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VINTAGE LOUIS VUITTON STEAMER TRUNK an early 20thc steamer trunk, the monogrammed case with wooden bars, metal studs and brackets. With a brass lock plate and catches, and leather carrying handles on each side. The internal tray with a lidded compartment on one side and lined inside the lid, and with two original keys (numbers on keys matching the lock plate). Marked in various places including the lock plate, catches and studs, and with a label inside, Louis Vuitton,765332, Paris 70 Champs Elysees, New Bond St, London. Trunk 81cms across, 47cms deep, 34cms high
VINTAGE LOUIS VUITTON STEAMER TRUNK an early 20thc steamer trunk, the monogrammed case with wooden bars, metal studs and brackets and with the owners name and address on the top. With a brass lock plate and catches, lined interior and an internal tray with 2 lidded compartments at either end. With it's original key (matches the number on the lock plate), and marked in various places including the lock plate, catches and studs, and with a label inside for Louis Vuitton, 759854, Paris 70 Champs Elysees, New Bond St, London. Trunk 100cms across, 53cms deep, 34cms high
MALLES GOYARD VINTAGE HAT BOX circa 1920's/30's, a canvas and wooden trunk with brass lock plate and corners (missing leather handle on front). The interior lined with a Paisley pattern design, and with a removable tray. The exterior with various vintage luggage labels including owners name Lady McKenzie Wood, W1 London, and with 2 makers labels on each side, Malles Goyard, 233 Rue St Honore, Paris, Monte Carlo, Biarritz. 32cms high, 44cms across, 41cms deep *Goyard is a French trunk and leather goods maker, established in 1853 in Paris.
EARLY LOUIS VUITTON TRUNK an early 20thc square canvas and wooden travelling trunk, with leather and metal stud corners. With a brass lock plate and catches and leather carrying handle. With an internal removable tray and straps on the interior of the lid. With a label inside, Louis Vuitton, 752608, Paris, 70 Champs Elysees, also marked on the lock plate, the catches, the tray, and underneath to a leather band around the base. Trunk 50cms square, 35cms high.
ANTIQUE DOLLS HOUSE FURNITURE including a miniature dolls dome top trunk, with internal tray and original label to the base. Also with 2 dolls house dressers, kitchen table, hanging cupboard, bed, and various chairs. Also with some accessories including a stick stand, gong, kitchen items etc. Trunk 9.5cms across
A Staffordshire oval enamel path box, the cover painted with a lady reclining against a tree trunk, deep lavender ground with simulated pearl borders, 5.5cmWProvenance: from the estate of Elizabeth Pepys-Cockerell, whose husband John was a descendant of the diarist Samuel Pepys. His ancestors had a long association with Sezincote in Gloucestershire
After the antique; a bronze of Silenus carrying the infant Bacchus, standing leaning against a tree trunk draped with an animal skin and on canted square base, unsigned, 55cm high, 22cm square Footnote: The original antique marble sculpture was discovered in Rome in the Renaissance and is now in the permanent collection of the Louvre in Paris. It was thought to have been carved by Praxiteles in the fourth century BC. See F Souchal “French Sculptures of the 17 th and 18 th centuries”; “The Reign of Louis XVI, A-F ‘Oxford 1977’, G-L ‘Oxford 1981’, M-Z ‘Oxford 1987”.
A George III oak and inlaid longcase clock, the broken scroll swan neck pediment centred by a brass fleur de lys motif on a chequer strung pillar, the chequer stringing repeated below the ogive cornice over a square glazed door flanked by fluted pilasters, the 11 inch brass dial with matted centre engraved with foliate scrolls and oval tablet inscribed ‘W N Marston, BPS Castle’, chapter ring with Roman numerals and cast figural spandrels emblematic of the seasons, 30-hour movement striking on a bell above a full length shaped top trunk door with ebony and box wood central stellar motif flanked by fluted quarter pilasters and a stepped ogive moulding and plain base, lacking feet, 210cm high
A George III cottage oak long case clock, the moulded cornice above a simple blind fret carved frieze and square glazed door enclosing a 10 inch square brass dial with matted centre engraved with birds and with single hour hand, silvered dial with Roman numerals and mask and foliate open work spandrels, the dial inscribed 'Jos Kember Shaw', 30-hour bird cage style movement striking on a bell, above an arched full length trunk door with half moulded edge and lenticel window above a concave moulding and base with stepped plinth, 191cm high
A George III oak and walnut cross banded cottage longcase clock, the square hood with later pediment above a glazed door flanked by fluted Doric columns enclosing a 13 inch later painted dial inscribed ‘Joseph Churton, Whitchurch’, with subsidiary seconds dial and date aperture and Roman numerals painted with Mandarin ducks in the corners, 8-day movement striking on the bell above a shaped top trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding, plain base and bracket feet, 200cm high
A George III oak cottage longcase clock, the later carved case with broken scroll swan neck pediment above a square glazed door flanked by brass capped Doric pilasters and 12 inch brass dial with matted centre and penny moon and day date aperture and Maltese Cross false winding holes, silvered dial with Roman numerals and outer Arabic numerals inscribed ‘Richard Midgley’, mask and foliate case open work spandrels, 30-hour movement striking on a bell with outside count wheel above a shaped top, trunk door later carved with a cavalier roundel within tulip borders between quarter pilasters over an ogive moulding and foliate carved base and plain plinth, 217cm high
