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Lot 1
A mid-19th Century Meissen centrepiece base modelled as a lady and gallant about a flower encrusted trunk, on a Rococo moulded circular base picked out in pink and green and heightened in gilt, cancelled crossed swords in underglaze blue and incised '2772' to base, height approx 38cm (converted to a table lamp base).
Lot 1
A Dresden porcelain figural candlestick, late 19th Century, modelled as a putti standing before a tree trunk playing a hurdy gurdy beneath an insect painted candle sconce, blue painted 'AR' mark, a similar Sitzendorf porcelain candlestick with a bird perched on the arm of a putti and two Continental porcelain figures of a shepherd and shepherdess (minor faults).
Lot 1
An early 19th Century oak longcase clock with eight day movement striking on a gong, the painted break arch dial with moonphase indicator above Roman numerals and subsidiary seconds dial, the hood with moulded arch pediment above turned columns, the trunk with shaped door above a panelled base, on bracket feet, height approx 219cm.
Lot 1
A George III mahogany longcase clock with eight day movement striking on a bell, the painted dial with rocking sailing ship to arch above Roman numerals, subsidiary seconds dial and inscribed, 'Johnson, High Wycombe', the arched hood with spiral reeded columns repeated on the trunk flanking a crossbanded arched door above a plain base and bracket feet, height approx 235cm (faults).
Lot 1
A George III oak longcase clock with eight day bell strike movement, the arched dial painted with a manor house and bridge above Roman numerals, subsidiary seconds dial, date aperture and inscribed 'G. Buckmaster, Royston', the hood with arched pediment above a glazed door flanked by fluted pilasters on a plain trunk and base, height approx 207cm.
Lot 1
A William and Mary walnut and laburnum oyster veneered marquetry longcase clock with eight day, five pillar movement striking on a bell, the square brass dial with matt gilt centre and date aperture framed by a silvered chapter ring with Roman numerals, cornered by pierced amorini spandrels, inscribed 'Wm Catell in Fleete Streete' to base, the hood with carved and pierced amorini and foliate scroll surmount above barley twist pilasters, the trunk door with a lenticle and inlaid with four panels of well drawn bird, floral and flower-charged vase marquetry, cornered by similar panels, the plinth similarly decorated, the sides crossbanded, on a pedestal base, height approx 207cm (alterations and restoration).
Lot 1
A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with painted moonphase indicator above a silvered chapter ring with black Roman and Arabic numerals, framing subsidiary seconds and date dials and inscribed, 'Jn Bell, Hexham', the hood with pierced break arch surmount above a glazed door flanked by turned pilasters, the trunk with crossbanded arched door, on a plain base and bracket feet, height approx 235cm (alterations and restoration).
Lot 1
A George III oak longcase clock with thirty hour movement striking on a bell, the gilt brass dial with silvered chapter ring, inscribed 'Jos Kember Shaw', framing a matt centre and single hand, the hood with moulded pediment and turned pilasters, the trunk with rectangular door, on a plain base and bracket feet, height approx 197cm.
Lot 1
An 18th Century painted longcase clock with eight day movement striking on a bell, the square brass dial with subsidiary seconds dial and date aperture on a matt centre, framed by a chapter ring with Roman hour and Arabic minute numerals and inscribed 'Jno Wise, London', cornered by gilt spandrels, each pierced with two putti holding a crown, the red and black scumbled case with moulded pediment above a plain trunk door and base, height approx 209cm (faults).
Lot 1
A 20th Century mahogany longcase clock of diminutive form with eight day chiming movement, the breakarch gilt dial with 'strike/silent' indicator above a silvered chapter ring with Roman numerals surrounded by pierced gilt spandrels, the arched hood above an arched trunk door, on a plain base and bracket feet, height approx 133cm.
