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Good quality mid-nineteenth century Bohemian ruby overlaid and cut glass chalice - the bowl beautifully engraved with deer in a wood, on bulbous faceted stem and splayed foot, 33cm high CONDITION REPORT Star crack approximately 1cm across to base of a tree trunk engraved on the bowl. Apart from this, in very good condition
Late eighteenth century longcase clock with thirty hour movement, fourteen inch painted break arch dial with floral spandrels, subsidiary second and calendar dials, signed W Flather Halifax, break arch decorated with scene of shepherd and dogs, in an oak and mahogany case with short trunk door and large shaped plinth hood with large central door, plain turned columns, box and spire finial and swan-neck pediment with brass rosettes, 229cm overall height
A modern oak longcase clock of 18th Century design, the 11ins arched brass dial with subsidiary seconds, calendar, day and date dials, and inscribed "Charles E. Short, Brighton" to the eight day three train weight driven movement striking on eight gongs, contained in case with brass finials and turned pillars to hood, and with glazed trunk door, 78ins high
A mid 18th Century mahogany longcase clock by Joseph Park, Liverpool, the 12ins brass dial with subsidiary seconds and calendar apertures and with applied cast spandrels representing "The Four Seasons" to the eight day two train movement striking on a bell, contained in case with arched and scrolled cresting and fluted and turned pillars to hood, and with shaped trunk door, 84ins high (in need of extensive restoration throughout) Note: Joseph Park recorded working in Liverpool 1734- died 1766
A late 18th/early 19th Century mahogany longcase clock by Robert Dalgleish of Falkirk, the 13ins arched painted dial with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in fitted mahogany case with moulded scroll pediment and turned and fluted columns to hood, with shaped trunk door and conforming quarter columns on bracket feet, 92ins high, with winding key for same Note : Robert Dalgleish recorded working until 1820
A 19th Century oak longcase clock by William Ross of Dover, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a view of a three masted sailing ship and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case with moulded cresting and plain turned pillars to hood, arched trunk door, on bracket feet, 85ins high Note: William Ross appears in Dover Apprentices lists as starting his indentures in 1827, but nothing else is known
An early 18th Century longcase clock by John Hough of High Leigh, the 10ins square brass dial with single hand and silvered chapter ring, to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door and on bracket feet, 79ins high Provenance : Purchased from Brian Loomes and illustrated in his book - "Brass Dial Clocks"
* Henderson (Keith, 1883-1982). A group of three African Bustard in a landscape, oil on board, signed, 41 x 55cm, mounted, framed and glazed, together with A Wood Hoopoe Hesitates, oil on board, depicting a hoopoe on a tree trunk with four moths, c. 1974, signed, 49 x 59cm, framed, gallery label verso, plus African Yellow Finch with Foliage (untitled), oil on board, signed, 46 x 48cm, framed (3)
Matthews of Leighton, an 18th century and later oak longcase clock, the brass face supporting a 30 hour movement under a square hood, the trunk with rectangular door on a plain base with plinth foot CONDITION REPORT: (no guarantee as to working order, movement and case associated, case with wear commensurate with age and possible adaptions, e.g. pediment)
Handscomb of Wobourn (sic), a George III oak and mahogany longcase clock, the painted face supporting a 30 hour movement under a square hood with swan's neck pediment, the trunk with ogee door CONDITION REPORT: (cannot guarantee working order,face with crackleure and wear, case with splits between boards, surface flat)
A George III oak longcase clock, by Thomas Ogden, Halifax the brass bent and dial with moon phase globe, silvered chapter ring bearing Roman and Arabic numerals, subsidiary second dial, two train, five pillar twin barrel eight day movement, half hour striking on a bell, date aperture, the case with hood bearing brass capped pilasters, plain trunk on an outswept base 48 by 27 by 203cm high.
A brown leather travelling trunk by Drew of London with brass mounts and leather straps and handle CONDITION REPORTS In used and worn condition with wear, scuffs, creasing, some mis-shaping, scratches, stains and dirt, straps to front appear to be later replacements, one is broken off and the other is fairly worn, some wear and splits to corners, generally with scuffing, interior of sides of the lid very scuffed and metal reinforcements showing through where the lining has worn away, fabric lining is dirty and stained, and has some small tears and holes plus a larger tear to front padded section.
