An early 19th Century Oak cased 8-day Long Case Clock, Russell of Cawston, the square hood with scrolling pediment over freestanding gilt metal mounted freestanding columns to an ogee throat and reeded trunk with arched trunk door and raised on a plinth base, to an 11” painted dial with gilt and rose spandrels, to an Arabic chapter ring enclosing subsidiary seconds and date sector, with blue steel pierced hands, to a movement united by four knopped pillars with anchor escapement and strike on a bell, height 83”
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An oak thirty-hour longcase clock John Walford, Banbury, early 19th century The countwheel bell-striking movement with 12 inch square white painted Arabic numeral dial with arched calendar aperture and signed J. Walford, Banbury to the floral spray painted centre, the angles with conforming decoration, the swan neck pedimented case with reeded hood pilasters above short rectangular trunk door flanked by reeded uprights, on plinth base with bracket feet, 206cm high. John George Walford is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Banbury 1814-53.
A mahogany eight-day longcase clock with rocking figure automaton Mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral dial with subsidiary seconds dial and bearing signature John Sinkinson, Doncaster to the convex centre, with gilt foliate painted spandrels to angles and scene with rocking horse and jockey to arch, the break-arch pedimented case with twist turned columns to hood above shaped-top short trunk door and conforming columns to trunk, on crossbanded plinth base with ogee bracket feet, dial refinished, 232cm high.
A rosewood crossbanded mahogany eight-day longcase clock with moonphase Moorhouse, Huddersfield, mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed MOORHOUSE HUDDERSFIELD to the centre within abbey and castle ruin painted spandrels to angles below rolling moonphase to arch, the swan neck pedimented case with twist turned pilasters to hood above shaped-top short trunk door flanked by canted angles, on line inlaid plinth base with cushion moulded skirt, 237cm high.
An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.
An unusual oak eight-day longcase timepiece Abraham Torn, Sheffield, mid 18th century The four-pillar movement with anchor escapement and 10.75 inch square single-sheet brass dial with subsidiary seconds dial and curved applied plate signed Abraham Torn, Sheffield to centre within a Roman numeral chapter ring with Arabic five minutes and plain spandrels to angles, the slender case with tall ogee caddy and integral pilasters to hood above long rectangular trunk door and plinth base with moulded skirt incorporating bracket feet, 220cm high.
An inlaid mahogany eight-day longcase clock William Lunan, Aberdeen, early 19th century The four-pillar rack and bell striking movement with 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds dial, calendar aperture and signed W'm Lunan, Aberdeen to the centre, the spandrels engraved with the initials W.J. C.G. beneath strike/silent dial and foliate scroll engraved decoration to arch, the swan neck pedimented case with reeded Corinthian pilasters to hood above conch shell centred break-arch long door flanked by quarter columns to trunk, on line bordered plinth base with bracket feet, 217cm high. The initials within the spandrels suggest that this clock was presented as a marriage gift.
An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.
An oak thirty-hour longcase clock William Barnard, Newark, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed W. Barnard, Newark within a rectangular cartouche to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with applied foliate cast spandrels, the case with cavetto cornice above integral pilasters to hood, break-arch long trunk door and a reduced plinth with double skirt, 189cm high. William Barnard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newark 1707-84.
A mahogany crossbanded oak eight-day longcase clock with penny moon 18th century and later The 19th century four-pillar rack and bell striking movement with 12 inch square brass dial with arched calendar aperture, ringed winding holes and penny moon, with age of the moon aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed Woolley, Codnor to lower edge, the angles with winged cherub's head and foliate cast spandrels, in a case with swan neck pediment above turned pilasters to hood and shaped-top crossbanded short rectangular trunk door, on tall plinth base with double skirt, composite, 216cm high.
An inlaid mahogany eight-day longcase clock Late 18th century and later The four-pillar triple train rack and bell striking movement with incomplete quarter chiming work, now with a 12 inch brass break-arch dial with subsidiary seconds dial and shaped silvered plaque bearing signature Tho: Gardner, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrel applied angles, the arch with silvered boss engraved with a sunburst and inscribed TEMPUS FUGIT between dolphin cast mounts, in a pagoda pedimented case with line inlaid pilasters to hood above conch shell centred break-arch trunk door and conforming panel fronted plinth base with reduced ogee bracket feet, composite, movement altered and incomplete, 225cm high.
An oak and mahogany eight-day longcase clock Kerr & Co, Swansea The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed Kerr & Co, Swansea to the convex centre, with cottage painted spandrels to angles and scene of young girl with a lamb to arch, the swan neck pedimented case with baluster turned pilasters to hood above short trunk door flanked by canted angles, on crossbanded plinth base, 203cm high.
A mahogany eight-day longcase clock with moonphase Jn.o Hughes, Carnarvon, early 19th century The four-pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to the castle landscape painted centre, the chapter ring signed Jn.o Hughes Carnarvon to lower edge within cottage painted spandrels to angles and with rolling moonphase to arch, the swan neck pedimented case with double baluster turned and carved pilasters to hood above short crossbanded rectangular trunk door flanked by conforming pilasters, on raised panel fronted plinth base with ogee bracket feet, 231cm high. John Hughes is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Carnarvon 1844-63.