Lot 1
A 19th century Georgian style figure mahogany dwarf long case clock with extensive carved decoration and turned finials to the arch top hood, turned reeded pillars and similar quarter turned pillars to the trunk, double arched door, carved and canted base on ogee bracket feet, arched brass dial with silvered chapter ring and chiming spring driven movement, by Turner Winchester, height 61"
Lot 1
An early 19th century mahogany long case clock with brass finials, paterae and turned pillars to the hood, the trunk with half turned columns and arched rounded door, the base with figured panel and bracket feet, having painted arched dial with 8 day movement by Jas Common, Coldstream, height 85"
Lot 1
Longcase clock by John Stanyer with pendulum two weights and winder John Stanyer Nantwich oak long case clock banded in mahogany square brass face 13in chapter ring with Arabic and Roman numerals engraved field with subsidiary seconds and date aperture two train striking movement in swan neck hood with gilt frieze on fluted columns and trunk with quartered columns on set out base and shaped bracket feet. Height 220cm.
Lot 1
Edwardian mahogany inlaid clock Edwardian inlaid mahogany carrilean longcased clock brass broken arch face with silvered chapter ring subsidiary seconds and articulated tempus fugit dial three train movement striking on eight bells in an arched top hood with fluted columns canted corner trunk and set-out base with high bracket feet decorated with inlaid shell motif and stringing.
Lot 1
A 20th Century mahogany Stick Barometer, the architectural pediment centred with a cast brass urn, to a herring bone trunk with visible tube, to a domed cistern cover, with a single glazed door enclosing a silvered dial with scale of 27 to 31 and flanked by a single scale alcohol thermometer, height 37”
Lot 1
An early 19th century oak and mahogany eight-day longcase clock, 13.5 inch painted square dial with floral spandrels, signed Preston, Lancaster, with pierced gilt metal hands, subsidiary minute and calendar dials, in swan necked hood with turned column supports, trunk with crossbanded arched door and fluted column corners, 7ft 4ins
Lot 1
A late 17th century walnut and floral marquetry longcase clock, 12 inch square brass dial with silvered chapter ring, seconds dial and date window, signed Josh. Alsop East Smithfield, moulded hood with blind fret frieze and spiral supports, the trunk with glazed lenticle, inlaid with a central vase and cherubs and throughout with birds and flowers, on stepped plinth base, 7ft 4ins
Lot 1
THOMAS HUSBAND, HULL, LATE 18th CENTURY OAK LONGCASE CLOCK, the case with arched rectangular trunk door and caddied hood with fluted pilasters, 12" (30cm) arched brass dial signed in the arch and with rolling moon and tide dial, subsidiary seconds and date pointer, two train, four pillar, eight day rack striking movement with anchor escapement. 2.18m (excluding finial)
Lot 1
ALEX CUMMING, LONDON, GOOD EARLY 19th CENTURY MAHOGANY LONGCASE CLOCK, of small proportions, the case with panelled plinth, shaped rectangular trunk door and low caddied hood with sound frets, all enriched with brass mouldings, 9.75" (25cm) shaped silvered brass dial with subsidiary seconds and date aperture, signed to the arch, substantial eight day five pillar rack striking movement, to regulator quality, with anchor escapement, spreading rectangular plates, two brass cased weights, wooden rod pendulum and cylindrical bob; evidence of original strike/silent provision, now absent. 1.98m Note: Alex Cumming, Edinburgh and London 1732-1814, is recorded as a noteworthy high quality clock maker with works, inter alia, in Buckingham Palace.
Lot 1
Three Meissen models of children circa 1765-85 comprising: a figure of a boy circa 1780 and a girl circa 1770 carrying baskets of grapevines together with a similar figure of a girl crossed swords in underglaze-blue to the back of one girl crossed swords and asterisk to the back of the tree trunk of the boy crossed swords and dot to one of the girls and various incised numbers 13.5. 5.25in. some chips and losses (3)
Lot 1
An early 19th Century Longcase Clock having arched silvered dial inscribed Thomas Pren, Tewkesbury, subsidiary seconds dial and date aperture, 8-day movement with quarter hour strike, in mahogany case having cross-banding, the trunk with gothic arched door, turned columns to the hood, swan neck surmount
Lot 1
An 18th Century 8 day longcase clock by Step Aselin, London, the 30.5cms square brass dial with cherub and crown spandrels, silvered chapter ring, subsidiary seconds dial and date aperture, in oak case with mahogany crossbanding, the hood with swans neck pediment, fluted pillars to the dial door, shaped full length trunk door flanked by fluted pilasters and on panelled plinth base, 203cms high
Lot 1
An 18th Century 8 day longcase clock by John Fletcher, Holbeck, having arched brass dial with sun/moon phase in the arch, silvered chapter ring and subsidiary seconds dial and date aperture, in oak case, the hood with broken curved arch, reeded pilasters flanking the dial door and shaped full length trunk door, 213cms high
Lot 1
A mahogany crossbanded oak thirty hour longcase clock early 19th century the 11.5in white painted Arabic numeral dial with subsidiary seconds dial arched calendar aperture and signed ‘W. Preddy Langport’ to centre with polychrome and conch shell painted spandrels and landscape with cottage to arch the swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and plinth base 203cm high. William Preddy is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working from Langport 1822-39.
