A George IV North Country mahogany longcase clock the twin train brass movement with anchor escapement striking on a bell the fifteen and a half inch arched painted dial with subsidiary seconds and date dials and painted to the spandrels with figures emblematic of the four continents the arch with moonphase and planisphere the hood with scrolled pediment above an arched glaze door flanked by turned columns the triple arched short trunk door flanked by conforming columns above a panelled box base with split turned angles on turned feet 241cm high
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A George III mahogany longcase clock the twin train movement with anchor escapement striking on a bell the twelve inch brass dial with subsidiary seconds dial date aperture and makerÕs plaque ÔPope Margate' to the matted centre within a Roman hour and Arabic minute chapter ring and foliate pattern spandrels the projecting cornice above a blind fret frieze and a square glazed door flanked by three quarter columns the arched long trunk door above a panelled box base with a later moulded stand 210cm high
A George III oak and mahogany banded longcase clock the twin train movement with anchor escapement striking on a bell the twelve inch square brass dial with date arch foliate engraving and makerÕs name ÔStephenson CongletonÕ on a silvered ground within a silvered chapter ring with Roman hour and Arabic minute numerals within gilt foliate spandrels the hood with projecting columns above a shaped trunk door flanked by quarter fluted columns the canted box base on ogee shaped bracket feet 211cm high
Canada. Weale (John, pub.), Grand Trunk Railway of Canada, Victoria Bridge, over the River St. Lawrence at Montreal, [1860], tinted litho view, light spotting, image approx. 300. x 530. mm, together with six other tinted lithos. from the same work entitled 'Northern Approach', 'Staging for Centre Tube', 'View of Bridge from Tower of Cathedral', 'Works, from the Top of No. 6. Pier, 1858', 'Centre Tube in Progress', 'Works in Progress, 1858' From James Hodges' 'Construction of the Great Victoria Bridge in Canada', 1860. (7)
Royal Worcester figural centrepiece, the circular pierced dish top held aloft on a tree trunk with three figures in eighteenth century dress surrounded by three shell shaped sweet meat dishes, puce mark for 1880 and bearing the retailers mark for Mortlock's of London, damages, 13 1/2in (34.3cm) high
Early nineteenth century mahogany longcase clock, the swan neck pediment above an arched painted face depicting a highlander with bow and a hound above a white enamel dial with a thirty one day ring and subsidiary seconds marked for David Dewar, Doune 1882 and flanked by columns with Corinthian capitals over a trunk with spiral quarter pilasters and a door carved with a cockeral and inscribed 'Gloria Patri' on a plain base section with bracket feet, 84in (213.3cm) high
An officer’s white pigskin covered wooden travelling trunk, c 1850, brass studded overall, initials AP on top, steel corner bindings, side carrying handles and lock, paper lined with label of "Merriman, Travelling Equipage Manufacturer by Appointment to the Honble East India Company...", 24" x 14" x 11" maximum to rounded lid. Basically GC (pigskin worn commensurate with age)
A LONGCASE CLOCK by William Smith of Huddersfield, the eight day movement with arched dial painted with a huntsman, game and spaniels, secondary dial, in mahogany and crossbanded case with scrolled cornice on baluster turned columns, canted trunk with arched door, the base with recessed circular panel, shaped apron and splayed feet, 94" high.
A LONGCASE CLOCK by Robert Bunyan, Lincoln, the eight day movement with arched brass dial chased with scrolling foliage, seconds dial and calendar aperture, Roman and Arabic numerals, in oak and mahogany banded case with stringing, scrolled pediment on fluted columns, arched door with shell patera, arched trunk, panel base and bracket feet, 82 1/2" high.
"An 18th Century oak longcase clock by Batty Storr of York, the 12ins square brass dial with chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with deep moulded overhanging cornice and dentil frieze, arched trunk door, 83ins high Note : Batty Storr recorded working York, born 1710, died 1793"
"A late 18th/early 19th Century oak longcase clock, the 12ins painted metal dial with Roman and Arabic numerals and subsidiary seconds dial and date aperture, the arch decorated with a ship and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded scroll pediment and turned and fluted columns to hood, shaped trunk door and with fluted quarter columns, 8ins high"
A 19thC oak and mahogany longcase clock, of eight-day movement, striking on a bell, the painted arch dial with Roman numerals and seconday dials, signed 'Wilson, Birmingham', the arch painted with shipping, the spandrels with light houses and churches, the hood with swan-neck pediment, turned pilasters, the trunk with a painted arch door, on bracket feet, 87½" high.
An 18thC oak longcase clock, of eight-day movement, striking on a bell, the square 12" painted dial with Roman numerals, seconds dial and calendar aperture, signed 'Thos. Howse, Marlborough', with medallion and foliate painted spandrels, the square hood with cavetto and dentil cornice, and fluted pilasters, the trunk door with ogee arch and cross-banded, on bracket feet, 79" high.
