hands, to a signed falseplate and weight-driven A frame movement, united by four knopped pillars and with anchor escapement, height 43”

A mid-19th Century Mahogany Cased Drop Dial Wall Timepiece, Beha Lickert & Co, Norwich, the moulded surround over a pair of carved scrolling ears and plain drop trunk with glazed aperture to a spun brass bezel (A/F), to an 11” painted Roman dial with outside minute track and spade hands, to a single gut fusee movement, united by four plain pillars and with anchor escapement, height 20”

A late 18th Century mahogany cased 8-day Long Case Clock, John Nevill of Norwich, the arched hood with overhanging cornice, surmounted by a whale “tail” pediment, and three brass globe and spike finials, over reeded free standing columns to an ogee throat, and long arched trunk door flanked by canted corners, on a panelled plinth base, to a 12” arched brass dial with strike silent, subsidiary to the arch with dolphin spandrels over further bird and urn cast and pierced spandrels enclosing a Roman and Arabic chapter ring with minute track, to a matted centre with subsidiary seconds, applied name plate and date sector, with blued steel pierced hands, to a movement with plates united by five knopped pillars, and with anchor escapement, pull repeat and strike on a bell, height 88”

A mid 18th Century Walnut cased 8-day Long Case Clock, Jon Austin of Shoreditch, the caddy toped hood (detached), to an overhanging cornice, over glazed side panels to an arched door with integral three quarter columns with gilt metal mount capitals, to an ogee throat and long cross banded trunk door, to a stepped plinth base, to an associated 12” arch brass dial with wheat ear engraved borders, circular boss to the arch, with dolphin spandrels and strike silent lever above a Roman and Arabic chapter ring flanked by mask and foliate applied spandrels, with minute track, inside quarter track and half hour fleur de lys markers, to a matted centre with subsidiary seconds and date sector with ring winding squares and pierced steel hands, to a movement united by five knopped pillars with anchor escapement and strike on a bell

A Mahogany cased 8-day Long Case Clock, signed Hales of Norwich, the arched hood with scrolling pediment with three globe and eagle finials over freestanding columns to an ogee throat and long arched trunk door, to a panelled plinth base, the 12” arched brass dial signed to the boss, with dolphin and cherub and applied spandrels, with Roman and Arabic chapter ring, to a matted centre with subsidiary seconds and date sector, with pierced and stamped brass hands to a signed false plate and movement united by four knopped pillars with anchor escapement, strike on a bell (associated), height 90”

An early 19th Century oak and mahogany cross banded 8-day Long-case Clock, Fr Arkinsall of Market Drayton, the hood with overhanging cornice, with shaped pediment surmounted by three globe and spike finials, over freestanding square columns, to an ogee throat and long trunk door, flanked by further square columns, on a plinth base with canted corners, to a 12” third period painted dial, with rosette and foliate painted spandrels, on an Arabic chapter ring and subsidiary seconds and date sector, with pierced steel hands, to a cast false plate, with movement united by four knopped pillars and anchor escapement, with rack strike on a bell, height 93”

An early 19th Century Mahogany and Oak Cased 8-day Long Case Clock, E Owen of Birmingham, the hood with swan neck pediment to a strung frieze over gilt metal mounted free standing reeded columns, to a stepped ogee throat and further inlaid frieze over further reeded quarter columns with short trunk door, and raised on a plinth base with canted corners and bracket feet, to a 14” painted dial with moon roller to the arch over plain hemispheres, flanked by painted church spandrels, with Roman chapter ring and subsidiary seconds with date section, to black painted pierced and stamped brass hands, to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 89”

A late 18th Century Mahogany cased Irish 8-day Long Case Clock, James Morton of Ennis, the hood with overhanging cornice over plain free standing columns, to an ogee throat wit h plain frieze, a shaped long trunk door and raised on panelled plinth base, with bracket feet, to a 13” square brass dial, with cast and applied cherub spandrels, enclosing a Roman and Arabic chapter ring, with minute track to ring winding squares and subsidiary seconds, over a date sector with pierced steel hands, to a movement united by four knopped pillars with anchor escapement and strike on a bell (associated), height 83”

An early 19th Century Oak cased 8-day Long Cased Clock, Ablitt of Ipswich, the arched hood with globe and spike and eagle brass finials over free standing gilt metal mounted plain columns to an ogee throat and long arched trunk door, raised on a plinth base, to a 12” painted dial with painted hounds, hare and hunters to the arch, over spandrels depicting shooting, fishing, horse racing and coursing, enclosing a Roman dial with outside minute track, enclosing subsidiary seconds and calendar subsidiaries, with pierced and stamped brass hands, to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 86”

An early 19th Century Mahogany and Oak 8-day Long Case Clock, J Taylor of Grantham, the hood with swan neck pediment centred with a globe and eagle finial, over ring turned and baluster freestanding columns, and stepped convex throat to a panelled trunk with short trunk door and canted corners, raised on a panelled plinth base, to a 12” painted arched dial depicting a small child feeding chickens over rural houses and windmills, to a Roman chapter ring with outside minute track and subsidiary seconds and date sector with pierced and stamped brass hands, to a plain false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 87”