A Regency mahogany longcase clock, the broken scroll swan neck pediment centred by a ball and spire finial above an arched glazed door enclosing 14 inch white painted dial with Roman numerals and subsidiary seconds dial and inscribed ‘Thos Read’, Manchester, painted with soldiers and camp followers to the corners, rolling moon phase in the arch with phases of the moon, 8-day movement striking on the bell between fluted pilasters above a tripe ogee trunk door flanked by cluster columns over an ogive moulding and boxwood strung base with canted angles and on ogee bracket feet, 234cm high
A late George III mahogany longcase clock, the arched pagoda top with three ball and spire gilt brass finials and blind fretwork cresting above an arched glazed door flanked by stop fluted Corinthian columns enclosing a 12 inch arched brass dial with matted centre and subsidiary seconds dial with Arabic numerals and tablet marked in italic script ‘Danl Cornwell, Billericay’, the silver chapter ring with Roman and Arabic numerals, strike silent dial in the arch, C scroll and foliate cast spandrels, each side with blind fretwork gilded foliate panel, the 8-day movement with four ringed pillars and striking on a bell above a flame mahogany arched top trunk door with grooved raised border and flanked by stop fluted quarter columns with Corinthian capitols above an ogive moulding and raised panel and stepped plinth with shaped apron and on bracket feet, 258cm overall height
An oak and walnut cross banded longcase clock 18th century, the stepped ogive cornice above an open fret work frieze with red material backing above a square glazed door applied with half mouldings between Doric columns enclosing a 10” square dial with matted centre and single hour hand the silver chapter ring with Roman numerals and inscribed, ‘Browne Facit’, mask and foliate spandrels, 30 hour movement striking on a bell with outside count wheel above a shaped arched top full length trunk door applied with grooved half mouldings to the edge over a concave border and plain base and on bracket feet, 217cm high.
A George III longcase clock the arched hood with shaped pediment and two ball and spire finials above and arched glazed door flanked by stop fluted gilt brass capped columns enclosing a 12” brass dial with matted centre and subsidiary seconds dial with Arabic numerals and date aperture and marked in italic script ‘Ralph Gout London, Member 128’ silvered chapter ring with Roman numerals and outer Arabic numerals foliate cast open work spandrels and strike silent dial in the arch, eight day movement striking on a bell above an arched topped full length trunk door between canted fluted stop fluted angles above an ogive moulding and raised base board and plinth, 220cm high.
An oak cottage longcase clock 18th century the cushion moulded cornice above a plain frieze and square glazed door flanked by three-quarter pilasters enclosing a 10” square brass dial with matted centre and single hour hand the silvered chapter ring with Roman numerals marked ‘INO Washbourne Glour’ cherub and crown cast spandrels 30 hour movement striking on a bell with outside count wheel the bevelled rectangular trunk door over a cushion moulding and plain base and plinth, 191cm high.
An oak longcase clock, mid-18th century, the dentil moulded ogive cornice above a blind fret work frieze and square glazed door flanked by fluted pilasters enclosing a 12” square brass dial with matted centre and subsidiary seconds dial and date aperture engraved with a basket of flowers and birds the silvered chapter ring with Roman and Arabic numerals and inscribed ‘John Pagett, Bridgnorth’ mask and folate spandrels and leaf engraved eight day movement striking on a bell over an ogive cornice and bevelled rectangular trunk door and further concave moulding and plain base and plinth, 207cm high.
A George III oak and mahogany cross banded longcase clock the broken scroll swan neck pediment with gilt brass stamped basket weave roundels above an arched glazed door flanked by turned gilt brass capped pilasters enclosing a 13” white painted dial with subsidiary seconds dial and date aperture and inscribed ‘Swingler Holbeach’ the chapter ring with Arabic numerals and painted with Adam style wheat ear and foliate patera gilt corners and a classical muse in the arch with fowled anchor eight day movement striking on a bell above a shaped top cross banded trunk door flanked by turned pilasters over a concave moulding and cross banded base and on shaped bracket feet, 220cm high
A George III mahogany longcase clock the broken scroll swan neck pediment centred by an eagle and urn finial above and arched glazed door flanked by fluted gilt brass Corinthian capped pilasters enclosing a 12” white painted arched dial with subsidiary seconds dial and date aperture and inscribed ‘Deacon Barton’ the chapter ring with Arabic numerals and painted with roses to the corners and the arch eight day movement striking on a bell above an ogee arched top cross banded trunk door flanked by fluted quarter pilasters over a concave moulding and plain base and on ogee bracket feet, 208cm high.
A George III oak longcase clock the square hood enclosing a 12” brass dial with Roman numerals subsidiary seconds dial and date aperture and inscribed Edward Owen Beestone eight-day movement and striking on a bell above a rectangular narrow trunk door with split half mouldings to the edge over an ogive moulding and on bracket feet, 200cm high
An early 19thC oak longcase clock, with swan neck and fluted pillared hood, full length crossbanded trunk door, with oval shell patera, reeded canted trunk, the base with an inlaid cannon patera and shell fan corners, the 30cm painted square arched dial having a maiden at the docks, seated with flowers and a letter as a three mast ship set sail, the spandrels painted with a female sculpturess, paintress, literary and seated with globe spandrels, Arabic hour and minute numerals, seconds ring and date crescent, marked J Simpson LINCOLN, eight day movement striking a bell, 214cm H.See Ellis (Roy) Lincolnshire Clock and Watchmakers, James Simpson died 1831 aged 73, was a well known figure in Lincoln becoming Sheriff in 1817, Clock and Watchmaker on the High Street.

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66890 item(s)/page