An early 18thC walnut longcase clock, of eight-day movement chiming on two bells, the brass dial with Roman and Arabic numerals, seconds dial and vertical calendar aperture, matted centre, signed 'Wm. Smith London' on a tablet, with steel and foliate cast spandrels, re-painted moon dial to the arch, the hood with high domed caddy top over swept and moulded twin arch moulding, later finials and with blind fret friezes, ½ round pilaster flanking the dial, the trunk door with double ogee door and glass lentile, canted sides, on stile feet, 103" high overall.
A collection of late 19th century/early 20th century dolls costume, including two wicker hats, each with ribbon trim; a cream wool double breasted coat and various whitework gowns and bonnets; and a Oriental style bisque doll's house doll, 7cm high, contained within a wood and brass bound leatherette travelling trunk, 38cm wide (qty)
Mahogany longcase clock, by J. Blair, the scroll crest over the stepped cornice, the arched painted dial with scene of Cotter's Saturday Night, the spandrels with representations of the four seasons, the hood with side spiral pillars over trunk with quarter spiral pilasters all raised on bun feet, 87 1/2in (222.4cm) high
An 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass square dial with Hoho bird border engraved calendar aperture, ringed winding holes and silvered seconds ring to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, within female mask scroll cast spandrel applied angles, in a flat-top case with ogee moulded dentil cornice over turned hood pilasters and arched trunk door with oval cartouche inscribed 'I.A.' and bearing date '1782', flanked by fluted quarter columns, on raised panel plinth base with shaped apron, case, movement and dial associated, 206cm high.
a Pair of Staffordshire Deer and Hound Flat Back Groups, second half 19th century, each modelled as a stag standing rampant against a rampant dog, a hollow tree trunk behind them picked out with shredded moss and green leaves, base 16cm long; and Another Similar Group, in the white with gold spotted markings, (restoration to one tree trunk and stag antler of the pair) (3)
a Pair of Staffordshire Bone China Models of Recumbent Stag and Doe, circa 1840, each animal washed in pale salmon pink, lying before a hollow tree trunk vase, its branches and edges applied with grass shredding, picked out in orange and green, 12cm; A Similar Figure of a Recumbent Doe, before a hollow tree trunk, 12.5cm; and A Staffordshire Model of a Recumbent Doe, approximately 12.5cm (4)
a Group of Five Staffordshire Stag and Figure Ornaments, mostly mid 19th century, comprising: a pair of figures of young girls feeding stags; two depicting a female figure riding on the back of a stag, one above a clock face; the last depicting a stag and young girl standing beside a pink tree trunk spill vase, various sizes (damages and repair) (5)
Two Staffordshire Matched Pairs of Deer Chase Spill Vase Groups, second half 19th century, each modelled as a leaping stag pursued by two hounds against a single tree trunk spill case, 11cm; and A Staffordshire Single Deer Chase Spill Vase Group, modelled as two hounds pursuing a deer through an arch formed by trees (small restorations) (5)
Two Staffordshire Flat Back Spill Vase Deer Groups, mid 19th century, one modelled as a stag leaping a gate pursued by a hound while a bird alights from its nest below; the other modelled as three hounds attacking a stag and his doe before a hollowed tree trunk vase, approximately 14cm (minor restorations to both)
an Enamelled Pearlware Figure of a Yellow Deer, standing four square on an oval socle base, sponged in black, its belly resting on the trunk of a tree, bocage rising behind it with colourful flowers, the trunk sponged in brown, 16cm (chip to rear of base) *Possibly in the same group as the so-called "Obadiah Sherratt" models
a Pair of Staffordshire Flat Back Models of Deer Attacked by Serpents, mid 19th century, each deer rearing against a tree trunk spill vase from which a giant green snake begins to encoil its victim, lavender coloured shredded grasses, 18cm long # 250-350 237. Two Staffordshire Enamelled Pearlware Models of Deer, circa 1820, one of the spotted deer standing before a leafy tree upon a rustic base with shredded grasses; the other of a spotted red stag standing four square with tree trunk support rising from the green rustic base, 11cm and 10.4cm respectively
a Pair of Staffordshire Gold Spotted White Deer, second half of 19th century, each standing against a green tree trunk vase, one fore leg raised, the doe with a fawn lying beneath her, both on oval bases with applied shredded grasses, approximately 14cm (restorations to legs); and A Pair of Smaller Flat Back Deer and Tree Vases (restored) (4)
a Good Staffordshire Bone China Model of a Leaping Deer, circa 1840, finely modelled with back legs barely touching the base, supported in mid air against a white tree trunk rising from the rocky base with shredded grass detail, 14.5cm; and Two Smaller Staffordshire Bone China Stag Groups (minor restorations) (3)
Three English Bone China Stag Groups, circa 1835, comprising: two deer groups of stag and doe standing back to back before a central spill vase tree trunk, one in the white with gilt detail the other with colouring, 13cm long; the third depicting a stag leaping a hurdle before a tree trunk, washed in various tones of brown and fawn, 17.5cm long (restorations to hind legs) (3)

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66892 item(s)/page