An oak thirty-hour longcase clock John Pearce, Stratford, early 19th century The four-pillar outside countwheel bell-striking movement with 11 inch square white painted Roman numeral dial with calendar aperture and signed Jn. Pearce Stratford to the bird and flower painted centre within floral spray decorated spandrels, now in an earlier case with moulded cornice above turned pilasters to hood, crossbanded shaped-top trunk door and plinth base with moulded skirt, 203cm high.
A mahogany and oak eight-day longcase clock Haseldin, Shales Moor, Sheffield, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed Haseldin Shales Moor Sheffield to centre, with floral painted spandrels and scene of resting fisherman to arch, the swan neck pedimented case with turned hood pilasters above short trunk door flanked by lobed pilasters, on crossbanded plinth base, 214cm high.
A mahogany crossbanded oak thirty-hour longcase clock Unsigned, early 19th century The countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
Henry Harper, London, a George III mahogany chiming longcase clock, the pagoda hood with later applied sunburst motif and brass stop-fluted pillars, the trunk with breakarch door and raised on a panelled plinth with stepped base, the 12 inch dial with chime silent disc to the arch (later lettering and hand) 2 position tune selection lever to the right side, gilt mask spandrels, repaired hands, with 3 train 8 day bell striking movement, 235cm high
A Quantity of Horse Tack in a Metal Trunk, including a Shires brown day rug, two exercise blankets, waterproof sheets and exercise sheets, sheepskin numnahs, sheepskin and faux fur travel bandages and pads, tail protectors etc. Three drawers containing travel bandages, tail bandages, plaiting rubbers, poultice packs, saddle soap etc.
A George III oak and mahogany longcase clock, with swan's neck pediment above the arched glazed door flanked by simple pillars enclosing the 13.25ins. arched brass dial by Edward Barlow, Oldham with moon phase, foliate spandrels, silvered chapter ring and subsidiary seconds dial with eight day striking movement, the case with arched crossbanded trunk door flanked by fluted columns and with conforming base raised on bracket feet, height 93ins. This clock has had the movement recently restored at a cost of some £500 (receipt available). (see illustration)
A Georgian pine long case clock, having a moulded cornice above a glazed door flanked by half round pillars enclosing the 9.5ins. brass dial and 30 hour movement by John Coates, Cirencefter, with cottage scene to the centre and Roman numerals, with rectangular trunk door beneath and conforming base raised on bracket feet. Height 79ins. (see illustration)
A 19th century mahogany longcase clock, by Spittall Whitehaven having a swan's neck pediment and arched glazed door flanked by turned columns enclosing the 14inch arched painted dial decorated with hunting scenes and with Roman numerals subsidiary date and seconds dials and eight day striking movement with short shaped trunk door beneath flanked by turned pillars and with conforming base raised on ogee bracket feet. Height 90ins. (see illustration)
A George III mahogany longcase clock, with an arched painted dial and 8 day striking movement by J. Yon, Southampton, flanked by fluted columns with arched trunk door being crossbanded in ebony and with boxwood stringing flanked by canted angles and with conforming base raised on bracket feet. Height 83ins. (see illustration)
A LONGCASE CLOCK by Johnson of Chesterfield, the eight day movement with anchor escapement and 13 1/2" circular dial, painted with birds on branches, seconds dial and calendar aperture, Roman and Arabic numerals, in oak case with ebony stringing and parquetry banding, scrolled pediment with brass finial on turned columns, canted trunk with arched door, panel base on plinth, 81 3/4" high
A Dutch walnut longcase clock by J. N. Boyon, Amsterdam, the broken arched top with blind gilt highlighted fretwork decoration, the twelve inch arched top dial painted with putti and muses, moonphase, month/date and day apertures, secondary dial, single train movement, quarter striking, trunk door with brass aperture and line inlay, the whole resting on ball and claw feet, 235 cm high. Illustrated.
A Copeland majolica centrepiece, circa 1875, the oval shallow bowl with turquoise interior, the exterior moulded with overlapping ferns supported by a tree trunk and two putti collecting flowers, on a blue and yellow shaped oval base, impressed factory marks including date code to base, height approx 32.5cm (restoration). (See illustration)
A George III oak longcase clock, having a broken swan neck pediment above twin turned columns flanking square brass dial (width 12Ó), having cherub leaf scroll cast corner spandrels, brass chapter ring with Roman and Arabic numerals signed George Whitmore of Bristol, subsidiary seconds dial and date aperture, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the trunk with plain panelled door to a box base on bracket feet, height 207cm
A 19th century oak longcase clock, having a fret carved pediment and plain frieze above twin fluted pilasters flanking painted square dial, width 12Ó, having Roman numerals, subsidiary seconds dial and rolling date dial, 30 hour weight driven movement striking on a bell, the trunk with single panelled door on a box base, height 218cm
George III crossbanded mahogany longcase clock, the hood with swan neck pediment, boxwood string inlay and brass inlaid reeded pillars, the trunk with shaped door flanked by reeded and boxwood inlaid pillars, arch shaped brass dial with moon phase movement, foliate spandrels, rococo style engraved centre decorated with a classical urn signed Monkhouse, Carlisle, subsidiary seconds dial, engraved decoration to the winding holes-eight day striking movement, 230cm high

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66892 item(s)/page