Lot 1
A George III figured mahogany eight day longcase clock late 18th century the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and formerly signed ‘Thos. Bullock Bath’ to centre with polychrome and gilt floral painted spandrels and strike/silent dial to arch the case with break-arch blind fret fronted pediment and reeded Corinthian pilasters to hood above shaped top trunk door flanked by reeded canted angles on raised panel fronted plinth base 219cm high excluding finial. Thomas Bullock is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working in Bath 1764-73.
Lot 1
A oak eight day longcase clock late 18th century with four-pillar rack and bell striking movement and 12in brass break-arch dial with calendar aperture and subsidiary seconds dial to the coastal scene engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed ‘Thomas Field Bath’ to lower edge with foliate scroll cast spandrel applied angles and ‘Tempus Fugit’ engraved silvered boss between dolphin cast mounts to arch in a flat-top case with moulded cornice blind fret infill and integral columns to hood over shaped-top trunk door and plain plinth base 216cm high.. Thomas Field is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working 1766-1812.
Lot 1
A South Wales inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed ‘W. G. Golding’ to centre the spandrels polychrome painted with dead game beneath retriever with pheasant in mouth to arch the Bristol type case with shaped top arch pediment twist pilasters and wavy edge door to hood above short door flanked by quarter columns to trunk on chevron banded plinth base 202cm high.
Lot 1
A George II red lacquer eight day longcase clock mid 18th century the four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial calendar aperture and arched nameplate inscribed ‘Jn’o. Thomas Crewkerne’ to the matted centre within a Roman numeral silvered chapter ring with fleur de lys half hour markers and Arabic five minutes the angles with bird and urn pattern spandrels beneath pheonix engraved silvered boss between dolphin mounts to arch the break-arch pedimented chinoiserie decorated case with integral pilasters to hood above trunk door gilt painted with oriental figures within stylised pagodas beneath a willow tree on plinth base with conforming decoration 212cm high. John Thomas is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Crewkerne circa 1690-1760.
Lot 1
A George II mahogany eight day longcase clock circa 1740 the four finned pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within a Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘W. Townly Bourton’ to lower edge the angles with bird and urn pattern cast spandrels beneath sunburst engraved boss flanked by dolphin mounts to arch the case with stepped pediment and dentil cornice above twist turned pilasters to hood with rectangular trunk door and on panelled plinth base with ogee bracket feet case distressed 209cm high excluding finials. William Townley is recorded in Moore A J ‘The Clockmakers of Somerset 1650-1900’ as working in Flax Bourton 1729-51.
Lot 1
A George III mahogany eight day longcase clock with ‘High Water at Bristol Key’ circa 1775 The four pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arched calendar aperture within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Jos. Wood Bristol’ to lower edge with scroll cast spandrel applied angles and rolling moon calibrated for ‘High Water at Bristol Key’ to arch the case with swan neck pediment and break-arch dentil cornice above fluted corinthian pilasters to hood and shaped top door flanked by fluted canted angles to trunk on conforming plinth base with shaped raised panel to front 234cm high. Joseph Wood is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working from St. Augustines back in 1775 then from St. Stephens Parish in 1784 he died on April 2nd 1791.
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66889 item(s)/page