A brown leather trunk with brass mounts and side straps, the hinged top initialled "T E W", opening to reveal a canvas and brown leather fitted interior CONDITION REPORTS Overall in very used and worn condition with scuffs, dents, mis-shaping, creasing, stains and dirt, various replacement sections to leather straps, replacement leather hinge to back, interior with dirt and stains, and lining to lid with some cuts and tears, some replacement and re-stitching to the strapwork to the interior, some replacements to the lining.
An oak cased eight-day longcase clock, the hood with broken swan neck pediment above freestanding column supports, the trunk with long door on a planked base, the arched dial signed William Gill, Maidstone to the convex boss and with Arabic and Roman numerals to the chapter ring, fitted a subsidiary seconds dial and date aperture, the dial 30.5cm (12") wide
* Documents and Ephemera. An assorted collection of vellum and paper documents, mostly 18th & 19th c., including land deeds, bonds, agreements, etc., parties include the Duke of Fife and the Honourable Matthew Fortescue, with properties in London, Wales and Ireland, plus a bill book ledger (1817-33), some legal paperwork concerning the marriage contracts and deed polls of Her Royal Highness the Princess Alexandra Victoria Alberta Edwina Louise, Duchess of Fife, some earlier documents including a 44-page booklet of religious exercises, 1760s, a small 16-page religious pamphlet in manuscript dated 29 September 1678 by Mr Shore, written in a small and very neat hand, a document of depositions of witnesses taken on a commission between the Queen and Nicholas Upton, 1547, relating to saltwater fishing, 2 pp. with integral blank, somewhat soiled, folio, plus two letters from Peter Morton [ambassador to Charles I], one dated 26th October 1626 and written from Venice to his father beginning ‘After a tediouse and troublesom journey my Lord is at length returned to Venice. The troubles of his new arrivall and the shortnesse of the tyme since his coming will yet give mee noe occasion of assuring you determinately how I find his affection disposed towards mee since the death of Sr. Albertus Morton: though I doubt not but in my next lrs I shall give you better satisfaction in this, 1 p. with integral address leaf and seal tear, soiling, folio, the second dated 20th May 1627 to an unnamed person (docketed ‘Ffor your selfe’) concerning Lord Conway and the delivery of some letters, 2 pp. plus integral blank (docketed), plus other miscellaneous documents and letters, etc., contained in an old solicitor’s tin trunk (a tin trunk)
Sam. Atfield, Brentford, a walnut Queen Anne style miniature longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eight-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, meeting-arrowhead half-hour markings and signed Sam Atfield, Brentford either side of VI o’clock, with a matted dial centre and four cast brass floral spandrels to the corners with floriate engraving between, the walnut veneered case with a caddy top and turned columns to the hood, beaded moulding to the trunk door and crossbanding to the base, the backboard bearing a torn label stamped ‘Upjohn W, Maker, South Street’, height 182cm.* Samuel Atfield is unrecorded although a James Atfield is known working in Brentford in the mid 18th century. * William Upjohn is recorded working in Fore Street, Exeter in the late 18th century before moving to Southgate Street in circa 1800, having retired in 1803 he moved to London where he died in 1812.
John Michell, Chardstock, an early oak longcase clock the thirty-hour duration movement with five latched pillars, striking the hours on a bell and the half-hours on a small bell, with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed John Michell, Chardstock fecit either side of VI o’clock, with a matted centre, cast brass cherub head spandrels with floriate engraving between and fine blued steel hands, the later oak case with a swan-neck pediment, turned pillars to the hood and crossbanding to the trunk door and base, height 192cm.* John Michell was babtised in August 1675, being the son of Stephen and Elizabeth. He married Annie Fippen in May 1691 with whom he had a daughter, Ann, who eloped with the local Reverend’s son, Thomas Drayton, in 1727, marrying in Dorchester in September of that year. It is known John Michell made fine and distinctive lantern and longcase clocks. His brother James was also a clockmaker.

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66887 item(s)/page