An early 19th Century Mahogany ebonised and Boxwood lined inlaid 8-day Long Case Clock, ? of Reading, the swan neck pediment over a panelled frieze and arched door (columns lacking), to a stepped ogee throat with further panelled frieze to a reeded canted corners and short trunk door, raised on a panelled plinth base, with bracket feet, to a 12” arched painted dial, with woodcock shooting scene to the arch over gilt floral spandrels and Roman chapter ring, centred with subsidiaries for seconds and date, with pierced steel moon hands (condition poor), to a signed false plate and movement united by four knopped pillars with anchor escapement and strike on a bell, height 86”

A Mahogany and Boxwood line inlaid 8-day Long Case Clock, the swan neck pediment over a plain frieze to freestanding baluster columns and stepped ogee throat to a further plain frieze with reeded columns flanking a short arched trunk door and raised on a panelled plinth base, to a 14” arched painted dial signed Jas Richards of Lancaster, with floral painted arch and spandrels to a Roman chapter ring with Arabic quarters enclosing subsidiary seconds and dummy date sector, to pierced and stamped brass hands, this mounted to a 12” painted arched dial, to a signed false plate and movement with four knopped pillars and anchor escapement, strike on a bell, height 86”

An Oak and Mahogany 8-day Long Case Clock, the arched hood with swan neck pediments centred by a globe and spike finial over freestanding gilt metal mounted capitals, to a concave / convex throat and panelled trunk with short shaped trunk door, centred with a shell inlay and raised on a plinth base with bracket feet, to a 12” arched brass dial with strike/silvered subsidiary to the arch with dolphin spandrels and further spandrels depicting the four seasons enclosing a Roman and Arabic silvered chapter ring with fleur de lys markers to a matted centre and applied signed name plate, Thos French Norwich, and further silver subsidiary and date sector with pierced steel hour hand only, to a movement united by three knopped and one plain pillars with anchor escapement and strike on a bell, height 88”

An early 19th Century Mahogany cased and Boxwood lined inlaid 8-day Long Case Clock, the square hood with swan neck pediment, to a gilt highlighted frieze over free standing reeded columns, to a ogee throat and further plain frieze, to similarly reeded quarter columns flanking a shaped trunk door, over inlaid floral lozenges, to a plinth base with canted corners on bracket feet, to a 14” painted square dial with painted spandrels enclosing a Roman chapter ring with outside minute track and subsidiary seconds (blanked off) and date sector to pierced and stamped brass handle, to an associated false plate and movement with four knopped pillars and anchor escapement, strike on a bell, height 88”

A mid 18th Century Mahogany cased 8-day Long Case Clock, Geo How of London, the arched hood with pagoda pediment, with three globe and eagle finials over freestanding and reeded and gilt metal mounted capitals to an ogee throat, and long trunk door, to a plinth base (stand), to a 12” arch brass dial, with spread eagle boss to the arch, signed “tempus fugit”, with dolphin and cherub and crown cast and applied spandrels, to a signed and silvered Roman and Arabic chapter ring with outside minutes, inside quarters and fleur de lys half hour markers, to a matted centre with ringed winding squares and subsidiary seconds with date sector to a movement united by four knopped and fined pillars, with count strike work and anchor escapement, strike on a bell (associated), height 88”

A mid 18th Century Mahogany Cased 8-day Long Case Clock, Thomas Page of Norwich, the arched hood with pierced and scrolling pediment surmounted by three globe and spike finials, to a narrow frieze and Corinthian columns to an ogee throat and long trunk with reeded canted corners and arched long trunk door, to a cross banded plinth base (reduced), to a 12” arched brass dial with strike silent subsidiary to the arch, and further “C” scroll and foliate cast and applied spandrels enclosing a Roman and Arabic chapter ring, to a later matted centre with sunk and silvered subsidiary seconds, applied name bade and date sector with pierced steel hands, to a movement united by four knopped pillars, with anchor escapement and strike on a bell, height 95”

A late 19th Century Oak cased 8-day Long Case Clock, Jno Christian of Aylsham, the square hood with scrolling pediment and surmounted by three gilt wood spherical finials over three quarter columns to an ogee throat, and plain trunk with long trunk door raised on a plinth base, to an 11” square brass dial with applied “C” scroll and foliate spandrels enclosing a Roman and Arabic chapter ring with minute track enclosing a signed centre, with engraved ho-ho bird and mask detail, and blued steel pierced hands to a movement united by four knopped pillars, with anchor escapement and strike on a bell, height 84”

An early 19th Century Oak cased 8-day Long Case Clock, Russell of Cawston, the square hood with scrolling pediment over freestanding gilt metal mounted freestanding columns to an ogee throat and reeded trunk with arched trunk door and raised on a plinth base, to an 11” painted dial with gilt and rose spandrels, to an Arabic chapter ring enclosing subsidiary seconds and date sector, with blue steel pierced hands, to a movement united by four knopped pillars with anchor escapement and strike on a bell, height 83”

A pair of 19th Century Chinese baluster Vases, each applied with two elephant trunk handles and painted in Famille Vert with female figures (one extensively repaired), 18” high

ASSORTED CURIO'S/MISCELLANEOUS ITEMS in a canvas travelling trunk